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"Tumbleweed" - (Part Scores)
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859710 Composed by Sydne…
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Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859710 Composed by Sydney Stevens. Children,Country,Folk,New Age. 31 pages. Sydney Stevens, Water Music #5954113. Published by Sydney Stevens, Water Music (A0.859710). Contact: sydneystevenspianostudio@gmail.comTumbleweed: Gentle folk-based piano/vocal by Sydney Stevens (ASCAP). Arrangement is for piano/vocal/chords/Vln I, II. Full score and part scores included with download.Sounds like: Dar Williams, Rose Polenzani, Christina PerriFrom Album: Cycles of Life Theme: I am a tumbleweed tumbling todayMood: Gentle, warm, emotional, comforting, innocent.Musical Traits: Simple, broken chords in the left hand piano along with right hand melody that reflects the vocal line.Performance Time: 3:17Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links:www.sydneystevenswatermusic.comhttp://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY: Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter. Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific composer, Stevens runs a b.
$9.95
9.1 €
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Sydney Stevens
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"Tumbleweed" -
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Sydney Stevens, Water Music
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SheetMusicPlus
Silent Frights: A collection of music to accompany silent film scenes
String Orchestra - Level 5 - Digital Download SKU: A0.1455420 Composed by Gaston Bo…
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String Orchestra - Level 5 - Digital Download SKU: A0.1455420 Composed by Gaston Borch. Arranged by W.C. Rohl. Classical,Film/TV,Halloween,Historic,Thriller. 84 pages. RēsFacta Editions #1034512. Published by RēsFacta Editions (A0.1455420). A collection of five pieces for orchestra by French composer, Gaston Borch (1871-1926) written to accompany creepy, suspenseful, mysterious, and supernatural scenes for silent films. A prolific composer, cellist, conductor, and arranger, Borch moved to the United States in the early 1900s where he significantly contributed to the American musical landscape. He became particularly known for his work in the burgeoning field of silent film music, composing scores that enhanced the emotional impact of films. Borch’s music was characterized by its melodic richness and dramatic expressiveness, which made it ideal for the cinema. His ability to craft music that perfectly matched the narrative and emotional arcs of films made him a sought-after composer in the industry. The entire collection - or any number of the individual selections - would make an ideal addition to any Halloween-themed program. Score and parts. Also available for full orchestra. resfactamusic.com
$55.00
50.32 €
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Gaston Borch
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Silent Frights: A collection of music to accompany silent film scenes
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RēsFacta Editions
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SheetMusicPlus
Dolce frutto amor compose
Vocal Solo,Voice - Digital Download SKU: A0.791691 Composed by Orazio Michi dell'Ar…
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Vocal Solo,Voice - Digital Download SKU: A0.791691 Composed by Orazio Michi dell'Arpa. Arranged by Early Music Scores. Baroque,Classical. 1 pages. Early Music Scores #5955879. Published by Early Music Scores (A0.791691). Voice and continuoComposed by Orazio Michi dell'Arpa (1594-1641). Baroque period. From (Biblioteca Nazionale Centrale - Roma - Mss - Musicali 56. Edited by Felipe Dias. 1 page.
$5.99
5.48 €
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Orazio Michi dell'Arpa
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Dolce frutto amor compose
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Early Music Scores
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SheetMusicPlus
Hornpipe from the Water Music - Brass Quartet
Brass Ensemble Euphonium,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.722…
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Brass Ensemble Euphonium,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.722342 Composed by George Frideric Handel. Arranged by Anne L Christopherson GRSM ARCM. Concert,Graduation,Holiday,Patriotic,Wedding. Score and parts. 8 pages. Music-Scores.com #6426979. Published by Music-Scores.com (A0.722342). This hornpipe is the 9th movement of The Water Music, Suite no.1. This is one of three suites of dance movements created for a massive river concert and party thrown by King George I. This Hornpipe is a jaunty, elegant dance in 3/2 time.For Brass Quartet of 2 Trumpets, Trombone, and Tuba or Euphonium.Arranged by Anne L Christopherson at https://www.music-scores.com
$5.95
5.44 €
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George Frideric Handel
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Hornpipe from the Water Music - Brass Quartet
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Music-Scores.com
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SheetMusicPlus
Hornpipe from the Water Music - Alto Sax and Bassoon
Woodwind Ensemble - Level 3 - Digital Download SKU: A0.722387 Composed by George Fr…
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Woodwind Ensemble - Level 3 - Digital Download SKU: A0.722387 Composed by George Frideric Handel. Arranged by Anne L Christopherson GRSM ARCM. Concert,Graduation,Holiday,Patriotic,Wedding. 3 pages. Music-Scores.com #6458567. Published by Music-Scores.com (A0.722387). This hornpipe is the 9th movement of The Water Music, Suite no.1. This is one of three suites of dance movements created for a massive river concert and party thrown by King George I. This Hornpipe is a jaunty, elegant dance in 3/2 time.For Alto Sax and Bassoon.Arranged by Anne L Christopherson at https://www.music-scores.com
$5.95
5.44 €
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George Frideric Handel
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Hornpipe from the Water Music - Alto Sax and Bassoon
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Music-Scores.com
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SheetMusicPlus
Tannhäuser und der Sängerkrieg auf Wartburg
Digital Download SKU: S9.Q25917 Vocal Score based on the Richard Wagner Complete…
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Digital Download SKU: S9.Q25917 Vocal Score based on the Richard Wagner Complete Edition edited by Wolfgang M. Wagner. Composed by Richard Wagner. This edition: vocal/piano score. Erstveröffentlichung - Oper - Theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q25917. Published by Schott Music - Digital (S9.Q25917). German • French.An important addition to Schott's newly published orchestral material is the first publication of piano scores for the ten major operas by Richard Wagner in all major versions. For the first time, we offer the stages and interested opera lovers piano scores as urtext editions that were designed according to uniform editorial criteria.•The score is aligned with the performance material of the Complete Edition. •All piano scores have study numbers and continuous measure numbers for rehearsal and study practice. •The editors are renowned musicologists from the circles of those working on the Richard Wagner Complete Edition who contribute detailed information on the respective editions to the critical prefaces.•The prefaces are printed in three languages (German, English, French). •The uniform appealing cover design with reproductions of paintings from the Wagner era emphasizes the serial character of the edition.TANNHÄUSERFor the Richard Wagner Complete Edition, the editors Egon Voss, Peter Jost and Reinhard Strohm as well as Cristina UrchueguÃa have researched and presented Tannhäuser's genesis and history of more than thirty years, which also took about thirty years of scientific work, on 2,959 pages in eight volumes. With the present piano score, the findings gathered therein shall now also to be made accessible for the musical practice. (Wolfgang M. Wagner, quoted from the foreword to the new Tannhäuser piano score)The piano score unites for the first time all four stages of the work (the score as of 1845, the score as of 1860, the Paris version as of 1861/62 with the complete French text of this version, and the Vienna version as of 1875) in a single excerpt for rehearsal and study practice, thus allowing the comparison of the versions, without sacrificing practicability.All variants are printed one after the other in the chronological sequence of the action on the stage, so that each of them can be explored in their context of action by simply turning over the pages. Only two variants rejected before the Paris premiere were printed separately in the appendix. A fascinating insight into Richard Wagner's thinking in terms of stage practice and into his very precise ideas of tonal balance, scenic details and role-conception are made possible by the quotations printed in key passages from his work On the Performance of Tannhäuser, published in 1852.For example, soon after the world premiere, Wagner suggested the deletion of bars in the orchestral part in the 4th scene of Act I, reasoning that […] due to the tremendous woodenness and self-consciousness of our usual supernumeraries, the impression of overwhelming liveliness, which was intended by me and which was to imply a heightening of the mood led up to by the liveliest manifestations of life, was not achieved. (piano reduction, p. 221)In the big ensemble scene at the end of Act II, Wagner puts in a comment at a certain passage, referring to the conductor and his great responsibility for tonal balance:The exclamations 'Ach, erbarm' dich mein!' require such a piercing emphasis that he [the performer of Tannhauser] as a mere, well-trained singer is not enough; it is but the highest dramatic art that has to provide him the energy of pain and desperation for an expression that must seem to break forth from the most gruesome depths of an awfully woeful heart, like a cry for salvation. The conductor has to ensure that the implied success is made possible for the principal singer by the most discrete accompaniment of the other singers as well as of the orchestra. (piano reduction, p. 367)3 (3. auch Picc.) · 2 · 2 · Bassklar. [nicht in Pariser F.] · 2 - 2 Ventilhr. · 2 Waldhr. · 3 Ventiltrp. · 3 · 1 [Pariser F.: Ophicléïde] - P. S. (Trgl. · Beck. · Tamb. · gr. Tr. · Tamt. [Pariser F.] · Kast. [Pariser/Wiener F.) (2-3 Spieler) - Str. Auf dem Theater: 2 Picc. [P/W: 1] · 4 Fl. [P/W: 2] · 4 Ob. [P/W: 2] · Engl. Hr. · 6 Klar. [P/W: 3] · 4 Fg. [P: 2, W: 0] - 12 Wald-Hr. · 12 Trp. [P: 9] · 4 Pos. [P/W: 4 Hr.] - Trgl. · Beck. · Tamb. · Kast. [nur in P] - Hfe. [in P/W].
$53.99
49.4 €
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Richard Wagner
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Tannhäuser und der Sängerkrieg auf Wartburg
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Schott Music - Digital
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SheetMusicPlus
Tristan und Isolde
3 (3. auch Picc.) · 2 · Engl. Hr. · 2 · Bassklar. · 3 - 4 · 3 · 3 …
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3 (3. auch Picc.) · 2 · Engl. Hr. · 2 · Bassklar. · 3 - 4 · 3 · 3 · 1 - P. S. (Trgl. · Bck.) - Hfe. - Str. Auf der Bühne: Engl. Hr. · 6 Hr. · 3 Trp. · 3 Pos. - Digital Download SKU: S9.Q17773 Handlung in drei Aufzügen. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 270' 0. Schott Music - Digital #Q17773. Published by Schott Music - Digital (S9.Q17773). German.An important addition to the newly produced orchestral materials by Schott Music is the fi rst publication of vocal scores of Richard Wagner’s ten great operas in every important version. For the first time, we are able to offer theatres and interested opera-lovers vocal scores as urtext editions conceived following uniform editorial criteria: * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. * The publisher has secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages (German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. TRISTAN UND ISOLDE Performance directions by the singer Ludwig Schnorr von Carolsfeld are incorporated in the vocal score from the Complete Edition’s Tristan und Isolde volume. He entered these directions into his own copy of the Tristan part which he used at the 1865 Munich premiere. Richard Wagner was deeply impressed by his interpretation of the title role. For the first time in a vocal score of Tristan und Isolde all cuts are incorporated—with the corresponding transitional bars—which Wagner himself made, and approved, in two cases, were actually declared by him to be final. These cuts strikingly document Wagner’s struggle with the final form of the work. For the first time in a single edition all of Wagner’s own suggestions for ossias are found; ossias which evolved from performances under his own direction. Egon Voss writes about this in his foreword to the vocal score: “Such ‘pointers’, as you might say, were current practice in the 19th century which Wagner, as the example shows, did not evade. He was enough of a practical man of the theatre to know that a badly sung top note is worse than doing without it. Wagner even tolerated the transposition of lengthier passages because he was less concerned with the letter of the score than with theatrical effectiveness. [...] The present vocal score goes beyond the Complete Edition [...] in that the ossias mentioned above are indicated in the vocal part itself, in small notes. They concern principally the role of Tristan, but also those of Isolde, Brangäne and Kurwenal. They rest in part on the Tristan edition within the Complete Edition but for the greater part go back to a source which could not be consulted for the Complete Edition because it was not yet accessible. This relates to a vocal score from the estate of the composer Peter Cornelius who was engaged by Wagner as repetiteur at the Vienna rehearsals in 1861-63. That the ossia bars go back to Wagner can be taken as certain, since in some places they are notated in his own hand.†(Egon Voss, quoted from the foreword to the vocal score) The transpositions mentioned by Egon Voss—two by Hans von Bülow for the revival of the work which he conducted in Munich in 1869 and the third suggested by Wagner himself in 1861—are printed in the appendix to the vocal score. The ossias, transpositions, and cuts are available for practical use in the theatre and in rehearsal. The cuts are also incorporated into the orchestral materials for Tristan und Isolde. This is also the case with ossias which affect the orchestral parts.2013 marks Wagner’s bicentenary, making the year largely focused on his music, particularly the dramatic works. An important addition to the newly produced orchestral materials by Schott Music. The score corresponds to the performance materials from the Complete Edition. Schott Music have secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. For the first time, this work is available to theatres and interested opera-lovers as urtext editions. For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. The forewords are given in three languages (German, English, and French). Other vocal scores available: Der fliegende Holländer (1841) Der fliegende Holländer (1842-80) Tannhäuser Lohengrin Das Rheingold Die Walküre Siegfried Götterdämmerung Die Meistersinger von Nürnberg Parsifal.
$47.99
43.91 €
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Richard Wagner
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Tristan und Isolde
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Schott Music - Digital
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SheetMusicPlus
Cari Musici
Basso Continuo,Soprano voice,Violin - Digital Download SKU: A0.791885 Composed by B…
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Basso Continuo,Soprano voice,Violin - Digital Download SKU: A0.791885 Composed by Bianca Maria Meda. Arranged by Early Music Scores. Baroque,Classical. 19 pages. Early Music Scores #6692599. Published by Early Music Scores (A0.791885). Soprano voice, two violins and continuoComposed by Bianca Maria Meda (c.1665 - c.1700). From Motetti, 1691. Edited by Felipe Dias. 19 pages. Score and parts.
$7.99
7.31 €
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Bianca Maria Meda
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Cari Musici
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Early Music Scores
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SheetMusicPlus
Angela siete o come lieto ascolto
Vocal Solo,Voice - Digital Download SKU: A0.791742 Composed by Cherubino Busatti. A…
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Vocal Solo,Voice - Digital Download SKU: A0.791742 Composed by Cherubino Busatti. Arranged by Early Music Scores. Baroque,Classical. 4 pages. Early Music Scores #6029265. Published by Early Music Scores (A0.791742). Voice and continuoComposed by Cherubino Busatti (1600-1644). From Arie a voce sola commode da cantarsi nel clavicembalo, chitarone & altro simile stromento, Venezia, 1638. Baroque period. Edited by Felipe Dias. 4 pages.
$6.99
6.4 €
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Cherubino Busatti
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Angela siete o come lieto ascolto
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Early Music Scores
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SheetMusicPlus
Parsifal
3 (3. auch Picc.) · 3 · Engl. Hr. · 3 · Bassklar. · 3 · Kfg. - 4 · 3 …
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3 (3. auch Picc.) · 3 · Engl. Hr. · 3 · Bassklar. · 3 · Kfg. - 4 · 3 · 3 · 1 - P. - 2 Hfn. - Str. Auf dem Theater: 6 Trp. · 6 Pos. · Glocken · Rührtr. · Donnermasch. - Digital Download SKU: S9.Q17854 Ein Bühnenweihfestspiel in drei Aufzügen. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - piano - opera. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q17854. Published by Schott Music - Digital (S9.Q17854). German.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. PARSIFAL This piano reduction corresponds to the edition of Parsifal contained in the critical Complete Edition of the musical works of Richard Wagner (Richard Wagner, Sämtliche Werke, Vol. 14, I-III, edited by Egon Voss and Martin Geck, Mainz 1972f.) The chief source for the edition was Wagner’s autograph score, as the first printed score dating from 1883 on which all previous editions had been based had not been authorised by the composer and displayed significant deviations in comparison with the autograph. Further details can be found in the above-mentioned volumes of the Complete Edition.†(Amélie Pauli, quoted from the foreword of the new Parsifal vocal score; translated by Lindsay Chalmers-Gerbracht).
$47.99
43.91 €
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Richard Wagner
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Parsifal
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Schott Music - Digital
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SheetMusicPlus
Jesus I Come to Thee
Small Ensemble Cello,Clarinet,Euphonium,Flute,Piano,Trumpet,Violin - Level 3 - Digital Dow…
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Small Ensemble Cello,Clarinet,Euphonium,Flute,Piano,Trumpet,Violin - Level 3 - Digital Download SKU: A0.818325 By Stephen R Dalrymple. By William T. Sleeper & George C. Stebbins. Arranged by Stephen R Dalrymple. Contemporary,Sacred. Score and parts. 58 pages. Stephen R Dalrymple #6064111. Published by Stephen R Dalrymple (A0.818325). Jesus I Come by William Sleeper and George Stebbins arranged for flute solo with piano by Stephen R Dalrymple ♫ transcribed for solo clarinet, trumpet euphonium, violin, & cello ♫ In Matthew 10 Jesus sends His disciples out far and wide to heal the sick, announce the Kingdom of God, and prompt the people to repentance to be ready for the coming kingdom. Jesus sees many victories but in chapter 11 He criticizes certain cities for not heeding the call to repentance. Chapter 11 ends with an invitation. Come to Me. ♫ music © 2010 (copyright registered in Rejoice Ye Pure in Heart: Sacred Instrumental Arrangements.) ♫ recorded by violinist Jim Jansen with Stephen Dalrymple ♫ recording ℗ 2016 Stephen R Dalrymple and Jim Jansen ♫ presentation © 2022 Stephen R Dalrymple ♫ This .pdf file includes 14 scores. 1) individual parts for flute, clarinet, trumpet, euphonium (trombone), violin, and cello soloists. 2) A score for flute and piano. 3) Full Score for flute in small page format for performing from a 10 inch tablet and 4) the same solo parts for 10 inch tablet. Purchase price includes display and/or performance by one soloist (and accompanist) for noncommercial purposes only when attributed to the composer(s) and the arranger. (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose parts you wish to print.) Contact the arranger for other uses.
$4.50
4.12 €
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Stephen R Dalrymple
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Jesus I Come to Thee
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Stephen R Dalrymple
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SheetMusicPlus
“O Come, Little Children” for 8-note Bells and Boomwhackers® (with Black and White Notes)
Small Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,…
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Small Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - Digital Download SKU: A0.565330 By Sharon Wilson. By Johann A. P. Schulz. Arranged by Sharon Wilson. Children,Christmas,Instructional,Multicultural,Sacred,World. Score and parts. 8 pages. Sharon Wilson #3895693. Published by Sharon Wilson (A0.565330). This sheet music is notated for 8-note, C major diatonic scale (one octave) instruments with Handbells on one staff and Boomwhackers® on a second staff creating a 2-part instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord reference chart is also providedThis arrangement is one of the easier Christmas songs for Bells and Boomwhackers making it a good selection when introducing new players to Handbells and Boomwhackers®. With only quarter notes and rests in the score, beginning players can focus on learning ringing and whacking techniques. Using a familiar tune presented in an easy format builds confidence as players become comfortable being a part of an ensemble while learning a few basic notes and rhythms. Though this sheet music is notated for Handbells and Boomwhackers®, this song is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel. The melody could also be played with soprano or alto recorders.This set of scores uses black and white noteheads and is best suited for musicians already familiar with reading standard music notation. For beginning musicians, this same set of scores is available (sold separately) with color coded noteheads.Only filled noteheads (quarter notes) are used so the notes are easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure. Lyrics and chord names are provided as well to aid in the learning and teaching of this song.The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one note to each person. Instrument assignment suggestions are provided for 6, 8, and 15 players.
$5.99
5.48 €
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Sharon Wilson
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“O Come, Little Children” for 8-note Bells and Boomwhackers®
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Sharon Wilson
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SheetMusicPlus
Points of Contact
2 trumpets in Bb, horn in F, trombone and tuba - Digital Download SKU: S9.Q6750 …
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2 trumpets in Bb, horn in F, trombone and tuba - Digital Download SKU: S9.Q6750 5 Jazzy Pieces. Composed by Mike Schoenmehl. This edition: score and parts. Schott Popular Music. Downloadable, Score and parts. Schott Music - Digital #Q6750. Published by Schott Music - Digital (S9.Q6750). 'A region full of cultural variety' was the slogan for the 2003 Rhineland-Palatinate summer festival and the brass quintet Splendid Brass asked Mike Schönmehl to interpret this theme in music. This resulted in five encounters with different cultural traditions, displaying tangential and overlapping influences from around the globe. Mike Schönmehl has combined elements of music from Japan, Turkey, Spain, Canada and Brazil with his jazzy musical style to create a highly original piece of chamber music. To go with this composition the artist from Nieder-Olm has painted five tableaux which he describes as 'images born of musical scores'.
$30.99
28.35 €
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Mike Schoenmehl
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Points of Contact
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Schott Music - Digital
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SheetMusicPlus
Carol of the Bells - String Quintet
String Ensemble,String Quintet - Digital Download SKU: A0.720959 Composed by Leonto…
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String Ensemble,String Quintet - Digital Download SKU: A0.720959 Composed by Leontovich, Mykola Dmytrovich. Arranged by Anne L Christopherson GRSM ARCM. 20th Century,Christmas,Holiday. Score and parts. 10 pages. Music-Scores.com #3859331. Published by Music-Scores.com (A0.720959). Carol of the Bells, or the Ukrainian Bell Carol, is an old New Year Carol and was performed using hand bells. It is said to be based on the traditional Ukrainian folk chant, Shchedryk. Ideal for early intermediates.This arrangement is for String Quintet comprised of 3 Violins, Viola and Cello.Arranged by Anne Christopherson at https://www.music-scores.com
$6.95
6.36 €
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Leontovich, Mykola Dmytrovich
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Carol of the Bells - String Quintet
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Music-Scores.com
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SheetMusicPlus
The Lovely Lass of Inverness, Op. 108 - Voice, Violin, Cello and Piano
Piano Trio,String Ensemble - Level 3 - Digital Download SKU: A0.722489 Composed by …
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Piano Trio,String Ensemble - Level 3 - Digital Download SKU: A0.722489 Composed by Ludwig van Beethoven. Arranged by Anne L Christopherson GRSM ARCM. Classical,Concert,Folk. Score and parts. 8 pages. Music-Scores.com #6670415. Published by Music-Scores.com (A0.722489). The Lovely Lass of Inverness is a wonderful setting of Robert Burns' words, and it tells of a girl's anguish, after she lost her father, 3 brothers and her lover in the Battle of Culloden. It can be performed without the violin and cello if necessary, without altering the character of the music.A perfect song for Burns Night which is 25th January.This song is a product of Beethoven's great interest in folk songs, and his collaboration with a Scottish publisher, George Thompson. The were huge problems in sending the completed compositions from Vienna to Edinburgh during the Napoleonic Wars, and the first batch took 2 years to arrive.Duration: about 2 minutes, 30 seconds.Prepared by Anne L. Christopherson at www.music-scores.com.
$3.95
3.61 €
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Ludwig van Beethoven
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The Lovely Lass of Inverness, Op. 108 - Voice, Violin, Cello and Piano
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Music-Scores.com
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SheetMusicPlus
The Lovely Lass of Inverness, Op. 108 - Voice, Clarinet, Bass Clarinet and Piano
Small Ensemble Clarinet,Piano,Voice - Level 3 - Digital Download SKU: A0.726290 Com…
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Small Ensemble Clarinet,Piano,Voice - Level 3 - Digital Download SKU: A0.726290 Composed by Ludwig van Beethoven. Arranged by Anne L Christopherson GRSM ARCM. Classical,Concert. Score and parts. 9 pages. Music-Scores.com #6672501. Published by Music-Scores.com (A0.726290). The Lovely Lass of Inverness is a wonderful setting of Robert Burns' words, and it tells of a girl's anguish, after she lost her father, 3 brothers and her lover in the Battle of Culloden. It can be performed without the Clarinet and Bass Clarinet if necessary, without altering the character of the music.A perfect song for Burns Night which is 25th January.This song is a product of Beethoven's great interest in folk songs, and his collaboration with a Scottish publisher, George Thompson. The were huge problems in sending the completed compositions from Vienna to Edinburgh during the Napoleonic Wars, and the first batch took 2 years to arrive.Duration: about 2 minutes, 30 seconds.Arranged by Anne L. Christopherson at www.music-scores.com.
$3.95
3.61 €
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Ludwig van Beethoven
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The Lovely Lass of Inverness, Op. 108 - Voice, Clarinet, Bass Clarinet and Piano
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Music-Scores.com
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SheetMusicPlus
The Lovely Lass of Inverness, Op. 108 - Voice, Oboe, Bassoon and Piano
Small Ensemble Bassoon,Oboe,Piano Accompaniment,Voice - Level 3 - Digital Download SKU:…
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Small Ensemble Bassoon,Oboe,Piano Accompaniment,Voice - Level 3 - Digital Download SKU: A0.722490 Composed by Ludwig van Beethoven. Arranged by Anne L Christopherson GRSM ARCM. Classical,Concert. Score and parts. 9 pages. Music-Scores.com #6672503. Published by Music-Scores.com (A0.722490). The Lovely Lass of Inverness is a wonderful setting of Robert Burns' words, and it tells of a girl's anguish, after she lost her father, 3 brothers and her lover in the Battle of Culloden. It can be performed without the Oboe and Bassoon if necessary, without altering the character of the music.A perfect song for Burns Night which is 25th January.This song is a product of Beethoven's great interest in folk songs, and his collaboration with a Scottish publisher, George Thompson. The were huge problems in sending the completed compositions from Vienna to Edinburgh during the Napoleonic Wars, and the first batch took 2 years to arrive.Duration: about 2 minutes, 30 seconds.Prepared by Anne L. Christopherson at www.music-scores.com.
$3.95
3.61 €
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Ludwig van Beethoven
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The Lovely Lass of Inverness, Op. 108 - Voice, Oboe, Bassoon and Piano
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Music-Scores.com
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SheetMusicPlus
Oh Charlie is my Darling, WoO157 - Voices, Violin, Cello and Piano
Small Ensemble Cello,Piano,Violin,Voice - Level 3 - Digital Download SKU: A0.726294…
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Small Ensemble Cello,Piano,Violin,Voice - Level 3 - Digital Download SKU: A0.726294 Composed by Ludwig van Beethoven. Arranged by Anne L Christopherson GRSM ARCM. Classical,Concert,Folk. Score and parts. 10 pages. Music-Scores.com #6681703. Published by Music-Scores.com (A0.726294). Oh Charlie is my darling, my darling, my darling! For Soprano, Alto, Bass, Violin, Cello and Piano. This song refers to Bonnie Prince Charlie during the Jacobite Rebellion. Beethoven set to music these words based on Robert Burns' poem of the same name. This is a must for a Burns Night concert or celebration, on 25th January.This song is a product of Beethoven's great interest in folk songs, and his collaboration with a Scottish publisher, George Thompson. The were huge problems in sending the completed compositions from Vienna to Edinburgh during the Napoleonic Wars, and the first batch took 2 years to arrive.Duration: about 2 minutes.Edited by Anne L. Christopherson at www.music-scores.com.
$3.95
3.61 €
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Ludwig van Beethoven
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Oh Charlie is my Darling, WoO157 - Voices, Violin, Cello and Piano
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Music-Scores.com
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SheetMusicPlus
Oh Charlie is my Darling, WoO157 - Voices, Clarinet, Bass Clarinet and Piano
Small Ensemble Clarinet,Piano,Voice - Level 3 - Digital Download SKU: A0.726292 Com…
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Small Ensemble Clarinet,Piano,Voice - Level 3 - Digital Download SKU: A0.726292 Composed by Ludwig van Beethoven. Arranged by Anne L Christopherson GRSM ARCM. Classical,Concert,Folk. Score and parts. 10 pages. Music-Scores.com #6681691. Published by Music-Scores.com (A0.726292). Oh Charlie is my darling, my darling, my darling! For Soprano, Alto, Bass, Clarinet, Bass Clarinet and Piano. This song refers to Bonnie Prince Charlie during the Jacobite Rebellion. Beethoven set to music these words based on Robert Burns' poem of the same name. This is a must for a Burns Night concert or celebration, on 25th January.This song is a product of Beethoven's great interest in folk songs, and his collaboration with a Scottish publisher, George Thompson. The were huge problems in sending the completed compositions from Vienna to Edinburgh during the Napoleonic Wars, and the first batch took 2 years to arrive.Duration: about 2 minutes.Edited by Anne L. Christopherson at www.music-scores.com.
$3.95
3.61 €
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Ludwig van Beethoven
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Oh Charlie is my Darling, WoO157 - Voices, Clarinet, Bass Clarinet and Piano
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Music-Scores.com
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SheetMusicPlus
Oh Charlie is my Darling, WoO157 - Voices, Flute, Bassoon and Piano
Small Ensemble Bassoon,Flute,Piano,Voice - Level 3 - Digital Download SKU: A0.726293
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Small Ensemble Bassoon,Flute,Piano,Voice - Level 3 - Digital Download SKU: A0.726293 Composed by Ludwig van Beethoven. Arranged by Anne L Christopherson GRSM ARCM. Classical,Concert,Folk. Score and parts. 10 pages. Music-Scores.com #6681699. Published by Music-Scores.com (A0.726293). Oh Charlie is my darling, my darling, my darling! For Soprano, Alto, Bass, Flute, Bassoon and Piano. This song refers to Bonnie Prince Charlie during the Jacobite Rebellion. Beethoven set to music these words based on Robert Burns' poem of the same name. This is a must for a Burns Night concert or celebration, on 25th January.This song is a product of Beethoven's great interest in folk songs, and his collaboration with a Scottish publisher, George Thompson. The were huge problems in sending the completed compositions from Vienna to Edinburgh during the Napoleonic Wars, and the first batch took 2 years to arrive.Duration: about 2 minutes.Edited by Anne L. Christopherson at www.music-scores.com.
$3.95
3.61 €
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Ludwig van Beethoven
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Oh Charlie is my Darling, WoO157 - Voices, Flute, Bassoon and Piano
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Music-Scores.com
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SheetMusicPlus
The Lovely Lass of Inverness, Op. 108 - Voice, Alto Sax, Baritone Sax and Piano
Small Ensemble Alto Saxophone,Baritone Saxophone,Piano,Voice - Level 3 - Digital Download …
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Small Ensemble Alto Saxophone,Baritone Saxophone,Piano,Voice - Level 3 - Digital Download SKU: A0.726289 Composed by Ludwig van Beethoven. Arranged by Anne L Christopherson GRSM ARCM. Classical,Concert,Folk. Score and parts. 10 pages. Music-Scores.com #6672499. Published by Music-Scores.com (A0.726289). The Lovely Lass of Inverness is a wonderful setting of Robert Burns' words, and it tells of a girl's anguish, after she lost her father, 3 brothers and her lover in the Battle of Culloden. It can be performed without the Alto Sax and Baritone Sax if necessary, without altering the character of the music.A perfect song for Burns Night which is 25th January.This song is a product of Beethoven's great interest in folk songs, and his collaboration with a Scottish publisher, George Thompson. The were huge problems in sending the completed compositions from Vienna to Edinburgh during the Napoleonic Wars, and the first batch took 2 years to arrive.Duration: about 2 minutes, 30 seconds.Prepared by Anne L. Christopherson at www.music-scores.com.
$3.95
3.61 €
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Ludwig van Beethoven
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The Lovely Lass of Inverness, Op. 108 - Voice, Alto Sax, Baritone Sax and Piano
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Music-Scores.com
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SheetMusicPlus
Two Scenes from the Lodz Ghetto - Chamber Version: 1. At the Clothing Department; 2. To Get a Ration
Mixed Percussion Bassoon,Clarinet,Double Bass,Trombone,Trumpet,Violin - Level 5 - Digital …
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Mixed Percussion Bassoon,Clarinet,Double Bass,Trombone,Trumpet,Violin - Level 5 - Digital Download SKU: A0.1435098 Composed by Stanley M Hoffman. 21st Century,Classical,Opera. 240 pages. Stanleymhoffman.com #1015206. Published by stanleymhoffman.com (A0.1435098). Opera Scenes 1. At the Clothing Department (3:00); 2. To Get a Ration (9:00) - vocal soloists & piano or chamber ensemble (cl, bn, tpt, tbn, perc, vln, vc) with live or prerecorded crowd noise - 2021, 2024. The libretto is comprised of the insightful observations of a young Jewish boy—Abraham “Abramek” Koplowicz—who was trapped by the Nazis in the Lodz ghetto and who later died in Auschwitz. The libretto appears before each scene in the scores.This may be a relatively brief piece, but it is a major one for me and posthumously for the author. I am fortunate to be the only person given blanket gratis permission to set the words of Abraham Koplowicz to music. He composed a book of poetry, plays, and artwork while imprisoned in the Lodz Ghetto before perishing later in Auschwitz before he could become a Bar Mitzvah. The contents of that book are quite good, sophisticated for his age. Abraham's late half-brother, Eliezer Grynfeld—who found the book in the 1990s—and I eventually became good friends. The Pope once kissed Eliezer's hand. That is how highly regarded this collection is and, by some stroke of luck or fate, I have got exclusive musical rights to the book until it enters the public domain. In my settings of AT THE CLOTHING DEPARTMENT and TO GET A RATION, I combine the musical language of Schoenberg's A SURVIVOR FROM WARSAW very nearly with the instrumentation of Stravinsky's A SOLDIER'S TALE - only the percussion instruments differ. The musical language of these brief opera scenes is appropriately terse, very much in keeping with the oppressiveness of imprisonment. Please have a look and a listen. Thank you for your consideration. ---Words originally in Polish by Abraham (“Abramek”) Koplowicz (b. 1930, Lodz, Poland, d. 1944, Auschwitz-Birkenau) Translation by Sarah Lawson and Małgorzata Koraszewska Adapted by Stanley M. Hoffman Translation by Sarah Lawson and Małgorzata Koraszewska. © Copyright 1993 by Eliezer Grynfeld. All rights reserved. Used by permission of Eliezer Grynfeld. Adapted by permission of Sarah Lawson and Małgorzata Koraszewska. Libretto by Stanley M. Hoffman. Music by Stanley M. Hoffman. NotePerfomer 4 Audio and Scrolling Score Video Seeking Live Performances Music: © Copyright 2021, 2024 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)com All rights reserved.
$60.00
54.89 €
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Stanley M Hoffman
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Two Scenes from the Lodz Ghetto - Chamber Version: 1. At the Clothing Department; 2. To Get a Ration
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stanleymhoffman.com
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SheetMusicPlus
Waltz of Life Songbook
Small Ensemble Cello,Flute,Piano Accompaniment,Violin - Level 4 - Digital Download SKU:…
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Small Ensemble Cello,Flute,Piano Accompaniment,Violin - Level 4 - Digital Download SKU: A0.859695 Composed by Sydney Stevens. 20th Century,Concert,New Age,Wedding. Score and parts. 83 pages. Sydney Stevens, Water Music #5954063. Published by Sydney Stevens, Water Music (A0.859695). Contact: sydneystevenspianostudio@gmail.comWaltz of Life Songbook: Includes all 14 songs from the album Waltz of Life. Waltz of Life (piano/flute/violin/cello) and Your New Wings (piano/violin/cello) are arranged in full score. These two songs can be purchased on this site as singles, which includes part scores. Piano solos include: Dreams, B.J., A Life, Looking Back, Gatherings, Spring Light, No More Tears, Beginnings, Blind Boy, True Heart, Harvest Moon & Waltz of Life (Reprise).[Note: All of the above songs can be sampled on this site as individual scores.]Composed by Sydney Stevens (ASCAP)Sounds like: Jim Brickman, Michele Mclaughlin, Greg Star, Doug Hammer, Steven Cravis, Rachel Currea, Laura Sullivan, David Nevue, Scott Cossu, Peter Kater.From Album: Waltz of Life Mood: Gentle, heartfelt, warm, emotional, comforting, innocent.Musical Traits: New Age Romantic style a la Windham Hill. From intermediate to advanced in level. Appropriate for: Recital, weddings, special music in church.Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links:www.sydneystevenswatermusic.comhttp://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY: Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. Sydney's father is a jazz pianist, so both jazz and classical influences came at an early age. Her strong sense of artistry has evolved from years of composing music that expresses a wide range of emotions. Sydney is a master at creating musical landscapes which evoke strong imagery.
$14.95
13.68 €
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Sydney Stevens
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Waltz of Life (Reprise)
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Waltz of Life Songbook
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Sydney Stevens, Water Music
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SheetMusicPlus
Queste lagrim'amare (Le Nuove Musiche, 1602)
Vocal Solo,Voice - Digital Download SKU: A0.1416873 Composed by Giulio Caccini. Arr…
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Vocal Solo,Voice - Digital Download SKU: A0.1416873 Composed by Giulio Caccini. Arranged by Early Music Scores. Baroque,Early Music. 4 pages. Early Music Scores #998472. Published by Early Music Scores (A0.1416873). Voice and continuoComposed by Giulio Caccini (1551-1618). From Firenze, Le Nuove Musiche, 1602. Edited by Felipe Dias. 4 pages.
$5.99
5.48 €
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Giulio Caccini
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Queste lagrim'amare
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Early Music Scores
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SheetMusicPlus
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