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15 sheet music found
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1
Mozart: Requiem in D minor K626 III.Sequenz No.1 Dies irae - symphonic wind
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Classical
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Requiem in D minor K62
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1105074 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. ...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1105074 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Praise & Worship,Religious,Sacred. 28 pages. RayThompsonMusic #708320. Published by RayThompsonMusic (A0.1105074). Arranged double wind quintet and contrabass. The Requiem in D minor, K. 626, is a requiem mass by Wolfgang Amadeus Mozart (1756–1791). Mozart composed part of the Requiem in Vienna in late 1791, but it was unfinished at his death on 5 December the same year. A completed version dated 1792 by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who commissioned the piece for a requiem service on 14 February 1792 to commemorate the first anniversary of the death of his wife Anna at the age of 20 on 14 February 1791. This is no 1 of the Sequenz Dies irae The Dies irae (Day of Wrath) opens with a show of orchestral and choral might A rising chromatic scurry of sixteenth-notes leads into a chromatically rising harmonic progression with the chorus singing Quantus tremor est futurus (what trembling there will be in reference to the Last Judgment). This material is repeated with harmonic development before the texture suddenly drops to a trembling unison figure evocatively painting the Quantus tremor text. Mozart Section III of the requiem is titled “Sequenz†(sequentia or sequence). It is made up of the following pieces I have arrangements of all of them, for varying types of ensemble * Dies irae * Tuba mirum * Rex tremendae * Recordare * Confutatis * Lacrymosa I have also arranged Mozarts Motet “Ave Verum Corpus†K618.
$9.95
(Sometimes I Feel Like a) Motherless Child
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African-American Spiritual
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Teresa Young
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(Sometimes I Feel Like a) Moth
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Teresa Young
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1513002 By African-American Spiritual. By Traditional, first cited in Old Plantation Hymns by Will...
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1513002 By African-American Spiritual. By Traditional, first cited in Old Plantation Hymns by William Barton (1861-1930). Arranged by Teresa Young. 19th Century,Blues,Early Music,Folk,Traditional. Score. 2 pages. Teresa Young #1087887. Published by Teresa Young (A0.1513002). Teresa Young's arrangement of the hauntingly beautiful African-American hymn (Sometimes I Feel Like a) Motherless Child for piano and voice is spare but powerful. Set in G minor, the piano accompaniment sets the mood and complements the sung melody rather than doubling it. The left-hand part uses the lowest register of the piano, helping to convey the heavy weight of this lament first sung unaccompanied by enslaved workers in the American South. Teresa's version in A minor is available here too. Just search Motherless Child Teresa Young to see both.
$5.99
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Bass Trombone
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
Bass Trombone,Instrumental Solo - Level 5 - Digital Download SKU: A0.1018890 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part....
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Bass Trombone,Instrumental Solo - Level 5 - Digital Download SKU: A0.1018890 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6056111. Published by Benjamin Sajo (A0.1018890). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Timpani
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
Percussion Solo,Timpani - Level 5 - Digital Download SKU: A0.1018893 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages...
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Percussion Solo,Timpani - Level 5 - Digital Download SKU: A0.1018893 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6056117. Published by Benjamin Sajo (A0.1018893). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Triangle, Cymbals, Bass Drum
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Contemporary
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
Multi-Percussion,Percussion Solo - Level 5 - Digital Download SKU: A0.1018892 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part...
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Multi-Percussion,Percussion Solo - Level 5 - Digital Download SKU: A0.1018892 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6056119. Published by Benjamin Sajo (A0.1018892). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
The Staggering Drunkard
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Daniel Slaymaker
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The Staggering Drunkard
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Daniel Slaymaker
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.1031959 Composed by Daniel Slaymaker. 20th Century,Contemporary. Score and...
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Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.1031959 Composed by Daniel Slaymaker. 20th Century,Contemporary. Score and parts. 4 pages. Daniel Slaymaker #3878713. Published by Daniel Slaymaker (A0.1031959). Ballade in D Minor for Quarter-Tone Piano, The Staggering Drunkard. Practical performance would include two pianos - one of which is tuned a quarter-tone flat or sharp - but it is possible to play on a specially constructed quarter-tone keyboard for one performer.This piece was heavily inspired by Wyschnegradsky's Quarter-Tone Preludes, as well as Chopin's First Ballade in G Minor, and was composed when I was in college (the final version was completed after I left college). It's essentially a solo instrument tone poem that describes someone staggering home after a long night of drinking out, along the way dodging a train and instigating some cops that pursue him, then stumbling upon a carnival that rather promptly boots him out because of his provocative behavior. He eventually finds his way home, now able to rest after a bizarre night of debauchery.
$3.49
(Sometimes I Feel Like a) Motherless Child
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African-American Spiritual
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Teresa Young
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(Sometimes I Feel Like a) Moth
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Teresa Young
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1509433 By African-American Spiritual. By Traditional, first cited in Old Plantation Hymns by Will...
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1509433 By African-American Spiritual. By Traditional, first cited in Old Plantation Hymns by William Barton (1861-1930). Arranged by Teresa Young. 19th Century,Blues,Early Music,Folk,Traditional. Score. 2 pages. Teresa Young #1084672. Published by Teresa Young (A0.1509433). Teresa Young's arrangement of the hauntingly beautiful African-American hymn (Sometimes I Feel Like a) Motherless Child for piano and voice is spare but powerful. Set in A minor, the piano accompaniment sets the mood and complements the sung melody rather than doubling it. The left-hand part uses the lowest register of the piano, helping to convey the heavy weight of this lament first sung unaccompanied by enslaved workers in the American South.
$5.99
Motherless Child
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African-American Spiritual
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Teresa Young
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Motherless Child
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Teresa Young
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1509404 By African-American Spiritual. By Traditional, first cited in Old Plantation Hymns by Will...
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1509404 By African-American Spiritual. By Traditional, first cited in Old Plantation Hymns by William Barton (1861-1930). Arranged by Teresa Young. 19th Century,Blues,Early Music,Folk,Traditional. Score. 2 pages. Teresa Young #1084643. Published by Teresa Young (A0.1509404). Teresa Young's arrangement of the hauntingly beautiful African-American hymn (Sometimes I Feel Like a) Motherless Child for piano and voice is spare but powerful. Set in A minor, the piano accompaniment sets the mood and complements the sung melody rather than doubling it. The left-hand part uses the lowest register of the piano, helping to convey the heavy weight of this lament first sung unaccompanied by enslaved workers in the American South.
$5.99
Livin' On A Prayer
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Metal/Hard Rock
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Rock
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Bon Jovi
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Bryan Kujawa
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3, snare on 2 &
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Livin' On A Prayer
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Bryan Kujawa
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SheetMusicPlus
Small Ensemble Clarinet,Drum Set,Piano,Trumpet - Level 2 - Digital Download SKU: A0.816736 By Bon Jovi. By Desmond Child, Jon Bon Jovi, and Richie Sambor...
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Small Ensemble Clarinet,Drum Set,Piano,Trumpet - Level 2 - Digital Download SKU: A0.816736 By Bon Jovi. By Desmond Child, Jon Bon Jovi, and Richie Sambora. Arranged by Bryan Kujawa. Metal,Rock. Score and parts. 8 pages. Bryan Kujawa #3376105. Published by Bryan Kujawa (A0.816736). This piece is for a very small band ensemble. It has melody on Bb Clarinet or Trumpet (highest note middle line Bb, lowest note G below staff), basic drumset (bass on 1 & 3, snare on 2 &4, with minimal variations), and keyboard/synthesizer providing the bass line and doubling the melody. Purchase contains 4 page score, 1 page Clar/Tpt part (enlarged notes), 1 page drumset part (enlarged notes), 2 pages keyboard/synthesizer part. 30 total measures. Many rhythms simplified from the original version. Key of Eb Major (C minor). For questions or requested variations on this arrangement, such as replacing the Bb part with a C or Eb instrument, contact https://www.bryankujawa.com/email .
$12.99
The Fundamentals of Music Theory - Booklet 1
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Jose Valladares
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Jose Valladares
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The Fundamentals of Music Theo
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Circlesquare Music
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SheetMusicPlus
Level 1 - Digital Download SKU: A0.1369230 By Jose Valladares. By Jose Valladares. Arranged by Jose Valladares. 19th Century. Educational Method. 25 page...
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Level 1 - Digital Download SKU: A0.1369230 By Jose Valladares. By Jose Valladares. Arranged by Jose Valladares. 19th Century. Educational Method. 25 pages. Circlesquare Music #953582. Published by Circlesquare Music (A0.1369230). The Fundamentals of Music Theory: Booklet 1 by Jose Valladares serves as an introductory guide into the captivating realm of music theory. Targeted at both novices and enthusiastic learners, this booklet is designed as the first step in a transformative journey to understand the language of music. Likening music theory to the grammar of music, it aims to provide readers with the foundational tools to create, interpret, and communicate through music.The booklet begins with an exploration of the definition, significance, and historical evolution of music theory. It then delves into the core components that constitute music's framework:The Music Staff and Notes: Readers are introduced to the music staff, the bedrock for note placement, and learn how each line and space corresponds to distinct musical pitches. This section emphasizes the assembly of notes to create soul-stirring melodies.Clefs and Note Names: This part focuses on various clefs including treble, bass, alto, and tenor, which are crucial for reading and interpreting the music staff, and serve as navigational landmarks in the sea of notes.Rhythmic Notation: It addresses the essence of rhythm in music, covering note values, rests, dotted notes, and ties, enabling readers to grasp the rhythmic heartbeat of any composition.Time Signatures: The booklet explores time signatures, detailing how they organize a music piece and define its rhythmic character, from the steady beats of simple time to the flowing grace of compound time.Basic Scales and Key Signatures: It uncovers the foundational elements of melodies and harmonies, discussing major and minor scales, their emotional influences, and the Circle of Fifths, which serves as a guide through the relationships among different keys.By the end of The Fundamentals of Music Theory: Booklet 1, readers are expected to have a comprehensive understanding of music theory's basics. They will be well-equipped to decipher music's language, comprehend its notations, and fully appreciate the intricate craftsmanship involved in every musical composition. The booklet promises a journey of musical discovery, unwinding the intricacies of music theory one note and rhythm at a time.
$10.99
Bach: Bist du bei mir BWV 508 for Contrabassoon & Piano
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Classical
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Contrabassoon,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.549233 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP....
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Contrabassoon,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.549233 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and individual part. 9 pages. Jmsgu3 #3468784. Published by jmsgu3 (A0.549233). J. S. Bach BWV 508. This arrangement features a specially revised custom accompaniment part that avoids unwanted collisions with the contrabassoon and revoices chords to avoid awkward doublings and other voice-leading problems. It accentuates the solo part very nicely. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Mazurka
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Eugene Magalif
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Mazurka
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Forton Music - Digital
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SheetMusicPlus
2fl /2picc. Pft. - Advanced - Digital Download SKU: F2.FM386 Composed by Eugene Magalif. Two flutes or piccolos and Piano. Score and Parts. 26 pages. For...
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2fl /2picc. Pft. - Advanced - Digital Download SKU: F2.FM386 Composed by Eugene Magalif. Two flutes or piccolos and Piano. Score and Parts. 26 pages. Forton Music - Digital #FM386. Published by Forton Music - Digital (F2.FM386). ISBN 9790570482856.A lively Mazurka in compound triple time. Bubbling triplets and jaunty leaps lead to a middle section in the relative minor. Energetic scales then lead back to a re-statement of the first theme. A couple of top C's push this piece into the advanced range, but the rhythms and phrases are straightforward.
$9.95
Mazurka
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Eugene Magalif
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Mazurka
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Forton Music - Digital
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SheetMusicPlus
Fl/picc.pft - Advanced - Digital Download SKU: F2.FM384 Composed by Eugene Magalif. Flute or Piccolo and Piano. Score and Parts. 16 pages. Forton Music -...
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Fl/picc.pft - Advanced - Digital Download SKU: F2.FM384 Composed by Eugene Magalif. Flute or Piccolo and Piano. Score and Parts. 16 pages. Forton Music - Digital #FM384. Published by Forton Music - Digital (F2.FM384). ISBN 9790570482832.A lively Mazurka in compound triple time. Bubbling triplets and jaunty leaps lead to a middle section in the relative minor. Energetic scales then lead back to a re-statement of the first theme. A couple of top C's push this piece into the advanced range, but the rhythms and phrases are straightforward.
$9.95
Hymne Pénitentiel
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J
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Hymne Pénitentiel
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J. Randolph Hall
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SheetMusicPlus
Small Ensemble Horn,Trombone,Trumpet,Tuba - Interactive Download SKU: A0.482577 Arranged by J. Randolph Hall. This edition: Interactive Download. Classic...
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Small Ensemble Horn,Trombone,Trumpet,Tuba - Interactive Download SKU: A0.482577 Arranged by J. Randolph Hall. This edition: Interactive Download. Classical,Holiday,Praise & Worship,Standards. Score and parts. 7 pages. Duration 76. Published by J. Randolph Hall (A0.482577). An anonymous write of a tune that Thomas Pollock would set words to for Good Friday in the 1800's. Section A is the hymn exposition followed by Section B which changes to g minor. It then segues into Bb Major in Section C. One almost gets a feel of one humbling themselves before God, experiencing contrition for their wrong doing, and then finally feeling the release of being forgiven of all sins.
$3.00
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