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Liz Read
Sheetmusic to print
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176
Liz Und Ein Blauer Vogel The First Movement "arifureta Hibi"
Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bass Saxophone,Contra Al…
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Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bass Saxophone,Contra Alto Clarinet,Contrabassoon,E-Flat Clarinet,English Horn,Flute,Oboe,Piccolo,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1320238 Composed by Akito Matsuda. Arranged by Ernesto F. Herrera A. Film/TV. 111 pages. T&R Music #908749. Published by T&R Music (A0.1320238). The first out of four movement of the work Liz And The Blue Bird arranged for woodwind ensemble.Liz And The Blue Bird is a four-movement work based on a fictional German fairytale from a movie, both of the same name. Liz is the name of a lonely girl who sells bread at a bakery and socializes with the forest animals. After a big thunderstorm, she finds an unnamed blue-haired girl lying outside. She quickly takes her into her home and, the two become close friends. After a while, Liz started noticing the girl sneaking out at night and coming back before dawn. Liz noticed how the girl would look at the birds freely flying in the sky when they fed the animals. Liz becomes conflicted with her emotions but eventually decides to release her from the cage that is her home. Liz confronts the girl and tells her that she needs to be free and spread her wings. Although distraught by Liz's decision, the girl comes to respect it. The girl then transforms into a blue bird and flies away, spreading her wings.Instrumentation-C Piccolo Flute-C Flute 1&2-Oboe 1&2-F Alto Oboe (English Horn)-Bassoon 1&2-B flat Clarinet 1,2,3-E flat Tenor Clarinet (Alto Clarinet)-B flat Bass Clarinet-E flat Alto Saxophone 1&2-B flat Tenor Saxophone-E flat Baritone Saxophone-Contrabass Woodwind (Contrabassoon/Contrabass Clarinet/Bass Saxophone).
$35.00
31.94 €
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Akito Matsuda
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Liz Und Ein Blauer Vogel The First Movement "arifureta Hibi"
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T&R Music
#
SheetMusicPlus
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,…
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Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone,Treble Clef Instrument,Trumpet,Ukulele,Vibraphone,Violin,Xylophone - Level 4 - Digital Download SKU: A0.931832 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269045. Published by Dots and Beams (A0.931832). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a treble staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4. Be creative with this one, the possib.
$10.00
9.13 €
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Nathan Petitpas - Dots and Beams
#
I encourage you to use both
#
Pitch and Rhythm - Treble Clef, Diatonic
#
Dots and Beams
#
SheetMusicPlus
Pitch and Rhythm - Bass Clef, Diatonic (Sight Reading Exercise Book)
Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsich…
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Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - Digital Download SKU: A0.931833 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269061. Published by Dots and Beams (A0.931833). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a bass staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second e.
$10.00
9.13 €
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Nathan Petitpas - Dots and Beams
#
I encourage you to use both
#
Pitch and Rhythm - Bass Clef, Diatonic
#
Dots and Beams
#
SheetMusicPlus
Feliz Navidad
Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Xylophone - Level 1 - D…
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Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Xylophone - Level 1 - Digital Download SKU: A0.569890 By Clay Walker. By Jose Feliciano. Arranged by Sharon Wilson. Children,Christmas,Contemporary,Multicultural,Traditional,World. 44 pages. Sharon Wilson #6626855. Published by Sharon Wilson (A0.569890). NOTE: Beginning musicians (or those new to Handbells and Boomwhackers® ensemble playing) may find the Boomwhackers® part easier since it only contains quarter notes and rest without the syncopation of the Handbells.Here is a fun Christmas medley of the traditional song We Wish You a Merry Christmas combined with the contemporary holiday standard Feliz Navidad by Jose Feliciano. This upbeat and festive arrangement will add joy and sparkle to your holiday programs. This sheet music is notated for 13-note (one octave, C to C chromatic scale) instruments with Handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord reference chart is also provided. To aid in the learning and teaching of this song or for use with other instruments, chord names are included on the Boomwhackers® staff and score. Lyrics are provided on the grand staff for sing along enjoyment. In addition, a complete set of scores for 4 ringers and 4 whackers is provided. Though there are multiple combinations for the number of ringers and whackers needed for any given performance, this extra set of scores is specifically designed for 8 performers. For each ringer and whacker, the 1-staff score shows only the notes they are assigned. This alternate score format may be easier to sight-read since the only notes on the staff are the assigned notes allowing the player to focus on rhythm. This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. Only filled noteheads are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. All sharps and flats are displayed as well (shown in the key of C); a helpful reminder for beginning musicians. Notes used for each instrument are as follows: Bells ~ C D E F# G A B C* where C* is high C, one octave above middle C Boomwhackers® ~ C C# D D# E F# G A BNote assignment suggestions are provided. Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers® * form a choir using multiple sets of bells and/or Boomwhackers® * use as part of the music education for children at school* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, home school groupsPermission is granted to make as many copies as needed for one family, church, school, or other performing group. Please purchase additional copies for multiple groups or organizations. Boomwhackers® is a registered trademark of Rhythm Band Instruments LLC. Used by permission. Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$12.99
11.86 €
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Clay Walker
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Feliz Navidad
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Sharon Wilson
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SheetMusicPlus
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bas…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - Digital Download SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
9.13 €
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Nathan Petitpas - Dots and Beams
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Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters
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Dots and Beams
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SheetMusicPlus
Fine Thread for Solo Vibraphone and accompaniment
Small Ensemble - Digital Download SKU: A0.995517 Composed by James M. Johnson. Cont…
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Small Ensemble - Digital Download SKU: A0.995517 Composed by James M. Johnson. Contemporary,Jazz. Score and parts. 5 pages. Myles Music James Johnson #5733171. Published by Myles Music James Johnson (A0.995517). Please contact the composer for the Mp3 accompaniment. email: jamesjohnsonfrankie@outlook.com PROGRAM NOTES Fine Thread was composed and recorded on August 18, 2018. The accompaniment track was created in a DAW with many real sampled sounds varying from prepared piano, dozens of gongs, cymbals, (bowed and un-bowed) and other small percussive instruments. Fine Thread represents at least one suggestion on how one might visualize this piece while listening. (And performing) I tried to convey the endangerment that our planet and humanity is (and will be) going through. I fear global warming might reach the tipping point where as the plant will be severely harmed.Please contact the composer for the Mp3 accompaniment. email: jamesjohnsonfrankie@outlook.com
$14.00
12.78 €
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James M
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Fine Thread for Solo Vibraphone and accompaniment
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Myles Music James Johnson
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SheetMusicPlus
Threading the Needle
Harpsichord,Instrumental Solo,Keyboard,Organ - Level 2 - Digital Download SKU: A0.10142…
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Harpsichord,Instrumental Solo,Keyboard,Organ - Level 2 - Digital Download SKU: A0.1014235 Composed by Maryliz Smith. Contemporary. Individual part. 2 pages. Maryliz Smith #6103517. Published by Maryliz Smith (A0.1014235). This is a short, simple piece for any keyboard--piano, organ, harpsichord, electric. It is a contrapuntal composition and one that is easy to keep track of the voices.
$2.99
2.73 €
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Maryliz Smith
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Threading the Needle
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Maryliz Smith
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SheetMusicPlus
Feliz Navidad
Small Ensemble - Level 5 - Digital Download SKU: A0.748062 By Clay Walker. By Jose …
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Small Ensemble - Level 5 - Digital Download SKU: A0.748062 By Clay Walker. By Jose Feliciano. Arranged by Patrick Sheehan. Latin. Score and parts. 84 pages. Patrick Sheehan #5372741. Published by Patrick Sheehan (A0.748062). INSTRUMENTATION: Lead Vocal, Background Vocal I, Background Vocal II, Background Vocal III, Background Vocal IV, Background Vocal V, Flute I, Flute II, Tenor Saxophone (Bb), Trumpet (Bb), Flugelhorn (Bb), Trombone, Keyboard, Accordion, Acoustic Guitar, Electric Guitar, Bass, Mark Tree, Triangle, Vibraphone, Cabasa, Gourd, Conga Drums, Drumset. All parts transcribed by ear from the original recording from CHICAGO - THE CHRISTMAS ALBUM released in 1998.ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$25.00
22.82 €
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Clay Walker
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Feliz Navidad
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Patrick Sheehan
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SheetMusicPlus
Feliz Navidad
Large Ensemble Cello,Clarinet,Double Bass,English Horn,Flute,Oboe,Piano,Trumpet,Viola,Viol…
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Large Ensemble Cello,Clarinet,Double Bass,English Horn,Flute,Oboe,Piano,Trumpet,Viola,Violin - Digital Download SKU: A0.834431 By Clay Walker. By Jose Feliciano. Arranged by Be'eri Moalem. Latin. Score and parts. 1 pages. Be'eri Moalem #4109547. Published by Be'eri Moalem (A0.834431). This easy to read one page score can be played by any combination of strings and winds (in C B-flat)
$12.99
11.86 €
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Clay Walker
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Feliz Navidad
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Be'eri Moalem
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SheetMusicPlus
Come to the Table Where Bread Is Broken
Choral SAB chorus - Digital Download SKU: H1.C5242DP Composed by John Carter. Piano…
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Choral SAB chorus - Digital Download SKU: H1.C5242DP Composed by John Carter. Piano Accompaniment. General Worship, Communion, Lord's Supper. Octavo. 8 pages. Hope Publishing - Digital #C5242DP. Published by Hope Publishing - Digital (H1.C5242DP). Mary Kay Beall.Original anthem Utilizing a well known melody and a new Mary Kay Beall communion text, John Carter has crafted a beautiful anthem for the celebration of the Lord's supper. Approaching the Eucharist as a joyful, fulfilling experience, this text reminds us that when we Come to the Table. . . Jesus meets us there and offers us all that we need for the journey ahead: peace, blessing, grace, love, forgiveness, and new life.
$2.95
2.69 €
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John Carter
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Come to the Table Where Bread Is Broken
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Hope Publishing - Digital
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SheetMusicPlus
One Bread, One Body
Choral, Handbell (Choral, Handbells) - Digital Download SKU: H1.C5354DP Composed by…
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Choral, Handbell (Choral, Handbells) - Digital Download SKU: H1.C5354DP Composed by John B. Foley. Arranged by Douglas E. Wagner. In Christ Alone My Hope Is Found. Sing & Ring Series. Communion, Contemporary, Ring & Sing, General Worship, Communion, Lord's Supper. Octavo. 8 pages. Hope Publishing - Digital #C5354DP. Published by Hope Publishing - Digital (H1.C5354DP). By John B. Foley. Ephesians 2:14 - Ephesians 2:15 - Ephesians 4:25 - Ephesians 5:30 - Colossians 1:24 - John 6:41 - John 6:48 - 1 Corinthians 10:16 - 1 Corinthians 10:17 - 1 Corinthians 11:25 - 1 Corinthians 11:27 - 1 Corinthians 12:4 - 1 Corinthians .In the hands of arranger Douglas Wagner, John Foley's popular communion song enjoys a straightforward and musically satisfying setting for SATB choir with keyboard or 3-5 octave handbell accompaniment. In the hands of arranger Douglas Wagner, John Foley's popular communion song enjoys a straightforward and musically satisfying setting for SATB choir with keyboard or 3-5 octave handbell accompaniment. The universal message of oneness in the Lord, and the memorable tune which utilizes only seven notes, combine to produce an effective and meaningful worship experience. The choral parts are not difficult, and the handbell part stands alone as a bells only arrangement.
$2.95
2.69 €
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John B
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John B
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One Bread, One Body
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Hope Publishing - Digital
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SheetMusicPlus
At Dead of Night, an Accompanied Reading
Large Ensemble Alto Saxophone,Cello,Clarinet,Flute,Guitar,Handbell,Horn,Multi-Percussion,O…
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Large Ensemble Alto Saxophone,Cello,Clarinet,Flute,Guitar,Handbell,Horn,Multi-Percussion,Oboe,Tenor Saxophone,Trombone,Trumpet,Tuba,Vibraphone,Viola,Violin - Level 3 - Digital Download SKU: A0.835775 Composed by Paul Burnell. Contemporary. Score and parts. 66 pages. Paul Burnell #3222585. Published by Paul Burnell (A0.835775). Composed 2017. One of a series of fourteen accompaniments to texts published between 1896 – 1899 Mary Elizabeth Coleridge (1861 – 1907) was a British novelist and poet who also wrote essays and reviews. 'At Dead of Night' appeared in her collection of poems 'Fancy's Following' published in 1896 under the pseudonym Anodos. Duration 5:00 For ensemble and narrator The wind/brass instrumentation is flexible. Examples of possible instrumentations are given below. If a multiple-octave handbells set is available play at a higher octave from rehearsal letter F. The conductor may lengthen or shorten the narrated sections at A, C and E, using the 3/4 bars to cue the ensemble before B, D and F. All trills are to be performed as semitone trills beginning on the written pitch. Score in CFluteWind/Brass 1 (Oboe, Clarinet, Horn, Trumpet)Wind/Brass 2 (Clarinet, Alto Saxophone, Horn) Wind/Brass 3 (Tenor Saxophone,Trombone) Wind/Brass 4 (Bassoon,Tenor Saxophone,Trombone,Tuba) Percussion 1 - Two Brake Drums (or similar) doubling Cymbal, Percussion 2 - High/Mid Toms (or similar), Percussion 3 - Bass Drum (or resonant Floor Tom) Vibraphone and/or Handbells and/or Piano/Celesta/Toy Piano Electric guitar Violin 1 Violin 2 Viola Violincello Narrator
$7.95
7.26 €
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Paul Burnell
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At Dead of Night, an Accompanied Reading
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Paul Burnell
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SheetMusicPlus
Fanfare for an Occasion
Cornet,Trumpet - Level 5 - Digital Download SKU: A0.1375165 Composed by Liz Sharma.…
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Cornet,Trumpet - Level 5 - Digital Download SKU: A0.1375165 Composed by Liz Sharma. Arranged by Liz Sharma. 21st Century,Classical. 4 pages. Liz Sharma #959778. Published by Liz Sharma (A0.1375165). Fanfare for an Occasion is a lively rhythmic trio for 3 trumpets, suitable for any celebration. It is probably easier to read from 3 copies of the score, but if individual parts are required, email lizsharmamusic@gmail.com & they will be sent by return.
$6.00
5.48 €
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Liz Sharma
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they will be sent by return
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Fanfare for an Occasion
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Liz Sharma
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SheetMusicPlus
Children's Graded Fiddle Solos Volume 1
Fiddle - Beginning-Intermediate - Digital Download SKU: M0.97803MEB Composed by Car…
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Fiddle - Beginning-Intermediate - Digital Download SKU: M0.97803MEB Composed by Carol Ann Wheeler. Country. Children's. E-book and online audio. Mel Bay Publications - Digital Sheet Music #97803MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.97803MEB). ISBN 9781610656375. 8.75x11.75 inches.This book of fiddle solos is a companion to Children's Fiddling Method Volume 1. The tunes, presented first in their simplest form followed by progressively more difficult arrangements, utilize the skills and techniques introduced in the method book. While created for children, this music will also be enjoyed by adults who wish to gain an understanding of how to fiddle a tune. Teachers will find it a great teaching aid, as they can play the more difficult arrangements while the student chooses which ever arrangement suits their current playing ability. Fiddlers can grow into the tunes as they progress to higher skill levels and while this is happening, they will absorb the concepts and techniques of how to fiddle, which can be used in all fiddle tunes they play. All readers will delight in the eye-friendly layout carefully created so as help the student with ease of reading and to eliminate the intimidation that frequently occurs when less experienced players read tunes with lots of notes. Includes access to online audio.  .
$17.99
16.42 €
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Carol Ann Wheeler
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Children's Graded Fiddle Solos Volume 1
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
CHOPSTICKS: The Celebrated Chop Stick Waltz for 13-note Bells and Boomwhackers (Color Coded Notes)
Mixed Percussion Bells,Boomwhackers,Handbell,Handchime,Orff Instrument,Xylophone - Level 1…
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Mixed Percussion Bells,Boomwhackers,Handbell,Handchime,Orff Instrument,Xylophone - Level 1 - Digital Download SKU: A0.569889 By Sharon Wilson. By Arthur de Lulli. Arranged by Sharon Wilson Music. 20th Century,Children,Folk,Instructional,March. 46 pages. Sharon Wilson #6616395. Published by Sharon Wilson (A0.569889). This sheet music is notated for 8-note, C major diatonic scale (one octave) instruments with Handbells on one staff and Boomwhackers® on a second staff creating a 2-part instrumental ensemble (requires one set of each instrument). For most of the song, the Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords.The first 31 measures progress through the melody one time and can be used as a stand-alone performance. This first part of the arrangement is perfect for introducing new players to Bells and Boomwhackers®. Beginning in measure 32, the arrangement becomes more challenging by embellishing the melody, adding eighth notes, and alternating the chopstick theme between the parts. This second section utilizes more advanced note-reading and rhythmic skills and helps develop the ringing and whacking techniques needed for more advanced songs. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord reference chart is also provided. To aid in the learning and teaching of this song or for use with other instruments (such as a Ukulele), chord names are included on the Boomwhackers® staff and score. In addition, a complete set of scores for 4 ringers and 3 whackers is provided. Though there are multiple combinations for the number of ringers and whackers needed for any given performance, this extra set of scores is specifically designed for 7 performers with 2 notes assigned to each player. For each ringer and whacker, the 1-staff score shows only the notes they are assigned. This alternate score format may be easier to sight-read since the only notes on the staff are the assigned notes allowing the player to focus on rhythm. This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. Only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to distinguish (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. Notes used for each instrument are as follows: Bells ~ C D E F G A B C* where C* is high C, one octave above middle C Boomwhackers® ~ C D E F G B Note assignment suggestions are provided. Other suggestions and uses:* have both parts played by bells or both parts played using only Boomwhackers®* form a choir using multiple sets of bells and/or Boomwhackers® * use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groupsPermission is granted to make as many copies as needed for one family, church, school, or other performing group. Please purchase additional copies for multiple groups or organizations. Boomwhackers® is a registered trademark of Rhythm Band Instruments LLC. Used by permissionVisit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusicKeywords: boomwhacker, boomwacker, boomwackers, pitched percussion, tuned percussion tubes, plastic tubes, elementary classroom music
$10.00
9.13 €
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Sharon Wilson
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CHOPSTICKS: The Celebrated Chop Stick Waltz for 13-note Bells and Boomwhackers
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Sharon Wilson
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SheetMusicPlus
The Little Drummer Boy
Small Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Voice,Xy…
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Small Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Voice,Xylophone - Level 1 - Digital Download SKU: A0.1508321 By Josh Groban Featuring Andy Mckee. By Harry Simeone, Henry Onorati, and Katherine K. Davis. Arranged by Sharon Wilson. 20th Century,Children,Christian,Christmas,Sacred. 35 pages. Sharon Wilson #1083615. Published by Sharon Wilson (A0.1508321). This sheet music is notated for 13-note (one octave, C to C chromatic scale) instruments with Handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument).This arrangement includes two levels. One set is EASY with the Handbells playing only the melody notes and the Boomwhackers® keeping a steady rhythm using only quarter notes. The second set is ADVANCED with the Handbells playing melody and harmony notes while the Boomwhackers® play a slightly more complex rhythm. For each level, there is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. Two copies of each score are provided. The scores are identical except one uses color coded noteheads and the other uses black and white noteheads. The score with colored noteheads corresponds to the Boomwhackers® color scheme. If you have a set of bells or tubes with a different color scheme, Chroma-Notes Stick Ons can be purchased and applied so the instruments match the Boomwhackers® color scheme. Using color coded notes helps beginning musicians learn to read standard sheet music notation. The score with black and white notes will print clearer if you do not have access to a color printer or have a group of players already familiar with reading music notation.Only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to distinguish (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure. Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®* form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, children's ministriesVisit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusicBoomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.
$15.00
13.69 €
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Josh Groban Featuring Andy Mckee
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The Little Drummer Boy
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Sharon Wilson
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SheetMusicPlus
Shake It Off
Mixed Percussion,Small Ensemble Bells,Boomwhackers,Handbell,Handchime,Orff Instrument,Ukul…
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Mixed Percussion,Small Ensemble Bells,Boomwhackers,Handbell,Handchime,Orff Instrument,Ukulele,Xylophone - Level 1 - Digital Download SKU: A0.1506096 By Taylor Swift. By Johan Schuster, Max Martin, Shellback, and Taylor Swift. Arranged by Sharon Wilson. Children,Contemporary,Instructional,Pop,Rock. 29 pages. Sharon Wilson #1081466. Published by Sharon Wilson (A0.1506096). This sheet music is notated for 13-note (one octave, C to C chromatic scale) instruments with Handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. Both the melody and rhythm have been simplified from the original to make it easier to learn and perform.Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord reference chart is also provided. To aid in the learning and teaching of this song or for use with other instruments (such as a Ukulele), chord names are included. Lyrics are also provided on the grand staff and handbells staff for sing along enjoyment.Two copies of each score are provided. The scores are identical except one uses color coded noteheads and the other uses black and white noteheads. The score with colored noteheads corresponds to the Boomwhackers® color scheme. If you have a set of bells or tubes with a different color scheme, Chroma-Notes Stick Ons can be purchased and applied so the instruments match the Boomwhackers® color scheme. Using color coded notes helps beginning musicians learn to read standard sheet music notation. The score with black and white notes will print clearer if you do not have access to a color printer or have a group of players already familiar with reading music notation.Only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to distinguish (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure. All flats are displayed as well (shown in the key of C); a helpful reminder for beginning musicians.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers® * form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school or home* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, home school groupsVisit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusicBoomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.
$15.00
13.69 €
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Taylor Swift
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Shake It Off
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Sharon Wilson
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SheetMusicPlus
Highland Cathedral
Bells,Boomwhackers,Handbell,Handchime - Level 2 - Digital Download SKU: A0.1434412 …
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Bells,Boomwhackers,Handbell,Handchime - Level 2 - Digital Download SKU: A0.1434412 By Amy Grant. By Michael Korb and Ulrich Roever. Arranged by Sharon Wilson. Celtic,Children,Holiday,Instructional,Irish,Multicultural,World. 43 pages. Sharon Wilson #1014590. Published by Sharon Wilson (A0.1434412). This sheet music is notated for 13-note (one octave, C to C chromatic scale) instruments with Handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument).This arrangement includes two levels. One set is EASY with the Handbells playing only the melody notes and the Boomwhackers® keeping a steady rhythm using only quarter notes. The second set is INTERMEDIATE with the Handbells playing melody and harmony notes while the Boomwhackers® play a slightly more complex rhythm. For each level, there is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. The audio sample has a sound clip from the EASY version and the YouTube video features the INTERMEDIATE level.Two copies of each score are provided. The scores are identical except one uses color coded noteheads and the other uses black and white noteheads. The score with colored noteheads corresponds to the Boomwhackers® color scheme. If you have a set of bells or tubes with a different color scheme, Chroma-Notes Stick Ons can be purchased and applied so the instruments match the Boomwhackers® color scheme. Using color coded notes helps beginning musicians learn to read standard sheet music notation. The score with black and white notes will print clearer if you do not have access to a color printer or have a group of players already familiar with reading music notation.Only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to distinguish (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure. All sharps and flats are displayed as well (shown in the key of C); a helpful reminder for beginning musicians.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers® * form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, children’s ministriesVisit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusicBoomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.
$15.00
13.69 €
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Amy Grant
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Highland Cathedral
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Sharon Wilson
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SheetMusicPlus
Don't Know Why
Choral Choir - Level 3 - Digital Download SKU: A0.1039902 By Norah Jones. By Jesse …
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Choral Choir - Level 3 - Digital Download SKU: A0.1039902 By Norah Jones. By Jesse Harris. Arranged by Liz Garnett. A Cappella. Octavo. 4 pages. Liz Garnett #644774. Published by Liz Garnett (A0.1039902). Norah Jones won 3 Grammy awards in 2003 for her cover of this gentle yet poignant ballad. The arrangement follows the original very closely in its form and harmonic choices, but builds it into the more intense emotional arc expected by barbershop contest audiences. In this version for mixed voices, the lie of the lines suggests a male lead and female baritone would work best - i.e. STAB rather than SATB (though that is an unfortunate acronym!). This version is notated using bass alta for the lower stave (i.e. sounding an octave higher than written, as traditionally used for female barbershop) as this gives fewer leger lines to read. Vocal ranges: Tenor: D4 - D5 Lead: G3 - A4 Bari: G3 - C5 Bass: B2 - D4 The youtube video is of the contest premiere, performed in the original, higher key (also available to purchase from Sheet Music Direct).
$2.99
2.73 €
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Norah Jones
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Don't Know Why
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Liz Garnett
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SheetMusicPlus
Birthday Suit
Instrumental Solo,Ney Flute,Oboe/English Horn - Level 5 - Digital Download SKU: A0.1122…
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Instrumental Solo,Ney Flute,Oboe/English Horn - Level 5 - Digital Download SKU: A0.1122089 Composed by Igor Korneitchouk. Arranged by Drake Mabry, Igor Korneitchouk. 20th Century,Contemporary. Individual part. 19 pages. Studio at the Post #723162. Published by Studio at the Post (A0.1122089). Duration: 10 minutes, 16 pp. Description: In speaking of his recitation of his Four Quartets on phonograph, T. S. Eliot says: A recording of a poem by its author is no more definitive an 'interpretation' than a recording of a symphony conducted by the composer. The poem, if it is of any depth and complexity, will have meanings in it concealed from the author; and should be capable of being read in many ways, and with a variety of emotional emphasis.... Another reader, reciting the poem, need not feel bound to reproduce these rhythms: but, if he has studied the author's version, he can assure himself that he is departing from it deliberately, and not from ignorance. The composer could not have stated his intentions towards this piece better than to quote T. S. Eliot. No note or inflection is fixed in stone that it cannot be negotiated, changed to better suit the needs of the performer. This is especially true of the first movement which is composed around sections of the first of Eliot's Four Quartets (Burnt Norton), but applies generally to the whole piece. Much of the notation in this piece is meant to be suggestive. The performer may take a highly faithful approach to realizing the score, or consider the movements as models for directed improvisation. Movement 2, for example, asks the performer to continue to improvise in like manner, yet maps out a clear design for the music. Birthday Suit is dedicated to Robert S. Howe, a friend and obstetrician who welcomes into this world many people in their birthday suits. That is the most obvious reason for the title of this piece. A reason more germane to the music itself is the piece's reliance on the performer's own natural body rhythms (such as speech rhythms, involuntary eye movements, and rate of breathing) to help organize the flow of the music. In this way both metabolism and the written note cooperate to make music. There are three movements, Rhythm of Speech - Rhythm of Sight - Rhythm of Breath. Total 10 minutes. (Audio Sample of movement I is for oboe; YouTube Link of movement III is an arrangement for the Turkish ney.).
$2.01
1.83 €
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Igor Korneitchouk
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Birthday Suit
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Studio at the Post
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SheetMusicPlus
You Belong With Me
Rhythm Section Voice - Level 2 - Digital Download SKU: A0.1295506 By Taylor Swift. …
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Rhythm Section Voice - Level 2 - Digital Download SKU: A0.1295506 By Taylor Swift. By Liz Rose and Taylor Swift. Arranged by Hollywood Charts. Contemporary,Country,Pop,Rock,Singer/Songwriter. 4 pages. Hollywood Charts #885797. Published by Hollywood Charts (A0.1295506). This is a single Master Rhythm part, which includes the important information for all rhythm section instruments (guitar, bass, drums) in a single part that can be read by an entire rhythm section.Strum into the heart of Taylor Swift’s magical narrative with our professionally arranged sheet music for You Belong With Me. This perennial hit, radiating with youthful exuberance and sweet melodies, is one of Swift's most beloved songs, propelling her to international stardom. Now, musicians of all levels can experience the joy of recreating this enchanting piece with our meticulously crafted arrangement.You Belong With Me, one of Taylor Swift’s signature songs, captures the essence of unrequited love and youthful longing. It stands out for its catchy melodies, relatable lyrics, and infectious energy, making it an essential piece for Swifties and music enthusiasts alike.You Belong With Me is a versatile addition to any band’s repertoire. This chart provides a solid foundation for those wishing to perform this modern classic!
$24.99
22.81 €
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Taylor Swift
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You Belong With Me
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Hollywood Charts
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SheetMusicPlus
3 pièces de Guillaume de Machaut
Voice and guitar - Advanced - Digital Download SKU: ZY.DO-1537 Composed by Guillaum…
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Voice and guitar - Advanced - Digital Download SKU: ZY.DO-1537 Composed by Guillaume de Machaut. Arranged by Dusan Bogdanovic. Score. 12 pages. Les Editions Doberman-Yppan (digital) #DO 1537. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1537). Regarded as the most significant French composer and poet of the 14th century, Guillaume de Machaut was the central figure of the ars nova style in late medieval music. The three vocal pieces included in this collection are two rondeaux Ma fin est mon commencement, Rose, liz, printemps, verdure along with the motet Je suis aussi com cils qui est ravis. An additional curiosity, the iconic rondeau Ma fin est mon commencement (My end is my beginning) has a very intricate form built on palindromic form; while one voice reads the line from left to right, the other uses the same line in the opposite direction. Both voices meet in the middle of the piece, thus creating a mirror-symmetric form. While maintaining the principal upper part vocal, my arrangement relegates the two additional voices to the guitar.Considéré comme le compositeur et poète français le plus important du XIVe siècle, Guillaume de Machaut était la figure centrale du style ars nova dans la musique de la fin du Moyen Âge. Les trois pièces vocales incluses dans ce recueil sont deux rondeaux Ma fin est mon commencement, Rose, liz, printemps, verdure ainsi que le motet Je suis aussi com cils qui est ravis. Autre curiosité, l'emblématique rondeau Ma fin est mon commencement a une forme très complexe construite sur une forme palindromique ; tandis qu'une voix lit la ligne de gauche à droite, l'autre utilise la même ligne dans la direction opposée. Les deux voix se rencontrent au milieu de la pièce, créant ainsi une forme symétrique en miroir. Tout en conservant la partie supérieure vocale principale, mon arrangement relègue les deux voix supplémentaires à la guitare.
$7.95
7.26 €
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Guillaume de Machaut
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3 pièces de Guillaume de Machaut
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Les Editions Doberman-Yppan
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SheetMusicPlus
Sweet, Bittersweet (Low Voice)
Low Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.947853 Composed by Music …
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Low Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.947853 Composed by Music by Enrique Granados. Words by Elizabeth Ragsdale. Arranged by Michael Butkus-Bomier, Elizabeth Ragsdale. Christian,Sacred. 8 pages. Elizabeth Ragsdale #3530533. Published by Elizabeth Ragsdale (A0.947853). This melodic waltz outlines the experience of reading the book referred to in Revelation 10:8-10. Initially the reader experiences the wonder of getting closer to God. Next comes reformation, and finally, spiritual maturity. Duration: 3:14. Vocal range: B3–D5.
$4.79
4.37 €
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Music by Enrique Granados
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Sweet, Bittersweet
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Elizabeth Ragsdale
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SheetMusicPlus
Durham Concerto
Violin, cello, Northumbrian pipes, Hammond-organ and orchestra - Digital Download SKU: …
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Violin, cello, Northumbrian pipes, Hammond-organ and orchestra - Digital Download SKU: S9.Q52424 For violin, cello, Northumbrian pipes, hammond organ and orchestra. Composed by Jon Lord. This edition: study score. Evening - architecture - dawn - architecture - cathedral - bagpipes - Durham - England - Great Britain - cathedral - Church - concerto - morning - afternoon - nocturne - Northumbrian pipes - program music - program music - students - Studies - Studies. Music Of Our Time. Downloadable, Study score. Duration 57' 0. Schott Music - Digital #Q52424. Published by Schott Music - Digital (S9.Q52424). The general inspiration for the music was an idea of Durham, garnered from two or three short visits and a reading of a short history – so a sort of “Durham of the mindâ€, a stylized Durham; ‘my’ Durham, if you will, imagined into music. However, the defining inspiration for the piece was the Cathedral. My first visit to Durham in 2001 saw me standing open-mouthed on Palace Green, and then in silent awe as I walked into that formidable magnificence inside. Most of the themes came from the days immediately following my first experience of this extraordinary, inspiring building. The feeling that the very stones and pillars themselves are imbued with centuries of prayer, with people’s joy, grief, despair, even anger; gratitude and hope. As the tunes and chords and sounds started to organize themselves in my mind and onto manuscript paper, I realized that I was writing a sort of “day in the life of Durhamâ€, and that the Cathedral would be its beginning, would be in its middle, and would be at its ending. The piece consists of six ‘pictures’ arranged into three parts – the morning, afternoon and evening of this imaginary Durham city. Jon Lord, 20173 (3. auch Picc.) · 2 · Engl. Hr. · Es-Klar. · 2 · Bassklar. · 2 · Kfg. - 4 · 3 (1. auch Flhr. ad lib., 3. auch Piccolotr.) · 3 · 1 - P. S. (Glsp. · Xyl. · Marimb. · Röhrengl. · Trgl. · Schlittengl. · häng. Beck. · Beckenpaar · Tamt. · Schellentr. · Tomt. · kl. Tr. · gr. Tr. · Woodbl.) (5 Spieler) - Cel. · Hfe. (ad lib.2) - Str. (16 · 14 · 12 · 10 · 8 - Minimum: 14 · 12 · 10 · 8 · 6).
$46.99
42.89 €
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Jon Lord
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Durham Concerto
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Schott Music - Digital
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Luther: Out of the Depths for Bass Flute & Piano
Bass Flute,Instrumental Solo,Piano - Level 1 - Digital Download SKU: A0.548712 Comp…
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Bass Flute,Instrumental Solo,Piano - Level 1 - Digital Download SKU: A0.548712 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and individual part. 4 pages. Jmsgu3 #3411731. Published by jmsgu3 (A0.548712). Out of the Depths I Cry to You by Martin Luther arranged for bass flute & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
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Martin Luther
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Luther: Out of the Depths for Bass Flute & Piano
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