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Mark 10 - Euphonium
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You've selected:
Mark 10 - Euphonium
Sheetmusic to print
474 sheet music found
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451
Sonata No. 10 2 Andante
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Mark Jones
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Sonata No. 10 2 Andante
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Mark Jones
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SheetMusicPlus
Viola - Digital Download SKU: A0.1067795 Composed by Mark Jones. Baroque,Contemporary. Full Performance. Duration 93. Mark Jones #5307563. Published by M...
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Viola - Digital Download SKU: A0.1067795 Composed by Mark Jones. Baroque,Contemporary. Full Performance. Duration 93. Mark Jones #5307563. Published by Mark Jones (A0.1067795). Sonata No. 10 Second movement. A work for Viola, from my Sonatas for Various Unaccompanied Instruments Opus 1.
$2.00
Christmas Carols (Collection of 10 Color-Coded Arrangements for One Octave Boomwhackers® with Piano)
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Christmas
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Sharon Wilson
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Sharon Wilson Music
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Christmas Carols
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Sharon Wilson
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SheetMusicPlus
Small Ensemble Boomwhackers,Piano Accompaniment - Level 2 - Digital Download SKU: A0.569886 By Sharon Wilson. By Various. Arranged by Sharon Wilson Music...
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Small Ensemble Boomwhackers,Piano Accompaniment - Level 2 - Digital Download SKU: A0.569886 By Sharon Wilson. By Various. Arranged by Sharon Wilson Music. Children,Christmas,Folk,Sacred,Traditional. Score and parts. 77 pages. Sharon Wilson #6609343. Published by Sharon Wilson (A0.569886). This collection contains 10 familiar Christmas carols arranged for a one octave, 13-note chromatic scale Boomwhackers® choir with Piano accompaniment. For each song, the Piano provides an introduction then the Boomwhackers® play the melody and occasional 2-part harmony. Each song also includes an optional repeat and final ending in case a longer song is desired. For each song, there is a combined score with both instruments (Boomwhackers® and Piano) on a grand staff plus a separate color-coded score for the Boomwhackers®. The color-coded Boomwhackers® score uses the Chroma-Notes™ Colored Music System. If you have a set of tubes with a different color scheme, Chroma-Notes Stick Ons can be purchased and applied so the Boomwhackers® match this color scheme. A color-coded note chart is also provided for each song which shows the Boomwhackers® notes used as well as the number of times each note is played. The note distribution is helpful when assigning notes to whackers. You may want to assign fewer notes to beginners or evenly distribute the tubes between all whackers. The color-coded scores are enlarged so the colors are easier to distinguish and all sharps and flats are displayed (shown in the key of C) as reminders for beginning musicians. Also, only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to see. The number of whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one or two notes to each person. Note assignment suggestions are included for each song and range from 4 to 8 whackers. These familiar Christmas carols are perfect for small groups and especially beginning musicians. Most songs can be performed with as few as 5 people (4 whackers and 1 piano player). The Piano accompaniment is written for an intermediate player. Other suggestions and uses: * use multiple sets of Boomwhackers® to amplify the sound and allow more people to enjoy whacking the tubes* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Permission is granted to make up to 10 copies of each score. For more than 10 copies, please purchase additional sets. Each song is also available separately with accompanying preview pages and audio samples. Song titles included in this collection: Angels We Have Heard on HighBring a Torch, Jeannette, IsabellaDing Dong! Merrily on HighJoy to the WorldO Come, All Ye FaithfulO Come, O Come, EmmanuelO Thou Joyful DaySimple GiftsThe First NoelWe Three KingsBoomwhackers® is a registered trademark of Rhythm Band Instruments LLC, used by permission. Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$19.99
Postlude on "Gelobt sei Gott" for solo organ by Mark Andersen
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Mark Andersen
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Postlude on "Gelobt sei Gott"
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International Artists Foundation
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SheetMusicPlus
Instrumental Solo - Digital Download SKU: A0.997748 By Mark Andersen. By Mark Andersen. Classical,Contest,Festival,Sacred. Individual part. 10 pages. Int...
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Instrumental Solo - Digital Download SKU: A0.997748 By Mark Andersen. By Mark Andersen. Classical,Contest,Festival,Sacred. Individual part. 10 pages. International Artists Foundation #603421. Published by International Artists Foundation (A0.997748). A bright and full piece for solo organ that is suitable for service playing or recital work.
$8.00
Autumn Leaves (Key: C minor) (arr. Mark Taylor) - Conductor Score (Full Score)
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Jazz
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Joseph Kosma
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Mark Taylor
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Autumn Leaves
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Hal Leonard - Digital
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble,Voice Solo - Level 3-4 - Digital Download SKU: HX.1483648 Composed by Joseph Kosma. Arranged by Mark Taylor. This edition: sc...
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Jazz Ensemble Jazz Ensemble,Voice Solo - Level 3-4 - Digital Download SKU: HX.1483648 Composed by Joseph Kosma. Arranged by Mark Taylor. This edition: scorch. Jazz,Standards. 10 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.1483648).
$7.50
Am I Wrong (arr. Mark De-Lisser)
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Soul/R&B
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Nico & Vinz
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Mark De-Lisser
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Am I Wrong
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Hal Leonard Europe
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SheetMusicPlus
Choral (SAT) - Digital Download SKU: HX.362809 By Nico & Vinz. Arranged by Mark De-Lisser. This edition: scorch. Choral. R & B. Octavo. 10 pages. Hal Leo...
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Choral (SAT) - Digital Download SKU: HX.362809 By Nico & Vinz. Arranged by Mark De-Lisser. This edition: scorch. Choral. R & B. Octavo. 10 pages. Hal Leonard Europe #63879. Published by Hal Leonard Europe (HX.362809).
$1.70
2 Madrigals, Vol.10
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2 Madrigals, Vol.10
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SheetMusicPlus
About Digital Downloads Digital Downloads are downloadable sheet music fi...
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About Digital Downloads Digital Downloads are downloadable sheet music files that can be viewed directly on your computer, tablet or mobile device. Once you download your digital sheet music, you can view and print it at home, school, or anywhere you want to make music, and you don’t have to be connected to the internet. Just purchase, download and play! PLEASE NOTE: Your Digital Download will have a watermark at the bottom of each page that will include your name, purchase date and number of copies purchased. You are only authorized to print the number of copies that you have purchased. You may not digitally distribute or print more copies than purchased for use (i.e., you may not print or digitally distribute individual copies to friends or students)
Song List
: 1. O no, thou doest but flout me 2. Lady why grieve you still me?
$15.00
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (A major, medium key)
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
Medium Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1328293 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classica...
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Medium Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1328293 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #916286. Published by Nicole Elyse DiPaolo (A0.1328293). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (G major, low key)
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
Low Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1328327 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,R...
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Low Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1328327 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #916320. Published by Nicole Elyse DiPaolo (A0.1328327). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
Bach: Two-Part Invention No.10 in G major BWV 781 (harmony accompaniment score)
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Johann Sebastian Bach
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Masakazu YAMAMOTO
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Bach: Two-Part Invention No.10
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Motch Music
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1512227 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Masakazu YAMAMOT...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1512227 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Masakazu YAMAMOTO. Baroque,Classical,Contest,Festival,Instructional,Religious. Score. 2 pages. Motch Music #1083853. Published by Motch Music (A0.1512227). Harmonic Accompaniment Score of Two-Part Invention No. 10 composed by J.S. Bach.This harmony accompaniment score is primarily designed for piano teachers to use in order to deepen their students' understanding. It can also serve as a useful guide for self-learners to grasp the structure of the piece.The score is written for two pianos: the first part is the original piano score, while the second part complements the harmonic sounds of the piece. By playing it together with the original, students can experience the correct resonance of the composition and enjoy a rich sound, similar to that of a piano concerto. This score is recommended not only for lessons but also for self-learners.Note:In this edition, Japanese-style harmony marks are used.Additionally, this arrangement is based on the arranger's own musical analysis. Please also take a look at the analysis score!Analysis of Invention No.10[Sheet Music Plus / Sheet Music Direct] Analyses of the Inventions and Sinfonias series, as well as other analyses, are available for purchase at the link below.Analyses of 15 Inventions and 15 Sinfonias[Sheet Music Plus / Sheet Music Direct] There are also sets available for all 15 Inventions, all 15 Sinfonias, and the complete set of 30 pieces (Inventions and Sinfonias).All Music Analyses(Sheet Music Plus / Sheet Music Direct)-----------------------------------------------------Motch MusicAll Sheet Music (Sheet Music Plus / Sheet Music Direct)I have a wide selection of sheet music for various instruments such as piano, ensemble, and concert band. From light and enjoyable pieces to concert-level compositions, we cover a wide range of repertoire. I also provide a rich collection of audio preview.In addition to original compositions and unique arrangements, a lot of text on music analysis is well-received. Please take a look below for more information!Motch Music Web Pagehttps://www.masakazuyamamoto.com/english
$7.50
10 Easy Studies for Clarinet
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Allan Herbie Jones
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10 Easy Studies for Clarinet
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Forton Music - Digital
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SheetMusicPlus
Cl. - Easy - Digital Download SKU: F2.FM428 Composed by Allan Herbie Jones. Solo Clarinet. Part. 7 pages. Forton Music - Digital #FM428. Published by For...
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Cl. - Easy - Digital Download SKU: F2.FM428 Composed by Allan Herbie Jones. Solo Clarinet. Part. 7 pages. Forton Music - Digital #FM428. Published by Forton Music - Digital (F2.FM428). ISBN 9790570483273.The whole purpose of these 10 Easy Studies is to allow the player to have fun playing them. The Studies have been designed primarily with a tuneful melody in mind, and not as a mundane exercise. Particular attention should be paid to the dynamic markings and slurs. The Studies should be played after the warm up exercises of scales and long notes - very important for tone development - have been concluded.
$7.95
10 Easy Studies for Trombone Treble Clef
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Allan Herbie Jones
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10 Easy Studies for Trombone T
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Forton Music - Digital
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SheetMusicPlus
Tbn - Easy - Digital Download SKU: F2.FM431 Composed by Allan Herbie Jones. Solo Trombone in Treble Clef. Part. 7 pages. Forton Music - Digital #FM431. P...
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Tbn - Easy - Digital Download SKU: F2.FM431 Composed by Allan Herbie Jones. Solo Trombone in Treble Clef. Part. 7 pages. Forton Music - Digital #FM431. Published by Forton Music - Digital (F2.FM431). ISBN 9790570483303.The whole purpose of these 10 Easy Studies is to allow the player to have fun playing them. The Studies have been designed primarily with a tuneful melody in mind, and not as a mundane exercise. Particular attention should be paid to the dynamic markings and slurs. The Studies should be played after the warm up exercises of scales and long notes - very important for tone development - have been concluded.
$7.95
Mozart: Serenade No 10 in Bb "Gran Partita" K361 - symphonic wind
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Classical
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Serenade No 10 in Bb "
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble - Level 5 - Digital Download SKU: A0.553778 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Standards,Wedding. Sc...
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Large Ensemble - Level 5 - Digital Download SKU: A0.553778 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Standards,Wedding. Score and parts. 230 pages. RayThompsonMusic #4312367. Published by RayThompsonMusic (A0.553778). The Serenade No. 10 for winds in B-flat major, K. 361/370a, is a serenade by Wolfgang Amadeus Mozart scored for thirteen instruments: twelve winds and string bass. The piece was probably composed in 1781 or 1782 and is often known by the subtitle Gran Partita, though the title is a misspelling and not in Mozart's hand. It consists of seven movements.The serenade is in seven movements as follows:I. Largo. Molto AllegroII. MenuettoIII. AdagioIV. Menuetto. AllegrettoV. Romance. AdagioVI. Tema con variazioniVII. Finale. Molto AllegroThe work is scored for 2 oboes, 2 clarinets, 2 basset horns, 2 bassoons, 4 horns and double bass. The double bass is occasionally replaced by contrabassoon; however, the part is clearly for the former as there are pizzicato markings at points.I have created 2 additional flute parts to cover a dectet group.(who have 2 additional clts playing with them.The horn 1/2 parts have the important 3/4 solos as cues.There are alternative parts provided (for those groups who haven't got the full instrumentation) as follows:Basset Horns 1/2: clarinets Bassoons1/2: Bass ClarinetsHorns 3/4 In Bb: Horns in F.
$19.95
Gabrieli: Canzon per Sonar Ch 179 for Double Brass Choir à 10
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Giovanni Gabrieli
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James M
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Gabrieli: Canzon per Sonar Ch
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jmsgu3
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SheetMusicPlus
Brass Ensemble Cornet,Horn,Trombone - Level 3 - Digital Download SKU: A0.1227819 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Con...
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Brass Ensemble Cornet,Horn,Trombone - Level 3 - Digital Download SKU: A0.1227819 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Renaissance,Traditional. Score and Parts. 44 pages. Jmsgu3 #823781. Published by jmsgu3 (A0.1227819). Minimum instrumentation: 4 cornets in Bb, 4 French Horms in F, 2 Trombones. See also arrangement à 12 which includes 2 Bass Trombones.InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Canzon per Sonar Ch. 178 for Brass Choir à 10
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Giovanni Gabrieli
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James M
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Gabrieli: Canzon per Sonar Ch.
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jmsgu3
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SheetMusicPlus
Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1228233 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP....
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Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1228233 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 54 pages. Jmsgu3 #824153. Published by jmsgu3 (A0.1228233). Minimum instrumentation: 4 Cornets in Bb, 4 French Horns in F, 1 Tenor Trombone, 1 Bass Trombone.InnovationsGabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was instead the first to indicate them, such as in his Sonata Pian' e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used particular notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes, there was probably a third group near the main altar.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can sound perfectly in balance in contrast.First WorksFinally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges shown by instrumental accompaniment. Gabrieli's later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here, the instruments are an essential part of the presentation—also, only parts marked Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moved to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller units for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Canzon per Sonar à 10 Ch. 177 for Brass Choir
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Giovanni Gabrieli
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James M
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1 Bass Trombone
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Gabrieli: Canzon per Sonar à
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jmsgu3
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SheetMusicPlus
Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1229556 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP....
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Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1229556 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Early Music,Renaissance,Traditional,Wedding. 43 pages. Jmsgu3 #825055. Published by jmsgu3 (A0.1229556). Minimum instrumentation: 4 Cornets in Bb, 4 Horns in F, 1 Tenor Trombone & 1 Bass Trombone.InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Menuet in G, WoO 10
String Orchestra,Score & Set of Parts
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Classical
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Ludwig van Beethoven
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Mark W
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Menuet in G, WoO 10
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Mark Wayne Music, LLC
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SheetMusicPlus
Composed by Ludwig van Beethoven (1770-1827). Arranged by Mark W. Huxhold. Romantic Period, Classical Period, Repertoire. Score, Set of Parts. 5 pages. Publishe...
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Composed by Ludwig van Beethoven (1770-1827). Arranged by Mark W. Huxhold. Romantic Period, Classical Period, Repertoire. Score, Set of Parts. 5 pages. Published by Mark Wayne Music, LLC (S0.422633). - Score,Set of Parts - Romantic Period,Classical Period,Repertoire - Mark Wayne Music, LLC
$12.95
Mighty to Save
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Ben Fielding & Reuben Morgan
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Ben Fielding and Reuben Morgan
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Patrick Tierney
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Mighty to Save
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Hope Publishing - Digital
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SheetMusicPlus
Digital Download SKU: H1.C5695RDP Composed by Ben Fielding and Reuben Morgan. Arranged by Patrick Tierney. Contemporary, General Worship, Prayer, Worship...
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Digital Download SKU: H1.C5695RDP Composed by Ben Fielding and Reuben Morgan. Arranged by Patrick Tierney. Contemporary, General Worship, Prayer, Worship. Rhythm Parts. 8 pages. Hope Publishing - Digital #C5695RDP. Published by Hope Publishing - Digital (H1.C5695RDP). By Ben Fielding & Reuben Morgan. Mark 8:27 - Mark 8:28 - Mark 8:29 - Mark 8:30 - Mark 8:31 - Mark 8:32 - Mark 8:33 - Mark 8:34 - Mark 8:35 - Mark 8:36 - Mark 8:37 - Mark 8:38 - Mark 10:28 - Revelation 7:10 - Matthew 5:16 - Matthew 16:21 - Matthew 16:22 - Matthew 16:.Popular Contemporary praise song by Ben Fielding & Reuben Morgan Here is a powerful worship ballad based on Reuben Morgan and Ben Fielding's popular praise song tastefully combined with a verse from the beloved gospel hymn, I Surrender All. This well-crafted arrangement by Patrick Tierney is useful for themes of confession and commitment in the Christian life. The Rhythm packet includes parts for Guitar, Bass, Synth & Drums.
$22.95
Mighty to Save
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Ben Fielding & Reuben Morgan
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Ben Fielding and Reuben Morgan
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Peggy Bettcher
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Mighty to Save
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Hope Publishing - Digital
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SheetMusicPlus
(Handbells, Rhythm) - Level 3 - Digital Download SKU: H1.2546RDP Composed by Ben Fielding and Reuben Morgan. Arranged by Peggy Bettcher. Contemporary, Ge...
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(Handbells, Rhythm) - Level 3 - Digital Download SKU: H1.2546RDP Composed by Ben Fielding and Reuben Morgan. Arranged by Peggy Bettcher. Contemporary, General Worship. Rhythm Parts. 7 pages. Hope Publishing - Digital #2546RDP. Published by Hope Publishing - Digital (H1.2546RDP). By Ben Fielding & Reuben Morgan. Mark 8:27 - Mark 8:28 - Mark 8:29 - Mark 8:30 - Mark 8:31 - Mark 8:32 - Mark 8:33 - Mark 8:34 - Mark 8:35 - Mark 8:36 - Mark 8:37 - Mark 8:38 - Mark 10:28 - Revelation 7:10 - Matthew 5:16 - Matthew 16:21 - Matthew 16:22 - Matthew 16:.Popular praise song by Ben Fielding & Reuben Morgan Rhythmic drive and energy prevail throughout this popular, praise song arrangement. The sixteenth-note repetitions in the opening sections of the piece are easy to execute, as is the dominating malleted bass pattern that enters at the end. Optional parts for electric guitar, electric bass and drum kit support the contemporary flavor.
$22.95
God Gives Us Those Who Love Us
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John Carter
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God Gives Us Those Who Love Us
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Hope Publishing - Digital
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SheetMusicPlus
Choral Children's Voices, Choral - Digital Download SKU: H1.C5456DP Composed by John Carter. Piano Accompaniment. Choral Music for Children. Mother's Day...
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Choral Children's Voices, Choral - Digital Download SKU: H1.C5456DP Composed by John Carter. Piano Accompaniment. Choral Music for Children. Mother's Day, General Worship, Children, Encouragement, Gratefulness, Sacred. Octavo. 8 pages. Hope Publishing - Digital #C5456DP. Published by Hope Publishing - Digital (H1.C5456DP). Mary Kay Beall. Mark 10:29 - Mark 10:30 - Mark 12:28 - Mark 12:29 - Mark 12:30 - Mark 12:31 - Mark 12:32 - Mark 12:33 - Mark 12:34.Original anthem Mary Kay Beall's heart warming text is intended for Mother's Day, Father's Day or other family occasions. John Carter's original Unison setting for Children's Choirs has been a top-seller. Also available in an SATB setting with optional parts for Children's Choir.
$2.95
I Surrender All
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Judson W
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Winfield S
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Joel Raney
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I Surrender All
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Hope Publishing - Digital
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SheetMusicPlus
Instrumental Parts: Conductor's Score: Flute, Oboe, Violin &-D - Digital Download SKU: H1.C6082PDP Composed by Winfield S. Weeden. Arranged by Joel Raney...
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Instrumental Parts: Conductor's Score: Flute, Oboe, Violin &-D - Digital Download SKU: H1.C6082PDP Composed by Winfield S. Weeden. Arranged by Joel Raney. Piano with Optional Cello, Flute, Oboe, Violin. Quick Study Chorals. Dedication, General Worship, Commitment, Discipleship. Instrumental Parts. 12 pages. Hope Publishing - Digital #C6082PDP. Published by Hope Publishing - Digital (H1.C6082PDP). By Judson W. Van DeVenter & Winfield S. Weeden. Mark 10:28 - Mark 10:29 - Mark 10:30 -.Beloved gospel song by Judson W. Van DeVenter & Winfield S. Weeden This Quick Study Choral of the beloved gospel favorite comes from Joel's musical The Seven Last Days (Code No. 8591). Written to be equally effective for SAB or SATB choirs, this is useful for general use as well as services of dedication and affirmation. Instrumental parts: Conductor's Score, Flute, Oboe, Violin & Cello.
$34.95
Away in a Manger
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Christmas
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Hal H
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Away in a Manger
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Hope Publishing - Digital
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SheetMusicPlus
Choral 2 equal voices - Digital Download SKU: H1.HH3928DP Arranged by Hal H. Hopson. Piano Accompaniment. Choral Music for Children. Christmas, Children....
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Choral 2 equal voices - Digital Download SKU: H1.HH3928DP Arranged by Hal H. Hopson. Piano Accompaniment. Choral Music for Children. Christmas, Children. Octavo. 8 pages. Hope Publishing - Digital #HH3928DP. Published by Hope Publishing - Digital (H1.HH3928DP). Luke 2:16 - Luke 8:23 - Mark 10:14 - Mark 10:16 - Matthew 19:14 - Matthew 28:20.American Christmas tune Choral Setting by Hal H. Hopson.
$2.95
Good Christian Men, Rejoice!
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John F
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Good Christian Men, Rejoice!
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Hope Publishing - Digital
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SheetMusicPlus
Choral TT(B)B choir - Digital Download SKU: H1.TB204DP Arranged by John F. Wilson. Piano Accompaniment. Christmas, Sacred. Octavo. 8 pages. Hope Publishi...
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Choral TT(B)B choir - Digital Download SKU: H1.TB204DP Arranged by John F. Wilson. Piano Accompaniment. Christmas, Sacred. Octavo. 8 pages. Hope Publishing - Digital #TB204DP. Published by Hope Publishing - Digital (H1.TB204DP). 1 Timothy 1:15 - Deuteronomy:6:5 - John 3:16 - John 3:17 - Luke 2:8 - Luke 2:9 - Luke 2:10 - Luke 2:11 - Luke 2:12 - Luke 2:13 - Luke 2:14 - Luke 2:15 - Luke 2:16 - Luke 2:17 - Luke 2:18 - Luke 2:19 - Luke 2:20 - Mark 10:45 - Mark 12.4th Century German melody Choral Setting by John F. Wilson.
$2.95
The Kingdom of God (Downloadable)
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David Conte
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The Kingdom of God
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SSA children's choir, SATB choir, and piano - Moderately Difficult - Digital Download SKU: MQ.8686-E Composed by David Conte. Funeral. 8 pages. E. C. Sch...
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SSA children's choir, SATB choir, and piano - Moderately Difficult - Digital Download SKU: MQ.8686-E Composed by David Conte. Funeral. 8 pages. E. C. Schirmer Music Company - Digital #8686-E. Published by E. C. Schirmer Music Company - Digital (MQ.8686-E). English. Mark 10:13-16.Written for SSA children's choir and SATB choir in memory of all those who lost their lives in the Sandy Hook school shooting on December 14, 2012, this setting of Mark 10:13-16 (KJV) is appropriate for many different uses, both in churches and in more secular settings: baptism, children-themed programs, and lament/grief/sorrow-themed programs. Duration: 3:00.
$2.25
Give Thanks
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Sacred music
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Henry Smith
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Henry Smith
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John F
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Give Thanks
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Hope Publishing - Digital
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SheetMusicPlus
(Choral, Orchestra) - Digital Download SKU: H1.GC972ODP Composed by Henry Smith. Arranged by John F. Wilson. Piano Accompaniment with Optional Orchestra....
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(Choral, Orchestra) - Digital Download SKU: H1.GC972ODP Composed by Henry Smith. Arranged by John F. Wilson. Piano Accompaniment with Optional Orchestra. Hymntune, General Worship, Children, Gospel, Gratefulness. Set of Instrumental Parts. 34 pages. Hope Publishing - Digital #GC972ODP. Published by Hope Publishing - Digital (H1.GC972ODP). By Henry Smith. 1 Chronicles 16:8 - 1 Thessalonians 5:18 - 2 Corinthians 19:9 - 2 Corinthians 19:10 - 2 Corinthians 8:9 - John 3:16 - Luke 13:30 - Mark 10:31 - Matthew 19:30 - Matthew 20:16 - Psalms 100:4 - Psalms 28:7 - Psalms 30:12 - Psalms 35:18 .Praise anthem by Henry Smith Henry Smith's Give Thanks is one of the established classics of the praise and worship repertoire. John F. Wilson's original SAB setting (GC 972) is one of our top-selling anthems of all-time and is also available for Two-Part Mixed or Treble voices. The Orchestration, which is hand-written, includes a Conductor's Score and parts for Flute 1 & 2, B-flat Trumpet 1, 2 & 3, Trombone 1, 2 & 3, Horn 1, 2 & 3, Violin 1, 2 & 3, Viola, Cello, Bass, Elec. Bass, and Percussion.
$89.95
Give Thanks
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Sacred music
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Henry Smith
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Henry Smith
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John F
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Give Thanks
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Hope Publishing - Digital
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SheetMusicPlus
Choral (Choral, Orchestra) - Digital Download SKU: H1.GC972DP Composed by Henry Smith. Arranged by John F. Wilson. Piano Accompaniment with Optional Orch...
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Choral (Choral, Orchestra) - Digital Download SKU: H1.GC972DP Composed by Henry Smith. Arranged by John F. Wilson. Piano Accompaniment with Optional Orchestra. Hymntune, General Worship, Children, Gospel, Gratefulness. Octavo. 8 pages. Hope Publishing - Digital #GC972DP. Published by Hope Publishing - Digital (H1.GC972DP). By Henry Smith. 1 Chronicles 16:8 - 1 Thessalonians 5:18 - 2 Corinthians 19:9 - 2 Corinthians 19:10 - 2 Corinthians 8:9 - John 3:16 - Luke 13:30 - Mark 10:31 - Matthew 19:30 - Matthew 20:16 - Psalms 100:4 - Psalms 28:7 - Psalms 30:12 - Psalms 35:18 .Praise anthem by Henry Smith Henry Smith's Give Thanks is one of the established classics of the praise and worship repertoire. John F. Wilson's original SAB setting (GC 972) is one of our top-selling anthems of all-time and is also available for Two-Part Mixed or Treble voices. The Orchestration, which is hand-written, includes a Conductor's Score and parts for Flute 1 & 2, B-flat Trumpet 1, 2 & 3, Trombone 1, 2 & 3, Horn 1, 2 & 3, Violin 1, 2 & 3, Viola, Cello, Bass, Elec. Bass, and Percussion.
$3.25
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