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Little Lies
Sheetmusic to print
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26
Angels, Lambs, Ladybugs & Fireflies - Director's Manual
Director's Edition Children's Choir; Choral (Director's Manual) SKU: HL.8738002 …
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Director's Edition Children's Choir; Choral (Director's Manual) SKU: HL.8738002 Children's Christmas Musical. Composed by Betty Hager and Fred Bock. Fred Bock Publications. Christmas, Christmas Sacred, Christmas/Advent Sacred, Musicals. Fred Bock Music Company #BG0690. Published by Fred Bock Music Company (HL.8738002). UPC: 073999380026. 9.0x12.0x0.132 inches. Betty Hager & Fred Bock.Our wings are fluttering, our lights are all lit, and we're genuinely excited about this clever presentation which tells the Christmas story in a new, and fantasy-sort-of-way. Insects and Little Creatures, as well as shepherds and Big People, needed to know and spread the Good News of Jesus' birth. This is their story!This is the original Bock/Hager children's musical - over 100,000 in print! It's a Christmas musical fantasy that includes dialogue and singing by costumed insects, creatures, shepherds, and Mary & Joseph. The animal kingdom comes alive to tell of the Savior's birth - arranged for unison choir with occasional two-part voicing. Available: Director's Edition, Singer's Edition, Accompaniment Track Cassette, Listening Cassette, Preview Pak (Singer's Ed. & Listening Cassette). For Pre-kindergarten to 5th grade.Songs, dialog and piano accompaniments, teaching materials, lesson plans and movement.
Song List
: This Little Light of Mine Away in A Manger (W. Kirkpatick/Arr: J. Heggie) This Is A Story You Should Know (B Hager/F Bock) March of the Insects & Birds (B Hager/F Bock) Will You Go? (B Hager/F Bock) Butterfly, Butterfly (B Hager/F Bock) COME, ALL YOU LITTLE CREATURES
$24.95
23 €
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Betty Hager and Fred Bock
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Angels, Lambs, Ladybugs & Fireflies - Director's Manual
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Fred Bock Music Company
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SheetMusicPlus
Little Seeds
In Little Seeds you will find new hymns from my heart. My devotional life is given to you …
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In Little Seeds you will find new hymns from my heart. My devotional life is given to you in my hymnwriting. During the past three years I have been writing songs for the unity of the church - songs reminding us of our baptism. I have been writing biblical story hymns for lesser-known characters. I have written paperless songs that may be easily memorized. I set a Rumi poem. There are new hymns for Christian missions from everywhere to everywhere. You will find new texts and musical settings for folk songs from around the world. I hope I have treated these with the love and respect they deserve. You will find alternate arrangements of some songs that may be useful in different settings. Lim Swee Hong composed three tunes for this collection at my request. I am also pleased to include Lianne Tan's first published hymn tune in Little Seeds
Song List
: A Babe Was Born A Blood Red Rose Reminds Us Still A Garden You Once Made A God of Surprises, Beyond Expectation A Man Lay Beaten, Left for Dead A Rabbi Sat Against a Wall A Woman Stood Accused Ain't No Grave All People Need a Home As at Pentecost You Came As Children, We May learn to Love As Colors in the Sky Beside the Great Cathedrals Can You See Christ Can You See the Living Christ Chill of the Nightfall Each Seeking Faith Is Seeking Light Elijah Bowed Down on the Earth Fair Wind and the Sky Is Clear God, Help the Weary Travelers God, Help Your Church to Learn God, You Are Like a Place Remembered Guide My Canoe, Spirit Wind He Is The Way He Will Never Let Go My Hand Hope of the Earth I Saw an Angel in the Road I Will Not Always Walk This Earth In Every Changing State of Mind In the Stillness of This Hour Jesus, Live in Us Jesus Lives! Jesus, Partner, Lover, Friend Jesus, We Come to the Table Justice Like a River Lead Us to Still Waters Let Flow Our Tears in Grief for This Lilies Of The Field Look: Such Horror, Torn, then Tortured Mother, Child, and Birthing Spirit Much Brighter than a Thousand Suns My Child Is a Flower New Every Morning Is Your Grace No Obvious Angels Our God Is a Rock Our Life in the Spirit Out of Joy and Out of Need Peace Child Planter of Gardens, Sender of Rain Prayer Is the Cry of the Heart Remember the Rock that Bore You Samuel, Samuel, I Am Calling Startle Us with Joy The Earth Is Like a Burning Bush The Grass Will Green Again The Road to Capernaum The Saints of Old Cry Out There Is No Smell Like Fresh-Baked Bread This Hurt Is Not the Final Word True Union Is a Gift of God We Are People, Made by God We Are Your Children We Are Your People We Give You Thanks for Every Faith When Human Life Is Bought and Sold When I See the Rain With the People We Have You Give Rest to All Who Come to You You Set Your Seal upon Each Heart You Walk This Earth
$11.95
11.02 €
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Little Seeds
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SheetMusicPlus
The Little Sailor Boy. A Favorite Ballad
Piano and voice; guitar - Digital Download SKU: LV.16050 Composed by B. Carr. Seame…
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Piano and voice; guitar - Digital Download SKU: LV.16050 Composed by B. Carr. Seamen, Families, Courtship & love, Homecomings. Lester S. Levy Collection. 2 pages. Published by Johns Hopkins University Sheridan Libraries (LV.16050). The Little Sailor Boy. A Favorite Ballad. Written by Mrs. Rowson. Composed by B. Carr. Published [1798?] by Printed and Sold at B Carrs Musical Repository in Philadelphia. Composition of strophic with piano and voice; Guitar instrumentation. Subject headings for this piece include Seamen, Families, Courtship & love, Homecomings. First line reads The sea was calm the sky serene and gently blew the castern gale.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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B
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The Little Sailor Boy. A Favorite Ballad
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
First Three Notes - Three Blind Mice - Mary Had a Little Lamb - euphonium/baritone horn and piano
Baritone Horn BC,Euphonium,Piano - Level 1 - Digital Download SKU: A0.1204944 Compo…
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Baritone Horn BC,Euphonium,Piano - Level 1 - Digital Download SKU: A0.1204944 Composed by Anon. Arranged by Phil Beaman. Children,Classical,Folk,Instructional,Traditional. Score and part. 4 pages. Phil Beaman #803234. Published by Phil Beaman (A0.1204944). You have just learned how to finger and play the first three notes on your instrument.  Now it is time for your first easy piece for performance!  My booklet  First Three Notes contains my arrangements of two well known tunes, Three Blind Mice and Mary Had a Little Lamb.  Prepared for the earliest beginners, it uses only the first three notes you learned on your instrument, and also uses only crotchet notes (quarter notes) and crotchet rests (quarter rests).  The piano accompaniment fills it out with simple but richly updated harmony.  4 pages, with cover, scores, parts in Bass Clef1:30 minutes, totalAlso available on this site, I have transposed this booklet for most of the traditional instruments that I know.
$2.99
2.76 €
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Anon
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First Three Notes - Three Blind Mice - Mary Had a Little Lamb - euphonium/baritone horn and piano
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Phil Beaman
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SheetMusicPlus
Angels, Lambs, Ladybugs & Fireflies - Singer's Edition
Singer Edition Children's Choir; Choral SKU: HL.8738001 Children's Christmas Mus…
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Singer Edition Children's Choir; Choral SKU: HL.8738001 Children's Christmas Musical. Composed by Betty Hager and Fred Bock. Fred Bock Publications. Christmas, Christmas Sacred, Christmas/Advent Sacred, Musicals. Singer's Edition. 22 pages. Fred Bock Music Company #BG0689. Published by Fred Bock Music Company (HL.8738001). UPC: 073999380019. 6.75x10.5x0.053 inches. Betty Hager & Fred Bock.Our wings are fluttering, our lights are all lit, and we're genuinely excited about this clever presentation which tells the Christmas story in a new, and fantasy-sort-of-way. Insects and Little Creatures, as well as shepherds and Big People, needed to know and spread the Good News of Jesus' birth. This is their story!This is the original Bock/Hager children's musical - over 100,000 in print! It's a Christmas musical fantasy that includes dialogue and singing by costumed insects, creatures, shepherds, and Mary & Joseph. The animal kingdom comes alive to tell of the Savior's birth - arranged for unison choir with occasional two-part voicing.Available: Director's Edition, Singer's Edition, Accompaniment Track Cassette, Listening Cassette, Preview Pak (Singer's Ed. & Listening Cassette). For Pre-kindergarten to 5th grade.
$5.99
5.52 €
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Betty Hager and Fred Bock
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Choral
SKU: HL
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Angels, Lambs, Ladybugs & Fireflies - Singer's Edition
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Fred Bock Music Company
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SheetMusicPlus
Angels, Lambs, Ladybugs & Fireflies - Preview CD
Children's Choir; Choral (Preview CD) SKU: HL.8738494 Children's Christmas Music…
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Children's Choir; Choral (Preview CD) SKU: HL.8738494 Children's Christmas Musical. Composed by Betty Hager and Fred Bock. Fred Bock Publications. Christmas, Christmas Sacred, Christmas/Advent Sacred, Musicals. CD only. Fred Bock Music Company #BG7504. Published by Fred Bock Music Company (HL.8738494). UPC: 073999384949. 5.5x5.0x0.202 inches. Betty Hager & Fred Bock.Our wings are fluttering, our lights are all lit, and we're genuinely excited about this clever presentation which tells the Christmas story in a new, and fantasy-sort-of-way. Insects and Little Creatures, as well as shepherds and Big People, needed to know and spread the Good News of Jesus' birth. This is their story!This is the original Bock/Hager children's musical - over 100,000 in print! It's a Christmas musical fantasy that includes dialogue and singing by costumed insects, creatures, shepherds, and Mary & Joseph. The animal kingdom comes alive to tell of the Savior's birth - arranged for unison choir with occasional two-part voicing.Available: Director's Edition, Singer's Edition, Accompaniment Track Cassette, Listening Cassette, Preview Pak (Singer's Ed. & Listening Cassette). For Pre-kindergarten to 5th grade.A preview CD contains the full-length audio recording of a children's musical.
$16.99
15.66 €
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Betty Hager and Fred Bock
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Angels, Lambs, Ladybugs & Fireflies - Preview CD
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Fred Bock Music Company
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SheetMusicPlus
Little White Lies
Voice (Vocal Volume 2) - Digital Download SKU: HX.39231 By Walter Donaldson. This e…
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Voice (Vocal Volume 2) - Digital Download SKU: HX.39231 By Walter Donaldson. This edition: scorch. Jazz,Standards. Leadsheet (melody/chords/lyrics). 1 pages. Hal Leonard - Digital #485615. Published by Hal Leonard - Digital (HX.39231).
$1.99
1.83 €
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Walter Donaldson
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Little White Lies
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Hal Leonard - Digital
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SheetMusicPlus
Mysterious Moment for oboe and string trio
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 …
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Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
7.38 €
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David Warin Solomons
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Mysterious Moment for oboe and string trio
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David Warin Solomons
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SheetMusicPlus
St Denio - organ voluntary
Instrumental Solo,Pipe Organ - Level 3 - Digital Download SKU: A0.1512346 By Annett…
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Instrumental Solo,Pipe Organ - Level 3 - Digital Download SKU: A0.1512346 By Annette Butters. By Traditional. Arranged by Annette Butters. 19th Century,Christian,Sacred. Individual part. 4 pages. Annette Butters #1087375. Published by Annette Butters (A0.1512346). A useful gentle voluntary for playing in a variety of service situations. This is a very straight forward setting designed to be useful for last minute selection if needed. It can easily be played on any two manual instrument with pedals. For many organists it will take very little work to learn. The key is G major and the piece 'lies under the fingers'. To hear the entire piece, follow the link to view on YouTube.
$4.99
4.6 €
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Annette Butters
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St Denio - organ voluntary
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Annette Butters
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SheetMusicPlus
Fairy Tales
Clarinet (violin), viola and piano - intermediate to advanced - Digital Download SKU: S…
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Clarinet (violin), viola and piano - intermediate to advanced - Digital Download SKU: S9.Q48185 Based on Robert Schumann. Neue Ausgabe sämtlicher Werke, Band II/3. Composed by Robert Schumann. This edition: score and parts. Stücke nach Robert Schumann. Downloadable, Score and parts. Op. 132. Schott Music - Digital #Q48185. Published by Schott Music - Digital (S9.Q48185). The Fairy-Tale Narratives (Märchenerzählungen) for B-flat Clarinet (ad libitum Violin), Viola and Piano, Op. 132, belong to the few Schumann works that were composed, revised and published in a short time: composed in Düsseldorf, at beginning of October 1853, the new composition was already offered for publication to the Breitkopf & Härtel publishing house on 3 November and printed in February 1854. Composition and publication of the Märchenerzählungen were accompanied, though, by difficult times, the final days before the composer was admitted to the psychiatric clinic in Endenich. The work’s reception lies in the shadow of the last creative period: The pieces were associated with his life’s darker phases and were very little played. The Märchenerzählungen transmit Schumann’s single work for this unusual piano trio with viola and clarinet. The only well-known earlier example in this setting at that time is Mozart’s “Kegelstatt†Trio K 498 (composed in 1786). Schumann was certainly already acquainted with the work from his Leipzig years – it was played in one of the “quartet sessions†in 1829.
$18.99
17.51 €
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Robert Schumann
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Fairy Tales
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Schott Music - Digital
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SheetMusicPlus
Playing with Scales
Guitar - Level 2 - Digital Download SKU: A0.1314698 Composed by Richard Hirsch. Ins…
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Guitar - Level 2 - Digital Download SKU: A0.1314698 Composed by Richard Hirsch. Instructional. Educational Exercises. 8 pages. Richard Hirsch #903442. Published by Richard Hirsch (A0.1314698). Many amateur guitarists and beginning students of guitar are ‘stuck in the first position’. The rest of the fretboard is ‘terra incognita’. They don’t know where the notes are and they don’t know how to get to them and use them in playing melodies. To help remedy this situation, I offer a collection of scales and exercises I have developed over the years that have helped me master the fretboard of the guitar and that I have used to warm up my left and right hands before practicing or playing proper pieces. Guitarists afraid to move up the fretboard miss out on all the tonal nuances that the guitar has to offer. They also often have undeveloped left hand technique with a little finger that flies around helplessly and uselessly. These scales and exercises will, if played regularly, put the little finger to good use and guide the left hand to orient to the fretboard properly, staying close to the fretboard with fingers that move as little and as efficiently as possible. They are also relaxing and fun to play around with. I read somewhere a while back that medical science had found that pianists were less likely to develop brain diseases. The scientists attributed this to the many hours pianists spend playing scales, as this is like a gentle brain massage. So scales are not only good warm up exercises for the fingers but also good warm-ups for the brain.The scale exercises written here in the keys of G and C should be played in different keys in higher positions on the fretboard. Students can try to see just how far up the neck they can go to reach the highest notes. After a while, what seemed challenging and strange will start to feel comfortable and familiar. Don’t hesitate to develop new variants of the scales when you grow tired of playing them as I propose here. Have fun playing and playing with the scales!The exercises often start in one position and move toward other higher or lower positions on the fretboard. When moving from one position to another, follow the suggested fingerings to utilise what is called a lead finger to move the hand to the next position. This will make the movement smooth and not interrupt the flow of the scale. In the end all movement should look and feel seamless and effortless.I have chosen scales in major keys I think are particularly good to play on the guitar. To practice a scale in a minor key, start the exercise in the related major key from the fundamental of the minor key, for example, to play an E minor scale start the G major exercise on an E and play from there. This is one way of creating new variants of these scales. Another way to vary the exercises is to play the scales in different time signatures or rhythms.I believe these exercises are particularly helpful for amateur guitarists who play in ensembles of different kinds, duos, trios, quartets, where the guitarist often only has one melodic line to play. Such melodies often sound much better played in higher positions where the guitar can be made to sing, rather than in the first position where the same tones, especially on open strings, often sound rather dull. From my own experience, I find that when I play a melody in a higher position using all the fingers of the left hand, the melody not only sounds better, the fingers remember the melody better.Â
$4.99
4.6 €
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Richard Hirsch
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Playing with Scales
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Richard Hirsch
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SheetMusicPlus
Mozart: Romanze from K. 525 for Piano Quintet
Small Ensemble,Strings Piano - Level 3 - Digital Download SKU: A0.549783 Composed b…
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Small Ensemble,Strings Piano - Level 3 - Digital Download SKU: A0.549783 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Sacred,Standards,World. Score and parts. 27 pages. Jmsgu3 #3535793. Published by jmsgu3 (A0.549783). Mozart's Romanze from Eine Kleine Nachtmusik, K. 525 for String Quartet and Piano (Piano Quintet). Duration: ca. 7:00. Score: 11 pages. Violin I: 4 pages, Violin II: 3 pages, Viola: 3 pages, Cello: 2 pages, piano: 4 pages. This is one of the most beloved works in all of Mozart's catalog making it a strong choice for a recital, meditation, nightclub, church or wedding reception. Eine kleine Nachtmusik Eine kleine Nachtmusik is also at the same time known as Serenade No. 13. Indeed, we find it listed in the Köchel Catalog as K. 525. With this in mind, Mozart composed the piece by all means in 1787 probably as a commission. To clarify, the title translates as a little night-music. Mozart originally scored the work in particular for an ensemble of two violins, viola, and cello with double bass (optional). In modern times the work is certainly usually performed by string orchestras, though it is often in fact performed by a string quartet – with or without double bass. Publication A point often overlooked is that the name of the work derives from the entry Mozart made in his private journal. He wrote: Eine kleine Nacht-Musik. This explains that Mozart was probably not naming the piece, but only entering a record that he had completed it. Nevertheless, the work was published by and large in 1827. It had been sold to the publisher for the most part in 1799 by Mozart's widow Constanze. Nowadays, it is on balance extensively performed and recorded. Some critics ultimately claim that it is the most popular of all Mozart's works. Early Years Wolfgang Amadeus Mozart (1756 – 1791), was a productive and significant Austrian classical composer. Mozart displayed unusual musical capability from his earliest childhood. It seems like he was already capable on keyboard and violin at the age of two. He started composing at age five and performed before European royalty. Middle Period At 17, Mozart was working as a musician at the Salzburg Royal court but grew agitated from boredom and traveled to search for a more interesting job. While visiting Vienna in 1781, he was summarily dismissed from his Salzburg job. Nevertheless, he decided to stay in the capital (Vienna), where he achieved much fame but little economic haven. Throughout his concluding years in the Capital, he composed many of his most famous works: symphonies, operas, and concertos. Final Period The conditions surrounding his death have been much the subject of much conjecture and mythology. He composed more than 600 works, many recognized as highpoints of symphonic, chamber, concertante, choral and operatic. He is among the most everlastingly popular of classical composers, and his impact is substantial on succeeding Western art music. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$19.95
18.39 €
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Wolfgang Amadeus Mozart
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Mozart: Romanze from K. 525 for Piano Quintet
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jmsgu3
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SheetMusicPlus
Amol iz geven a mayse for soprano or treble voice and 2 violins (simplified version)
Small Ensemble High Voice,Violin - Level 2 - Digital Download SKU: A0.575878 Compos…
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Small Ensemble High Voice,Violin - Level 2 - Digital Download SKU: A0.575878 Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Folk,World. Score and parts. 10 pages. David Warin Solomons #2028991. Published by David Warin Solomons (A0.575878). Simplified arrangement (by special request) of a Yiddish folk song for alto voice and 2 violins A sad lullaby telling the tale of a king and the gradual disappearance of his kingdom, family and garden. All that remains is a little bird and it also flies away. The sound sample is an electronic preview (with the voice part represented by a cor anglais).
$7.00
6.45 €
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Traditional
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Amol iz geven a mayse for soprano or treble voice and 2 violins
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David Warin Solomons
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SheetMusicPlus
Amol iz geven a mayse for soprano or treble voice and 2 violins
Small Ensemble High Voice,Violin - Level 3 - Digital Download SKU: A0.575877 Compos…
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Small Ensemble High Voice,Violin - Level 3 - Digital Download SKU: A0.575877 Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Folk,World. Score and parts. 10 pages. David Warin Solomons #2029007. Published by David Warin Solomons (A0.575877). Arrangement (by special request) of a Yiddish folk song for alto voice and 2 violins A sad lullaby telling the tale of a king and the gradual disappearance of his kingdom, family and garden. All that remains is a little bird and it also flies away. A simplified version is also available The sound sample is an electronic preview (with the voice part represented by a cor anglais).
$7.00
6.45 €
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Traditional
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Amol iz geven a mayse for soprano or treble voice and 2 violins
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David Warin Solomons
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SheetMusicPlus
Sinfonia piccola
8 double basses - advanced - Digital Download SKU: S9.Q6922 Composed by Bertold Hum…
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8 double basses - advanced - Digital Download SKU: S9.Q6922 Composed by Bertold Hummel. This edition: score and parts. Double-Bass Library. Downloadable, Score and parts. Op. 66. Duration 23 minutes. Schott Music - Digital #Q6922. Published by Schott Music - Digital (S9.Q6922). This four-movement piece was designed as a double quartet and, as the title implies, is like a little symphony. The varied sound is the result of harmonics, glissandos, pizzicatos, fingerboard and instrument body tapping, solo and ensemble playing. The musical palette ranges from lyrical to jazz, from pathos to absurdity. 'Sinfonia piccola' was premiered by students of the Würzburg Music Academy at the First International Double Bass Competition and Workshop in 1978 on the Isle of Man. * This work is part of the Hummel Bass Ensemble Project.
$57.99
53.46 €
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Bertold Hummel
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Sinfonia piccola
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Schott Music - Digital
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SheetMusicPlus
Something Sweet
Woodwind Ensemble,Woodwind Quintet Flute,Oboe - Level 3 - Digital Download SKU: A0.9837…
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Woodwind Ensemble,Woodwind Quintet Flute,Oboe - Level 3 - Digital Download SKU: A0.983792 Composed by R H Baptiste. Contemporary. 11 pages. Ron Baptiste #3560835. Published by Ron Baptiste (A0.983792). As the title implies, a pleasant little piece to play or hear. Scored for three soprano and alto flute, plus oboe (soprano or bass flute may be substituted for oboe part
$6.99
6.44 €
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R H Baptiste
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Something Sweet
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Ron Baptiste
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SheetMusicPlus
A-tisket, A-tasket
Large Ensemble B-Flat Trumpet,Bass Voice,Clarinet,Drums,Piano,Tenor Saxophone,Trombone - L…
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Large Ensemble B-Flat Trumpet,Bass Voice,Clarinet,Drums,Piano,Tenor Saxophone,Trombone - Level 3 - Digital Download SKU: A0.948512 By Ella Fitzgerald. By Ella Fitzgerald and Van Alexander. Arranged by M. Sloan Hill. Jazz. Score and parts. 69 pages. M. Sloan Hill #5288557. Published by M. Sloan Hill (A0.948512). Originally recorded by Ella Fitzgerald at the age of 18, this silly little nursery rhyme tune is given an upbeat treatment here by close-harmony vocal group The Manhattan Transfer. Perfect for community theater productions, old time radio show reenactments, follies and the like!
$24.95
23 €
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Ella Fitzgerald
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A-tisket, A-tasket
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M. Sloan Hill
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SheetMusicPlus
Mairzy Doats
Large Ensemble B-Flat Trumpet,Bass Voice,Drums,Piano,Tenor Saxophone,Trombone - Level 3 - …
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Large Ensemble B-Flat Trumpet,Bass Voice,Drums,Piano,Tenor Saxophone,Trombone - Level 3 - Digital Download SKU: A0.948508 By Merry Macs. By Al Hoffman, Jerry Livingston, and Milton Drake. Arranged by M. Sloan Hill. Contemporary. Score and parts. 65 pages. M. Sloan Hill #5215941. Published by M. Sloan Hill (A0.948508). Catchy little WWII number made popular by close-harmony vocal ensemble, the Pied Pipers, here faithfully reproduced. Perfect for community theater shows, old time radio reenactments, follies and the like!
$24.95
23 €
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Merry Macs
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Mairzy Doats
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M. Sloan Hill
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SheetMusicPlus
FOREST TALES (pieces for classical guitar in unequal time signatures)
Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1399445 By V…
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Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1399445 By Vasil Belezhkov. By Vasil Belezhkov. Arranged by Vasil Belezhkov. 21st Century,Children,Classical,Folk. Individual part. 26 pages. Vasil Belezhkov #982729. Published by Vasil Belezhkov (A0.1399445). FOREST TALES is a collection of 10 pieces that aim to acquaint classical guitar students with the unequal time signatures most commonly used in Bulgarian folk music  (starting with 5/8, all the way  to 15/8). Each of the pieces is aimed at mastering a certain technical element: the ‘Little Spider’ stretches the threads of its cobweb through a descending legato to an open string, ‘Dr. Woodpecker’ takes care of the bark of the trees through various percussion techniques, the ‘Fireflies’ glitter with the sound of natural harmonics, and so on.All musicians all over the world are familiar with dance forms like alemande and sarabande, menuette and waltz, tango and rumba, but how many of them are familiar with the different Bulgarian types of 'horo' (ring-dances)? Each piece in my 'Forest Tales' collection is predecesed by a text explaining which dances from which Bulgarian folk regions are typical for this or that time signature and how we are supposed to count the beats in it.I wish you a pleasant and fruitful time with this book!Vasil BelezhkovP.S. Some of the pieces also have piano transcriptions made by me.
$3.00
2.77 €
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Vasil Belezhkov
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FOREST TALES
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Vasil Belezhkov
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SheetMusicPlus
Heidenröslein: Variations on a Theme by Franz Schubert
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 3 - Digital Dow…
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Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 3 - Digital Download SKU: A0.927030 Composed by Franz Schubert, Kayla Roth. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 27 pages. Kayla Roth #3373343. Published by Kayla Roth (A0.927030). From the composer's program notes included with this purchase:I have taken Schubert’s famous setting and arranged it in a set of musical homages to other composers. I have also included Schubert’s original theme, transposed down to F, and I would recommend playing it twice in the beginning to give your audience a good idea of it.For most of the pieces, I tried to capture the composer’s overall style; however, there are a few particular pieces that are either quoted or used as the stylistic basis, as follows: Mozart - I based this variation, stylistically, on Piano Concerto No. 21 in C major (K.467), specifically movement two (Andante), as well as some of his earliest childhood piano compositions. Symphony 40 in G minor (K.550) is quoted rhythmically. Strauss, Jr. - For inspiration, I used Du und Du, Op. 367, a waltz that is derived from various parts of his beloved operetta, Die Fledermaus. I quoted rhythms from this, as well as from Frühlingsstimmen, Op. 410. Joplin - I didn’t base this on any particular piece of Joplin’s; I tried to include elements that are common in his rags (a short introduction, arpeggiated diminished seventh chords, chromaticism, syncopation over a boom-chuck). Perhaps the best advice comes from Joplin himself: Don’t play this piece fast. It is never right to play ragtime fast. Porter - I had to include an offering from the Great American Songbook! Frank Sinatra recorded several of Porter’s well-known tunes in the 1940s, such as Easy To Love, Night and Day, and I Love You; his renditions of these songs are heavy on the schmaltz and sentimentality, which is exactly what I was trying to achieve in this variation.Bach - The minor variation! I had Fugue in G minor, BWV 578 (Little Fugue) in mind when writing this.der Jodelkönig - As Heidenröslein is a strophic, folk-songesque German piece, I thought it fitting to end the variations with an imitation of traditional Alpine yodeling. It is named in honor of Franzl Lang, the Yodelking.
$20.00
18.44 €
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Franz Schubert, Kayla Roth
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Heidenröslein: Variations on a Theme by Franz Schubert
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Kayla Roth
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SheetMusicPlus
Mozart: Ave Verum Corpus for Piano Quintet
Piano Quintet Piano - Level 3 - Digital Download SKU: A0.552099 Composed by Wolfgan…
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Piano Quintet Piano - Level 3 - Digital Download SKU: A0.552099 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie. Classical,Instructional,Standards,Wedding. 12 pages. Jmsgu3 #6119421. Published by jmsgu3 (A0.552099). Mozart: Ave verum corpus K. 618 for PIANO QUINTET. This is a fantastic masterpiece of music written by one of the greatest composers in our history. This famous piece by Mozart was composed only six months before his untimely death in 1791. Mozart wrote this on commission while working on the Magic Flute. Program this for Lent or Easter meditations or any Christian communion service. Also, this would be a strong recital encore showing mastery of phrasing, tone quality, and dynamics.Ave verum corpusFirst, Mozart composed a most noteworthy motet in Latin, Ave verum corpus. This translates in English as Hail, the actual body. The motet is undoubtedly listed as K.618 in the Köchel Catalog. This is a chronological catalog of Mozart’s compositions consequently published by Ludwig von Köchel. Seems like Mozart probably composed this motet in the last year of his life. Likewise, he worked on his final opera, the Magic Flute, and his Requiem Mass at the time. Mozart wrote it for the feast of Corpus Christi. He scored it for SATB choir, string instruments, and a small organ. Hence, while the Requiem is a more dramatic work, the motet expresses even more the Eucharistic thoughts with relatively simple means, well-matched for the church choir in a small town.Early YearsWolfgang Amadeus Mozart (1756 – 1791) was a productive and significant Austrian classical composer. Mozart displayed unusual musical capability from his earliest childhood. It seems like he could already play the keyboard and violin at age two. He started composing at age five and performed before European royalty.Middle PeriodAt 17, Mozart was working as a musician at the Salzburg Royal Court but grew agitated from boredom and traveled to search for a more exciting job. While visiting Vienna in 1781, he was summarily dismissed from his Salzburg job. Nevertheless, he decided to stay in the Capital (Vienna), where he achieved much fame but little economic haven. Throughout his concluding years in the Capital, he composed many of his most famous works: symphonies, operas, and concertos.Final PeriodThe conditions surrounding his death have been the subject of much conjecture and mythology. He composed over 600 works, many recognized as high points of symphonic, chamber, concertante, choral, and operatic. He is among the most everlastingly famous classical composers, and his impact is substantial on succeeding Western art music.
$42.95
39.6 €
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Wolfgang Amadeus Mozart
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Mozart: Ave Verum Corpus for Piano Quintet
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jmsgu3
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SheetMusicPlus
Two Rondes from Danserye (Tielman Susato, 1551) for Wind Instruments
Small Ensemble - Level 2 - Digital Download SKU: A0.522187 Composed by Tielman Susa…
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Small Ensemble - Level 2 - Digital Download SKU: A0.522187 Composed by Tielman Susato. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance. Score and parts. 26 pages. Colin Kirkpatrick Publications #6371719. Published by Colin Kirkpatrick Publications (A0.522187). The instrumental music of the renaissance is enjoying an enormous revival and this arrangement of two dances is sure to brighten up your musical event. The dances come from one of the earliest collections of instrumental dance music, published in Antwerp in 1551 by Tielman (or Tylman) Susato and entitled Danserye. Little is known of Susato’s life except that he was born sometime between 1500 and 1515 and eventually became a successful calligrapher and publisher. Danserye contains about sixty numbers some of which have become well known since their revival in the middle of the 20th century. The two rondes in this arrangement are the first and sixth dances taken from a set of nine. Some of the dances have names and the first ronde is entitled Pour quoy? It is paired with the sixth ronde which has become one of the most well-known pieces in the collection. Several changes have been made to the inner parts to facilitate performance and the first ronde has been transposed down a fifth. Musicians would often combine several dances to make a more substantial piece and were expected to add embellishments to the melody, particularly in repeated sections.In the spirit of the original, this four-part arrangement uses flexible instrumentation so that you have total control over the instrumental voicing. The arrangement could be played by virtually any combination of conventional wind instruments. This 4-part arrangement is presented in a single PDF file which includes the Full Score; Part 1 (C, B flat, E flat); Part 2 (C, B flat, E flat); Part 3 (C, F, B flat, E flat), Part 4 (C, B flat, E flat); Keyboard and Percussion. The optional keyboard and percussion parts are the additions of the arranger and do not appear in the original. This arrangement uses conventional percussion that can be found in any elementary school music room. The percussion parts may be interpreted freely and additional instruments added if required.
$8.99
8.29 €
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Tielman Susato
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Part 1 (C, B flat, E flat)
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Two Rondes from Danserye
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Colin Kirkpatrick Publications
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SheetMusicPlus
Three selections based on "Christ lag in Todesbanden" (Bassoon Quintet)
Woodwind Ensemble Bassoon,Double Reed Quintet - Level 4 - Digital Download SKU: A0.1245…
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Woodwind Ensemble Bassoon,Double Reed Quintet - Level 4 - Digital Download SKU: A0.1245673 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #840529. Published by Regis Bookshar (A0.1245673). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Bassoon Quintet - Advanced/Intermediate - Digital Download.Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement is more complex thatn the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus. Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Bassoon Quintet. Included are a score and a complete set of parts (29 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
27.66 €
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Johann Sebastian Bach
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Three selections based on "Christ lag in Todesbanden"
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Regis Bookshar
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SheetMusicPlus
Three selections based on "Christ lag in Todesbanden" (Brass Quintet - 3 Trp, 2 Trb)
Brass Quintet Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1249441 Compose…
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Brass Quintet Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1249441 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #842483. Published by Regis Bookshar (A0.1249441). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Brass Quintet (3 Trps, 2 Trbs) - Advanced /Intermediate - Digital Download.Cantata No.  4, BMV  4, Christ lag in Todesbanden (alsp spelled Todes banden) (Christ lay in death's bonds is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regsi Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement is more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Brass Quintet, consisting of 3 Bb Trumpets and 2 Trombones. Included are a score and a complete set of parts (29 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. Ther are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
27.66 €
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Johann Sebastian Bach
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Three selections based on "Christ lag in Todesbanden"
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Regis Bookshar
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SheetMusicPlus
Three selections based on "Christ lag in Todesbanden" (Brass Quintet - 3 Trp, 2 Hrn)
Brass Quintet Horn,Trumpet - Level 4 - Digital Download SKU: A0.1249440 Composed by…
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Brass Quintet Horn,Trumpet - Level 4 - Digital Download SKU: A0.1249440 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 30 pages. Regis Bookshar #842463. Published by Regis Bookshar (A0.1249440). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Brass Quintet (3 Trps, 2 Hrns) - Advanced/Intermediate - Digital Download.Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. it was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement is more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, this final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has place the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Brass Quintet, consisting of 3 Bb Trumpets and 2 French Horns. Included are a score and a complete set of parts (30 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
27.66 €
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Johann Sebastian Bach
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Three selections based on "Christ lag in Todesbanden"
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Regis Bookshar
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SheetMusicPlus
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