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You've selected:
Mass in G Major - Kyrie
Sheetmusic to print
15 sheet music found
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1
Schubert: MASS In G Major D-167 (Version for SSAA choir, SSA soli, strings and organ) - Score Only
Level 3 - Digital Download SKU: A0.1401951 Composed by Franz Schubert. Arranged by …
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Level 3 - Digital Download SKU: A0.1401951 Composed by Franz Schubert. Arranged by Roar Kvam. 19th Century,Classical,Latin,Praise and Worship,Romantic Period. 123 pages. KVAMusic Edition #985149. Published by KVAMusic Edition (A0.1401951). The Mass no. 2 in G major by Franz Schubert, D 167, was composed in 1815. This is the best known of the three shorter mass compositions which Schubert composed between the more elaborate first and fifth masses. In addition, the later Deutsche Messe or German Mass, D 872,and the ultimate sixth mass would be longer. The mass no. 2, commonly referred to as Schubert's Mass in G, was composed in less than a week (March 2 to 7, 1815), the year after his first mass had been successfully performed in Schubert's home parish.The second mass was originally more modestly scored than the first, requiring only a string orchestra and organ in addition to the soloists and choir. However, in the 1980s a set of parts for the mass were discovered at Klosterneuburg which are dated later than Schubert's full score.They not only include minor changes throughout the work, which would apparently represent Schubert's final intentions,they also include trumpet and timpani parts. Apart from some passages for the soprano soloist, the solistic interventions are very modest. Characteristically for Schubert, he is more interested in an overall devotional mood of a religious composition than in individualistic romantic text-expression. In this edition for women's voices, I use Schubert's first version for strings and organ which fits excellently to the sound of the women's choir.
$20.00
18.44 €
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Franz Schubert
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Schubert: MASS In G Major D-167
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KVAMusic Edition
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SheetMusicPlus
Schubert: MASS In G Major D-167 (Version for SSAA choir, SSA soli, strings and organ)
Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.768510 Composed by Franz…
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Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.768510 Composed by Franz Schubert. Arranged by Roar Kvam. Romantic Period,Sacred. Octavo. 123 pages. KVAMusic Edition #5321075. Published by KVAMusic Edition (A0.768510). The Mass no. 2 in G major by Franz Schubert, D 167, was composed in 1815. This is the best known of the three shorter mass compositions which Schubert composed between the more elaborate first and fifth masses. In addition, the later Deutsche Messe or German Mass, D 872,and the ultimate sixth mass would be longer. The mass no. 2, commonly referred to as Schubert's Mass in G, was composed in less than a week (March 2 to 7, 1815), the year after his first mass had been successfully performed in Schubert's home parish.The second mass was originally more modestly scored than the first, requiring only a string orchestra and organ in addition to the soloists and choir. However, in the 1980s a set of parts for the mass were discovered at Klosterneuburg which are dated later than Schubert's full score.They not only include minor changes throughout the work, which would apparently represent Schubert's final intentions,they also include trumpet and timpani parts. Apart from some passages for the soprano soloist, the solistic interventions are very modest. Characteristically for Schubert, he is more interested in an overall devotional mood of a religious composition than in individualistic romantic text-expression. In this edition for women's voices, I use Schubert's first version for strings and organ which fits excellently to the sound of the women's choir.
$55.00
50.71 €
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Franz Schubert
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Schubert: MASS In G Major D-167
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KVAMusic Edition
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SheetMusicPlus
Schubert: MASS in G Major (Version for SSAA choir, SAA soli, strings and organ) set of orchestra par
Small Ensemble - Level 3 - Digital Download SKU: A0.768512 Composed by Franz Schube…
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Small Ensemble - Level 3 - Digital Download SKU: A0.768512 Composed by Franz Schubert. Arranged by Roar Kvam. Romantic Period,Sacred. Score and parts. 98 pages. KVAMusic Edition #5321083. Published by KVAMusic Edition (A0.768512). The Mass no. 2 in G major by Franz Schubert, D 167, was composed in 1815. This is the best known of the three shorter mass compositions which Schubert composed between the more elaborate first and fifth masses. In addition, the later Deutsche Messe or German Mass, D 872,and the ultimate sixth mass would be longer. The mass no. 2, commonly referred to as Schubert's Mass in G, was composed in less than a week (March 2 to 7, 1815), the year after his first mass had been successfully performed in Schubert's home parish.The second mass was originally more modestly scored than the first, requiring only a string orchestra and organ in addition to the soloists and choir. However, in the 1980s a set of parts for the mass were discovered at Klosterneuburg which are dated later than Schubert's full score.They not only include minor changes throughout the work, which would apparently represent Schubert's final intentions,they also include trumpet and timpani parts. Apart from some passages for the soprano soloist, the solistic interventions are very modest. Characteristically for Schubert, he is more interested in an overall devotional mood of a religious composition than in individualistic romantic text-expression. In this edition for women's voices, I use Schubert's first version for strings and organ which fits excellently to the sound of the women's choir.
$25.00
23.05 €
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Franz Schubert
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Schubert: MASS in G Major
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KVAMusic Edition
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SheetMusicPlus
Classical Wedding Fake Book (Bb Version) - Popular classical songs arranged in lead sheet format
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guit…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin,Voice - Digital Download SKU: A0.858670 Arranged by Stephen Bulat. Baroque,Classical,Opera,Romantic Period,Wedding. Score and parts. 53 pages. Stephen Bulat Publishing #5723227. Published by Stephen Bulat Publishing (A0.858670). This compilation of popular classical pieces often performed at weddings is arranged in the fake book/lead sheet format Fake book also available for concert C and Eb instruments as well as a Bandleader Gig Pack that contains fake books for C, Bb and Eb Instrumentation.Songs include:Adagio in G Minor - Tomaso Giovanni Albinoni Air On The G String - J. S. Bach Arioso - J. S. Bach Ave Maria - J. S. Bach/Gounod Jesu, Joy of Man's Desiring - J. S. Bach Minuet in G Major - J. S. Bach Ode To Joy - Ludwig Van Beethoven Trumpet Voluntary - Jeremiah Clarke Clair De Lune - Claude Debussy The Flower Duet - Leo Delibes Salut D’Amor - Edward Elgar Pavane - Gabriel Faure Air (from Water Music) - George Frideric Handel Arrival Of The Queen Of Sheba - George Frideric Handel Meditation (from Thais) - Jules Massenet Wedding March (from A Midsummer’s Night Dream) - Felix MendelssohnRondeau (Theme from Masterpiece Theatre) - Jean-Joseph Mouret Eine Kleine Nachtmusik - Wolfgang Amadeus Mozart Canon in D - Johann Pachalbel Trumpet Tune - Henry Purcell The Swan (from Carnival Of The Animals) - Camille Saint-Saëns Ave Maria - Franz Schubert Romeo & Juliet (Love Theme) - Pyotor Ilyich Tchaikovsky Sleeping Beauty Waltz - Pyotor Ilyich Tchaikovsky Swan Lake - Pyotor Ilyich Tchaikovsky Spring (1stMovement) (from The Four Seasons) - Antonio Vivaldi &nbs.
$9.99
9.21 €
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#
Classical Wedding Fake Book
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Stephen Bulat Publishing
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SheetMusicPlus
Classical Wedding Fake Book (Eb Version) - Popular classical songs arranged in lead sheet format
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guit…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin,Voice - Digital Download SKU: A0.858668 Arranged by Stephen Bulat. Baroque,Classical,Opera,Romantic Period,Wedding. Score and parts. 54 pages. Stephen Bulat Publishing #5723231. Published by Stephen Bulat Publishing (A0.858668). This compilation of popular classical pieces often performed at weddings is arranged in the fake book/lead sheet format Fake book also available for concert C and Eb instruments as well as a Bandleader Gig Pack that contains fake books for C, Bb and Eb Instrumentation.Songs include:Adagio in G Minor - Tomaso Giovanni Albinoni Air On The G String - J. S. Bach Arioso - J. S. Bach Ave Maria - J. S. Bach/Gounod Jesu, Joy of Man's Desiring - J. S. Bach Minuet in G Major - J. S. Bach Ode To Joy - Ludwig Van Beethoven Trumpet Voluntary - Jeremiah Clarke Clair De Lune - Claude Debussy The Flower Duet - Leo Delibes Salut D’Amor - Edward Elgar Pavane - Gabriel Faure Air (from Water Music) - George Frideric Handel Arrival Of The Queen Of Sheba - George Frideric Handel Meditation (from Thais) - Jules Massenet Wedding March (from A Midsummer’s Night Dream) - Felix MendelssohnRondeau (Theme from Masterpiece Theatre) - Jean-Joseph Mouret Eine Kleine Nachtmusik - Wolfgang Amadeus Mozart Canon in D - Johann Pachalbel Trumpet Tune - Henry Purcell The Swan (from Carnival Of The Animals) - Camille Saint-Saëns Ave Maria - Franz Schubert Romeo & Juliet (Love Theme) - Pyotor Ilyich Tchaikovsky Sleeping Beauty Waltz - Pyotor Ilyich Tchaikovsky Swan Lake - Pyotor Ilyich Tchaikovsky Spring (1stMovement) (from The Four Seasons) - Antonio Vivaldi Bridal Chorus - Richard Wagner Please click on the publisher to purchase compilation songs i.
$9.99
9.21 €
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Classical Wedding Fake Book
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Stephen Bulat Publishing
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SheetMusicPlus
Music for Four Brass - Volume 1 - Part 3 French Horn in F 60132
Brass Ensemble Horn - Level 5 - Digital Download SKU: A0.530442 Composed by Various…
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Brass Ensemble Horn - Level 5 - Digital Download SKU: A0.530442 Composed by Various. Arranged by Daniel Kelley. Baroque,Classical,Concert,Romantic Period,Wedding. Score and parts. 42 pages. Last Resort Music Publishing #3604123. Published by Last Resort Music Publishing (A0.530442). Part 3 for French Horn in F #60132Music for Four Brass, Volume 1 - Baroque, Classical & Romantic FavoritesA lively collection of arrangements for brass quartet including works by Beethoven, Brahms and many more! This series is designed to be used by a brass quartet. Each volume includes 30 titles and is available for 4 interchangeable parts plus keyboard and score. Parts are sold separately and as sets. Available for the following instrumentation: Part 1 Bb Trumpet Part 2 Bb Trumpet Part 2 French Horn in F Part 3 Trombone Part 3 French Horn in F Part 4 Bass Trombone or TubaKeyboard or Guitar Score (parts 1-2 in Bb, 3-4 in C) Table of ContentsAir from Suite #3 in D Major (Bach) Jesu, Joy of Man's Desiring from Cantata #147 (Bach) Little Fugue in G Minor (Bach) Rondeau from Orchestral Suite #2 in B Minor (Bach) Sheep May Safely Graze from Cantata #208 (Bach) Ode to Joy from Symphony #9 (Beethoven) St. Anthony Chorale from Haydn Variations (Brahms) Trumpet Voluntary (Clarke) Gavotte (Gossec) Gavotte from Holberg Suite, Op. 40 (Grieg) Bourree, Menuet, La Rejouissance from Fireworks Music (Handel) Largo from Xerxes (Handel) Air, Allegro, Andante, Hornpipe from The Water Music (Handel) Presto from String Quartet in F Major, Op. 74, #2 (Haydn) Elegie from Incidental Music to Les Erinnyes (Massenet) Wedding March from A Midsummer Night's Dream (Mendelssohn) Rondeau from Sinfonies de Fanfares (Mouret) Canon (Pachelbel) Rondeau from Incidental Music to Abdelazer (Purcell) Trumpet Tune (Purcell) Andante from String Quartet in A minor, Op. 29 Rosamunde (Schubert) Londonderry Air (Traditional Irish Melody) Simple Gifts (Traditional Shaker Hymn) Adagio from Concerto Grosso in D Minor, Op. 3 #11 (Vivaldi) Bridal Chorus from Act III of Lohengrin (Wagner)
$18.50
17.06 €
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Various
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Music for Four Brass - Volume 1 - Part 3 French Horn in F 60132
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Last Resort Music Publishing
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SheetMusicPlus
Music for Three, Volume 1 Score 50199
Small Ensemble - Level 5 - Digital Download SKU: A0.720843 Composed by Various. Arr…
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Small Ensemble - Level 5 - Digital Download SKU: A0.720843 Composed by Various. Arranged by Daniel Kelley. Baroque,Classical,Instructional,Romantic Period,Wedding. Score and parts. 83 pages. Last Resort Music Publishing #329230. Published by Last Resort Music Publishing (A0.720843). Music for Three, Volume 1 - Score (Part 1-3 in Score Form in C) Baroque, Classical & Romantic Favorites Includes works by Bach, Beethoven, Handel, Mouret, Pachelbel, Wagner and more! An incredible collection of 35 arrangements for strings, woodwinds and piano – these mix and match trios allow the performer to pick the instrumentation. A versatile must-have for any musician, Music for Three is perfect for weddings, recitals, concerts, and any chamber music gatherings. Parts are available separately or may be purchased for specific instrumentation. The keyboard/guitar part encompasses parts 2 & 3. Therefore, the arrangements could be played as a piano trio, or an entire trio can play with a pianist - as long as Part 1 is being played! Includes 35 arrangements. Table of Contents Air on the G String from Suite #3 in D Major (Bach) Arioso from Cantata #156 (Bach) Ave Maria adapted by Charles Gounod from WTC (Bach) Prelude #1 (Bach) Gigue from Suite #3 in D Major (Bach) Jesu, Joy of Man's Desiring from Cantata #147 (Bach) Sheep May Safely Graze from Cantata #208 (Bach) Minuet in G (Beethoven) Trumpet Voluntary (Clarke) Gavotte (Gossec) Allegro from Sonata in F Major, Op. 1 #11 (Handel) Largo from Xerxes (Handel) Sarabande from Suite #4 in D minor for piano, 2nd set (Handel) Air, Allegro, Andante, Bourree, Finale from Water Music Suite (Handel) Presto from String Quartet in F Major, Op. 74, #2 (Haydn) Waltz from Waves of the Danube, #1 (Ivanovici) Elegie from Incidental Music to Les Erinnyes (Massenet) Rondeau from Sinfonies de Fanfares (Mouret) Allegro, Menuetto, Romanza, Rondo from Eine Kleine Nachtmusik, String Quartet in G Major, K. 525 (Mozart) Canon (Pachelbel) Adagio from Octet in F Major, Op. 166 (Schubert) Andante from String Quartet in A minor, Op. 29 Rosamunde (Schubert) Moment Musical from Op. 94, #3 (Schubert) Traumerei from Kinderscenen, Op. 15, #7 (Schumann) Presto from Sonatina in F Major (Telemann) Allegro, Adagio, Finale from Concerto Grosso in D Minor, Op. 3, #11 (Vivaldi) Bridal Chorus from Act III of Lohengrin (Wagner) Available Parts 50111 Part 1 Flute or Oboe or Violin 50113 Part 1 Clarinet in Bb 50121 Part 2 Flute or Oboe or Violin 50122 Part 2 Viola 50123 Part 2 Clarinet in Bb 50131 Part 3 Cello or Bassoon 50140 Keyboard or Guitar 50199 Score Published by lastresortmusic.com.
$39.95
36.83 €
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Various
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Music for Three, Volume 1 Score 50199
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Last Resort Music Publishing
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SheetMusicPlus
Two Amens
Choral Alto Voice,Bass Voice,Organ,Soprano voice,Tenor Voice (SATB) - Level 1 - Interactiv…
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Choral Alto Voice,Bass Voice,Organ,Soprano voice,Tenor Voice (SATB) - Level 1 - Interactive Download SKU: A0.480911 Composed by Lonnie Massey. This edition: Interactive Download. Praise & Worship. Octavo. Duration 18. Lonnie Massey #2YFNC8TarZsJBJEl5gfJb1. Published by Lonnie Massey (A0.480911). Key: G major.Amen on UNION SEMINARY was orginally written to be used as a prayer response in a service during which the hymn Draw Us in the Spirit's Tether had been sung by the congregation. Amen Canon can be sung by an SATB choir or by any group with the melody transposed into their comfortable range.
$2.99
2.76 €
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Lonnie Massey
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Two Amens
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Lonnie Massey
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SheetMusicPlus
Playing with Scales
Guitar - Level 2 - Digital Download SKU: A0.1314698 Composed by Richard Hirsch. Ins…
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Guitar - Level 2 - Digital Download SKU: A0.1314698 Composed by Richard Hirsch. Instructional. Educational Exercises. 8 pages. Richard Hirsch #903442. Published by Richard Hirsch (A0.1314698). Many amateur guitarists and beginning students of guitar are ‘stuck in the first position’. The rest of the fretboard is ‘terra incognita’. They don’t know where the notes are and they don’t know how to get to them and use them in playing melodies. To help remedy this situation, I offer a collection of scales and exercises I have developed over the years that have helped me master the fretboard of the guitar and that I have used to warm up my left and right hands before practicing or playing proper pieces. Guitarists afraid to move up the fretboard miss out on all the tonal nuances that the guitar has to offer. They also often have undeveloped left hand technique with a little finger that flies around helplessly and uselessly. These scales and exercises will, if played regularly, put the little finger to good use and guide the left hand to orient to the fretboard properly, staying close to the fretboard with fingers that move as little and as efficiently as possible. They are also relaxing and fun to play around with. I read somewhere a while back that medical science had found that pianists were less likely to develop brain diseases. The scientists attributed this to the many hours pianists spend playing scales, as this is like a gentle brain massage. So scales are not only good warm up exercises for the fingers but also good warm-ups for the brain.The scale exercises written here in the keys of G and C should be played in different keys in higher positions on the fretboard. Students can try to see just how far up the neck they can go to reach the highest notes. After a while, what seemed challenging and strange will start to feel comfortable and familiar. Don’t hesitate to develop new variants of the scales when you grow tired of playing them as I propose here. Have fun playing and playing with the scales!The exercises often start in one position and move toward other higher or lower positions on the fretboard. When moving from one position to another, follow the suggested fingerings to utilise what is called a lead finger to move the hand to the next position. This will make the movement smooth and not interrupt the flow of the scale. In the end all movement should look and feel seamless and effortless.I have chosen scales in major keys I think are particularly good to play on the guitar. To practice a scale in a minor key, start the exercise in the related major key from the fundamental of the minor key, for example, to play an E minor scale start the G major exercise on an E and play from there. This is one way of creating new variants of these scales. Another way to vary the exercises is to play the scales in different time signatures or rhythms.I believe these exercises are particularly helpful for amateur guitarists who play in ensembles of different kinds, duos, trios, quartets, where the guitarist often only has one melodic line to play. Such melodies often sound much better played in higher positions where the guitar can be made to sing, rather than in the first position where the same tones, especially on open strings, often sound rather dull. From my own experience, I find that when I play a melody in a higher position using all the fingers of the left hand, the melody not only sounds better, the fingers remember the melody better.Â
$4.99
4.6 €
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Richard Hirsch
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Playing with Scales
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Richard Hirsch
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SheetMusicPlus
Classical Wedding Fake Book - Bandleader Gig Pack with 3 Fake Books (C, Bb & Eb Instruments)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guit…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin,Voice - Digital Download SKU: A0.858669 Arranged by Stephen Bulat. Baroque,Classical,Opera,Romantic Period,Wedding. Score and parts. 162 pages. Stephen Bulat Publishing #5723235. Published by Stephen Bulat Publishing (A0.858669). This compilation of popular classical pieces often performed at weddings is arranged in the fake book/lead sheet format Band Leader Gig Pack has 3 fake books in total; one for C instruments; one for Bb instruments and one for Eb instruments. Perfect for the band leader that has an ensemble with differently pitched instruments that want to work off the same gig book. All rehearsal markings and bar numbers match across each book.Songs include:Adagio in G Minor - Tomaso Giovanni Albinoni Air On The G String - J. S. Bach Arioso - J. S. Bach Ave Maria - J. S. Bach/Gounod Jesu, Joy of Man's Desiring - J. S. Bach Minuet in G Major - J. S. Bach Ode To Joy - Ludwig Van Beethoven Trumpet Voluntary - Jeremiah Clarke Clair De Lune - Claude Debussy The Flower Duet - Leo Delibes Salut D’Amor - Edward Elgar Pavane - Gabriel Faure Air (from Water Music) - George Frideric Handel Arrival Of The Queen Of Sheba - George Frideric Handel Meditation (from Thais) - Jules Massenet Wedding March (from A Midsummer’s Night Dream) - Felix MendelssohnRondeau (Theme from Masterpiece Theatre) - Jean-Joseph Mouret Eine Kleine Nachtmusik - Wolfgang Amadeus Mozart Canon in D - Johann Pachalbel Trumpet Tune - Henry Purcell The Swan (from Carnival Of The Animals) - Camille Saint-Saëns Ave Maria - Franz Schubert Romeo & Juliet (Love Theme) - Pyotor Ilyich Tchaikovsky Sleeping Beauty Waltz - Pyotor Ilyich Tchaikovsky Swan Lake - Pyotor Ilyich Tchaikovsky Spring (1stMovement) (from The Four Seasons) - Antonio Vivaldi &.
$22.99
21.19 €
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one for C instruments
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Classical Wedding Fake Book - Bandleader Gig Pack with 3 Fake Books
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Stephen Bulat Publishing
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SheetMusicPlus
Coventry Carol - Traditional (Voice & Ukulele)
Instrumental Duet Instrumental Duet,Ukulele,Voice - Level 1 - Digital Download SKU: A0.…
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Instrumental Duet Instrumental Duet,Ukulele,Voice - Level 1 - Digital Download SKU: A0.908385 Composed by Traditional. Arranged by John M. Licari. Christmas,Instructional,Sacred,Standards. Score and parts. 4 pages. Music Preparation Services #4987589. Published by Music Preparation Services (A0.908385). Coventry CarolTraditional; Arranged by John M. Licari (Voice & Ukulele)Music Preparation Services www.musicprepsevices.com See my other arrangements here: https://www.sheetmusicplus.com/publishers/music-preparation-services-sheet-music/3005054The Coventry Carol is an English Christmas carol dating from the 16th century. The carol was traditionally performed in Coventry in England as part of a mystery play called The Pageant of the Shearmen and Tailors. The play depicts the Christmas story from chapter two in the Gospel of Matthew: the carol itself refers to the Massacre of the Innocents, in which Herod ordered all male infants under the age of two in Bethlehem to be killed, and takes the form of a lullaby sung by mothers of the doomed children. The music contains a well-known example of a Picardy third (G major cadence in the key of G minor). The author is unknown; the oldest known text was written down by Robert Croo in 1534, and the oldest known setting of the melody dates from 1591.[1] There is an alternative, modern setting of the carol by Kenneth Leighton, and another by Philip Stopford. (Taken from the Wikipedia Entry).This arrangement is for voice and ukulele (melody and chords).
$1.99
1.83 €
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Traditional
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Arranged by John M
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Coventry Carol - Traditional
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Music Preparation Services
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SheetMusicPlus
Music for Four Brass - Volume 1 - Part 3 Trombone 60131
Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.530808 Composed by Var…
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Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.530808 Composed by Various. Arranged by Daniel Kelley. Baroque,Classical,Romantic Period,Wedding. Score and parts. 42 pages. Last Resort Music Publishing #6427921. Published by Last Resort Music Publishing (A0.530808). Part 3 for Trombone #60131Music for Four Brass, Volume 1 - Baroque, Classical & Romantic FavoritesA lively collection of arrangements for brass quartet including works by Beethoven, Brahms and many more! This series is designed to be used by a brass quartet. Each volume includes 30 titles and is available for 4 interchangeable parts plus keyboard and score. Parts are sold separately and as sets.Available for the following instrumentation:Part 1 Bb Trumpet Part 2 Bb TrumpetPart 2 French Horn in F Part 3 TrombonePart 3 French Horn in FPart 4 Bass Trombone or TubaKeyboard or GuitarScore (parts 1-2 in Bb, 3-4 in C) Table of ContentsAir from Suite #3 in D Major (Bach)Jesu, Joy of Man's Desiring from Cantata #147 (Bach)Little Fugue in G Minor (Bach)Rondeau from Orchestral Suite #2 in B Minor (Bach)Sheep May Safely Graze from Cantata #208 (Bach)Ode to Joy from Symphony #9 (Beethoven)St. Anthony Chorale from Haydn Variations (Brahms)Trumpet Voluntary (Clarke)Gavotte (Gossec)Gavotte from Holberg Suite, Op. 40 (Grieg)Bourree, Menuet, La Rejouissance from Fireworks Music (Handel)Largo from Xerxes (Handel)Air, Allegro, Andante, Hornpipe from The Water Music (Handel)Presto from String Quartet in F Major, Op. 74, #2 (Haydn)Elegie from Incidental Music to Les Erinnyes (Massenet)Wedding March from A Midsummer Night's Dream (Mendelssohn)Rondeau from Sinfonies de Fanfares (Mouret)Canon (Pachelbel)Rondeau from Incidental Music to Abdelazer (Purcell)Trumpet Tune (Purcell)Andante from String Quartet in A minor, Op. 29 Rosamunde (Schubert)Londonderry Air (Traditional Irish Melody)Simple Gifts (Traditional Shaker Hymn)Adagio from Concerto Grosso in D Minor, Op. 3 #11 (Vivaldi)Bridal Chorus from Act III of Lohengrin (Wagner)
$20.00
18.44 €
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Various
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Music for Four Brass - Volume 1 - Part 3 Trombone 60131
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Last Resort Music Publishing
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SheetMusicPlus
Professor M & M's Jive Detector (Bb leadsheet, with tenor sax & piano melody)
Small Ensemble Clarinet,Soprano Saxophone,Tenor Saxophone,Trumpet - Level 4 - Digital Down…
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Small Ensemble Clarinet,Soprano Saxophone,Tenor Saxophone,Trumpet - Level 4 - Digital Download SKU: A0.948696 Composed by Mark S. Massey. Blues,Jazz. Score and parts. 3 pages. Geofonica Artistworks #6038041. Published by Geofonica Artistworks (A0.948696). Professor M & M's Jive Detector is a super cool, very bluesy instrumental jazz hit (in Bb lead-sheet format here, for tenor sax or other Bb instruments.) from pianist Mark Massey's breakthrough jazz LP: API: Acoustic Piano International. The piano and tenor sax interact, with sax and piano doubling the main melody (performed by guest saxophonist Plas Johnson--famed Wrecking Crew sax/woodwind player who was featured on The Pink Panther Theme), plus sax and piano in blues interplay and counterpoint. It's a great vehicle for musical interplay, blues/jazz improvisation, and laid-back bluesy rhythm section grooves. The API track featured Plas Johnson on sax backed by the Mark Massey trio, with Eric Stiller on acoustic bass and Aldo Bentivegna on drums.ABOUT MARK:In 2018, the California State Assembly and the Los Angeles County Board of Supervisors issued proclamations recognizing Mark Massey as a Jazz Living Legend. Jazz pianist-composer Mark Massey was born and raised in Lynwood, California, where he showed early talent on piano, trombone, and drums. During high school, he studied classical piano and played in the bands Synopsis (with future trumpet giant Wayne Bergeron), and Sabor (with Poncho Sanchez and the Banda Brothers). Mark played in the Pico Rivera Stage Band, which won First Place at the Hollywood Bowl Battle of the Bands. Mark graduated from California State University, Long Beach (with Bachelors and Masters degrees in Music), where he was recipient of the Carmen Dragon Fellowship for composition and he was dubbed A Young Giant by the National Association Of Jazz Educators. Mark has performed throughout the U.S., Europe, the former Soviet Union (in the 1980s), Russia (2001), the Far East and India. He has worked with Larry Carlton, David Benoit, Paul Horn, Hubert Laws, Louie Bellson, the Side Street Strutters, Phil Upchurch, L. Subramaniam, Freddie Hubbard, Maynard Ferguson, Yehudi Menuhin, Stéphane Grappelli, and Tony Williams. Mark was featured in The Four Pianos In Concert series along with pianists Paul Smith, Pete Jolly and Steve Allen. Mark Massey's debut CD, Acoustic Piano International, has received wide airplay on jazz radio. API featured nine of Mark's original jazz compositions--including Professor M&M's Jive Detector, offered here--inspired by his musical excursions around the globe, along with Eric Stiller (bass) and Aldo Bentivegna (drums), and guest artists Alex Acuña, percussion (Weather Report), Justo Almario, flute (Mongo Santamaria), Plas Johnson, tenor sax (The Pink Panther Theme), Bob Mintzer, soprano sax (The Yellow Jackets), and Ron Stout, flugelhorn, More recently, Mark has been recording his iconic Jazz Thoughts for the Day albums of original jazz improvisional compositions for each day of the year. Jazz Thoughts for the months of January through July have thus far been issued. COMMENTS FROM MAJOR CRITIC REVIEWS OF MARK MASSEY: Mark Massey is awfully good. His friendly, lyrical, melodic piano has a sound unto itself, API Coverbop and post-bop influenced, contemporarily informed, and languishing solidly in the modern mainstream. ...This is a very good trio that is together in many aspects of jazz expressionism. In larger, more interactive settings, Massey proves he has ideas that work well. ...Massey's talent being exposed is a breakthrough. A majority of jazz listeners should find this a worthwhile purchase, and a keeper. Recommended.----MICHAEL G. NASTOS, ALL MUSIC GUIDE (CD review of Acoustic Piano International) Mark Massey is an excellent straight-ahead pianist who often appears in the L.A. area. ...his playing is consistently appealing. Of the trio numbers, the often-introspective Flowers For Dorothy, the.
$3.99
3.68 €
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Mark S
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Professor M & M's Jive Detector
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Geofonica Artistworks
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SheetMusicPlus
Madrigal Pavane / Timburibá
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. A…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95
7.33 €
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Francisco Braga
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Madrigal Pavane / Timburibá
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Les Productions d'OZ - Digital
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SheetMusicPlus
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