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You've selected:
Nature's Fire
Sheetmusic to print
13 sheet music found
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1
Firefly
Three-part Mixed/SAB chorus - intermediate - Digital Download SKU: C7.CGE270 Compos…
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Three-part Mixed/SAB chorus - intermediate - Digital Download SKU: C7.CGE270 Composed by Mark Patterson. General. Sing! Octavo. 8 pages. Chorister's Guild - Digital #CGE270. Published by Chorister's Guild - Digital (C7.CGE270). UPC: 749193027936.Exuding mystery and modal nuances, this concert/festival showpiece features the composer's own original text. It is filled with word painting and rich imagery about how trees stand silently, and it is only until the wind blows or when nature breathes that they make a sound with their rustling leaves and branches. There is also an underlying important message about how all of nature works together. Rich harmonies and haunting melodies are supported by the interesting accompaniment which weaves a wind-like pattern. A Learning Resource Page is included.
$2.25
2.04 €
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Mark Patterson
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Firefly
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Chorister's Guild - Digital
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SheetMusicPlus
Autumn Fires (Accompaniment Track)
Strings Choir,Horn,Piano Accompaniment - Level 2 - Digital Download SKU: A0.1465957…
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Strings Choir,Horn,Piano Accompaniment - Level 2 - Digital Download SKU: A0.1465957 By Stephen DeCesare. By Stephen DeCesare. Children,Contest,Festival,Instructional,Multicultural,Singer/Songwriter,World. Accompaniment. Duration 122. Exultet Music #1044558. Published by Exultet Music (A0.1465957). The children's poem by Robert Louis Stevenson that conveys the beauty and ephemeral nature of autumn and aligns with Stevenson's interest in nature and the Victorian era's fascination with the changing seasons has been set to a simple, yet charming melody and scored for a variety of arrangements. Accessible and appropriate for any school or concert setting.
$3.99
3.61 €
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Stephen DeCesare
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Autumn Fires
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Exultet Music
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SheetMusicPlus
Autumn Fires (Rehearsal Track)
Strings Choir,Horn,Medium Voice,Piano Accompaniment - Level 2 - Digital Download SKU: A…
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Strings Choir,Horn,Medium Voice,Piano Accompaniment - Level 2 - Digital Download SKU: A0.1465956 By Stephen DeCesare. By Stephen DeCesare. Children,Contest,Festival,Instructional,Multicultural,Singer/Songwriter,World. Full Performance. Duration 120. Exultet Music #1044557. Published by Exultet Music (A0.1465956). The children's poem by Robert Louis Stevenson that conveys the beauty and ephemeral nature of autumn and aligns with Stevenson's interest in nature and the Victorian era's fascination with the changing seasons has been set to a simple, yet charming melody and scored for a variety of arrangements. Accessible and appropriate for any school or concert setting. An accompaniment track is also available.
$3.99
3.61 €
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Stephen DeCesare
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Autumn Fires
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Exultet Music
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SheetMusicPlus
Fire In My Soul (Lead Sheet)
Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.835053 Composed by Cody Weinm…
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Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.835053 Composed by Cody Weinmann. Folk,Instructional,Rock. 3 pages. Cody Weinmann #2020879. Published by Cody Weinmann (A0.835053). Here is the lead sheet to the original song Fire In My Soul. It features only the introduction, vocal line and chord changes. One astounding feature is the changing rhythms from verse to chorus. They give a glimpse into the many ways vocal music an be sung. This song is a beautiful song about fighting for God's glory and the frustration to follow a good style of life. It is generally sung in a choral-vocal style. It's almost operatic in nature! It will bring the audience to tears!
$3.99
3.61 €
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Cody Weinmann
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Fire In My Soul
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Cody Weinmann
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SheetMusicPlus
Christmas Song (I sought him where the marble shone) for wind quartet and piano
Bassoon,Clarinet,Flute,Oboe,Piano Accompaniment - Level 3 - Digital Download SKU: A0.14…
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Bassoon,Clarinet,Flute,Oboe,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1486154 Composed by David Warin Solomons. Christmas,Classical,Contemporary,Religious. 23 pages. David Warin Solomons #1063211. Published by David Warin Solomons (A0.1486154). Instrumental arrangement of my setting of Christmas song - being a meditation on finding the Christ child within oneself - the poem is by Audrey Vaughan. I sought him where the marble shoneand rang with singing echoesto the hurrying prelates' feetand found him notI sought him where the golden glowand painted heav'n-eyed saints adorn the sleeping altarsand found him notI sought him where all nature's beauty burnedwith autumn leaves afirewith death against the long blue skyand found him not I sought him down the stone sett streets dull beneath the misty rain which closed the surrounding hillsand found him notI sought him in the eyes of strangersbright with giving thoughtsand in the hearts of friendsbut found him notI sought himhim whom I lovedin ev'ry thing I lovedin my own heart's lovingbut this night I found him notbut still I sought himthis gurgling boy of joy, but where?the dark sky all above and round melike a suffocating empty cloaktook time awaymy thoughts awaymy search awayand the peace of emptiness of selfopened the low brown doorand there his newness tiny laydeep in the shriven hollow of my heart, cradled thereI found him©Audrey VaughanThe audio preview is an mp3 of the first couple of minutes - a full version will be available later.The pdf contains score and parts.
$11.00
9.96 €
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David Warin Solomons
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Christmas Song
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David Warin Solomons
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SheetMusicPlus
Stephansdom for Solo Bass Trombone & Trombone Choir
Small Ensemble Bass Trombone - Level 5 - Digital Download SKU: A0.792274 Composed b…
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Small Ensemble Bass Trombone - Level 5 - Digital Download SKU: A0.792274 Composed by Diefendorfer, Ryan. Arranged by Diefendorfer, Ryan. 20th Century,Contemporary. Score and parts. 60 pages. Gordon Cherry #4803763. Published by Gordon Cherry (A0.792274). Stephansdom is a new composition, descriptive of the iconic St. Stephan's Cathedral in central Vienna. Ryan Diefendorfer wrote this work for the Indiana University Trombone Ensemble for Bass Trombone solo and Trombone Choir (6-part) to be performed by Carl Lenthe at the 2012 Eastern Music Festival. Ryan's work was awarded the winner of the 2012 Eastern Trombone Workshop National Composition Competition. St. Stephen’s Cathedral, also known as Stephansdom, is one of Vienna’s most remarkable city icons. Dating back to 1137, Stephandsom towers above the rest of Vienna’s skyline and has been a constant presence in the lives of the Viennese for nearly one thousand years. Among the buildings that the Viennese find closest to their hearts, Stephansdom is certainly one of them I. Groundbreaking The first movement depicts the troubles that St. Stephen’s Cathedral had in getting its groundbreaking as a church. The opening of the piece marks the celebration of the Viennese when St. Stephen’s was first constructed in 1137, during the Romanesque era. However, the church faced many issues-from being destroyed by the Babenberg Empire to being decimated by a fire-before the church began its construction in the Gothic style in 1307. The first movement depicts these struggles before resolving to an open chord. II. Steffl Steffl, the nickname for Stephansdom’s soaring north tower, is one of the characteristics of the cathedral that the Viennese find so endearing. This movement is very upbeat and is meant to portray the excitement shared by the Viennese for this beautiful addition to Stephansdom, which was completed in 1433. Stephansdom’s north tower is the tallest structure in Vienna, and distinctly stands out within Vienna’s skyline. III. 1945 As World War II was coming to a close in 1945, Stephansdom’s roof caught fire from a neighboring building, destroying large portions of the church. One climax occurs at m.30, which depicts Stephansdom’s great bell, the Pummerin, crashing down to the ground. This movement depicts the chaotic nature of the raging fire of 1945. IV. Anton Pilgrim Anton Pilgrim was the last, and perhaps most beloved, architect who worked on St. Stephen’s Cathedral in the Gothic style. One of his most famous projects was the St. Stephen’s organ loft, which is depicted by an opening organ-like canon. The final movement to the piece ends in a chorale-like fashion, demonstrating the Viennese’s love for Anton Pilgrim, as well as Stephansdom, one of Vienna’s most iconic sights. This work of 12 minutes in length is appropriate for advanced performers.
$27.50
24.9 €
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Diefendorfer, Ryan
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Stephansdom for Solo Bass Trombone & Trombone Choir
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Gordon Cherry
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SheetMusicPlus
Beetles' Wings for alto and guitar (mp3)
Alto Voice,Guitar - Level 4 - Digital Download SKU: A0.1266184 By David Warin Solom…
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Alto Voice,Guitar - Level 4 - Digital Download SKU: A0.1266184 By David Warin Solomons. By David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration 204. David Warin Solomons #858929. Published by David Warin Solomons (A0.1266184). Setting by David W Solomons of a poem by Audrey Vaughan about the glories of nature and her religious love for it. Effective guitar rolls emulating the buzzing of beetle's wings in the summer sun. The score has been edited and fingered by the guitarist Alessandro Balsimini The performance is by the composerMy love for you grows beetle's wingsBlack pearls sparking firedropsUnder the low’ring September sunMy love for you sends a winter flashOf radiant blueBetween frost silver banksIn the sunset time of January’s afternoonMy love for you blows heather scent upon the windAnd tosses the cries of flying grouseAnd wings to beat a moorland skyMy love finds wind-flowers by a Cranham laneAnd black bright eyessafe and wideunder frets of golden fernMy love for you paints God across the earthIn clouds like flowersAnd rain like fishes’ scalesIn waters blue of skyAnd birds like flakes of snowMy love sings anthems with the moonAnd writes symphonies with rainbowsMy love is life and breathAnd breath is praise…© Audrey Vaughan.
$4.50
4.07 €
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David Warin Solomons
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Beetles' Wings for alto and guitar
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David Warin Solomons
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SheetMusicPlus
September - Score Only
Level 3 - Digital Download SKU: A0.1311230 By Earth Wind and Fire. By Al McKay, All…
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Level 3 - Digital Download SKU: A0.1311230 By Earth Wind and Fire. By Al McKay, Allee Willis, and Maurice White. Arranged by Hollywood Charts. Disco,Funk,Pop. 28 pages. Hollywood Charts #900224. Published by Hollywood Charts (A0.1311230). Unveil the dynamic tapestry of one of the most celebrated dance anthems of all time with this complete score sheet music for September by Earth, Wind & Fire. Bursting onto the scene in 1978, this iconic track is the embodiment of jubilation, featuring a fusion of funk, soul, and R&B that makes it impossible to stay seated.From the electrifying horn section to the infectious bass grooves, right down to the signature string lines, September is a masterclass in musical exuberance. This detailed transcription provides musicians with an all-encompassing view of the song's rich instrumentation and intricate arrangement.Get your copy today, and let the exuberant energy of September light up your musical world. Whether you're aiming to recreate the magic of Earth, Wind & Fire or simply wish to understand the depth of their artistry, this score holds the keys to a musical treasure.
$4.99
4.52 €
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Earth Wind and Fire
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Fire
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September - Score Only
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Hollywood Charts
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SheetMusicPlus
Desert Miniatures: Insects
Bassoon trio - Digital Download SKU: IZ.BCMW162 Composed by Robert McClure. BCMCC (…
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Bassoon trio - Digital Download SKU: IZ.BCMW162 Composed by Robert McClure. BCMCC (Bassoon Chamber Music Composition Competition). Score and Parts. 44 pages. Imagine Music - Digital #BCMW162. Published by Imagine Music - Digital (IZ.BCMW162). 9 x 12 in inches.Desert Miniatures: Insects was commissioned by Trio Sonora: Robert BeDont, Travis Jones, and Martin VonKlompenberg. The piece reflects on my time living in Tucson, AZ and all of the different types of insects that thrive in the Sonoran Desert. Each miniature selects a particular behavior or quality each insect possesses and explores it musically. Separate from the musical depiction of the insects was the central concept quasi-unison and the hyper-instrument. Instead of treating the three parts as individual important and mutually exclusive, the parts work together to form an imaginary instrument capable of polyphonic sound production. Through micro-polyphony and rhythmic irregularity, this hyper-instrument performs quasiunison gestures that resemble columns of sound rather than melodic lines.I. Many Hued GrasshopperI encountered many of these grasshoppers while hiking in the late summer and early fall months. They are brightly colored with purple and red accents against green wings and powerful light-green legs. As I would walk through tall grasses in the mountains, the path would explode with many grasshoppers leaping all around me. These bursts as well as the grasshopper's signature buzzing sound are the focal point of the miniature.II. Cactus BeeThese bees are solitary and live underground. They collect the nectar of cactus flowers. The bassoons combine to create a flurry of activity representing a particular bee going about her daily business of collecting nectar and returning to her subterranean nest.III.Arizona Red Spotted PurpleThese butterflies employ an ingenious evolutionary tactic for survival: mimicry. They look very similar to the Pipevine Swallowtail, a blueish-black butterfly that is noxious for birds to eat. Even more, the caterpillar of the Arizona Red Spotted Purple employs mimicry through resembling bird droppings or other objectionable material. Mimicry is the primary musical device employed in this miniature.IV. Fire AntAnyone who has ever accidentally stepped on a Fire Ant hill knows how painful the stings are. This unfortunately happened to me on my first day as anArizona resident. While each ant is an individual, the workers carry out simple and direct tasks. It was this quasi-unison behavior plus the martial and driving force of survival that informed the musical treatment of this miniature.
$18.00
16.3 €
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Robert McClure
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Desert Miniatures: Insects
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Imagine Music - Digital
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SheetMusicPlus
I Go to the Rock
Rhythm instruments - Digital Download SKU: H1.C5253RDP Composed by Dottie Rambo. Ar…
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Rhythm instruments - Digital Download SKU: H1.C5253RDP Composed by Dottie Rambo. Arranged by Lloyd Larson. Spirituals & Gospel, Hymntune, General Worship, Confidence. Rhythm Parts. 17 pages. Hope Publishing - Digital #C5253RDP. Published by Hope Publishing - Digital (H1.C5253RDP). By Dottie Rambo.Signature gospel song by Dottie Rambo This soulful gospel setting by Lloyd Larson gives fresh life to Dottie Ramob's signature gospel song. The vocal lines have been crafted with the traditional choir in mind, and the optional solo adds to the spirited coda. Suitable for any number of occasions and accessible to choirs large and small, this joy-filled statement of faith and assurance is a sure fire winner.
$34.95
31.65 €
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Dottie Rambo
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Dottie Rambo
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I Go to the Rock
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Hope Publishing - Digital
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Bass Flute & Piano
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549474 Comp…
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Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549474 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3499839. Published by jmsgu3 (A0.549474). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.07 €
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Alexander Scriabin
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Scriabin: Prelude Op. 11 No. 2 for Bass Flute & Piano
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jmsgu3
#
SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549471 Co…
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549471 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3499775. Published by jmsgu3 (A0.549471). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.07 €
#
Alexander Scriabin
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Scriabin: Prelude Op. 11 No. 2 for Oboe d'Amore & Piano
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jmsgu3
#
SheetMusicPlus
FOREST TALES (pieces for classical guitar in unequal time signatures)
Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1399445 By V…
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Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1399445 By Vasil Belezhkov. By Vasil Belezhkov. Arranged by Vasil Belezhkov. 21st Century,Children,Classical,Folk. Individual part. 26 pages. Vasil Belezhkov #982729. Published by Vasil Belezhkov (A0.1399445). FOREST TALES is a collection of 10 pieces that aim to acquaint classical guitar students with the unequal time signatures most commonly used in Bulgarian folk music  (starting with 5/8, all the way  to 15/8). Each of the pieces is aimed at mastering a certain technical element: the ‘Little Spider’ stretches the threads of its cobweb through a descending legato to an open string, ‘Dr. Woodpecker’ takes care of the bark of the trees through various percussion techniques, the ‘Fireflies’ glitter with the sound of natural harmonics, and so on.All musicians all over the world are familiar with dance forms like alemande and sarabande, menuette and waltz, tango and rumba, but how many of them are familiar with the different Bulgarian types of 'horo' (ring-dances)? Each piece in my 'Forest Tales' collection is predecesed by a text explaining which dances from which Bulgarian folk regions are typical for this or that time signature and how we are supposed to count the beats in it.I wish you a pleasant and fruitful time with this book!Vasil BelezhkovP.S. Some of the pieces also have piano transcriptions made by me.
$3.00
2.72 €
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Vasil Belezhkov
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FOREST TALES
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Vasil Belezhkov
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SheetMusicPlus
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