Download Digital Sheet Music of Moto Perpetuo

Moto Perpetuo

#Moto Perpetuo

Moto Perpetuo (Perpetual Motion)

Guitar and string quartet - Advanced - Digital Download SKU: ZY.DO-1526 Composed by Stephen Goss. Score and parts. 120 pages. Les Editions Doberman-Yppan (digital) #DO 1526. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1526). Wynwood Walls draws on 9 artworks which lend their titles to the 9 connected sections of the quintet. The music reflects and amplifies my own subjective responses to the artworks.The movements are organised in pairs, circling out from a still centre – No Woman, No Cry. The title for this centrepiece comes from Chris Ofili’s moving portrait of Doreen Lawrence, the mother of a teenager murdered in an unprovoked racist attack. As well as this specific reference, the artist intended the painting to be read as a universal portrayal of melancholy, solace, and grief. The two segments flanking No Woman, No Cry complete the central triptych. Edward Hopper’s Nighthawks explores loneliness and isolation, while Grayson Perry’s #Lamentation is a meditation on remembrance and the transience of life. In contrast to the rest of Wynwood Walls, the music here is dark and introspective.I want my time with you is a giant neon sign designed by Tracey Emin for St. Pancras Station, London. Selfie with Sunflowers is an essay written by Julian Barnes about our over-familiarisation with Van Gogh’s iconic sunflower paintings. The music is sentimental, bordering on schmaltz and kitsch. Sunflower Seeds and Infinity Room are a pair of moto perpetuo scherzos inspired by the minimalist installations of Ai Weiwei and Yayoi Kusama respectively. The opening section, Bathers at Asnières, suggests Seurat’s iconic painting, while the finale, Seurat’s Bathers, evokes Howard Hodgkin’s reworking of the Seurat using a blaze of vivid colours.The title of the quintet is borrowed from the Wynwood art district of Miami – an area characterised by the hundreds of colourful street murals which decorate the walls of old warehouses in the neighbourhood. In performance, the artworks can be projected onto a screen behind the ensemble.Wynwood Walls s'appuient sur 9 œuvres d'art dont les titres prêtent leurs noms aux 9 sections connectées du quintette. La musique reflète et amplifie mes propres réponses subjectives aux œuvres d'art.Les mouvements sont organisés par paires, émergeant d'un centre immobile - No Woman, No Cry. Le titre de cette pièce maîtresse provient du portrait émouvant de Chris Ofili de Doreen Lawrence, la mère d'un adolescent assassiné lors d'une attaque raciste gratuite. En plus de cette référence spécifique, l'artiste a voulu que le tableau soit perçu comme une représentation universelle de la mélancolie, du réconfort et du chagrin. Les deux segments flanquant No Woman, No Cry complètent le triptyque central. Nighthawks d'Edward Hopper explore la solitude et l'isolement, tandis que #Lamentation de Grayson Perry est une méditation sur le souvenir et la fugacité de la vie. Contrairement au reste des Wynwood Walls, la musique ici est sombre et introspective.I want my time with you est un immense panneau néon conçu par Tracey Emin pour la gare de St. Pancras, à Londres. Selfie with Sunflowers est un essai écrit par Julian Barnes sur notre sur-familiarisation avec les peintures emblématiques de tournesols de Van Gogh. La musique est sentimentale, frôlant le kitsch et le sentimentalisme. Sunflower Seeds et Infinity Room sont une paire de scherzos moto perpetuo inspirés des installations minimalistes d'Ai Weiwei et de Yayoi Kusama respectivement. La section d'ouverture, Bathers at Asnières, suggère le tableau emblématique de Seurat, tandis que le finale, Seurat’s Bathers, évoque la réinterprétation de Seurat par Howard Hodgkin en utilisant une explosion de couleurs vives.Le titre du quintette est emprunté au quartier artistique de Wynwood à Miami - une zone caractérisée par les centaines de fresques murales colorées qui ornent les murs des vieux entrepôts du quartier. En performance, les œuvres d'art peuvent être projetées sur un écran derrière l'ensemble.

Praia Mar

CA - Intermediate-Advanced - Digital Download SKU: F2.FM539 Composed by Richard Lam…(+)

CA - Intermediate-Advanced - Digital Download SKU: F2.FM539 Composed by Richard Lambert. Solo Cor Anglais. Score. 3 pages. Forton Music - Digital #FM539. Published by Forton Music - Digital (F2.FM539). ISBN 9790570484386.This short solo piece was composed in October 2000, in Carcavelos, near Lisbon, Portugal. Praia Mar (loosely, 'Seashore') takes its name from the composer's hotel, overlooking the Adriatic Ocean. Constructed as a quasi-rondo (A B A1 C B1 Coda), this moto perpetuo, tonal piece has a lilting swing, with jazz-flavoured syncopation, which exploits the whole range of the instrument.
$7.95 7.34 € #Richard Lambert #Praia Mar #Forton Music - Digital #SheetMusicPlus

Blueshift (Full Score and Parts)

Small Ensemble - Level 3 - Digital Download SKU: A0.972028 Composed by Keir C Crawl…(+)

Small Ensemble - Level 3 - Digital Download SKU: A0.972028 Composed by Keir C Crawley. 20th Century,Children,Contemporary,Instructional. Score and parts. 61 pages. Keir C Crawley #4764635. Published by Keir C Crawley (A0.972028). â€˜Blueshiftâ€™ is the continuation of a number of ideas and experiences, the first of which is the need to compose exciting and challenging music for the classroom. This piece attempts to put the Key Stage 2 or 3 budding musician into the musical world of film scores and minimalism albeit minimalism with a small â€˜mâ€™. Combining moto perpetuo with contextually more adventurous accompanying harmony my aim is to move the musical learning away from the sometimes twee and undemanding into something with a little more musical bite. As such â€˜Blueshiftâ€™ should be playable by students from Year 4 or 5 upwards, either in its entirety as written live or to a backing track. The title comes from the idea that as light (in this case the light of the Andromeda Galaxy) approaches a fixed point it shifts towards the blue end of the spectrum. For the purposes of both story telling and a cross-curricular link to science â€˜Blueshiftâ€™ charts the journey of the Andromeda Galaxy (represented by the ever present 5-8 ostinato) towards our own Milky Way Galaxy and what happens on route.
$45.00 41.57 € #Keir C Crawley #Blueshift #Keir C Crawley #SheetMusicPlus

Murray - Piano Trio - Violin, Cello & Piano

Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.823987 Composed by …(+)

Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.823987 Composed by TK Tim Murray. 20th Century,Concert,Contemporary. Score and parts. 43 pages. TK (Tim) Murray #4762457. Published by TK (Tim) Murray (A0.823987). This Piano Trio is a 3 mvt work describing a journey.The 1st. mvt. Prelude (Setting off) is in a minimalist style depicting the mesmerising nature of travel. The 2nd. mvt. Meditation (Taking stock) shows the wide range and depth of thoughts and emotions that can come when you are still and let your mind wander. The Finale (Going home) is a moto perpetuo full of the excitement at heading back renewed and energised. This Piano Trio was commissioned by Margaret Lewissohn and premiered by The Isis Piano Trio. It has been recorded by The Fujita Trio.(c. 21 mins)Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murrayâ€™s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as â€˜Corruscatingâ€™ (Independent) and â€˜Highly imaginativeâ€™ (The Sunday Times). Contact; tkmurraycomp@aol.com
$15.95 14.74 € #TK Tim Murray #tkmurraycomp@aol #Murray - Piano Trio - Violin, Cello & Piano #TK #SheetMusicPlus

Violin, viola and cello - difficult - Digital Download SKU: S9.Q47072 Trio. Composed by Graham Waterhouse. This edition: Sheet music. Downloadable, score and parts. Musikverlag Robert Lienau - Digital #Q47072. Published by Musikverlag Robert Lienau - Digital (S9.Q47072). German â€¢ English â€¢ French.The composition was composed in response to a poem written in 1992 by Karl Dietrich Hepp (Kaspar Damian Hosp under his pen name). The first letters of the individual movements of the string trio are H E P P: Halcyon, Ethereal, Pointillist and Perpetuum. The poem by K.D.H. was inspired by a photo of his father taken on a ski tour in 1931. Both, the poem and the photo are printed in the edition and everything adds up to a fascinating, artistic chain reaction. The diatonic material of the first movement in the composition by Waterhouse expresses optimism, energy and liberation. The 2nd movement is a study in pianissimo harmonics. The following 3rd movement is a pizzicato study in a bright and vivid harmonic tableau. In theÂ last movement, a kind ofÂ Moto Perpetuo, the musical material continually transforms. Graham Waterhouse (*1962) was born into a musical family and has lived in Munich since 1992 where he is active as a freelance composer and cellist. He received his musical education at Cambridge University and at music colleges in Essen and Cologne. His works to date comprise mainly chamber music and instrumental concerts. Waterhouse performs as a solo cellist and in various chamber music formations. He has performed his own Cello Concerto in Toluca, Mexico City, Gorkij, Weimar and Baden-Baden.

Large Ensemble Cello,Double Bass,Flute,Multi-Percussion,Oboe,Trombone,Viola - Level 5 - Digital Download SKU: A0.533689 Composed by Carson Cooman. Concert,Contemporary,Standards. Score and parts. 64 pages. Musik Fabrik Music Publishing #3038607. Published by Musik Fabrik Music Publishing (A0.533689). Concerto for Bass Trombone and Six Players (2006) was commissioned by the CarnegieMellon School of Music for the Carnegie Mellon Contemporary Ensemble, Walter Morales,director. The work is dedicated to trombonist Jim Siders, for whom the solo part was written.The work is scored for solo bass trombone with an ensemble of primarily â€œdarkâ€ instrumentsâ€“ alto flute, clarinet, viola, cello, contrabass, and percussion. The solo bass trombone is thefocal point of the musical discourse, acting throughout largely as a protagonist â€“ with muchmaterial best described as bitterly lyrical. The work maintains a generally dark, obsessive,and bitter tone throughout.Unlike some concerti, however, the work is not about an aggression between soloist and therest of the ensemble. Rather the bass trombone is â€œfirstâ€ among a collection of like mindedindividuals â€“ all expressing the same sentiments and aggressions.The opening section is marked â€œspasmodic.â€ Quiet nervous twitches serve as a backdrop to amelodic unfolding of the basic material and interval content. The end of this part â€œbreaksapartâ€ to reveal a section marked â€œslow, otherworldly.â€ The harmonic material starts modal,open, and â€œdistantâ€ in feeling (perhaps a recollection of a distant past) before becominggradually gnarled again.The trombone leads towards the next section: an ever-building athletic â€œmoto perpetuo.â€ Thisreaches its peak in an aggressive and horribly angry climax â€“ with a wide-ranging trombonepart marked â€œwildly raving; insane, uglyâ€, obliterated by bass drum hits and shriekinghammer blows from the other instruments.A nervous and timid interlude returns to the nervous twitching of the opening â€“ thougheverything is slightly slower and more hushed than before, finally breaking off into anenigmatic coda.Alto FluteClarinet in BbPercussion (1 player):bass drum, marimba, crotales(Percussionist needs one rosined bow for crotales.)ViolaCelloContrabassThis is the score and parts. The score is also available for sale as a seperate item.

Large Ensemble Cello,Clarinet,Double Bass,Flute,Multi-Percussion,Trombone,Viola - Level 5 - Digital Download SKU: A0.533688 Composed by Musik Fabrik Music Publishing. Concert,Contemporary,Standards. Score and parts. 26 pages. Musik Fabrik Music Publishing #3038603. Published by Musik Fabrik Music Publishing (A0.533688). Concerto for Bass Trombone and Six Players (2006) was commissioned by the CarnegieMellon School of Music for the Carnegie Mellon Contemporary Ensemble, Walter Morales,director. The work is dedicated to trombonist Jim Siders, for whom the solo part was written.The work is scored for solo bass trombone with an ensemble of primarily â€œdarkâ€ instrumentsâ€“ alto flute, clarinet, viola, cello, contrabass, and percussion. The solo bass trombone is thefocal point of the musical discourse, acting throughout largely as a protagonist â€“ with muchmaterial best described as bitterly lyrical. The work maintains a generally dark, obsessive,and bitter tone throughout.Unlike some concerti, however, the work is not about an aggression between soloist and therest of the ensemble. Rather the bass trombone is â€œfirstâ€ among a collection of like mindedindividuals â€“ all expressing the same sentiments and aggressions.The opening section is marked â€œspasmodic.â€ Quiet nervous twitches serve as a backdrop to amelodic unfolding of the basic material and interval content. The end of this part â€œbreaksapartâ€ to reveal a section marked â€œslow, otherworldly.â€ The harmonic material starts modal,open, and â€œdistantâ€ in feeling (perhaps a recollection of a distant past) before becominggradually gnarled again.The trombone leads towards the next section: an ever-building athletic â€œmoto perpetuo.â€ Thisreaches its peak in an aggressive and horribly angry climax â€“ with a wide-ranging trombonepart marked â€œwildly raving; insane, uglyâ€, obliterated by bass drum hits and shriekinghammer blows from the other instruments.A nervous and timid interlude returns to the nervous twitching of the opening â€“ thougheverything is slightly slower and more hushed than before, finally breaking off into anenigmatic coda.Alto FluteClarinet in BbPercussion (1 player):bass drum, marimba, crotales(Percussionist needs one rosined bow for crotales.)ViolaCelloContrabassï»¿This is the score only. The score and parts are sold as another item

Paganini: Moto Perpetuo, Op. 11

#Paganini: Moto Perpetuo, Op. 11

Paganini: Fourteen Caprices, Op. 1 and Moto Perpetuo, Op. 11, No. 6 (unaccompanied)

#Paganini: Fourteen Caprices, Op. 1 and Moto Perpetuo, Op. 11, No. 6