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1
Rondeau from Abdelazer for Antiphonal Brass Choir
Brass Ensemble Bass Trombone,Euphonium,Horn,Trumpet - Digital Download SKU: A0.1225513
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Brass Ensemble Bass Trombone,Euphonium,Horn,Trumpet - Digital Download SKU: A0.1225513 Composed by Henry Purcell. Arranged by Charles Decker. Baroque,Chamber,Contest,Festival,Film/TV. 28 pages. Charles Decker Music Press #821584. Published by Charles Decker Music Press (A0.1225513). Familiar to audiences worldwide as the theme for Benjamin Britten’s 1946 A Young Person’s Guide to the Orchestra, Purcell’s stately and majestic “Rondeau from Abdelazer†is from incidental music he composed for the 1678 play “The Moor’s Revenge.† The elegant Rondeau has been used as the theme for films and television programs. Scored for two antiphonal brass quartets of two B-flat trumpets and two trombones, alternate parts C trumpet and substitute F horn for trombone 1 of each quartet are provided. Increasingly ornamented first trumpet parts adds to musical excitement of antiphonal brass. Beyond brass programs or special events, consider featuring the trumpet and trombone sections on your next band or orchestra concert with this impressive work. The recording is of the entire arrangement.See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.  For more brass quintet editions by Charles Decker use these links to Kendor Music and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$13.95
12.59 €
#
Henry Purcell
#
Rondeau from Abdelazer for Antiphonal Brass Choir
#
Charles Decker Music Press
#
SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (Tuba/Euphonium)
Small Ensemble - Level 3 - Digital Download SKU: A0.784348 Composed by Joshua Hause…
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Small Ensemble - Level 3 - Digital Download SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Published by Slide Ride (A0.784348). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instrumentsIf this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$7.50
6.77 €
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet
#
Slide Ride
#
SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet (or Baritone T.C.)
Small Ensemble - Level 3 - Digital Download SKU: A0.784334 Composed by Joshua Hause…
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Small Ensemble - Level 3 - Digital Download SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide Ride (A0.784334). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.51 €
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet
#
Slide Ride
#
SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet
Small Ensemble Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.784336 C…
(+)
Small Ensemble Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288665. Published by Slide Ride (A0.784336). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.51 €
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet
#
Slide Ride
#
SheetMusicPlus
Duelin' Banjos
String Ensemble Cello Duet - Level 3 - Digital Download SKU: A0.1282847 By Eric Wei…
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String Ensemble Cello Duet - Level 3 - Digital Download SKU: A0.1282847 By Eric Weissberg & Steve Mandell. By Arthur Smith. Arranged by Dina H. L. Slechta. Country,Film/TV,Folk. 14 pages. Dina H. L. Slechta #874088. Published by Dina H. L. Slechta (A0.1282847). From Cello Duet to Mixed Level Cello Choir, options abound in this exciting Dueling Banjos arrangement for Cellists.  Twenty-six marked solo options provide a range of opportunities to allow a beginner to participate (Solo 7) in a small way, to solos for intermediate students with fingerings in upper second and upper third positions and one in tenor clef (Solo 14) to a more advanced student shifting in and out of thumb position (Solo 19).  The refrain is more of an intermediate level requiring extensions and use of upper second position, about the level of Suzuki Vol. 2 or above, putting Vol. 2 students on the Cello 2 part.  For use as a duet, Cello 1 is of the level of Suzuki Vol. 6 or above, and Cello 2 of the level of Suzuki Vol. 4 or above.Dueling Cellos is an arrangement of the Bluegrass favorite, Duelin’ Banjos, written by Arthur Smith, and arranged under arrangeme.com, by Dina H. L. Slechta, for Cello Duet to Mixed Level Cello Choir.  It comes with one copy of the score and three copies of each part, for up to a six person cello choir.
$12.99
11.72 €
#
Eric Weissberg & Steve Mandell
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Duelin' Banjos
#
Dina H. L. Slechta
#
SheetMusicPlus
Paint It, Black
String Ensemble Cello - Level 3 - Digital Download SKU: A0.1290794 By The Rolling S…
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String Ensemble Cello - Level 3 - Digital Download SKU: A0.1290794 By The Rolling Stones. By Keith Richards and Mick Jagger. Arranged by Dina H. L. Slechta. Contemporary,Film/TV,Holiday,Pop,Rock. 14 pages. Dina H. L. Slechta #881485. Published by Dina H. L. Slechta (A0.1290794). From Cello Duet to Mixed Level Cello Choir, options abound in this arrangement of Paint It Black, which makes the style of Netflix’s Wednesday Addams accessible to the level of a student Cello Choir.  Being arranged here in g minor allows the Cello 3 part to use entirely open strings for beginners to participate. The Cello 2 part requires the use of extensions and offers fingerings for shifting through upper third position.  Quick changes from pizz. to arco, to col legno, and quick string crossings offer exciting challenges for a late Suzuki Vol. 2 level cellist.  The more advanced upper third position fingerings would be appropriate for supplemental practice for a Suzuki Vol 3 level cellist.  The Cello 1 part requires shifting up to fourth position and the half string harmonic, making it appropriate for a Suzuki Vol. 3 level or above cellist.  For use as a duet, the Cello 3 part can be omitted, with the Cello 2 part cellist playing the cues in parentheses.  Paint It Black was written by Keith Richards and Mick Jagger, and was arranged here under arrangeme.com, by Dina H. L. Slechta, for Cello Duet to Cello Trio, to Mixed Level Cello Choir.  It comes with one copy of the score and two copies of each part, for up to a six person cello choir.
$12.99
11.72 €
#
The Rolling Stones
#
Paint It, Black
#
Dina H. L. Slechta
#
SheetMusicPlus
Duelin' Banjos
String Duet Cello,Violin - Level 3 - Digital Download SKU: A0.1290824 By Eric Weiss…
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String Duet Cello,Violin - Level 3 - Digital Download SKU: A0.1290824 By Eric Weissberg & Steve Mandell. By Arthur Smith. Arranged by Dina H. L. Slechta. Country,Film/TV,Folk. 14 pages. Dina H. L. Slechta #881509. Published by Dina H. L. Slechta (A0.1290824). From Violin and Cello Duet to Mixed Level Violin and Cello Ensemble, options abound in this exciting Dueling Banjos arrangement for Violinists and Cellists.  Designed to be an add-on to Dueling Cellos, Dueling Violins and Cellos is compatible with Dueling Cellos to allow the addition of violinists to your cello choir, but can also stand alone.  The Sample Recording is a segment from Dueling Cellos.  The Violin part is the Cello 1 part from Dueling Cellos taken up an octave and notated in treble clef.  Twenty-six marked solo options provide a range of opportunities to allow beginners to participate (Solos 7 and 8) in a small way, to solos for more advanced students. The refrain is more of an intermediate level.  For use as a duet, shifting is required in both Violin and Cello parts, and one short solo in the Cello part is in tenor clef, making this appropriate for an intermediate level for both Violinist and Cellist. Dueling Violins and Cellos is an arrangement of Bluegrass Favorite, Duelin’ Banjos, written by Arthur Smith, and arranged under arrangeme.com, by Dina H. L. Slechta, for Violin and Cello Duet to Mixed Level Violin and Cello Ensemble.  It comes with one copy of the score and three copies of each part, for up to a six person ensemble.
$12.99
11.72 €
#
Eric Weissberg & Steve Mandell
#
Duelin' Banjos
#
Dina H. L. Slechta
#
SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Quartet
Small Ensemble Double Bass - Level 3 - Digital Download SKU: A0.784342 Composed by …
(+)
Small Ensemble Double Bass - Level 3 - Digital Download SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288689. Published by Slide Ride (A0.784342). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.51 €
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Quartet
#
Slide Ride
#
SheetMusicPlus
St. Gertrude...A GO-GO
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - Digital Download SKU: A0.1193034 By For Brass Band. By Sir Arthur Seymour Sullivan. Arranged by Clive Longhurst. 20th Century,Christian,Comedy,Religious. Brass Band. 39 pages. Clive Longhurst #711456. Published by Clive Longhurst (A0.1193034). Not being a religious person, and having to put up with it all my brass band playing years, I was getting tired of warming up with hymns. I happened to mention to the person next to me that “someone should take these things away and create music out of themâ€. “Why don’t you?â€, came the response, and so here is my first. It is a variation on the hymn: Onward! Christian Soldiers. It is (hopefully) a fun piece for bands to play in the local park on a Sunday afternoon. Or any time for that matter. I hope you enjoy it as much as the band I arranged it for.
$24.99
22.55 €
#
For Brass Band
#
St. Gertrude...A GO-GO
#
Clive Longhurst
#
SheetMusicPlus
Donut Etudes v5 - Scale Duets for 2 Euphoniums or Baritones in Treble Clef
Instrumental Duet Euphonium,Instrumental Duet - Digital Download SKU: A0.784315 Com…
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Instrumental Duet Euphonium,Instrumental Duet - Digital Download SKU: A0.784315 Composed by Joshua Hauser. Instructional. Score and parts. 41 pages. Slide Ride #3570015. Published by Slide Ride (A0.784315).  If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!  The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!  I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.  As with those exercises, you can vary these as much as you’d like. • Choose a tempo • Choose a dynamic. • Choose an articulation/style.  One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.  Practice one key, gradually speeding it up to improve fluidity or choose a variation and take it through all keys, playing version A, B, C, or D then skipping 5 lines to play the same set in a new key.  If you want an additional challenge in terms of range, play them in different octaves to expand the set.  Additionally, you can change the Key. Play them in f minor (all forms), different modes, etc. For jazz players, try swinging them in dorian or mixolydian modes.  The variations are endless!  All Donut Etudes with the same version number are compatible so you can play them in mixed duets with one person on part 1 and a different instrument on part 2.  Enjoy!
$10.00
9.02 €
#
Joshua Hauser
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Donut Etudes v5 - Scale Duets for 2 Euphoniums or Baritones in Treble Clef
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Slide Ride
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SheetMusicPlus
Donut Etudes v5 - Scale Duets for 2 Trombones in Bb/F, 2 Euphoniums in Bass Clef, or 2 Bassoons
Instrumental Duet Bassoon,Euphonium,Instrumental Duet,Trombone - Digital Download SKU: …
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Instrumental Duet Bassoon,Euphonium,Instrumental Duet,Trombone - Digital Download SKU: A0.784312 Composed by Joshua Hauser. Instructional. Score and parts. 41 pages. Slide Ride #3570005. Published by Slide Ride (A0.784312).  If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!  The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes! I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.  As with those exercises, you can vary these as much as you’d like.• Choose a tempo• Choose a dynamic. • Choose an articulation/style.  One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.  Practice one key, gradually speeding it up to improve fluidity or choose a variation and take it through all keys, playing version A, B, C, or D then skipping 5 lines to play the same set in a new key.  If you want an additional challenge in terms of range, play them in different octaves or change the clef and key signature to expand the set. For example, if you play the F Major example in Tenor Clef, change the key signature to C Major and you have a version that is based an octave higher than the C Major version as written later. Additionally, you can change the Key. Play them in f minor (all forms), different modes, etc. For jazz players, try swinging them in dorian or mixolydian modes.  The variations are endless!  All Donut Etudes with the same version number are compatible so you can play them in mixed duets with one person on part 1 and a different instrument on part 2.  Enjoy!
$10.00
9.02 €
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Joshua Hauser
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Donut Etudes v5 - Scale Duets for 2 Trombones in Bb/F, 2 Euphoniums in Bass Clef, or 2 Bassoons
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Slide Ride
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SheetMusicPlus
Two Scenes from the Lodz Ghetto - Chamber Version: 1. At the Clothing Department; 2. To Get a Ration
Mixed Percussion Bassoon,Clarinet,Double Bass,Trombone,Trumpet,Violin - Level 5 - Digital …
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Mixed Percussion Bassoon,Clarinet,Double Bass,Trombone,Trumpet,Violin - Level 5 - Digital Download SKU: A0.1435098 Composed by Stanley M Hoffman. 21st Century,Classical,Opera. 240 pages. Stanleymhoffman.com #1015206. Published by stanleymhoffman.com (A0.1435098). Opera Scenes 1. At the Clothing Department (3:00); 2. To Get a Ration (9:00) - vocal soloists & piano or chamber ensemble (cl, bn, tpt, tbn, perc, vln, vc) with live or prerecorded crowd noise - 2021, 2024. The libretto is comprised of the insightful observations of a young Jewish boy—Abraham “Abramek” Koplowicz—who was trapped by the Nazis in the Lodz ghetto and who later died in Auschwitz. The libretto appears before each scene in the scores.This may be a relatively brief piece, but it is a major one for me and posthumously for the author. I am fortunate to be the only person given blanket gratis permission to set the words of Abraham Koplowicz to music. He composed a book of poetry, plays, and artwork while imprisoned in the Lodz Ghetto before perishing later in Auschwitz before he could become a Bar Mitzvah. The contents of that book are quite good, sophisticated for his age. Abraham's late half-brother, Eliezer Grynfeld—who found the book in the 1990s—and I eventually became good friends. The Pope once kissed Eliezer's hand. That is how highly regarded this collection is and, by some stroke of luck or fate, I have got exclusive musical rights to the book until it enters the public domain. In my settings of AT THE CLOTHING DEPARTMENT and TO GET A RATION, I combine the musical language of Schoenberg's A SURVIVOR FROM WARSAW very nearly with the instrumentation of Stravinsky's A SOLDIER'S TALE - only the percussion instruments differ. The musical language of these brief opera scenes is appropriately terse, very much in keeping with the oppressiveness of imprisonment. Please have a look and a listen. Thank you for your consideration. ---Words originally in Polish by Abraham (“Abramek”) Koplowicz (b. 1930, Lodz, Poland, d. 1944, Auschwitz-Birkenau) Translation by Sarah Lawson and Małgorzata Koraszewska Adapted by Stanley M. Hoffman Translation by Sarah Lawson and Małgorzata Koraszewska. © Copyright 1993 by Eliezer Grynfeld. All rights reserved. Used by permission of Eliezer Grynfeld. Adapted by permission of Sarah Lawson and Małgorzata Koraszewska. Libretto by Stanley M. Hoffman. Music by Stanley M. Hoffman. NotePerfomer 4 Audio and Scrolling Score Video Seeking Live Performances Music: © Copyright 2021, 2024 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)com All rights reserved.
$60.00
54.15 €
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Stanley M Hoffman
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2
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Two Scenes from the Lodz Ghetto - Chamber Version: 1. At the Clothing Department; 2. To Get a Ration
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stanleymhoffman.com
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SheetMusicPlus
Tarantella Ragno Lupo (The Wolf Spider Tarantella)
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1321555 Composed by Chris Gorman. Arranged by Chris Gorman. Classical,Historic. Brass Band. 61 pages. Chris Gorman #910024. Published by Chris Gorman (A0.1321555). The Tarantella is a rapid dance in 6/8 time, originating in Italy. In the Italian province of Taranto, Apulia, the bite of a locally common type of wolf spider, named tarantula after the region, was popularly believed to be highly venomous and to lead to a hysterical condition known as tarantism. In this theme, the listener can imagine that someone has been bitten by a Tarantula and that person must dance very vigorously to cure the bite. At one point (8 measures before Rehearsal Mark I, the delirious dancer almost comes to a sleepy halt, but manages to summon the strength to finish the dance to become cured.
$40.00
36.1 €
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Chris Gorman
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Tarantella Ragno Lupo
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Chris Gorman
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SheetMusicPlus
Tie A Yellow Ribbon Round The Ole Oak Tree
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1126911 By Dawn Featuring Tony Orlando. By Irwin Levine and L. Russell Brown. Arranged by Rita Arendz. 20th Century,Contemporary,Patriotic,Pop. Brass Band. 54 pages. Rita Arendz #727554. Published by Rita Arendz (A0.1126911). The Yellow Ribbon representing a person's test or trial while they wait for their loved ones to return home has been around for over 400 years. It was prevalent during the English Civil War during the mid-1600s and again by the US Calvary in the late 1800s. The 1972 chart Tie A Yellow Ribbon by Irwin Levine and L. Russell Brown may have been influenced by the older She Wore a Yellow Ribbon, first copyrighted in 1917 by George Norton. Or maybe the 1949 John Wayne movie by the same title. The impact of Tony Orlando's cover of Tie A Yellow Ribbon pushed the symbolism into the public eye after its release in 1973, especially in light of Vietnam and the Iran Hostage Crisis. Today it represents various support groups in different countries; from AIDS to Cancer, to Suicide Prevention, and supporting troops, with a major resurgence in use during the War in Afghanistan as a result of 9/11. This setting for British Style Brass Band is a wonderful addition to the repertoire list for concerts supporting many great causes. Duration ~3:00. 54 pages.
$59.99
54.14 €
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Dawn Featuring Tony Orlando
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Tie A Yellow Ribbon Round The Ole Oak Tree
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Rita Arendz
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SheetMusicPlus
Baritone Horn Solo - Black Eyed Susan
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.767559 Composed by Mike Lyons. 20th Century. Brass Band. 36 pages. Lyons Music Services #5989231. Published by Lyons Music Services (A0.767559). This original solo for baritone horn was written for and dedicated to the lovely Susan Sudworth next to whom I have sat for many years - on and off. Susan is a wonderful caring person and an absolutely wonderful baritone player and she inspired me to write this lyrical, gentle, melodic solo with brass band accompaniment.
$25.00
22.56 €
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Mike Lyons
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Baritone Horn Solo - Black Eyed Susan
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Lyons Music Services
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SheetMusicPlus
The House of the Rising Sun
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1082517 Composed by Traditional American. Arranged by Chris Gorman. Blues,Contest,Festival,Folk,Traditional. Brass Band. 51 pages. Chris Gorman #686709. Published by Chris Gorman (A0.1082517). An arrangement of an American Traditional melody which portrays a person's life gone wrong in the city of New Orleans.
$35.00
31.59 €
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Traditional American
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The House of the Rising Sun
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Chris Gorman
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SheetMusicPlus
Trombotriptych for Solo Trombone and Percussion
Mixed Percussion Instrumental Duet,Tenor Trombone - Level 5 - Digital Download SKU: A0.…
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Mixed Percussion Instrumental Duet,Tenor Trombone - Level 5 - Digital Download SKU: A0.1315589 Composed by Brian Kershner. 21st Century,Contemporary. 14 pages. Gordon Cherry #904332. Published by Gordon Cherry (A0.1315589). Here are the program notes of Trombotriptych for solo Trombone and Percussion by composer Brian Kershner.Trombotriptych is the first piece I have written for the trombone in the main, solo role. I decided to mount the work as a duo with limited percussion, one player, and just two instruments, Woodblock and Bongos. The piece allowed me to learn about and explore the many extended techniques that the trombone can produce. I was grateful to work with the person, for whom the piece was written, Topher Logan, as this is such an immense help. The trombone is capable of great, almost oratorical power, as well as sweet, horn-like lyricism. There are portions of the piece which utilize a couple of different mutes, and the open and closed colors of the Harmon mute, slide and position changes for timbre color, glissandi, as well as multiphonics, which on this instrument are produced by using the voice, singing while playing. There are contrasting tempi in the work, including a middle section which seems barless, although is notated traditionally, and an up tempo section toward the end with exciting interplay between the instruments. It is hoped that the work captures the many sides of this most noble, heroic, and yet vocally pure member of the brass family.The music is appropriate for very advanced performers and is about 9 minutes in length.
$42.50
38.35 €
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Brian Kershner
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Trombotriptych for Solo Trombone and Percussion
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Gordon Cherry
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SheetMusicPlus
Have Yourself A Merry Little Christmas
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1349593 By Barry Manilow. By Hugh Martin and Ralph Blane. Arranged by Kevin P Holdgate. 20th Century,Broadway,Christmas,Film/TV,Musical/Show,Standards. Brass Band. 30 pages. Kevin P Holdgate #934356. Published by Kevin P Holdgate (A0.1349593). Have Yourself a Merry Little Christmas is a song written in 1943 by Hugh Martin and Ralph Blane and introduced by Judy Garland in the 1944 MGM musical Meet Me in St. Louis. Frank Sinatra later recorded a version with modified lyrics. In 2007, ASCAP ranked it the third most performed Christmas song during the preceding five years that had been written by ASCAP members. In 2004 it finished at No. 76 in AFI's 100 Years...100 Songs rankings of the top tunes in North American cinema.This arrangement for Trombone solo and brass band is based on a big band arrangement by the great American arranger Dave Wolpe. It is suitable for advanced intermediate trombone players with a range up to High Bb. The central improvised section has a written solo that I personally played (but this can be expanded upon at the discretion of the soloist).
$29.99
27.06 €
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Barry Manilow
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Have Yourself A Merry Little Christmas
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Kevin P Holdgate
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SheetMusicPlus
Pater noster
Mixed choir (SATB div.) a cappella - intermediate - Digital Download SKU: S9.Q18140…
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Mixed choir (SATB div.) a cappella - intermediate - Digital Download SKU: S9.Q18140 Composed by Pascal Martine. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Schott Music - Digital #Q18140. Published by Schott Music - Digital (S9.Q18140). Latin.Above the central prayer of Christianity, the composition with its dense sounds and atmospheric colours develops a mood of profound awe and self-contained strength. An expressive composition of our new composer Pascal Martiné – personally recommended by the editors of your choral department!
$2.99
2.7 €
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Pascal Martine
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Pater noster
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Schott Music - Digital
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SheetMusicPlus
LAID TO REST - Brass Band
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.912667 Composed by Johnson Lee. Contemporary. Brass Band. 51 pages. Johnson lee #5827835. Published by johnson lee (A0.912667). Laid to Rest composed by Johnson Lee was played at the funeral of the late Mr Lee Kuan Yew, founding Prime Minister of modern Singapore. I was moved to compose this piece Laid to Rest as I saw death as a final resting place and the funeral, a celebration of that person’s life as he is sent off on a journey of peace. Hence, this piece takes on a lighter, hopeful yet reflective feel compared to other pieces of heavier, melancholic notes. I was deeply honoured when it was first played / performed at Singapore’s late founding father, Senior Minister Lee Kuan Yew’s funeral. I had to control my tears as I was conducting the band and was so grateful for being able to honour him with my composition.
$40.00
36.1 €
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Johnson Lee
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LAID TO REST - Brass Band
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johnson lee
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SheetMusicPlus
At Last
Choral Choir - Level 4 - Digital Download SKU: A0.911673 By Etta James. By Harry Wa…
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Choral Choir - Level 4 - Digital Download SKU: A0.911673 By Etta James. By Harry Warren and Mack Gordon. Arranged by Alexander L'Estrange. A Cappella,Jazz,Pop,Standards. Octavo. 10 pages. Alexander L'Estrange #517653. Published by Alexander L'Estrange (A0.911673). “Alexander L’Estrange is a great and innovative arranger, surely one of the best we have around.†— Music Teacher Magazine “Alexander L’Estrange’s delicious arrangements go naughtily off-piste and the King’s Singers Great American Songbook CD is superb.†— The Times Alexander L’Estrange and Joanna Forbes L’Estrange are prolific composers and arrangers of choral music, both individually and as a partnership. Receiving commissions from choral societies, schools, chamber choirs, church choirs and a cappella groups, their music is sung and enjoyed throughout the world. Alexander is regularly commissioned to write arrangements for world-class vocal groups including Voces8, The Queen’s Six, Amarcord and The King’s Singers, for whom he wrote and produced the Great American Songbook album. Joanna began writing music and lyrics during her tenure as soprano and Musical Director of the five-time Grammy® Award-winning vocal group The Swingles. All of Alexander and Joanna’s compositions and arrangements come with excellent learning resources for choirs including part-learning tracks and backing tracks, professionally recorded by the couple in their home studio #OldStableStudios. They also offer expert coaching for choirs, both in person and online. Their popular workshop You can sing…but can you swing?! gives choirs the tools to perform pop and jazz arrangements with greater style and confidence. CONTACT Website www.lestrangemusic.com Enquiries info@lestrangemusic.com To be the first to hear news from L’Estrange Music, follow them on facebook, twitter and instagram This arrangement features classy a cappella writing that will suit experienced chamber choirs, high school and a cappella groups, with a 6-part SSATBarB scoring. This beautiful love-song, inspired by both Etta James and Joni Mitchell's recordings and featuring on The King's Singers' Great American Songbook album, is now available for you to sing. N.B. This is a higher-key adaptation for mixed voices of Alexander L'Estrange's original arrangement for the King's Singers (which is also available to buy on Sheet Music Plus - have a browse!).
$4.50
4.06 €
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Etta James
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At Last
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Alexander L'Estrange
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SheetMusicPlus
My Boy Jack (Downloadable)
SATB soli, SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.1…
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SATB soli, SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.1.3429-E Composed by David Ashley White. 10 pages. Duration 3 minutes, 30 seconds. Galaxy Music Corporation - Digital #1.3429-E. Published by Galaxy Music Corporation - Digital (MQ.1.3429-E). English.The great English author, Rudyard Kipling (1865–1936), wrote the poem My Boy Jack during the early years of World War I. The poem quickly came to be identified as Kipling’s lament over the death of his son John, who was killed during the Battle of Loos in France in 1915. However, it is just as likely that the poem is a tribute to all who were lost during The Great War, and to those who mourned them. In this setting, the composer casts the forlorn questioner not as one person--a grieving parent--but rather as a mixed solo quartet, representing everyone. The harmonic language in the poem’s first three stanzas is intended to portray the sorrow and angst that Kipling’s words so effectively convey. In the last stanza, however, the tone of the poem suddenly changes, becoming more positive and resolute: Then hold your head up all the more, this tide, and every tide… To reflect this shift, the setting uses a quasi-English folksong style, one that is more lyrical and direct. Duration: 3:30.
$2.65
2.39 €
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David Ashley White
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My Boy Jack
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Galaxy Music Corporation - Digital
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SheetMusicPlus
My Funny Valentine
Choral Choir,Choral - Level 4 - Digital Download SKU: A0.1291841 By Chet Baker. By …
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Choral Choir,Choral - Level 4 - Digital Download SKU: A0.1291841 By Chet Baker. By Lorenz Hart and Richard Rodgers. Arranged by Alexander L'Estrange. 20th Century,A Cappella,Broadway,Jazz,Musical/Show,Standards. 11 pages. Alexander L'Estrange #881850. Published by Alexander L'Estrange (A0.1291841). “Alexander L’Estrange is a great and innovative arranger, surely one of the best we have around.†— Music Teacher Magazine “Alexander L’Estrange’s delicious arrangements go naughtily off-piste and the King’s Singers Great American Songbook CD is superb.†— The TimesAlexander L’Estrange and Joanna Forbes L’Estrange are prolific composers and arrangers of choral music, both individually and as a partnership. Receiving commissions from choral societies, schools, chamber choirs, church choirs and a cappella groups, their music is sung and enjoyed throughout the world. Alexander is regularly commissioned to write arrangements for world-class vocal groups including Voces8, The Queen’s Six, Amarcord and The King’s Singers, for whom he wrote and produced the Great American Songbook album. Joanna began writing music and lyrics during her tenure as soprano and Musical Director of the five-time Grammy® Award-winning vocal group The Swingles. All of Alexander and Joanna’s compositions and arrangements come with excellent learning resources for choirs including part-learning tracks and backing tracks, professionally recorded by the couple in their home studio #OldStableStudios. They also offer expert coaching for choirs, both in person and online. Their popular workshop You can sing…but can you swing?! gives choirs the tools to perform pop and jazz arrangements with greater style and confidence.CONTACTWebsite www.lestrangemusic.comEnquiries info@lestrangemusic.comTo be the first to hear news from L’Estrange Music, follow them on facebook, twitter and instagram This arrangement features simple, classy and accessible a cappella writing that will suit many a cappella, chamber choirs, school and high school groups, with a 6-part SATBarBarB scoring. This beautiful love-song, one of the stand-outs on the King's Singers' release Great American Songbook, is now available for you to sing. N.B. This is Alexander L'Estrange's original SATBarBarB arrangement for the King's Singers, a 6-part male voice group; there is also a separate higher-key adaptation available that might better suit many mixed-voice ensembles.
$4.99
4.5 €
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Chet Baker
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My Funny Valentine
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Alexander L'Estrange
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SheetMusicPlus
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