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Love Was Without End
Sheetmusic to print
44 sheet music found
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1
26
Seven Days Without Prayer
Drum Set,Electric Bass Guitar,Piano Accompaniment,Synthesizer - Level 4 - Digital Download…
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Drum Set,Electric Bass Guitar,Piano Accompaniment,Synthesizer - Level 4 - Digital Download SKU: A0.1105114 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Jazz,Rock. Full Performance. Duration 199. David Kai #708361. Published by David Kai (A0.1105114). The title for this song came from a plaque that I saw in a Christian book store. Jesus’ teachings about prayer from Matthew 7 or Luke 11 were also an inspiration. This song was first recorded by the Sellwoods gospel group. Seven Days Without Prayer words and music by David Kai ©1980 It’s a world where we depend on communication Through the wires and through the air information flows It’s an age where thoughts and words can cross the ocean It’s a shrinking world, but the space between us grows Though we talk to one another, there’s something missing We still need to speak from the soul, not just the mind We still need the oldest form of communication It’s available for free at any time The lines are open, why not send in a call? The Lord is waiting, just to hear from you all So just take some time for praying, God would love to hear you speak You know seven days without prayer makes one weak If a child should ask its father for bread and fishes Would that child receive a stone or a snake in its place? No, and if even earthly fathers will bless their children Won’t the heavenly Father bless and give you grace? So if you knock upon the door it will be opened If you speak unto the Lord you will be heard Look to Jesus, you will not be disappointed You will find he’s always faithful to his word The lines are open, why not send in a call? The Lord is waiting, just to hear from you all So just take some time for praying, God would love to hear you speak You know seven days without prayer makes one weak The lines are open, why not send in a call? The Lord is waiting, just to hear from you all So just take some time for praying, God would love to hear you speak You know seven days without prayer makes one weak Makes one weak.
$1.99
1.84 €
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David Kai
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Seven Days Without Prayer
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David Kai
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SheetMusicPlus
Estrellita (Star of Love - Mexican Love Song)
Small Ensemble Piano,Violin,Voice - Level 4 - Digital Download SKU: A0.955811 Compo…
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Small Ensemble Piano,Violin,Voice - Level 4 - Digital Download SKU: A0.955811 Composed by Manuel M. Ponce. Arranged by Scott S. Stewart. 20th Century,Concert,Holiday,Romantic Period,World. Score and parts. 8 pages. Scott S. Stewart #6088787. Published by Scott S. Stewart (A0.955811). In 1912 Mexican composer Manuel M. Ponce traveled to Aguascalientes on vacation and spent an evening looking at the starry night. This inspired him to compose the words and music for the song, Estrellita (Star of Love/Little Star/Petit Astre/Stellina). The text ‘Star from far away, you know about my love and my suffering…’ has been speculated by many that these lyrics are Ponce’s sentimental expressions for his beloved Mexico as a little star… ‘Because I cannot live without his love.’ Or, it is widely held that the lovely melody of Estrellita came to Ponce in a moment of inspiration while spending a romantic evening with his wife… either scenario could be true. In 1923 violinist Jascha Heifetz was in Mexico City and realized he didn’t have any work by a Mexican composer on his program. While in a café, he heard a local musician sing the popular song Estrellita and noted its title on a napkin. Estrellita became one of his favorite encore songs ever since. Scored for solo violin, tenor and piano this trio runs 2:59.
$24.99
23.09 €
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Manuel M
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Estrellita
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Scott S. Stewart
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SheetMusicPlus
Jesus Loves Me
String Quintet - Level 2 - Digital Download SKU: A0.1219543 Composed by William B. …
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String Quintet - Level 2 - Digital Download SKU: A0.1219543 Composed by William B. Bradbury 1862. Arranged by Ron Flintjer. Christian,Praise & Worship,Religious,Sacred,Spiritual. 9 pages. Ron Flintjer #815920. Published by Ron Flintjer (A0.1219543). Jesus Loves Me is one of the most well known and beloved hymns in the Christian faith. This is a hymn that we all learned at a very early age, perhaps in Sunday School, Bible School or Junior Church. It has been with us since 1862. The lyrics were originally written in 1860 as a poem by Anna B. Warner. Then, in 1862, the poem was put to music by William Bradbury. This beautiful hymn has withstood the test of time like Amazing Grace, The Old Rugged Cross and so many more.This arrangement is written for String Quintet and has three verses and choruses. The first verstion closely follows the original harmonic structure without any deviations. The second version utilized a different harmonic sequence and includes some rhythmic changes in a few spots. Finally, the third version again includes a different harmonic sequence, modulates to a differest key and contains an extended ending. This String Quintet is different than the standard quintet, in that this is made up of 1st & 2nd Violin, Viola, Cello, and String Bass.This wonderful piece can be played as special music for your church service, or offertory.
$14.00
12.93 €
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William B
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Jesus Loves Me
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Ron Flintjer
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SheetMusicPlus
Amazing Grace/It is Well With my Soul Accompaniment MP3 without piano
Bass Voice,Choir,Drums,Guitar,Rhythm - Level 3 - Digital Download SKU: A0.1378959 C…
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Bass Voice,Choir,Drums,Guitar,Rhythm - Level 3 - Digital Download SKU: A0.1378959 Composed by John Newton/ Horatio Spafford (1773, 1873). Arranged by Deborah Johnson. Christian,Easter,Praise & Worship,Sacred,Spiritual. Accompaniment. Duration 233. Deborah Johnson #963677. Published by Deborah Johnson (A0.1378959). Deborah Johnson's arrangement of Amazing Grace/It is Well With my Soul offers a delightful medley that blends these beloved hymns seamlessly. Accompanied by piano and a unison chorus vocalizing oohs and ahs, this instrumental rendition promises to evoke cherished memories and inspire heartfelt worship. The contemporary folk-pop style infuses the medley with freshness, featuring challenging piano arpeggios and key changes throughout. With a medium level of difficulty, this arrangement is versatile and can be performed with or without vocals. This is the accompaniment MP3 without piano (includes vocals). Additionally, accompaniment MP3 track is available, without piano accompaniment and vocals. Downloadable sheet music also available.Up for a GRAMMY Award, My Father’s Favorite Hymns album includes this as well as other contemporary arrangements of hymns, available https://DJWorksMusic.com/products by Deborah Johnson. There is also a beautiful spiral-bound devotional guide available with the amazing stories and life principles gained from these timeless classics, as well as all the music arrangements in one spiral-bound volume. Both are available for direct shipping. Amazing Grace by John Newton (1773) is one of the most recognized hymns in the world, and is often thought of as a folk song. It was written to illustrate a sermon and was fairly obscure until the Second Great Awakening in the early 19th Century. The tune is to New Britain and it is performed about 10 million times annually. It is Well with my Soul, words by Horatio Spafford (1873), was written after his four daughters perished on a French liner heading for Europe when colliding with an iron sailing vessel. His wife alone was saved. Melody by Phillip Bliss, who died along with his wife in a terrible train wreck in Ohio. You can download the complete MP3 album or individual songs on Amazon here: https://www.amazon.com/music/player/albums/B008O86FQI There is also a beautiful spiral-bound devotional guide available with the amazing stories and life principles gained from these timeless classics, as well as all the music arrangements in one spiral-bound volume. Both are available on: https://goalsforyourlife.com/gods-music-hymns/ For more information about Deborah, her albums, books and products, visit https://DJWorksMusic.com, https://goalsforyourlife.com/ or https://DeborahJohnsonSpeaker.com YouTube Link https://youtu.be/Se6uqItEaNk?si=f2RGC6IfMejoTwLI
$8.99
8.31 €
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John Newton/ Horatio Spafford
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Amazing Grace/It is Well With my Soul Accompaniment MP3 without piano
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Deborah Johnson
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SheetMusicPlus
Amazing Grace/It is Well With my Soul Accompaniment MP3 without piano or vocals
Bass Voice,Drums,Guitar,Rhythm Instrument - Level 3 - Digital Download SKU: A0.1378966
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Bass Voice,Drums,Guitar,Rhythm Instrument - Level 3 - Digital Download SKU: A0.1378966 Composed by John Newton/ Horatio Spafford (1773, 1873). Arranged by Deborah Johnson. Christian,Easter,Praise & Worship,Sacred,Spiritual. Accompaniment. Duration 232. Deborah Johnson #963687. Published by Deborah Johnson (A0.1378966). Deborah Johnson's arrangement of Amazing Grace/It is Well With my Soul offers a delightful medley that blends these beloved hymns seamlessly. Accompanied by piano and a unison chorus vocalizing oohs and ahs, this instrumental rendition promises to evoke cherished memories and inspire heartfelt worship. The contemporary folk-pop style infuses the medley with freshness, featuring challenging piano arpeggios and key changes throughout. With a medium level of difficulty, this arrangement is versatile and can be performed with or without vocals. This is the accompaniment MP3 without piano or vocals. Additionally, accompaniment MP3 track is available, without piano accompaniment and including vocals. Downloadable sheet music also available.Up for a GRAMMY Award, My Father’s Favorite Hymns album includes this as well as other contemporary arrangements of hymns, available https://DJWorksMusic.com/products by Deborah Johnson. There is also a beautiful spiral-bound devotional guide available with the amazing stories and life principles gained from these timeless classics, as well as all the music arrangements in one spiral-bound volume. Both are available for direct shipping. Amazing Grace by John Newton (1773) is one of the most recognized hymns in the world, and is often thought of as a folk song. It was written to illustrate a sermon and was fairly obscure until the Second Great Awakening in the early 19th Century. The tune is to New Britain and it is performed about 10 million times annually. It is Well with my Soul, words by Horatio Spafford (1873), was written after his four daughters perished on a French liner heading for Europe when colliding with an iron sailing vessel. His wife alone was saved. Melody by Phillip Bliss, who died along with his wife in a terrible train wreck in Ohio. You can download the complete MP3 album or individual songs on Amazon here: https://www.amazon.com/music/player/albums/B008O86FQI There is also a beautiful spiral-bound devotional guide available with the amazing stories and life principles gained from these timeless classics, as well as all the music arrangements in one spiral-bound volume. Both are available on: https://goalsforyourlife.com/gods-music-hymns/ For more information about Deborah, her albums, books and products, visit https://DJWorksMusic.com, https://goalsforyourlife.com/ or https://DeborahJohnsonSpeaker.com YouTube Link https://youtu.be/Se6uqItEaNk?si=f2RGC6IfMejoTwLIÂ
$8.99
8.31 €
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John Newton/ Horatio Spafford
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Amazing Grace/It is Well With my Soul Accompaniment MP3 without piano or vocals
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Deborah Johnson
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SheetMusicPlus
Legende-Wieniawski-Alto Clarinet duet
Instrumental Duet E-Flat Clarinet,Instrumental Duet - Level 2 - Digital Download SKU: A…
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Instrumental Duet E-Flat Clarinet,Instrumental Duet - Level 2 - Digital Download SKU: A0.844709 Composed by H Wieniawski. Arranged by Phil Beaman. Romantic Period,Standards. Score and parts. 7 pages. Phil Beaman #5311977. Published by Phil Beaman (A0.844709). Wieniawski's Legende is a repertoire standard that was originally written for Violin solo and Orchestra. I have greatly abridged and simplified the piece into a 2 part instrumental duet without losing any of the character of the Romantic piece. I have arranged themes from each of the three sections, keeping the original structure, but taking liberties such as changing phrasing, dynamics, adding my own markings, and even changing the Time Signature in certain passages. I begin with each instrument taking solo turns on the melody and end with a similar cadenza style set of solos for each instrument. The two parts are of equal importance and much of the character is in the interplay between the two instruments. This is a beautiful concert arrangement of a beloved classic.
$5.99
5.53 €
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H Wieniawski
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Legende-Wieniawski-Alto Clarinet duet
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Phil Beaman
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SheetMusicPlus
Legende-Wieniawski-Chamber duet
Instrumental Duet Instrumental Duet,Oboe,Violin - Level 2 - Digital Download SKU: A0.84…
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Instrumental Duet Instrumental Duet,Oboe,Violin - Level 2 - Digital Download SKU: A0.844711 Composed by H Wieniawski. Arranged by Phil Beaman. Concert,Romantic Period,Standards. Score and parts. 7 pages. Phil Beaman #5313215. Published by Phil Beaman (A0.844711). Wieniawski's Legende is a repertoire standard that was originally written for Violin solo and Orchestra. I have greatly abridged and simplified the piece into a 2 part instrumental duet without losing any of the character of the Romantic piece. I have arranged themes from each of the three sections, keeping the original structure, but taking liberties such as changing phrasing, dynamics, adding my own markings, and even changing the Time Signature in certain passages. I begin with each instrument taking solo turns on the melody and end with a similar cadenza style set of solos for each instrument. The two parts are of equal importance and much of the character is in the interplay between the two instruments. This is a beautiful concert arrangement of a beloved classic.
$5.99
5.53 €
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H Wieniawski
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Legende-Wieniawski-Chamber duet
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Phil Beaman
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SheetMusicPlus
Paris Without You
Tenor Saxophone Solo with Orchestra - Digital Download SKU: IZ.OMW223-S Composed by…
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Tenor Saxophone Solo with Orchestra - Digital Download SKU: IZ.OMW223-S Composed by Phil Sims. Score. 56 pages. Imagine Music - Digital #OMW223-S. Published by Imagine Music - Digital (IZ.OMW223-S). 9 x 12 inches.March on, Friends was written to honor the memory of some longtime friends – Ed Meyers (1930-2019) and Doug Godfrey (1931-2017). These two beloved gentlemen played in the military and taught music in public schools. March On, Friends is a three-minute march and a grade level of about 3.5 in difficulty. It contains bugle calls and inverted bugle calls and is rather melodic. It is fun to play and everyone in the band gets a chance as the melody and counter melodies are shared by all the instruments.
$25.00
23.1 €
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Phil Sims
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Paris Without You
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Imagine Music - Digital
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SheetMusicPlus
Sea Songs
Mixed choir (SSSAAATTTBBB) - difficult - Digital Download SKU: S9.Q19671 For mix…
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Mixed choir (SSSAAATTTBBB) - difficult - Digital Download SKU: S9.Q19671 For mixed choir. Composed by Steve Martland. This edition: choral score. Choral Music of Our Time. Downloadable, Choral score. Duration 23 minutes. Schott Music - Digital #Q19671. Published by Schott Music - Digital (S9.Q19671). English.Sea Songs, commissioned jointly by Ars Nova Copenhagen and Glasgow Concert Halls, is a kind of sequel to Martland's Street Songs (originally written for the Kings Singers and Evelyn Glennie). As with the earlier piece, Martland made use of to the library of the English Folk Song and Dance Society at Cecil Sharp House in north London. I wanted specifically to find texts that were not just the usual nautical heave-ho sort of thing, but instead explored the dangers and hardships still being experienced by sailors as recently as the early 19th century. I was also very happy to see in these texts the sense of camaraderie and mutual support that existed between the sailors. (Steve Martland) Dance to your Daddy sets the scene of a sailor's wife at home, dandling her baby son and singing to him about his daddy away fishing, and about the future. Both the tune and the words come from the Northumberland area around Newcastle. This song is very well known in the UK and gave the title to a famous television series When the boat comes in. Fire Down Below is about the effects of fire - a constant danger on board wooden ships. At the end of this song the words take on an extended meaning: Fire in our hearts for the friends that we love. The Dead Horse is about the initial month of work without pay in which all seamen had to take part. They referred to it as the dead horse - hence the expression to flog a dead horse when something is a waste of time. The seamen resented this unpaid time, and the text expresses their frustrations metaphorically by listing what they would do to the horse! The music's frantic gallop alludes to the horse's desperation. Although The Sea Martyrs presents itself as a ballad, this text has a more literary feel, and unlike the other songs it doesn't include a chorus refrain. It concerns the sailors' lack of pay, the consequences of asking for pay (being hanged!), and the poverty of their families at home. The poem portrays the sailors' deaths as an almost religious sacrifice to help future seamen. At the end of the work, the opening of Dance to your Daddy returns as a kind of descant, sung by an angel calling to the hanged men. © Paul Hillier, 2012.
$12.99
12 €
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Steve Martland
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Sea Songs
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Schott Music - Digital
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SheetMusicPlus
Ama
SMZATBB chorus and violin - Digital Download SKU: BJ.1244 Composed by Anders Jormin…
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SMZATBB chorus and violin - Digital Download SKU: BJ.1244 Composed by Anders Jormin. Octavo. 8 pages. Bo Ejeby Forlag - Digital #1244. Published by Bo Ejeby Forlag - Digital (BJ.1244). 8.27 x 11.7 inches.The lyrics of Ama were penned by Virgil and by Seneca the younger; influential Roman poets active two thousand years ago. Virgil is represented here by two stanzas: Amor vincit omnia et nos cedamus amori (Love conquers all things; let us too surrender to love) and Breve et irreparabile tempus omnibus est vitae (Lifetimes are brief and not to be regained), while Seneca’s contribution is Si vis amari, ama (If you want to be loved, love). Seneca was reputed to have corresponded with the apostle Paul.This composition was originally written for Trio Mediaeval. Here it is in an extended arrangement where men and women sing separately, only to join at the very end.The solo part, notated here for the violin, can also be played on a clarinet, an alto flute, a cello or an English horn. The piece can also be performed without an instrumental solo. – Anders JorminAma is recorded by the Polish choir Camerata Silesia and Anders Jormin: Ama, Footprint Records FRCD 094.
$2.80
2.59 €
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Anders Jormin
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Ama
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
Gregory Sullivan Isaacs: Songs From Calamus for baritone voice and piano
Baritone Horn TC,Vocal Solo,Voice - Digital Download SKU: A0.533384 Composed by Gre…
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Baritone Horn TC,Vocal Solo,Voice - Digital Download SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabrik Music Publishing #2803929. Published by Musik Fabrik Music Publishing (A0.533384). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
$16.95
15.66 €
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Songs From Calamus for baritone voice and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Tannhäuser und der Sängerkrieg auf Wartburg
Digital Download SKU: S9.Q25917 Vocal Score based on the Richard Wagner Complete…
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Digital Download SKU: S9.Q25917 Vocal Score based on the Richard Wagner Complete Edition edited by Wolfgang M. Wagner. Composed by Richard Wagner. This edition: vocal/piano score. Erstveröffentlichung - Oper - Theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q25917. Published by Schott Music - Digital (S9.Q25917). German • French.An important addition to Schott's newly published orchestral material is the first publication of piano scores for the ten major operas by Richard Wagner in all major versions. For the first time, we offer the stages and interested opera lovers piano scores as urtext editions that were designed according to uniform editorial criteria.•The score is aligned with the performance material of the Complete Edition. •All piano scores have study numbers and continuous measure numbers for rehearsal and study practice. •The editors are renowned musicologists from the circles of those working on the Richard Wagner Complete Edition who contribute detailed information on the respective editions to the critical prefaces.•The prefaces are printed in three languages (German, English, French). •The uniform appealing cover design with reproductions of paintings from the Wagner era emphasizes the serial character of the edition.TANNHÄUSERFor the Richard Wagner Complete Edition, the editors Egon Voss, Peter Jost and Reinhard Strohm as well as Cristina UrchueguÃa have researched and presented Tannhäuser's genesis and history of more than thirty years, which also took about thirty years of scientific work, on 2,959 pages in eight volumes. With the present piano score, the findings gathered therein shall now also to be made accessible for the musical practice. (Wolfgang M. Wagner, quoted from the foreword to the new Tannhäuser piano score)The piano score unites for the first time all four stages of the work (the score as of 1845, the score as of 1860, the Paris version as of 1861/62 with the complete French text of this version, and the Vienna version as of 1875) in a single excerpt for rehearsal and study practice, thus allowing the comparison of the versions, without sacrificing practicability.All variants are printed one after the other in the chronological sequence of the action on the stage, so that each of them can be explored in their context of action by simply turning over the pages. Only two variants rejected before the Paris premiere were printed separately in the appendix. A fascinating insight into Richard Wagner's thinking in terms of stage practice and into his very precise ideas of tonal balance, scenic details and role-conception are made possible by the quotations printed in key passages from his work On the Performance of Tannhäuser, published in 1852.For example, soon after the world premiere, Wagner suggested the deletion of bars in the orchestral part in the 4th scene of Act I, reasoning that […] due to the tremendous woodenness and self-consciousness of our usual supernumeraries, the impression of overwhelming liveliness, which was intended by me and which was to imply a heightening of the mood led up to by the liveliest manifestations of life, was not achieved. (piano reduction, p. 221)In the big ensemble scene at the end of Act II, Wagner puts in a comment at a certain passage, referring to the conductor and his great responsibility for tonal balance:The exclamations 'Ach, erbarm' dich mein!' require such a piercing emphasis that he [the performer of Tannhauser] as a mere, well-trained singer is not enough; it is but the highest dramatic art that has to provide him the energy of pain and desperation for an expression that must seem to break forth from the most gruesome depths of an awfully woeful heart, like a cry for salvation. The conductor has to ensure that the implied success is made possible for the principal singer by the most discrete accompaniment of the other singers as well as of the orchestra. (piano reduction, p. 367)3 (3. auch Picc.) · 2 · 2 · Bassklar. [nicht in Pariser F.] · 2 - 2 Ventilhr. · 2 Waldhr. · 3 Ventiltrp. · 3 · 1 [Pariser F.: Ophicléïde] - P. S. (Trgl. · Beck. · Tamb. · gr. Tr. · Tamt. [Pariser F.] · Kast. [Pariser/Wiener F.) (2-3 Spieler) - Str. Auf dem Theater: 2 Picc. [P/W: 1] · 4 Fl. [P/W: 2] · 4 Ob. [P/W: 2] · Engl. Hr. · 6 Klar. [P/W: 3] · 4 Fg. [P: 2, W: 0] - 12 Wald-Hr. · 12 Trp. [P: 9] · 4 Pos. [P/W: 4 Hr.] - Trgl. · Beck. · Tamb. · Kast. [nur in P] - Hfe. [in P/W].
$53.99
49.88 €
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Richard Wagner
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Tannhäuser und der Sängerkrieg auf Wartburg
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Schott Music - Digital
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SheetMusicPlus
Carol of the Bells (Hear Them Ring) - SATB cello and piano with parts
Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801699 Compose…
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Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801699 Composed by Mykola Leontovych. Arranged by Connie Boss. Celtic,Christmas,Irish,Sacred. Score. 13 pages. Connie Boss #6421425. Published by Connie Boss (A0.801699). This is a fun arrangement of this song. It is in SATB cello and piano with brand new lyrics and parts included. This is more in line with the nativity It is also available as instrumentals. cdboss@cvalley.net Lyrics below:Carol of the Bells – (Hear them Ring)Intro:Ring Christmas bells, hear them ringHear them ringing, carolingCaroling – hear them ringCarolingHear them ringVerse 1:Hear how the bells ring from aboveAngels will play showing their loveFor Christ was born upon this dayAll bow their heads, kneel and they prayLet the bells ring, for He is KingWith joyful sounds, ring all aroundAngels appear, shepherds show fearThen came a calm, followed with songShepherds came near, now without fearTo see the King, Hear the bells ring.O hear the bells, ring through the nightAnnouncing the birth, a glorious sight Ring, caroling. Ring the bellsRing, caroling. Ring the bells The bells play on, filling with songFor He is Lord, loved and adored.Verse 2: It came upon, a midnight clearAngels will bend, near the earthI heard the bells, on Christmas DayTheir old familiar carols they playAnd loud and sweet, their song repeatsPeace on earth, good will to menSilent night, Holy nightAll is calm, all is brightO little town, of BethlehemHow still we, see you lieWe three Kings from orient areBearing you gifts, come from afar Ring, caroling, Hear them ringingSing, caroling, People singing Joy to the world, the Lord is comeLet the earth, receive her King. Repeat intro in between verses and at the end.
$5.50
5.08 €
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Mykola Leontovych
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Carol of the Bells
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Connie Boss
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SheetMusicPlus
Carol of the Bells (Hear Them Ring) - SATB with optional instruments and piano
Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801679 Compose…
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Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801679 Composed by Mykola Leontovych. Arranged by Connie Boss. Celtic,Christmas,Irish,Sacred. Score. 15 pages. Connie Boss #6415657. Published by Connie Boss (A0.801679). This is a fun arrangement of this song. It is in SATB and optional instruments - flute, violin, cello) and piano with brand new lyrics and parts included. This is more in line with the nativity It is also available as instrumentals. cdboss@cvalley.net Lyrics below:Carol of the Bells – (Hear them Ring)Intro:Ring Christmas bells, hear them ringHear them ringing, carolingCaroling – hear them ringCarolingHear them ringVerse 1:Hear how the bells ring from aboveAngels will play showing their loveFor Christ was born upon this dayAll bow their heads, kneel and they prayLet the bells ring, for He is KingWith joyful sounds, ring all aroundAngels appear, shepherds show fearThen came a calm, followed with songShepherds came near, now without fearTo see the King, Hear the bells ring.O hear the bells, ring through the nightAnnouncing the birth, a glorious sight Ring, caroling. Ring the bellsRing, caroling. Ring the bells The bells play on, filling with songFor He is Lord, loved and adored.Verse 2: It came upon, a midnight clearAngels will bend, near the earthI heard the bells, on Christmas DayTheir old familiar carols they playAnd loud and sweet, their song repeatsPeace on earth, good will to menSilent night, Holy nightAll is calm, all is brightO little town, of BethlehemHow still we, see you lieWe three Kings from orient areBearing you gifts, come from afar Ring, caroling, Hear them ringingSing, caroling, People singing Joy to the world, the Lord is comeLet the earth, receive her King. Repeat intro in between verses and at the end.
$5.50
5.08 €
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Mykola Leontovych
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Carol of the Bells
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Connie Boss
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SheetMusicPlus
I'll Walk Alone
Horn,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1351942…
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Horn,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1351942 By Dinah Shore. By Jule Styne and Sammy Cahn. Arranged by F. Leslie Smith. 20th Century,Jazz,Pop,Standards. 20 pages. Sweetwater Brass Press #936564. Published by Sweetwater Brass Press (A0.1351942). “I’ll Walk Alone†is a World War II era ballad whose poignant melody sounds as though it could have been written just yesterday.  First introduced in the 1944 movie Follow the Boys, it was hugely popular and has since been recorded by numerous artists.   Universal Pictures produced Follow the Boys in an effort to help boost morale for both overseas military and folks on the home front.  Despite being filled with stars and songs, critics tended to dismiss it as hokey and trite.  The exception was a scene in which Dinah Shore sang “I’ll Walk Alone.† Nominated for the Academy Award for Best Original Song, Ms. Shore’s follow-up Victor recording spent 20 weeks on the top ten Best Selling Records chart.  The song was used yet again in 1952 for another motion picture, With a Song in My Heart, the Jane Froman biographical film, and the melody eventually developed as a standard, particularly in the world of jazz.   Sammy Cahn’s lyrics for this song express the feelings and the promise of a woman who has been separated from her lover by the war.  She pledges that she will be true, that she will wait for him, and that “'till you're walking beside me, I'll walk alone.† Jule Styne’s melody is both plaintiff and simple. an eight-measure phrase, a repeat of the phrase, an eight-measure second phrase, then another repeat of the first phrase.   For this arrangement, the suggested tempo is a relatively slow, blues-like 72 bpm.  It features a tenor saxophone as lead and solo instrument accompanied by brass quintet.  A four-measure introduction opens the piece with Trumpet 1 playing melody and the other four brass providing background.  Following the intro, Tenor Sax plays its first three notes alone; the other instruments begin their accompaniment on measure 6.  Trumpet 1 is tacit during measures 6-11 but begins adding counterpoint in measure 12.     In performing this arrangement, brass instruments should ensure that, when the Sax plays, their volume as a group is under (i.e., softer than) the melody.  The exception begins at measure 36, when a crescendo leads to the quintet playing fortissimo.  During this section, the Tenor Sax plays a couple of responses.  At measures 43 a decrescendo lowers the brass volume back to its original soft accompaniment level.  The piece ends with brass recapping the introduction and Sax providing a final statement.   This piece, completed in 2023, consists of 57 measures, a little over three minutes in length.  Written in the key of G major, Tuba’s lowest note is a G below the staff.  Other than that, all notes are well within the normal playing range of each instrument.   The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  Contact him at lessmith61@bellsouth.net.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$12.99
12 €
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Dinah Shore
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I'll Walk Alone
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Sweetwater Brass Press
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SheetMusicPlus
Celtiberian Fantasy For Harp and Strings
Small Ensemble Cello,Double Bass,Harp,Viola,Violin - Level 3 - Digital Download SKU: A0…
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Small Ensemble Cello,Double Bass,Harp,Viola,Violin - Level 3 - Digital Download SKU: A0.889414 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 40 pages. Luis Anjos Teixeira #3478441. Published by Luis Anjos Teixeira (A0.889414). Celtiberian Fantasy For Harp And Strings written for the - 2018 Chamber Music Contest Entry. Dear music Lovers and Friends. Celtiberian Fantasy was designed to be performed by a group of five artists, or even seven, nine, one thousand or more! Any kind of diatonic Harp can be used to perform this piece. The harp part can also be performed as a solo piece. When performing the piece solo and according to the size of the harp or the needs of the artist of course, it is possible to transpose the left hand part an octave lower and to open many of its chords or adding a bass without damaging the caracter of the music. When playing the harp with the rest of the ensemble it might be better to perform it mostly as it is written. The double bass is a soloist but it can be reenforced with a cello. Otherwise the cello joins the ensemble only in the „Tutti. However in the absence of a Double bass, than should the cello take its part. A Cello should always be present in the case that a little stringed orquestra performs the piece. It is a perfect piece for a mixed group of early beginners and „early soloists, it is very easy to perform by experienced artists. It can be played by a group of five artists, as well as a complete string orquestra with harp. Some interpretation symbols where used in the score as a performance suggestion. Most of the score is left virgin to the interpretation of the artists involved, particularly the use of bowing and fingering. It is a very flexible piece that can be used in all kinds of events. The score For the 2018 Chamber Music Contest Entrywas written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was produced with samplers from Garritan, conceived as an audio support for the presentation of the score. It is a Harp Quintet with a Double Bass instead of a Cello. Another audio version with the full orquestra will be found in sound cloud at „Anjos Teixeira Music. Thank you very much for taking your time to read this text and to listen to the file. This is the first time that it has been published in Sheet Music Plus. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Thanks to Stray Queen Mimi for my Family, all the Love and Compassion. Special thanks to my feline Family for all the Patience, Love and Compassion. Luis Anjos Teixeira
$28.99
26.78 €
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Luis Anjos Teixeira
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Celtiberian Fantasy For Harp and Strings
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Luis Anjos Teixeira
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SheetMusicPlus
Tristan und Isolde
3 (3. auch Picc.) · 2 · Engl. Hr. · 2 · Bassklar. · 3 - 4 · 3 · 3 …
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3 (3. auch Picc.) · 2 · Engl. Hr. · 2 · Bassklar. · 3 - 4 · 3 · 3 · 1 - P. S. (Trgl. · Bck.) - Hfe. - Str. Auf der Bühne: Engl. Hr. · 6 Hr. · 3 Trp. · 3 Pos. - Digital Download SKU: S9.Q17773 Handlung in drei Aufzügen. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 270' 0. Schott Music - Digital #Q17773. Published by Schott Music - Digital (S9.Q17773). German.An important addition to the newly produced orchestral materials by Schott Music is the fi rst publication of vocal scores of Richard Wagner’s ten great operas in every important version. For the first time, we are able to offer theatres and interested opera-lovers vocal scores as urtext editions conceived following uniform editorial criteria: * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. * The publisher has secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages (German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. TRISTAN UND ISOLDE Performance directions by the singer Ludwig Schnorr von Carolsfeld are incorporated in the vocal score from the Complete Edition’s Tristan und Isolde volume. He entered these directions into his own copy of the Tristan part which he used at the 1865 Munich premiere. Richard Wagner was deeply impressed by his interpretation of the title role. For the first time in a vocal score of Tristan und Isolde all cuts are incorporated—with the corresponding transitional bars—which Wagner himself made, and approved, in two cases, were actually declared by him to be final. These cuts strikingly document Wagner’s struggle with the final form of the work. For the first time in a single edition all of Wagner’s own suggestions for ossias are found; ossias which evolved from performances under his own direction. Egon Voss writes about this in his foreword to the vocal score: “Such ‘pointers’, as you might say, were current practice in the 19th century which Wagner, as the example shows, did not evade. He was enough of a practical man of the theatre to know that a badly sung top note is worse than doing without it. Wagner even tolerated the transposition of lengthier passages because he was less concerned with the letter of the score than with theatrical effectiveness. [...] The present vocal score goes beyond the Complete Edition [...] in that the ossias mentioned above are indicated in the vocal part itself, in small notes. They concern principally the role of Tristan, but also those of Isolde, Brangäne and Kurwenal. They rest in part on the Tristan edition within the Complete Edition but for the greater part go back to a source which could not be consulted for the Complete Edition because it was not yet accessible. This relates to a vocal score from the estate of the composer Peter Cornelius who was engaged by Wagner as repetiteur at the Vienna rehearsals in 1861-63. That the ossia bars go back to Wagner can be taken as certain, since in some places they are notated in his own hand.†(Egon Voss, quoted from the foreword to the vocal score) The transpositions mentioned by Egon Voss—two by Hans von Bülow for the revival of the work which he conducted in Munich in 1869 and the third suggested by Wagner himself in 1861—are printed in the appendix to the vocal score. The ossias, transpositions, and cuts are available for practical use in the theatre and in rehearsal. The cuts are also incorporated into the orchestral materials for Tristan und Isolde. This is also the case with ossias which affect the orchestral parts.2013 marks Wagner’s bicentenary, making the year largely focused on his music, particularly the dramatic works. An important addition to the newly produced orchestral materials by Schott Music. The score corresponds to the performance materials from the Complete Edition. Schott Music have secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. For the first time, this work is available to theatres and interested opera-lovers as urtext editions. For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. The forewords are given in three languages (German, English, and French). Other vocal scores available: Der fliegende Holländer (1841) Der fliegende Holländer (1842-80) Tannhäuser Lohengrin Das Rheingold Die Walküre Siegfried Götterdämmerung Die Meistersinger von Nürnberg Parsifal.
$47.99
44.34 €
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Richard Wagner
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Tristan und Isolde
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Schott Music - Digital
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SheetMusicPlus
Ta Maman for alto, cello and guitar
Small Ensemble Cello,Guitar,Voice - Level 3 - Digital Download SKU: A0.576653 Compo…
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Small Ensemble Cello,Guitar,Voice - Level 3 - Digital Download SKU: A0.576653 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 10 pages. David Warin Solomons #51133. Published by David Warin Solomons (A0.576653). Very sad poem by Paul Maertens about a child he came to know from his medical practice. The mother was unmarried and ashamed and tried to ignore the child as if it were a reproach to her, the child became autistic and unable to react to others. This setting for alto voice, cello and guitar reflect the mood of the poem in all its sadness. The sound sample is a performance by the composer, with Chris Benson on cello. (The guitar's 6th string is tuned to D - much use is made of 12th and 19th (or 7th if preferred) fret harmonics) The pdf file contains score and parts. An instrumental version of the the music, entitled Promenade d'hiver (viola, cello and guitar), is also available on this site. It is sung in French, but for convenience I am providing an English translation below (not for performance purposes). Ta Maman, p'tit gars, ne te désirait pas.Maintenant tu ouvres les robinets, et vois l'eau couler sans vouloir la saisir.Ta Maman a nié son attente. Ton Papa n'est pas tien, et ta Maman, de honte, t'a caché dans ses seins. Tu naissais sans qu'on te donne la vie. Tu étais dorloté, car il ne fallait pas qu'on t'entende, mon gars. Ta Maman ne te regardait pas dans les yeux; tes sourires n'ont pas eu de réponse. On ne t'a pas aimé.On t'a interdit la vie. Ta Maman ne pouvait soutenir ce reproche que tes yeux lui lançait; et pour mieux te fuir elle fit de toi cet objet cet oubli, un chien propre et fidèle qu'on lave, qu'on nourrit. Maintenant tu te promènes une auto à la main, sans jouer sans sourire sans parler. Ta Maman est partie, et tu n'as pas pleuré; tu as laissé ton auto quelque part, et tu ranges les cubes étalés devant toi: toujours dans le même ordre, simplement, sans angoisse, sans bonheur. Tu ne vis pas, p'tit. Réveille-toi, mon gars! Your mummy, little chap, did not want you. Now you turn on the taps and watch the water flow, but you don't want to grab it. Your mummy didn't admit she was expecting. Your daddy isn't yours and your mummy, out of shame, hid you in her breasts. You were born but you weren't given a life. You were rocked to sleep because you weren't supposed to be heard. Your mummy didn't look into your eyes, your smiles got no response. You weren't loved. You were forbidden to live. Your mummy could not bear the reproach your eyes shot at her, and in order to flee you all the more she made you into this object, this forgotten thing, a clean and faithful dog that you wash and feed. Now you roll your toy car around, without playing or smiling or speaking. Your mummy has gone and you didn't cry. You've left your car somewhere and you arrange the cubes in front of you, always in the same order, simply, without anguish, without happiness. You are not living , little one. Wake up little chap!
$10.00
9.24 €
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David Warin Solomons
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Ta Maman for alto, cello and guitar
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David Warin Solomons
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SheetMusicPlus
Проводник / Conductor (Ð Ð¾Ð¼Ð°Ð½Ñ Ð´Ð»Ñ Ð³Ð¾Ð»Ð¾Ñа Ñ Ð¾Ñ€ÐºÐµÑтром) - Full Score Only
Strings Clarinet,Glockenspiel,Harp,Voice - Level 5 - Digital Download SKU: A0.1420554
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Strings Clarinet,Glockenspiel,Harp,Voice - Level 5 - Digital Download SKU: A0.1420554 By Dmitry Klevansky. By Galina Vasilevskaya. Arranged by Stefan Kristinkov. Classical,Contemporary. 14 pages. Heemrec #1001987. Published by Heemrec (A0.1420554). Romance “Проводник (Conductor)†explores themes of cyclicity, immortality of a soul, and realization that without true love, everything else is meaningless. The eternal wandering of a soul does not necessarily mean running in circles, but rather reaching new levels in awareness of love. Love kindles a flame in the hearts, “bringing it out of the shadowsâ€, beyond the boundaries of time and space. This is why we feel alive and gain a sense of lightness. The vibration of truth helps us awaken love within. It is not limited to what you look like, who you are, where you are, or who you are with. The chorus begins with “I know...â€, implying inner knowledge, revealing that everything in this world is not accidental, especially meetings. Some people are perceived as kindred spirits by us, and meeting them can be either inspiring or frustrating, depending on your willingness to acknowledge your own mirrored qualities. The flame of love, originally given to humanity by God, called to lead like a beacon among the darkness and winds.Unfinished sketches of the romance were found by Galina Vasilevskaya in papers, left behind by her father, a well known composer, after his passing. With the help of her friends, Galina was able to finish the song. The deep and thoughtful poetic text, written by Aleksandr Popov Mikhaylov seamlessly matches the overall idea expressed in music, elevating the song to a level of a rare aesthetic enjoyment. Expressive arrangement by Stefan Kristinkov masterfully paints the profound ideas of the song, leaving a listener with a sense of peace and integrity.Composer: Galina VasilevskayaLyricist: Aleksandr Popov Mikhaylov Arranger/Orchestrator: Stefan Kristinkov Listen Here
$130.00
120.1 €
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Dmitry Klevansky
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Проводник / Conductor
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Heemrec
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SheetMusicPlus
Проводник / Conductor (Ð Ð¾Ð¼Ð°Ð½Ñ Ð´Ð»Ñ Ð³Ð¾Ð»Ð¾Ñа Ñ Ð¾Ñ€ÐºÐµÑтром) - Score And Parts
Strings Clarinet,Glockenspiel,Harp,Voice - Level 5 - Digital Download SKU: A0.1420561
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Strings Clarinet,Glockenspiel,Harp,Voice - Level 5 - Digital Download SKU: A0.1420561 By Dmitry Klevansky. By Galina Vasilevskaya. Arranged by Stefan Kristinkov. 21st Century,Classical,Contemporary. 52 pages. Heemrec #1001994. Published by Heemrec (A0.1420561). Romance “Проводник (Conductor)†explores themes of cyclicity, immortality of a soul, and realization that without true love, everything else is meaningless. The eternal wandering of a soul does not necessarily mean running in circles, but rather reaching new levels in awareness of love. Love kindles a flame in the hearts, “bringing it out of the shadowsâ€, beyond the boundaries of time and space. This is why we feel alive and gain a sense of lightness. The vibration of truth helps us awaken love within. It is not limited to what you look like, who you are, where you are, or who you are with. The chorus begins with “I know...â€, implying inner knowledge, revealing that everything in this world is not accidental, especially meetings. Some people are perceived as kindred spirits by us, and meeting them can be either inspiring or frustrating, depending on your willingness to acknowledge your own mirrored qualities. The flame of love, originally given to humanity by God, called to lead like a beacon among the darkness and winds.Unfinished sketches of the romance were found by Galina Vasilevskaya in papers, left behind by her father, a well known composer, after his passing. With the help of her friends, Galina was able to finish the song. The deep and thoughtful poetic text, written by Aleksandr Popov Mikhaylov seamlessly matches the overall idea expressed in music, elevating the song to a level of a rare aesthetic enjoyment. Expressive arrangement by Stefan Kristinkov masterfully paints the profound ideas of the song, leaving a listener with a sense of peace and integrity.Composer: Galina VasilevskayaLyricist: Aleksandr Popov Mikhaylov Arranger/Orchestrator: Stefan Kristinkov Listen Here
$140.00
129.34 €
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Dmitry Klevansky
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Проводник / Conductor
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Heemrec
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SheetMusicPlus
The Messenger (Romance for Voice And Orchestra) - Score And Parts
Strings Clarinet,Glockenspiel,Harp,Voice - Level 5 - Digital Download SKU: A0.1420568
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Strings Clarinet,Glockenspiel,Harp,Voice - Level 5 - Digital Download SKU: A0.1420568 By Dmitry Klevansky. By Galina Vasilevskaya. Arranged by Stefan Kristinkov. 21st Century,Classical,Contemporary. 52 pages. Heemrec #1002001. Published by Heemrec (A0.1420568). Romance “Проводник (Conductor)†explores themes of cyclicity, immortality of a soul, and realization that without true love, everything else is meaningless. The eternal wandering of a soul does not necessarily mean running in circles, but rather reaching new levels in awareness of love. Love kindles a flame in the hearts, “bringing it out of the shadowsâ€, beyond the boundaries of time and space. This is why we feel alive and gain a sense of lightness. The vibration of truth helps us awaken love within. It is not limited to what you look like, who you are, where you are, or who you are with. The chorus begins with “I know...â€, implying inner knowledge, revealing that everything in this world is not accidental, especially meetings. Some people are perceived as kindred spirits by us, and meeting them can be either inspiring or frustrating, depending on your willingness to acknowledge your own mirrored qualities. The flame of love, originally given to humanity by God, called to lead like a beacon among the darkness and winds.Unfinished sketches of the romance were found by Galina Vasilevskaya in papers, left behind by her father, a well known composer, after his passing. With the help of her friends, Galina was able to finish the song. The deep and thoughtful poetic text, written by Aleksandr Popov Mikhaylov seamlessly matches the overall idea expressed in music, elevating the song to a level of a rare aesthetic enjoyment. Expressive arrangement by Stefan Kristinkov masterfully paints the profound ideas of the song, leaving a listener with a sense of peace and integrity.Composer: Galina VasilevskayaLyricist: Aleksandr Popov Mikhaylov Arranger/Orchestrator: Stefan Kristinkov Listen Here
$140.00
129.34 €
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Dmitry Klevansky
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The Messenger
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Heemrec
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SheetMusicPlus
The Messenger (Romance for Voice And Orchestra) - Full Score Only - Score Only
Level 5 - Digital Download SKU: A0.1420570 By Dmitry Klevansky. By Galina Vasilevsk…
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Level 5 - Digital Download SKU: A0.1420570 By Dmitry Klevansky. By Galina Vasilevskaya. Arranged by Stefan Kristinkov. 21st Century,Classical,Contemporary. 14 pages. Heemrec #1002003. Published by Heemrec (A0.1420570). Romance “Проводник (Conductor)†explores themes of cyclicity, immortality of a soul, and realization that without true love, everything else is meaningless. The eternal wandering of a soul does not necessarily mean running in circles, but rather reaching new levels in awareness of love. Love kindles a flame in the hearts, “bringing it out of the shadowsâ€, beyond the boundaries of time and space. This is why we feel alive and gain a sense of lightness. The vibration of truth helps us awaken love within. It is not limited to what you look like, who you are, where you are, or who you are with. The chorus begins with “I know...â€, implying inner knowledge, revealing that everything in this world is not accidental, especially meetings. Some people are perceived as kindred spirits by us, and meeting them can be either inspiring or frustrating, depending on your willingness to acknowledge your own mirrored qualities. The flame of love, originally given to humanity by God, called to lead like a beacon among the darkness and winds.Unfinished sketches of the romance were found by Galina Vasilevskaya in papers, left behind by her father, a well known composer, after his passing. With the help of her friends, Galina was able to finish the song. The deep and thoughtful poetic text, written by Aleksandr Popov Mikhaylov seamlessly matches the overall idea expressed in music, elevating the song to a level of a rare aesthetic enjoyment. Expressive arrangement by Stefan Kristinkov masterfully paints the profound ideas of the song, leaving a listener with a sense of peace and integrity.Composer: Galina VasilevskayaLyricist: Aleksandr Popov Mikhaylov Arranger/Orchestrator: Stefan Kristinkov Listen Here
$130.00
120.1 €
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Dmitry Klevansky
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The Messenger
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Heemrec
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SheetMusicPlus
Victorian Christmas Melodies for Harmonium or American Reed Organ
Small Ensemble Harmonium,Harpsichord,Organ,Piano - Level 2 - Digital Download SKU: A0.8…
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Small Ensemble Harmonium,Harpsichord,Organ,Piano - Level 2 - Digital Download SKU: A0.842551 Composed by Various. Arranged by B. Brennan. Christmas,Instructional,Standards,Traditional. Score and parts. 28 pages. Bl_music #5791213. Published by bl_music (A0.842551). The Victorian Christmas Melodies 60 Victorian Christmas Melodies for Harmonium or American Organ without lyrics. This is the Christmas edition in our ´Victorian´ series for harmonium or reed organ which contains 60 harmonised carol melodies. We have not included the lyrics as this publication is mainly intended for instrumental performance. The carols may be repeated according to the number of verses indicated in brackets at the beginning of each piece. The selection represents the carols best known and loved by the Victorians, many having been introduced by Prince Albert himself from Germany. We have kept the original titles in German, Latin or English. These are easy to medium arrangements also suitable for piano, keyboard or organ.1. Deck The Halls 2. Alle Jahre wieder 3. As With Gladness 4. Away In A Manger 5. Am Weihnachtsbaum die Lichter 6. Wassail Song 7. Der Christbaum ist der schönste Baum 8. Ehre sei Gott9. Hark! The Herald Angels Sing 10. Es kommt ein Schiff, geladen 11. Macht hoch die Tür 12. Es ist ein Ros‘ entsprungen 13. Ihr Hirten, erwacht 14. Freu Dich, Erd und Sternenzelt 15. 0 Little Town of Bethlehem 16. Heiligste Nacht 17. Inmitten der Nacht 18. Once in Royal David's City 19. Joseph, lieber Joseph mein 20. Laßt uns froh und munter sein 21. Ihr Kinderlein, kommet 22. Gloria in Excelsis Deo 23. Leise rieselt der Schnee 24. Adeste Fideles, Come All Ye Faithful 25. It Came Upon A Midnight Clear 26. Kommet Ihr Hirten 27. Lobt Gott, Ihr Christen 28. Kling Glöckchen 29. Quem Pastores laudavere 30. Sussex Carol 31. Laßt uns das Kindlein wiegen 32. Laufet, Ihr Hirten 33. The Angel Gabriel 34. Boar's Head Carol 35. Morgen, Kinder, wird's was geben 1 36. Morgen, Kinder, wird's was geben 2 37. Lobet den Herren 38. 0 Freude über Freude 39. While Shepherds Watched 40. Coventry Carol 41. Tochter Zion 42. 0 Du fröhliche 43. In Dulci Jubilo 44. Stille Nacht 45. Still,still, still 46. 0 Tannenbaum 47. See Amid The Winter's Snow 48. Ding Dong, Merrily On High 49. Vom Himmel hoch 50. Cherry Tree Carol 51. The Holly And The Ivy 52. Schlaf wohl, Du Himmelsknabe) 53. Maria durch ein Dornwald ging 54. Zu Bethlehem geboren 55. Süßer die Glocken) 56. God Rest Ye, Merry Gentlemen 57. Morgen kommt der Weihnachtsmann 58. Susani 59. Was soll das bedeuten? 60. We Wish You a Merry Christmas
$14.99
13.85 €
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Various
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Victorian Christmas Melodies for Harmonium or American Reed Organ
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bl_music
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SheetMusicPlus
Lord of All Our Days (Funeral Hymn) Backup Track (No Vocals)
Piano Accompaniment - Level 2 - Digital Download SKU: A0.1477614 By Stacey Plays Hy…
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Piano Accompaniment - Level 2 - Digital Download SKU: A0.1477614 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred. Accompaniment. Duration 235. Anastace #1054994. Published by Anastace (A0.1477614). As of this publishing, over 140,000 people have found my one video collection of funeral hymns on YouTube, not including separate postings of each individual song. Because of this it's been on my mind for a long time to write a funeral song, but it was somehow just never the right time until just a few weeks ago when this one came pouring out in 5 minutes flat [which does not happen often, I can assure you!]. The culmination of years of playing for funerals, a bachelor degree in theology and sacred music, and many more years of writing and playing music through good times and also times full of grief, Lord of All Our Days is my very best and heartfelt attempt to serve those who are also dealing with the absolute heartache of loss, be it the acute, fresh grieving of just losing someone or the flashbacks that come time and time again, years and even decades later.This song carefully and tenderly handles the true earth-shaking grief that it is to lose someone you love, while holding out a strong hope of the life to come for those who trust God. I had a very difficult time recording it without being moved to tears over and over, and I pray it will reach many in need of comfort, being of service to anyone who is looking for a Christian, Biblical funeral hymn for a memorial service or a celebration of life service. Also available, by searching Stacey Plays Hymns and the song title on this site, is an accompaniment track with the full backup vocals as well as the following sheet music versions:Piano Vocal in Bb Minor to match the original recording [vocal range: Bb3-Bb4]Piano Vocal in C Major for easier playing and a better congregational vocal rangeLead Sheet for piano or guitar in C Major - best key for singing without a capoLead Sheet in G minor for piano or guitar [play capo 3 or more to match the original key]For other formats including large print, a different key to match a soloist's preferred range, or piano solo for a matching prelude or postlude, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one funeral or memorial service with under 1000 people, with proper attribution and credit in all printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$3.00
2.77 €
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Stacey Plays Hymns
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Lord of All Our Days
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Anastace
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SheetMusicPlus
Lord of All Our Days (Funeral Hymn) Backup Track (Full harmonies and choral parts)
Piano Accompaniment - Level 2 - Digital Download SKU: A0.1477616 By Stacey Plays Hy…
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Piano Accompaniment - Level 2 - Digital Download SKU: A0.1477616 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred. Accompaniment. Duration 235. Anastace #1054996. Published by Anastace (A0.1477616). As of this publishing, over 140,000 people have found my one video collection of funeral hymns on YouTube, not including separate postings of each individual song. Because of this it's been on my mind for a long time to write a funeral song, but it was somehow just never the right time until just a few weeks ago when this one came pouring out in 5 minutes flat [which does not happen often, I can assure you!]. The culmination of years of playing for funerals, a bachelor degree in theology and sacred music, and many more years of writing and playing music through good times and also times full of grief, Lord of All Our Days is my very best and heartfelt attempt to serve those who are also dealing with the absolute heartache of loss, be it the acute, fresh grieving of just losing someone or the flashbacks that come time and time again, years and even decades later.This song carefully and tenderly handles the true earth-shaking grief that it is to lose someone you love, while holding out a strong hope of the life to come for those who trust God. I had a very difficult time recording it without being moved to tears over and over, and I pray it will reach many in need of comfort, being of service to anyone who is looking for a Christian, Biblical funeral hymn for a memorial service or a celebration of life service. Also available, by searching Stacey Plays Hymns and the song title on this site, is an accompaniment track with only piano (instead of this one with the full choral backup vocals) as well as the following sheet music options:Piano Vocal in Bb Minor to match the original recording [vocal range: Bb3-Bb4]Piano Vocal in C Major for easier playing and a better congregational vocal rangeLead Sheet for piano or guitar in C Major - best key for singing without a capoLead Sheet in G minor for piano or guitar [play capo 3 or more to match the original key] For other formats including large print, a different key to match a soloist's preferred range, or piano solo for a matching prelude or postlude, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one funeral or memorial service with under 1000 people, with proper attribution and credit in all printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$3.00
2.77 €
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Stacey Plays Hymns
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Lord of All Our Days
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Anastace
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SheetMusicPlus
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