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Martin L
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Martin L
Sheetmusic to print
32 sheet music found
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1
26
L'onde claire (duet keyboard & solo instrument)
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Pierre Martin
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L'onde claire
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Pierre Martin
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SheetMusicPlus
Small Ensemble Clarinet,Flute,Harpsichord,Violin - Level 3 - Digital Download SKU: A0.938162 Composed by Pierre Martin. 20th Century,Baroque,Classical. S...
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Small Ensemble Clarinet,Flute,Harpsichord,Violin - Level 3 - Digital Download SKU: A0.938162 Composed by Pierre Martin. 20th Century,Baroque,Classical. Score and parts. 6 pages. Pierre Martin #4995335. Published by Pierre Martin (A0.938162).
$3.25
L'amour (Love) Sampler Gig Pack - Three selections (Plaisir d'amour, Salut d'amour & Vive L'Amour) a
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Edward Elgar, English Traditio
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Stephen Bulat
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L'amour
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Stephen Bulat Publishing
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Ten...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin,Voice - Digital Download SKU: A0.858945 Composed by Edward Elgar, English Traditional, and Giovanni Battista Martini. Arranged by Stephen Bulat. Classical,Holiday,Love,Romantic Period,Wedding. Score and parts. 6 pages. Stephen Bulat Publishing #6260791. Published by Stephen Bulat Publishing (A0.858945). This sampler pack includes lead sheet arrangements (melody, lyrics & chords) of three romantic songs inspired by love (amour) All in their original keys. Songs include: Plaisir d'amour by Martini (key of Eb) Salut d'amour by Elgar (key of E) Vive L'Amour (Vive La Compagnie) - English Traditional (key of Bb)A love song gig book must-have, each arrangement has been gig-tested and has a very easy to follow roadmap, with all essential music notes, musical cues and rehearsal markings throughout. Layout is in a larger style font than lead sheets in a typical fakebook yet still condensed to minimize page turns. This format can be used for guitar sheet music, for piano sheet music, as instrumental sheet music, vocal sheet music or as accompaniment to a soloist (e.g. violin, flute)Please click on the publisher to view these arrangements in other keys as well as to purchase in the Classical Wedding Fake Book or the Classic Love Songs - A Valentine's Day Fake Book.Classical Wedding Fake Book (C Instruments): https://www.sheetmusicplus.com/title/21758919 - Item Number: S0.776313Classical Wedding Fake Book (Bb Instruments): https://www.sheetmusicplus.com/title/21758922- Item Number: S0.776329Classical Wedding Fake Book (Eb Instruments): https://www.sheetmusicplus.com/title/21758923- Item Number: S0.776333Classical Wedding Fake Book - Band Leader Gig Pack (C, Bb & Eb Instruments): https://www.sheetmusicplus.com/title/21758924 - Item Number: S0.776337Classic Love Songs - A Valentine's Day Fake Book (C Instruments): https://www.sheetmusicplus.com/title/21964690 - Item Number: S0.975249
$5.99
America the Beautiful: (We Are a People)
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Martin L
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America the Beautiful:
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Colla Voce Music - Digital
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SheetMusicPlus
SA with optional descant and optional orchestra (Orchestra: pic;2fl;2ob;ehn;2cl,bcl,2bsn,cbsn,4hn,3tpt,3tbn,tba,timp,perc,hp,vln1,vln2,vla,vlc,cb) - Digital Dow...
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SA with optional descant and optional orchestra (Orchestra: pic;2fl;2ob;ehn;2cl,bcl,2bsn,cbsn,4hn,3tpt,3tbn,tba,timp,perc,hp,vln1,vln2,vla,vlc,cb) - Digital Download SKU: MQ.24-96280-E Composed by Martin L. Ellis, Ruth E. Dwyer, and Samuel Ward. Octavo. 10 pages. Colla Voce Music - Digital #24-96280-E. Published by Colla Voce Music - Digital (MQ.24-96280-E). Inspired by a trip on Route 66, Dwyer has composed a majestic opening song (We Are A People) that leads into a fresh new setting of Samuel A. Ward’s America the Beautiful. Your singers will love the power of singing with either the piano accompaniment by Martin L. Ellis or the orchestration by Daniel Powers. Compatible choral setting available in SA w/Opt. Descant and SATB.
$2.10
Élégie en si mineur (flute, violin & guitar)
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Contemporary
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Perre G
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Élégie en si mineur
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Pierre Martin
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SheetMusicPlus
Small Ensemble Flute,Guitar,Violin - Level 3 - Digital Download SKU: A0.938143 Composed by Perre G. Martin. Contemporary. Score and parts. 7 pages. Pierr...
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Small Ensemble Flute,Guitar,Violin - Level 3 - Digital Download SKU: A0.938143 Composed by Perre G. Martin. Contemporary. Score and parts. 7 pages. Pierre Martin #3907451. Published by Pierre Martin (A0.938143). A duet flute violin with guitar accompaniment.
$3.99
Deck The Halls
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Christmas
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Martin L
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Deck The Halls
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Colla Voce Music - Digital
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SheetMusicPlus
SA with optional brass quintet (Brass: 2hn (opt.);2tpt;2tbn;tba) - Digital Download SKU: MQ.24-96810-E Composed by Martin L. Ellis and Ruth E. Dwyer. Chr...
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SA with optional brass quintet (Brass: 2hn (opt.);2tpt;2tbn;tba) - Digital Download SKU: MQ.24-96810-E Composed by Martin L. Ellis and Ruth E. Dwyer. Christmas. Octavo. 6 pages. Colla Voce Music - Digital #24-96810-E. Published by Colla Voce Music - Digital (MQ.24-96810-E).
$2.05
Suite No. 1
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Le...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95
A Mighty Fortress - for Beginner Orchestra.
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Martin Luther
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L
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A Mighty Fortress - for Beginn
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Müller Publishing company
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SheetMusicPlus
Alto Saxophone,Cello,Clarinet,Double Bass,Flute,Horn,Piano,Soprano Saxophone,Trombone,Trumpet,Tuba,Viola,Violin - Level 1 - Digital Download SKU: A0.1477462
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Alto Saxophone,Cello,Clarinet,Double Bass,Flute,Horn,Piano,Soprano Saxophone,Trombone,Trumpet,Tuba,Viola,Violin - Level 1 - Digital Download SKU: A0.1477462 Composed by Martin Luther. Arranged by L. Müller. Chamber,Christian,Religious,Sacred,Spiritual. 24 pages. Müller Publishing company #1054856. Published by Müller Publishing company (A0.1477462). Arrangement of the Traditional Hymn A Mighty Fortress by Martin Luther - Adapted by L. Müller for Beginner Orchestra.Celebrate the inspiring message of the traditional hymn, A Mighty Fortress, composed by Martin Luther. This arrangement, meticulously adapted by L. Müller, is crafted for beginner orchestras, making it accessible to a wide range of performers.The arrangement includes comprehensive parts for various instruments, ensuring that orchestras of all sizes can participate. The classic harmony is preserved, allowing both small and large groups to perform with depth and richness. The digital PDF format ensures easy access and distribution, with versions available both with and without chords to suit different performance needs.Perfect for church services, spiritual gatherings, and musical events, this rendition of A Mighty Fortress will quickly become a cherished addition to any repertoire. The thoughtful adaptation ensures that even those new to music can join in creating a worshipful and inspiring atmosphere.Instruments Included:- Flute- Clarinet in Bb I & II- Soprano Saxophone- Alto Saxophone I & II- Horn in F- Trumpet in Bb I, II & III- Trombone I & II- Tuba- Violin I, II & III- Viola- Cello I & II- Contrabass- PianoAvailable Versions: With and Without ChordsKey Features:- Suitable for beginner musicians- Comprehensive instrumentation- Digital PDF format for easy access and distribution- Classic harmony preservedEnrich your worship services and musical gatherings with this specially adapted arrangement of A Mighty Fortress. Acquire it now and inspire your audience with the beauty, joy, and depth of this iconic hymn.
$1.99
The Gospel Bells - for Beginner Orchestra. (with chords)
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Samuel Wesley Martin
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L
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The Gospel Bells - for Beginne
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Müller Publishing company
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SheetMusicPlus
Alto Saxophone,Cello,Clarinet,Double Bass,Flute,Horn,Soprano Saxophone,Trombone,Trumpet,Tuba,Viola,Violin - Level 1 - Digital Download SKU: A0.1477073 Co...
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Alto Saxophone,Cello,Clarinet,Double Bass,Flute,Horn,Soprano Saxophone,Trombone,Trumpet,Tuba,Viola,Violin - Level 1 - Digital Download SKU: A0.1477073 Composed by Samuel Wesley Martin. Arranged by L. Müller. Chamber,Christian,Religious,Sacred,Spiritual. 23 pages. Müller Publishing company #1054510. Published by Müller Publishing company (A0.1477073). Arrangement of the Traditional Hymn The Gospel Bells by Samuel Wesley Martin - Adapted by L. Müller for Beginner Orchestra.Celebrate the inspiring message of the traditional hymn, The Gospel Bells, composed by Samuel Wesley Martin. This arrangement, meticulously adapted by L. Müller, is crafted for beginner orchestras, making it accessible to a wide range of performers.The arrangement includes comprehensive parts for various instruments, ensuring that orchestras of all sizes can participate. The classic harmony is preserved, allowing both small and large groups to perform with depth and richness. The digital PDF format ensures easy access and distribution, with versions available both with and without chords to suit different performance needs.Perfect for church services, spiritual gatherings, and musical events, this rendition of The Gospel Bells will quickly become a cherished addition to any repertoire. The thoughtful adaptation ensures that even those new to music can join in creating a worshipful and inspiring atmosphere.Instruments Included:- Flute- Clarinet in Bb I & II- Soprano Saxophone- Alto Saxophone I & II- Horn in F- Trumpet in Bb I, II & III- Trombone I & II- Tuba- Violin I, II & III- Viola- Cello I & II- Contrabass- PianoAvailable Versions: With and Without ChordsKey Features:- Suitable for beginner musicians- Comprehensive instrumentation- Digital PDF format for easy access and distribution- Classic harmony preservedEnrich your worship services and musical gatherings with this specially adapted arrangement of The Gospel Bells. Acquire it now and inspire your audience with the beauty, joy, and depth of this iconic hymn.
$1.99
The Gospel Bells - for Beginner Orchestra.
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Samuel Wesley Martin
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L
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The Gospel Bells - for Beginne
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Müller Publishing company
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SheetMusicPlus
Alto Saxophone,Cello,Clarinet,Double Bass,Flute,Horn,Soprano Saxophone,Trombone,Trumpet,Tuba,Viola,Violin - Level 1 - Digital Download SKU: A0.1477077 Co...
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Alto Saxophone,Cello,Clarinet,Double Bass,Flute,Horn,Soprano Saxophone,Trombone,Trumpet,Tuba,Viola,Violin - Level 1 - Digital Download SKU: A0.1477077 Composed by Samuel Wesley Martin. Arranged by L. Müller. Chamber,Christian,Religious,Sacred,Spiritual. 23 pages. Müller Publishing company #1054514. Published by Müller Publishing company (A0.1477077). Arrangement of the Traditional Hymn The Gospel Bells by Samuel Wesley Martin - Adapted by L. Müller for Beginner Orchestra.Celebrate the inspiring message of the traditional hymn, The Gospel Bells, composed by Samuel Wesley Martin. This arrangement, meticulously adapted by L. Müller, is crafted for beginner orchestras, making it accessible to a wide range of performers.The arrangement includes comprehensive parts for various instruments, ensuring that orchestras of all sizes can participate. The classic harmony is preserved, allowing both small and large groups to perform with depth and richness. The digital PDF format ensures easy access and distribution, with versions available both with and without chords to suit different performance needs.Perfect for church services, spiritual gatherings, and musical events, this rendition of The Gospel Bells will quickly become a cherished addition to any repertoire. The thoughtful adaptation ensures that even those new to music can join in creating a worshipful and inspiring atmosphere.Instruments Included:- Flute- Clarinet in Bb I & II- Soprano Saxophone- Alto Saxophone I & II- Horn in F- Trumpet in Bb I, II & III- Trombone I & II- Tuba- Violin I, II & III- Viola- Cello I & II- Contrabass- PianoAvailable Versions: With and Without ChordsKey Features:- Suitable for beginner musicians- Comprehensive instrumentation- Digital PDF format for easy access and distribution- Classic harmony preservedEnrich your worship services and musical gatherings with this specially adapted arrangement of The Gospel Bells. Acquire it now and inspire your audience with the beauty, joy, and depth of this iconic hymn.
$1.99
A Mighty Fortress - for Beginner Orchestra. (with chords)
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Martin Luther
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L
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A Mighty Fortress - for Beginn
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Müller Publishing company
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SheetMusicPlus
Alto Saxophone,Cello,Clarinet,Double Bass,Flute,Horn,Piano,Soprano Saxophone,Trombone,Trumpet,Tuba,Viola,Violin - Level 1 - Digital Download SKU: A0.1477460
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Alto Saxophone,Cello,Clarinet,Double Bass,Flute,Horn,Piano,Soprano Saxophone,Trombone,Trumpet,Tuba,Viola,Violin - Level 1 - Digital Download SKU: A0.1477460 Composed by Martin Luther. Arranged by L. Müller. Chamber,Christian,Religious,Sacred,Spiritual. 24 pages. Müller Publishing company #1054851. Published by Müller Publishing company (A0.1477460). Arrangement of the Traditional Hymn A Mighty Fortress by Martin Luther - Adapted by L. Müller for Beginner Orchestra.Celebrate the inspiring message of the traditional hymn, A Mighty Fortress, composed by Martin Luther. This arrangement, meticulously adapted by L. Müller, is crafted for beginner orchestras, making it accessible to a wide range of performers.The arrangement includes comprehensive parts for various instruments, ensuring that orchestras of all sizes can participate. The classic harmony is preserved, allowing both small and large groups to perform with depth and richness. The digital PDF format ensures easy access and distribution, with versions available both with and without chords to suit different performance needs.Perfect for church services, spiritual gatherings, and musical events, this rendition of A Mighty Fortress will quickly become a cherished addition to any repertoire. The thoughtful adaptation ensures that even those new to music can join in creating a worshipful and inspiring atmosphere.Instruments Included:- Flute- Clarinet in Bb I & II- Soprano Saxophone- Alto Saxophone I & II- Horn in F- Trumpet in Bb I, II & III- Trombone I & II- Tuba- Violin I, II & III- Viola- Cello I & II- Contrabass- PianoAvailable Versions: With and Without ChordsKey Features:- Suitable for beginner musicians- Comprehensive instrumentation- Digital PDF format for easy access and distribution- Classic harmony preservedEnrich your worship services and musical gatherings with this specially adapted arrangement of A Mighty Fortress. Acquire it now and inspire your audience with the beauty, joy, and depth of this iconic hymn.
$1.99
Icicles in the Sun (Duet for Triangle)
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Arturo L
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Icicles in the Sun
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Arturo L. Martinez
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SheetMusicPlus
Instrumental Duet,Triangle - Level 2 - Digital Download SKU: A0.1371644 Composed by Arturo L. Martinez. Contemporary,Contest,Festival. 6 pages. Arturo L....
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Instrumental Duet,Triangle - Level 2 - Digital Download SKU: A0.1371644 Composed by Arturo L. Martinez. Contemporary,Contest,Festival. 6 pages. Arturo L. Martinez #955894. Published by Arturo L. Martinez (A0.1371644). When it’s cold out and the sun hits the icicles just right you get a pretty cool sight to see! But when the heat lingers too long, one drop at a time the icicle starts to slowly disappear. A unique little duet that features a common auxillary intrument used in a unique audial and visual way will keep the audience guessing: “What comes next?!â€.
$12.99
Scraps for Junior High Percussion Ensemble
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Arturo L
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Scraps for Junior High Percuss
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Arturo L. Martinez
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SheetMusicPlus
Percussion Sextet Cabasa,Mallet Percussion,Snare Drum,Suspended Cymbal - Level 1 - Digital Download SKU: A0.1369904 Composed by Arturo L. Martinez. Conte...
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Percussion Sextet Cabasa,Mallet Percussion,Snare Drum,Suspended Cymbal - Level 1 - Digital Download SKU: A0.1369904 Composed by Arturo L. Martinez. Contest,Festival. 20 pages. Arturo L. Martinez #954274. Published by Arturo L. Martinez (A0.1369904). A perfect beginner piece for young percussionists to experience the joy of percussion ensemble playing. Featuring common instruments and a few less used, this piece can really show off the musicianship and confidence of the young percussionists at a home concert or a more formal setting like Solo and Ensemble. If you are intrested in this piece and would like one specially wirtten for your group, please contact the composer directly: composer.alm@gmail.com.
$11.99
Luther: Out of the Depths for Bass Flute & Piano
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 1 - Digital Download SKU: A0.548712 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Ins...
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Bass Flute,Instrumental Solo,Piano - Level 1 - Digital Download SKU: A0.548712 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and individual part. 4 pages. Jmsgu3 #3411731. Published by jmsgu3 (A0.548712). Out of the Depths I Cry to You by Martin Luther arranged for bass flute & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Luther: Out of the Depths for Contrabassoon & Piano
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Contrabassoon,Instrumental Solo,Piano - Level 1 - Digital Download SKU: A0.548727 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,...
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Contrabassoon,Instrumental Solo,Piano - Level 1 - Digital Download SKU: A0.548727 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and individual part. 4 pages. Jmsgu3 #3411773. Published by jmsgu3 (A0.548727). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. Piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Luther: Out of the Depths for Baritone Horn & Piano
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 1 - Digital Download SKU: A0.552829 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instr...
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Baritone Horn TC,Euphonium,Piano - Level 1 - Digital Download SKU: A0.552829 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411723. Published by jmsgu3 (A0.552829). Out of the Depths I Cry to You by Martin Luther arranged for baritone horn & piano. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. Piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Luther: Out of the Depths for Piano Trio
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Piano Trio,String Ensemble - Level 1 - Digital Download SKU: A0.548730 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instruction...
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Piano Trio,String Ensemble - Level 1 - Digital Download SKU: A0.548730 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and parts. 8 pages. Jmsgu3 #3412105. Published by jmsgu3 (A0.548730). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 4 pg. piano part 2 pg. violin part: 1 pg. cello part: 1 pg. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$42.95
Luther: Out of the Depths for Oboe d'Amore & Piano
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 1 - Digital Download SKU: A0.548718 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,I...
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Instrumental Solo,Oboe d'Amore,Piano - Level 1 - Digital Download SKU: A0.548718 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and individual part. 4 pages. Jmsgu3 #3411751. Published by jmsgu3 (A0.548718). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Les heures bleues
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Contemporary
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Martin Lachance
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Les heures bleues
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Martin Lachance
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SheetMusicPlus
Small Ensemble Flute,Piano,Voice - Level 4 - Digital Download SKU: A0.1009919 Composed by Martin Lachance. Contemporary. Score and parts. 7 pages. Martin...
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Small Ensemble Flute,Piano,Voice - Level 4 - Digital Download SKU: A0.1009919 Composed by Martin Lachance. Contemporary. Score and parts. 7 pages. Martin Lachance #22647. Published by Martin Lachance (A0.1009919). This composition was commissioned by the Ensemble de Bilitis, a Montreal based music ensemble consisting of a mezzo-soprano, a flute, and a piano. I asked my cousin, the visual artist and poet Patrick Michael Lachance, if he would write a poem for the occasion. His words inspire me, and I had already composed a work on one of his texts (see Sang d’encre). When he wrote the text, Patrick Michaël decided to step into the shoes of one who has lost his great love. The term Les heures bleues (or blue hours) refers to the wee hours of the morning when the sun begins to appear on the horizon. After many sleepless nights waiting for this lost love, despair quietly settles in. The piece is in four sections, each section corresponding to a stanza of the text. Each section begins with two ascending fifths in the piano, symbolizing the dawning of the morning.
$9.99
Let the Dead and the Beautiful Rest. Song, Duett, & Chorus
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S
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Let the Dead and the Beautiful
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo, duet, and SATB chorus) - Digital Download SKU: LV.3722 Composed by S. Wesley Martin. Ruins, Architectural elements--columns, Bodie...
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Piano and voice (solo, duet, and SATB chorus) - Digital Download SKU: LV.3722 Composed by S. Wesley Martin. Ruins, Architectural elements--columns, Bodies of water, Graves, Tombs & sepulchral monuments. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3722). Let the Dead and the Beautiful Rest. Song, Duett, & Chorus. Words by C.C. Butler. Music by S. Wesley Martin. Published 1867 by J.L. Peters in New York. Composition of strophic with chorus with piano and voice (solo, duet, and satb chorus) instrumentation. Subject headings for this piece include Ruins, Architectural elements--columns, Bodies of water, Graves, Tombs & sepulchral monuments. First line reads let the dead and the beautiful rest, make her grave 'neath the willow by the stream.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Beguine the Beguine
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Jazz
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Cole Poter
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Cristian Gomez
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Beguine the Beguine
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Kike G
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SheetMusicPlus
Small Ensemble Alto Saxophone,Bass Clarinet,Tenor Saxophone - Level 4 - Digital Download SKU: A0.968994 Composed by Cole Poter. Arranged by Cristian Gome...
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Small Ensemble Alto Saxophone,Bass Clarinet,Tenor Saxophone - Level 4 - Digital Download SKU: A0.968994 Composed by Cole Poter. Arranged by Cristian Gomez. Jazz. Score and parts. 8 pages. Kike G #5011755. Published by Kike G (A0.968994). « Begin the Beguine » es una canción compuesta por Cole Porter que está identificado uno de los módulos de la música popular estadounidense.Fue compuesta en 1934, según el propio Porter, en un crucero exótico por las islas Fiyi . Sus orÃgenes son inciertos: de acuerdo con él, que antes habÃa declarado haber oÃdo los cuatro primeros compara a un isleño en Kalahabi que bailaba frenéticamente bajo la luna indonesia, la habÃa escuchado a una banda martiniquesa en un café cantante de ParÃs . Entonces bautizó el ritmo como una rumba calipso. Más tarde, sin embargo, asegurarÃa que no venÃa de Trinidad , sino de la misma Martinica y que se llamaba bel-air de la lune .Actualmente el ritmo es conocido como beguine . El
$5.00
Viva La Vida
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Coldplay
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Dodo versino
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Viva La Vida
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Preludio s.r.l.
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SheetMusicPlus
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1288607 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by...
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Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1288607 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Dodo versino. 21st Century,A Cappella. 20 pages. Preludio s.r.l. #879564. Published by Preludio s.r.l. (A0.1288607). A Cappella Contemporary arrangement for Mixed choir or a cappella band by Dodo Versino. This is a very easy arrangement for choir, but impressive for the audience! Discover a cappella contemporary arrangement on our website: https://www.preludiomusic.com. Write to us for more info: info@preludiomusic.com
$4.73
Eleanor Rigby
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Rock
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The Beatles
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Steven L
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Eleanor Rigby
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Music-Print Productions
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SheetMusicPlus
String Ensemble Viola - Level 3 - Digital Download SKU: A0.928119 By The Beatles. By John Lennon and Paul McCartney. Arranged by Steven L. Rosenhaus. Roc...
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String Ensemble Viola - Level 3 - Digital Download SKU: A0.928119 By The Beatles. By John Lennon and Paul McCartney. Arranged by Steven L. Rosenhaus. Rock. Score and parts. 11 pages. Music-Print Productions #5032431. Published by Music-Print Productions (A0.928119). The original version of this now-classic song by The Beatles was the first to feature a string octet, and only the octet, along with Paul McCartney's voice on the melody and John Lennon and George Harrison singing harmonies. None of The Beatles played an instrument on the recording and, in fact, the string score was written for them by their producer George Martin. The song was included on their 1966 album Revolver. In 2014 violist Alexandra Honigsberg commissioned composer/arranger Steven L. Rosenhaus to create an arrangement of Eleanor Rigby for viola quartet, for a mini-festival of viola music in New York City. The performance capped off the festival and was well-received. Because of copyright restrictions the arrangement was held privately until now, and Music-Print Productions is pleased to present it in published form.
$20.00
A Mighty Fortress
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Sacred music
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Martin Luther
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Bobby Huguley
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A Mighty Fortress
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Bobby L Huguley Jr
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SheetMusicPlus
Instrumental Duet,Organ,Piano - Digital Download SKU: A0.964248 Composed by Martin Luther. Arranged by Bobby Huguley. Sacred. 10 pages. Bobby L Huguley J...
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Instrumental Duet,Organ,Piano - Digital Download SKU: A0.964248 Composed by Martin Luther. Arranged by Bobby Huguley. Sacred. 10 pages. Bobby L Huguley Jr #5712963. Published by Bobby L Huguley Jr (A0.964248).
$2.99
O Holy Night for Baritone Horn & Piano
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Christmas
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Adam
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James M
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Piano
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O Holy Night for Baritone Horn
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jmsgu3
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SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 1 - Digital Download SKU: A0.552827 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. ...
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Baritone Horn TC,Euphonium,Piano - Level 1 - Digital Download SKU: A0.552827 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410423. Published by jmsgu3 (A0.552827). O Holy Night arranged for Baritone Horn & Piano. Duration: 4:56 Score: 5 pg, 44 ms. Solo part: 2 pg. Piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Real Bavarian
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Franz Holzfurtner, Gustav Kreb
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Real Bavarian
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Edition Hieber - Digital
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SheetMusicPlus
Zither - intermediate - Digital Download SKU: S9.Q50053 Folk songs, original Schnadahüpf'l (dance) and landler. Arranged by Franz Holzfurtner, ...
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Zither - intermediate - Digital Download SKU: S9.Q50053 Folk songs, original Schnadahüpf'l (dance) and landler. Arranged by Franz Holzfurtner, Gustav Krebs, Josef Kellner, and Martin Geiger. This edition: Sheet music. Downloadable. Op. 2. Edition Hieber - Digital #Q50053. Published by Edition Hieber - Digital (S9.Q50053). German.
$16.99
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