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Crazy Little Thing Called Love
Brass Ensemble E-Flat Tuba TC,Euphonium,Horn,Trombone,Trumpet - Level 3 - Digital Download…
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Brass Ensemble E-Flat Tuba TC,Euphonium,Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1350018 By Dwight Yoakam. By Freddie Mercury. Arranged by Kevin P Holdgate. 20th Century,Broadway,Musical/Show,Pop,Standards,Wedding. 21 pages. Kevin P Holdgate #934794. Published by Kevin P Holdgate (A0.1350018). This arrangement is for brass sextet (2 Trumpets, F Horn, 2 Trombones, Tuba & Drum Kit) with additional parts for Horn in Eb, Trombone in treble clef, Euphonium in treble clef and Eb Tuba. Arranged in a 'beer keller' style it has been regularly featured by my own Ockoberfest group 'The Lagermeisters'. Suitable for any competent Intermediate group of players this is a great song to get the party up and dancing.Crazy Little Thing Called Love is a song by the British rock band Queen. Written by Freddie Mercury in 1979, the track is included on their 1980 album The Game, and also appears on the band's compilation album Greatest Hits in 1981. The song peaked at number two in the UK Singles Chart in 1979, becoming the group's first number-one single on the Billboard Hot 100 in the US in 1980, remaining there for four consecutive weeks. It topped the Australian ARIA Charts for seven weeks. It was the band's final single release of the 1970s.Having composed Crazy Little Thing Called Love on guitar, Mercury played rhythm guitar while performing the song live, which was the first time he played guitar in concert with Queen. Queen played the song live between 1979 and 1986, and a live performance of the song is recorded in the albums Queen Rock Montreal, Queen on Fire – Live at the Bowl, Live at Wembley '86 and Hungarian Rhapsody: Queen Live in Budapest. Since its release, the song has been covered by a number of artists. The song was played live on 20 April 1992 during The Freddie Mercury Tribute Concert, performed by Robert Plant with Queen. The style of the song was described by author Karl Coryat as rockabilly in his 1999 book titled The Bass Player Book.
$15.99
14.62 €
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Dwight Yoakam
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Crazy Little Thing Called Love
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Kevin P Holdgate
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SheetMusicPlus
My Favorite Things
Large Ensemble Descant Recorder,Guitar,Keyboard,Piano Accompaniment,Tenor Horn,Treble Reco…
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Large Ensemble Descant Recorder,Guitar,Keyboard,Piano Accompaniment,Tenor Horn,Treble Recorder,Ukulele - Level 2 - Digital Download SKU: A0.842464 By John Lennon. By Jermaine Stewart, Richard Rodgers, and Roy Carter. Arranged by Tony Tournoff. Contemporary. Score and parts. 28 pages. Fairways Music #6230137. Published by Fairways Music (A0.842464). Worthing U3A’s Inspired Instrumentalists was formed in 2015 with just 6 members, all mixed ability and wanting to make music together. They now have 36 members, still a very mixed ability group, and includes instruments which are not found in the normal orchestra so arrangements have to be made for them. Since March 2020 they have been in Lockdown and unable to meet. It was agreed that they would continue to make music through a form of distanced learning. They receive an arrangement from me to work on and are given a date to submit their audio file which is then collated into a whole piece for all of them to listen to. This is one of the arrangements they have worked on.
$25.00
22.86 €
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John Lennon
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My Favorite Things
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Fairways Music
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SheetMusicPlus
I Don't Want To Miss A Thing
Small Ensemble Flute,Oboe,Piano,Recorder,Violin - Level 3 - Digital Download SKU: A0.80…
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Small Ensemble Flute,Oboe,Piano,Recorder,Violin - Level 3 - Digital Download SKU: A0.809262 By David Cook. By Diane Warren. Arranged by Betsuel Uesile Prado. Rock. Score and parts. 6 pages. BETSUEL UESILE DO PRADO #6422955. Published by BETSUEL UESILE DO PRADO (A0.809262). This arrangement contain the piano accompaniment and the main melody that can be played by violin, flute or any treble clef instrument.
$12.99
11.88 €
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David Cook
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I Don't Want To Miss A Thing
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BETSUEL UESILE DO PRADO
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SheetMusicPlus
Two Scenes from the Lodz Ghetto - Chamber Version: 1. At the Clothing Department; 2. To Get a Ration
Mixed Percussion Bassoon,Clarinet,Double Bass,Trombone,Trumpet,Violin - Level 5 - Digital …
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Mixed Percussion Bassoon,Clarinet,Double Bass,Trombone,Trumpet,Violin - Level 5 - Digital Download SKU: A0.1435098 Composed by Stanley M Hoffman. 21st Century,Classical,Opera. 240 pages. Stanleymhoffman.com #1015206. Published by stanleymhoffman.com (A0.1435098). Opera Scenes 1. At the Clothing Department (3:00); 2. To Get a Ration (9:00) - vocal soloists & piano or chamber ensemble (cl, bn, tpt, tbn, perc, vln, vc) with live or prerecorded crowd noise - 2021, 2024. The libretto is comprised of the insightful observations of a young Jewish boy—Abraham “Abramek” Koplowicz—who was trapped by the Nazis in the Lodz ghetto and who later died in Auschwitz. The libretto appears before each scene in the scores.This may be a relatively brief piece, but it is a major one for me and posthumously for the author. I am fortunate to be the only person given blanket gratis permission to set the words of Abraham Koplowicz to music. He composed a book of poetry, plays, and artwork while imprisoned in the Lodz Ghetto before perishing later in Auschwitz before he could become a Bar Mitzvah. The contents of that book are quite good, sophisticated for his age. Abraham's late half-brother, Eliezer Grynfeld—who found the book in the 1990s—and I eventually became good friends. The Pope once kissed Eliezer's hand. That is how highly regarded this collection is and, by some stroke of luck or fate, I have got exclusive musical rights to the book until it enters the public domain. In my settings of AT THE CLOTHING DEPARTMENT and TO GET A RATION, I combine the musical language of Schoenberg's A SURVIVOR FROM WARSAW very nearly with the instrumentation of Stravinsky's A SOLDIER'S TALE - only the percussion instruments differ. The musical language of these brief opera scenes is appropriately terse, very much in keeping with the oppressiveness of imprisonment. Please have a look and a listen. Thank you for your consideration. ---Words originally in Polish by Abraham (“Abramek”) Koplowicz (b. 1930, Lodz, Poland, d. 1944, Auschwitz-Birkenau) Translation by Sarah Lawson and Małgorzata Koraszewska Adapted by Stanley M. Hoffman Translation by Sarah Lawson and Małgorzata Koraszewska. © Copyright 1993 by Eliezer Grynfeld. All rights reserved. Used by permission of Eliezer Grynfeld. Adapted by permission of Sarah Lawson and Małgorzata Koraszewska. Libretto by Stanley M. Hoffman. Music by Stanley M. Hoffman. NotePerfomer 4 Audio and Scrolling Score Video Seeking Live Performances Music: © Copyright 2021, 2024 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)com All rights reserved.
$60.00
54.85 €
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Stanley M Hoffman
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2
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Two Scenes from the Lodz Ghetto - Chamber Version: 1. At the Clothing Department; 2. To Get a Ration
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stanleymhoffman.com
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SheetMusicPlus
Something She Has To Do
Small Ensemble - Level 3 - Digital Download SKU: A0.835895 Composed by Philip Glass…
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Small Ensemble - Level 3 - Digital Download SKU: A0.835895 Composed by Philip Glass. Arranged by Paul Burnell. Contemporary. Score and parts. 23 pages. Paul Burnell #6618019. Published by Paul Burnell (A0.835895). Something She Has To Do, Philip Glass, arranged by Paul Burnell for instruments in four partsDuration 3:10Score in CThe arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows: Part 1: C, Eb (Flute, Oboe, Alto Recorder, Eb Clarinet, Violin 1)Part 2: C, Bb, G (Alto Flute, Oboe, Tenor Recorder, Bb Clarinet, Violin 2)Part 3: C, Bb, Eb, F (Bb Clarinet, Bass Recorder, Alto Saxophone, Horn in F, Violin 3, Viola)Part 4: C, Bb, F (Bassoon, Great bass Recorder, Tenor Saxophone, Horn in F, 'Cello)Part 4 may be played an octave lower than written - using the 'Bass Clef up 8' part.Any other appropriate instruments, even if not suggested above, may play.Play cue-sized notes in brackets where the main notes are out of range or inconvenient.Programme note:'Something She Has to Do' is part of the soundtrack composed by US composer Philip Glass for the 2002 film 'The Hours'. The film's score won the BAFTA Award for Best Film Music and was nominated for the Academy Award for Best Original Score, and the Golden Globe Award for Best Original Score. The film’s plot focuses on three women of different generations whose lives are interconnected by the 1925 novel 'Mrs Dalloway' by Virginia Woolf. 'Something She Has to Do' was also included on the soundtrack for the 2009 movie 'Watchmen'.
$12.99
11.88 €
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Philip Glass
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Something She Has To Do
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Paul Burnell
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SheetMusicPlus
My Favorite Things
String Ensemble Cello,Double Bass,Viola,Violin - Level 2 - Digital Download SKU: A0.140…
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String Ensemble Cello,Double Bass,Viola,Violin - Level 2 - Digital Download SKU: A0.1405008 By Chicago. By Oscar Hammerstein and Richard Rodgers. Arranged by Dawson Music UK. 20th Century,Broadway,Musical/Show. 35 pages. Dawson Music UK #988043. Published by Dawson Music UK (A0.1405008). This arrangement of My Favourite Things from The Sound of Music is scored for string ensemble comprising Violin I, Violin II, Violin III, Viola, Violoncello, Double Bass and Acoustic Guitar. The main melody is shared between the violins and cello with acoustic guitar doubling in places. The viola part is a very basic part which uses only open strings and the acoustic guitar part is optional as it doubles the other parts throughout. All other parts are easy/intermediate level.This is a great concert piece, fun to play and an audience favourite! Follow the link to a sample audio recording or contact me directly for further information at simon@dawsonmusic.co.uk.www.dawsonmusic.co.uk.
$12.99
11.88 €
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Chicago
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My Favorite Things
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Dawson Music UK
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SheetMusicPlus
Nothing's Gonna Change My Love For You
Drum Set,Electric Bass Guitar,Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A…
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Drum Set,Electric Bass Guitar,Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1229815 By Glenn Medeiros. By Gerry Goffin and Michael Masser. Arranged by SHIU Wai Yau, William. Christian,Contest,Festival,Pop,Romantic Period,Wedding. 26 pages. William Shiu #825573. Published by William Shiu (A0.1229815). For trumpet, trombone (main melody), horn, electric bass and drumset.
$12.99
11.88 €
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Glenn Medeiros
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Nothing's Gonna Change My Love For You
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William Shiu
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SheetMusicPlus
All The Things You Are
Small Ensemble - Level 4 - Digital Download SKU: A0.935213 By Jack Leonard with Tom…
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Small Ensemble - Level 4 - Digital Download SKU: A0.935213 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern. Arranged by Richard Forshaw. Musical/Show. Score and parts. 7 pages. Richard Forshaw #4757865. Published by Richard Forshaw (A0.935213). This arrangement would suit competent choirs and ensembles, contrasting close harmony with the simply stated main theme.
$1.99
1.82 €
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Jack Leonard with Tommy Dorsey Orchestra
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All The Things You Are
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Richard Forshaw
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SheetMusicPlus
Something
Level 3 - Digital Download SKU: A0.1044742 By The Beatles. By George Harrison. Arra…
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Level 3 - Digital Download SKU: A0.1044742 By The Beatles. By George Harrison. Arranged by Frank Stubs. Pop,Rock,Wedding. 11 pages. Frank Stubbs #649377. Published by Frank Stubbs (A0.1044742). This beautiful song by George Harrison made famous by The Beatles arranged for Brass Quintet, featuring Trumpet 2 or Flugelhorn on the melody in the main. Arranged For 2 Trumpets (Flugelhorns), French Horn, Trombone and Tuba. A fabulous inclusion to any recital, concert or corporate entertainment event.
$18.00
16.46 €
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The Beatles
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Something
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Frank Stubbs
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SheetMusicPlus
Something In The Way She Moves
Choral Choir,Choral (5-Part) - Level 5 - Digital Download SKU: A0.1389487 By James …
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Choral Choir,Choral (5-Part) - Level 5 - Digital Download SKU: A0.1389487 By James Taylor. By James Taylor. Arranged by Gareth Treseder. 20th Century,A Cappella,Country,Folk,Rock. 10 pages. Gareth Treseder #973075. Published by Gareth Treseder (A0.1389487). One of James Taylor's most beautiful works, Something In The Way She Moves, has been arranged for ATTBB forces. Bass One hosts the melody throughout, whilst the remaining voices provide the guitar-like accompaniment and occasional homophonic syncopations within a rich harmonic framework.
$2.50
2.29 €
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James Taylor
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Something In The Way She Moves
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Gareth Treseder
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SheetMusicPlus
Something There
Guitar,Voice - Level 3 - Digital Download SKU: A0.1374704 By The Candlelight Guitar…
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Guitar,Voice - Level 3 - Digital Download SKU: A0.1374704 By The Candlelight Guitarist. By Alan Menken and Howard Ashman. Arranged by Brad Powell. Broadway,Classical,Film/TV,Musical/Show,Pop,Wedding. Guitar Tab with Voice. 6 pages. Geofonica Artistworks #959258. Published by Geofonica Artistworks (A0.1374704). This is an instrumental solo arrangement of Something There created by Brad Powell for his performances in Disney's Princess Breakfast Adventure at the Disneyland Resort's Grand Californian hotel (Napa Rose restaurant), from 2019 to early 2024. It's an intermediate solo guitar arrangement, mixing jazz and classical techniques and chord voicings. You can hear the full arrangement performed in the YouTube link provided. NOTE: This instrumental arrangement is in standard notation with TAB (LYRICS are included for reference). It is also available as standard notation (without TAB).ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.com...perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender..
$4.99
4.56 €
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The Candlelight Guitarist
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Something There
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Geofonica Artistworks
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SheetMusicPlus
My Hope is Built on Nothing Less - CW 382 - Lead Sheet
Instrumental Duet Guitar,Instrumental Duet,Voice - Digital Download SKU: A0.1026406…
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Instrumental Duet Guitar,Instrumental Duet,Voice - Digital Download SKU: A0.1026406 Composed by Text: Edward Mote Tune: John Stainer. Arranged by Steven D. Jaeger. Christian. Score and parts. 2 pages. Steven D. Jaeger #6093179. Published by Steven D. Jaeger (A0.1026406). 4-bar intro and 4-bar outro added to hymn 382, along with guitar chords. Key remains in C, search for Bb sax part. Runs 3:07 at 92 bpm. Former Hal Leonard engraver using company standards. Thank you and God Bless.
$2.99
2.73 €
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Text: Edward Mote Tune: John Stainer
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My Hope is Built on Nothing Less - CW 382 - Lead Sheet
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Steven D. Jaeger
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SheetMusicPlus
The Winner
Small Ensemble - Digital Download SKU: A0.1017906 Composed by Andreas Kleinert. Con…
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Small Ensemble - Digital Download SKU: A0.1017906 Composed by Andreas Kleinert. Contemporary. Score and parts. 2 pages. Andreas Kleinert #6326291. Published by Andreas Kleinert (A0.1017906). Ein Ruf der Kinder aus unseren Familienferien: Auf den Ruf hin „Wer gehört oben ist! gab es einen Wettlauf die Treppe hoch. Genau aus diesem Ruf und der Situation entstand in meinem Kopf dieses Stück - voll guter Laune! Das Stück darf gern etwas wild gespielt werden, wie eben der Wettlauf unserer Kinder, als sie noch klein waren! Es hat, wie ich erst später sah, wieder nur die von mir so geliebten weißen Tasten. Und es kling trotzdem jazzig! Ich habe auch ein Big-Band-Arrangement mit Solos davon, die du hier in den Teilen B und C siehst.In our familiy holidays suddenly our children called: „Wer zuerst oben ist! (Who´s up first?)and there was a race upstairs! Right from this call and this situation this piece of music originated in my head – full of good mood! You may play this piece a bit wildly – just like the competition race of our children in the time when they were still small. As I noticed later, the piece has only white keys – and sounds jazzy nevertheless! The original version was a piece for big band with solos (look part B and C). The piece fits on two pages and has a rondo form as it is written above: Intro A B A C A. Sorry to say that my music program does not understand it, I don´t know why, but you`ll understand it, and this is the main thing! Have great fun with sports and games! And music! Das Stück passt gut auf zwei Seiten und ist auch in Rondoform, wie es darüber steht, leicht zu verstehen: Intro ABAC A. Leider versteht es mein Notensatzprogramm nicht, warum, weiß ich nicht. Aber du hast es verstanden, das ist die Hauptsache! Viel Spaß bei Sport und Spiel! Und der Musik!
$3.99
3.65 €
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Andreas Kleinert
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The Winner
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Andreas Kleinert
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SheetMusicPlus
One Thing Remains
Piano Quintet,String Ensemble - Level 3 - Digital Download SKU: A0.951230 Composed …
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Piano Quintet,String Ensemble - Level 3 - Digital Download SKU: A0.951230 Composed by Bob Good. Concert,Contemporary,Standards. Score and parts. 7 pages. Surrey Dance Music #4354367. Published by Surrey Dance Music (A0.951230). Beautiful, gentle Piano Quintet, with piano taking the lead,and solos for cello and first violin. A couple of minutes long.
$6.99
6.39 €
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Bob Good
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One Thing Remains
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Surrey Dance Music
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SheetMusicPlus
Stranger Things Main Title Theme
Composed by Kyle Dixon and Michael Stein. Arranged by Christopher Pence. Contemporary. …
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Composed by Kyle Dixon and Michael Stein. Arranged by Christopher Pence. Contemporary. 29 pages. Chris Pence #6079385. Published by Chris Pence
$14.99
13.7 €
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Kyle Dixon and Michael Stein
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Stranger Things Main Title Theme
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Chris Pence
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SheetMusicPlus
A Childes Garden of Ecologickally Correct SONGES
Small Ensemble Guitar,Piano,Ukulele,Voice - Level 1 - Digital Download SKU: A0.992357
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Small Ensemble Guitar,Piano,Ukulele,Voice - Level 1 - Digital Download SKU: A0.992357 Composed by Tim Fatchen, Flying Tadpole. Children,Contemporary,Folk. Score and parts. 44 pages. Flying Tadpole Productions #3467356. Published by Flying Tadpole Productions (A0.992357). TEN CHILDREN'S SONGS for adults and smarter kids: it's satire but ecologically, it's CORRECT! The Songes are a satirical counterpoint to the fluffy guff that's so often passed off as kids' songs. They're fun to sing, easy to play, sufficiently gross to satisfy the bloodthirsty urges of older children, entertaining and, seriously, quite scientifically correct. Honesty in children's songs, a new thing in the world! All the Songes have been tested on line and at public performance. ECOLOGICAL REALITY BYTES! It's not all sweetness and light and tree-hugs out there in the Wonderful Ecological World, oh no! So here's the start of a re-education in ecological reality for you! Explore the murderous wooden hearts of trees! Learn the real reason for the decline of Fairy Penguins! Find your place on the Food Chain! There's an architecturally-acclaimed how-to blend your house with nature! And there's more!LEAD SHEETS, LYRIC SHEETS WITH CHORDS, LINER NOTESEach of the Songes can be printed separately as a 4-page booklet, with the lead sheets on the central two pages, the title and liner notes on the front page, and the lyrics only + chords on the back page.PARENTAL ADVISORY! While there's no profanity or overt/covert sexual innuendo anywhere, some adults find the content challenging, because it's not the view of Nature they'd like to have. Kids find these Songes great, especially the grosser ones, and may be able to help such adults cope. There should be parental or other adult guidance in anything like this because it is satire and may need explaining, and it's not for young children. FLYING TADPOLE AND TIM FATCHENThe virtual band Flying Tadpole started as a boat and turned into a state of mind. Mainly the cutting satire, cruel humor, blue angst and general mayhem of the scurrilous and dark alter ego of Tim Fatchen, Flying Tadpole is occasionally joined by others unwise enough to cross to the Dark Side, but wise enough to remain on another Continent. Both lurk in the depths of Mr Dunn's 1844 Mill, in Mount Barker in the beautiful Adelaide Hills, South Australia, and try not to be a blight on the landscape. Their website is at www.flyingtadpole.com
$14.95
13.67 €
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Tim Fatchen, Flying Tadpole
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Their website is at www
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A Childes Garden of Ecologickally Correct SONGES
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Flying Tadpole Productions
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SheetMusicPlus
Ta Maman for alto, cello and guitar
Small Ensemble Cello,Guitar,Voice - Level 3 - Digital Download SKU: A0.576653 Compo…
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Small Ensemble Cello,Guitar,Voice - Level 3 - Digital Download SKU: A0.576653 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 10 pages. David Warin Solomons #51133. Published by David Warin Solomons (A0.576653). Very sad poem by Paul Maertens about a child he came to know from his medical practice. The mother was unmarried and ashamed and tried to ignore the child as if it were a reproach to her, the child became autistic and unable to react to others. This setting for alto voice, cello and guitar reflect the mood of the poem in all its sadness. The sound sample is a performance by the composer, with Chris Benson on cello. (The guitar's 6th string is tuned to D - much use is made of 12th and 19th (or 7th if preferred) fret harmonics) The pdf file contains score and parts. An instrumental version of the the music, entitled Promenade d'hiver (viola, cello and guitar), is also available on this site. It is sung in French, but for convenience I am providing an English translation below (not for performance purposes). Ta Maman, p'tit gars, ne te désirait pas.Maintenant tu ouvres les robinets, et vois l'eau couler sans vouloir la saisir.Ta Maman a nié son attente. Ton Papa n'est pas tien, et ta Maman, de honte, t'a caché dans ses seins. Tu naissais sans qu'on te donne la vie. Tu étais dorloté, car il ne fallait pas qu'on t'entende, mon gars. Ta Maman ne te regardait pas dans les yeux; tes sourires n'ont pas eu de réponse. On ne t'a pas aimé.On t'a interdit la vie. Ta Maman ne pouvait soutenir ce reproche que tes yeux lui lançait; et pour mieux te fuir elle fit de toi cet objet cet oubli, un chien propre et fidèle qu'on lave, qu'on nourrit. Maintenant tu te promènes une auto à la main, sans jouer sans sourire sans parler. Ta Maman est partie, et tu n'as pas pleuré; tu as laissé ton auto quelque part, et tu ranges les cubes étalés devant toi: toujours dans le même ordre, simplement, sans angoisse, sans bonheur. Tu ne vis pas, p'tit. Réveille-toi, mon gars! Your mummy, little chap, did not want you. Now you turn on the taps and watch the water flow, but you don't want to grab it. Your mummy didn't admit she was expecting. Your daddy isn't yours and your mummy, out of shame, hid you in her breasts. You were born but you weren't given a life. You were rocked to sleep because you weren't supposed to be heard. Your mummy didn't look into your eyes, your smiles got no response. You weren't loved. You were forbidden to live. Your mummy could not bear the reproach your eyes shot at her, and in order to flee you all the more she made you into this object, this forgotten thing, a clean and faithful dog that you wash and feed. Now you roll your toy car around, without playing or smiling or speaking. Your mummy has gone and you didn't cry. You've left your car somewhere and you arrange the cubes in front of you, always in the same order, simply, without anguish, without happiness. You are not living , little one. Wake up little chap!
$10.00
9.14 €
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David Warin Solomons
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Ta Maman for alto, cello and guitar
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David Warin Solomons
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SheetMusicPlus
Sonatina for Flute and Piano
Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1499262 Composed by James …
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Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1499262 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. Score and part. 43 pages. James A. Yeager #1075315. Published by James A. Yeager (A0.1499262). Foreword:Each movement revisits classic paradigms— (I & II) ternary song form,(III) theme & variations. The third movement treats the two themes as children at play with games such as tag and hide-and-seek as variations. Both themes become partner songs leading to fugue, which is, after all, the ultimate musical game.Performance Notes:I Moderato, slurs in the flute suggest phrasing but are optional in terms of breathing. The B section at letter C has a canon between flute and piano (left-hand) which suggests imitation in articulations and dynamics. The climax just before letter D can be stretched slightly more than poco rit. implies. II Slowly gently, must not be played slower than indicated. The middle section at letter B begins with a subito forte. At 3 measures before letter C the fermatas allow a certain freedom. When the flute releases the piano can continue the left-hand chord. The piano should use una corda in the bridge at letter C. Elsewhere, the piano may also employ una corda in quiet places ad libitum. At final note the flute can fade to nothing if breath runs out and just remain in pose as the final note of the piano is allowed to vanish.III Majestic with vigour, two given themes from ca. 1934 are Old Abram Brown by Benjamin Britten and Kookabura Sits on the Old Gum Tree by Marion Sinclair and both are rounds for children. The flute boldly declares theme one at the outset. The piano arpeggiations begin sonorously and quiet before letter A. In Variation 1 the piano must begin softer than the low register flute. The piano left-hand upper notes [A, then G, then D-A fifth) may require use of the sostenuto pedal. Variation 2 is a caccia or chase. Variation 3 is a barcarolle where theme 1 is hiding in the flute part. Variation 4 introduces the second theme (flute) in partnership with theme 1 (piano). Four measures before letter I the piano makes an ogre of theme 2 and should be humorously ponderous. The fugue subject might be the teacher who brings everyone into the final partner song of themes. The piece finishes as it began except for a wistful ending.James Albert Yeager (b.1946)James began his career as organist and choral conductor then harpsichordist and finally, professor of sacred music. As an organ major at The Ohio State University, he studied with Dr. Wilbur Held (B.Mus. 1969). Professor Joseph Goodman mentored him in composition at Union Theological Seminary in New York city (M. Sac. Mus, 1971). At the University of Colorado-Boulder, he returned to the organ, nevertheless, keeping composition as a mainstay (D.M.A. 1985). While in Colorado he composed two film scores for student filmmakers as well as choral and organ compositions. He was appointed Director of Sacred Music at the Pontifical College Josephinum (Columbus, Ohio) and rose to the rank of Professor (1984-2009). He retired as professor emeritus in 2009 and moved to New Mexico. While residing in Mountainair, New Mexico, he was organist/choral director for 12 years at a major Albuquerque church retiring again in 2021. He led choirs of all ages from children through the elderly. His most recent compositions include Passacaglia & Fugue for Organ and Chamber Orchestra (2022), a Fugue for Piano and Orchestra (2022), a Sonatina for Flute and Piano(2023), and the Sonata for Piano Quintet (2024) as well as several smaller works for voice and piano.
$30.00
27.43 €
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James Albert Yeager
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Sonatina for Flute and Piano
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James A. Yeager
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SheetMusicPlus
String Reflections 2-Digital Download
Digital Download SKU: H1.9124DP Instrumental parts. 72 pages. Hope Publishing - Dig…
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Digital Download SKU: H1.9124DP Instrumental parts. 72 pages. Hope Publishing - Digital #9124DP. Published by Hope Publishing - Digital (H1.9124DP). Joshua Evanovich.Nine traditional hymns Preludes, postludes, Communion meditations, special music selections and recital pieces are all possible uses for this collection. Soaring, majestic lines weave gracefully throughout the violin parts, offering a variety of texture and range while remaining accessible to many skill levels. The piano accompaniment is creative and intricate, yet not too difficult, offering support for the violin and also sharing in the musicality. Suggestions for violin phrasing and bowing are provded but may be altered at the performer's discretion.
Song List
: Come, Ye Thankful People Come Day by Day Fairest Lord Jesus Fantasia on an Early American Tune For The Beauty Of The Earth I Sing the Mighty Power of God Let All Things Now Living On Christmas Day In The Morning Tell Me The Story Of Jesus The First Noel What Wondrous Love Is This
$26.95
24.64 €
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String Reflections 2-Digital Download
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Hope Publishing - Digital
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SheetMusicPlus
Taking Flight
Brass Ensemble Trombone,Tuba - Level 3 - Digital Download SKU: A0.901462 Composed b…
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Brass Ensemble Trombone,Tuba - Level 3 - Digital Download SKU: A0.901462 Composed by Hayden Woods. 20th Century,Contemporary. Score and parts. 18 pages. Hayden Lee Woods #3664489. Published by Hayden Lee Woods (A0.901462). Originally composed in 2015, this piece encompasses the beginning of change. The idea of a change is expressed through the majority of the piece as light before changing into a more somber, chorale style ending (which signifies the uncertainty of what lies ahead before ending on a chord that shows resolve through anything).This piece is for a low brass quartet and can be comprised of 3 tenor and 1 bass trombone or 3 trombones and 1 tuba. This piece can be programmed as an uplifting piece in church service or in the midst of concerts that need a quick tune before the big piece of the performance. The only challenges of the piece include range for the 1st trombone part, which calls for a few C's and D-flats near the high cap of classical trombone performance. Bass trombone/tuba are a featured contrast, with the intent that the 1st trombone and lowest voice being the main duet. The middle parts have the job of maintaining the upbeat bounce of the flight that the main duet soar through.Purchase includes main score and individual parts.
$7.99
7.3 €
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Hayden Woods
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Taking Flight
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Hayden Lee Woods
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SheetMusicPlus
Mysterious Moment for oboe and string trio
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 …
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Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
7.31 €
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David Warin Solomons
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Mysterious Moment for oboe and string trio
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David Warin Solomons
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SheetMusicPlus
The Sunshine Of Your Smile
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1104241 By Leslie Cooke. By Lilian Ray. Arranged by Rita Arendz. 20th Century,Contemporary,Contest,Festival,Standards,Wedding. Brass Band. 38 pages. Rita Arendz #707448. Published by Rita Arendz (A0.1104241). For voice and Brass band. Looking for something nostalgic? The Sunshine of Your Smile was written in 1913 by Lilian Ray with lyrics by Leonard Cooke. Ray was a pseudonym used by English composer John Neat. This song was very popular among the soldiers during the First World War as a ballad to their sweethearts. Since then, it has had many famous covers. In 1941, Frank Sinatra and Tommy Dorsey recorded this song in a jazz idiom and it remained popular for the remainder of World War II. Later, in 1980, Michael Berry did a cover where it reached the top 10 in the UK Singles Chart. Great for recitals, concerts (love-themed), weddings, and other special occasions. Voice range sits well for mezzo-soprano or alto. Duration ~3:30. 38 pages.
$53.99
49.36 €
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Leslie Cooke
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The Sunshine Of Your Smile
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Rita Arendz
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SheetMusicPlus
Fragments des Fragments du Narcisse, after Paul Valéry, for alto and guitar (mp3)
Alto Voice,Guitar - Level 4 - Digital Download SKU: A0.1402629 By David Warin Solom…
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Alto Voice,Guitar - Level 4 - Digital Download SKU: A0.1402629 By David Warin Solomons. By David Warin Solomons. Classical,Contemporary,Singer/Songwriter. Full Performance. Duration 300. David Warin Solomons #985853. Published by David Warin Solomons (A0.1402629). This song is based on parts of the poem by Paul Valéry Fragments du Narcisse which explains and ponders the idea of the origin of narcissism (self-love)The words are as followsMais moi, Narcisse aimé, je ne suis curieuxQue de ma seule essence ;Tout autre n’a pour moi qu’un cœur mystérieux,Tout autre n’est qu’absence.Ô mon bien souverain, cher corps, je n’ai que toi !Le plus beau des mortels ne peut chérir que soi... Douce et dorée, est-il une idole plus sainte,De toute une forêt qui se consume, ceinte,Et sise dans l’azur vivant par tant d’oiseaux ?Est-il don plus divin de la faveur des eaux,Et d’un jour qui se meurt plus adorable usageQue de rendre à mes yeux l’honneur de mon visage ?Quitte enfin le silence, ose enfin me répondre,Bel et cruel Narcisse, inaccessible enfant,Tout orné de mes biens que la nymphe défend...Formons, toi sur ma lèvre, et moi, dans mon silence,Une prière aux dieux qu’émus de tant d’amourSur sa pente de pourpre ils arrêtent le jour !...Dieux ! de l’auguste jour, le pâle et tendre resteVa des jours consumés joindre le sort funeste ;Il s’abîme aux enfers du profond souvenir !Hélas ! corps misérable, il est temps de s’unir...Penche-toi... Baise-toi. Tremble de tout ton être !L’insaisissable amour que tu me vins promettrePasse, et dans un frisson, brise Narcisse, et fuit..English translation by D W SolomonsBut I, beloved Narcissus, am curious onlyabout my very beingeverything else has nothing more than a heart of mysteryeverything else is nothing but absenceOnly what I own, my dear sovereign body, is what I haveThe most beautiful of mortals cannot cherish anything more than itselfSweet and golden, is there a more holy idolwithin an entire forest, self-consumed and heldand set in the living azure by so many birds?Is there a more divine gift than the favour of the watersand a more adorable use of the dying daythan to return to me the honour of my face?Please don't be silent, please dare to replyBeautiful and cruel Narcissus, unreachable child owning what I hold dear but guarded by the nymphLet the two of us, you on my lips and I in my silencemake a prayer to the gods that they should be moved by so much lovethat they would keep the day held in its purple sunsetGods! only the pale and tender parts remain of the august day,It joins the fate of other days that were consumedIt goes down into the hell of deep memoryAlas, miserable body, it is time to become as oneBend down - kiss yourself - tremble with all your beingThe intangible love that you promisedhas gone by, and in a shiver, shatters Narcissus and flees.
$5.50
5.03 €
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David Warin Solomons
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Fragments des Fragments du Narcisse, after Paul Valéry, for alto and guitar
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David Warin Solomons
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SheetMusicPlus
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bas…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - Digital Download SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
9.14 €
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Nathan Petitpas - Dots and Beams
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Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters
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Dots and Beams
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SheetMusicPlus
Dvorak: String Quartet No.12 in F Op.96 "American" Mvt.IV Finale - symphonic wind dectet/bass
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1124411 Composed by Antonin Dvorak. Arranged by Ray Thompson. Romantic Period. Score and parts. 55 pages. RayThompsonMusic #725159. Published by RayThompsonMusic (A0.1124411). Arranged double wind quintet/bass The String Quartet in F major, Op. 96, nicknamed the American Quartet, is the 12th string quartet composed by AntonÃn Dvořák. It was written in 1893, during Dvořák's time in the United States. The quartet is one of the most popular in the chamber music repertoire. For the London premiere of his New World symphony, Dvořák wrote: As to my opinion I think that the influence of this country (it means the folk songs)) is to be seen, and that this and all other works (written in America) differ very much from my other works as well as in colour as in character,. A characteristic, unifying element throughout the quartet is the use of the pentatonic scale. This scale gives the whole quartet its open, simple character, a character that is frequently identified with American folk music. However, the pentatonic scale is common in many ethnic musics worldwide, and Dvořák had composed pentatonic music, being familiar with such Slavonic folk music examples, before coming to America Specific American influences have been doubted: In fact the only American thing about the work is that it was written there, writes Paul Griffiths. The specific American qualities of the so-called American Quartet are not easily identifiable, writes Lucy Miller, ...Better to look upon the subtitle as simply one assigned because of its composition during Dvořák's American tour. This is my arrangement of the 4th movement: Finale (Vivace ma non troppo) It is in a traditional rondo form, A–B–A–C–A–B–A. The main melody is pentatonic. The B section is more lyrical, but continues in the spirit of the first theme. The C section is a chorale theme. I have adapted the string music for winds, and included some sustained horn chords. It has a similar feel to the finale of Dvorak’s wind serenade in D minor op.44.
$14.95
13.67 €
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Antonin Dvorak
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Dvorak: String Quartet No.12 in F Op.96 "American" Mvt.IV Finale - symphonic wind dectet/bass
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RayThompsonMusic
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SheetMusicPlus
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