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Not Yet Over the Hill - Vibes
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8 sheet music found
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1
The Sundials
Piano Trio,String Ensemble - Digital Download SKU: A0.1004152 Composed by Matthew S…
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Piano Trio,String Ensemble - Digital Download SKU: A0.1004152 Composed by Matthew Scott Phillips. Contemporary. Score and parts. 98 pages. Matthew Scott Phillips #5800833. Published by Matthew Scott Phillips (A0.1004152). Throughout the centuries, civilizations have used sundials to tell time. This instrument consists of a gnomon (Greek for knower), a long pole or incline, whose shadow is cast onto a flat stone or metal plate, that either lies on the ground or is erected onto a wall. This plate is marked with the hours of the day, and the gnomon's shadow passes over the marks. More than just an ancient timepiece, these instruments are doorways to the eternal past, and prophets of the eternal future. They bare witness to the infinite fleeting-ness of the lives of human beings. Unlike a modern watch or digital clock, in which every second enjoys its own momentary significance, the hours as marked by the sundial flow into one another in a continuous stream, that is ultimately timeless. The final hour of any mortal creature is, in this way, no more significant than the first, and all our hours seem insignificant in the context of the cosmos' grandness. Etched upon a great many sundials, in Greek, Latin, English, German, or French, is a motto designed to inspire human beings to consider these truths. Why so many sundial makers felt the need to inscribe on their creations their own philosophies and musings is unclear. Yet, each of these mottos seems contrived to express the contemplations of time and eternity so integral to the sundials' existence. Mottos such as umbra sumus (we amount to shadow) often hold multiple meanings. The we referred to can be the hours, which seem extant only because of the shadow passing over them. Or it can refer to the ephemeral nature of our lives, which on the grand calendar of eternity are so short as to be nothing. Or perhaps it warns that time itself is no more than an illusion; a shadow. Whether they are existential, humorous (I only count the sunny hours), or offer advice (use the hours, don't count them), these mottos are intended to give us pause: to compel us to look for a moment, not at the fleeting significance of our mundane lives, ticked away as they are in tiny hours, but to consider the eternal time that lies beyond us, and to therefore be briefly in contact with it. This composition, approximately an hour long and written for piano trio (Piano, Violin, and Cello), intends as its goal the same purpose as the mottos that inspired it. To transport those who listen to it (listen not merely hear) away from the earthly, and into the cosmic. Each movement is named after a different motto. The mottos, their English translations and the locations of the sundials that bare (or once bore) them is listed at the front. This is one hour, hopefully, that will not simply fade away, but rather will be one spent in the company of the eternal. .
$7.00
6.39 €
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Matthew Scott Phillips
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a shadow
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The Sundials
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Matthew Scott Phillips
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SheetMusicPlus
The Ride of the Valkyries. Wagner
Small Ensemble Drums,Timpani - Level 5 - Digital Download SKU: A0.883766 Composed b…
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Small Ensemble Drums,Timpani - Level 5 - Digital Download SKU: A0.883766 Composed by Richard Wagner. Arranged by Phil Lawrence. Romantic Period. Score and parts. 102 pages. Phillip Lawrence #3534823. Published by Phillip Lawrence (A0.883766). The Ride of the Valkyries Wagner.What do brass bands like, a good tune, a challenge, a good blow and technical work-out, a chance to show that a brass band can do what any other instrumental group can do including the symphony orchestra, and being able to bring the great classics to locals in their community, in the concert hall and in the band stand where the music comes to the public too? I’m sure that desires and ideals might be listed above. Besides the history of bands 180 years ago having no music and those within arranged popular tunes of the day and great classic symphonic works (often truncated), not al lots has changed apart from the fantastic influx of composed works for band over the last 60+ years, there’s also been a steady influx of orchestral works form the 1980’s as the technical facility of players has grown beyond belief, for EG. My old mentor and teacher Howard Snell working with Desford and other bands into the 90’s started to arrange orchestral works that A. Were fantastic works of musical caliber (many unknown the the BB rep) and, B. A superb challenge to the band - Daphnis and Chole Suite No 2 Ravel and Pines of Rome Respighi to name just two. In the same vein I have recently released Romeo & Juliet Tchaikovsky recently premiered in London by The Fulham Band, and today I let fly again one of the best known musical works in the world yet so far either not arranged because of over all length and technical difficulty, or just too harder work for the arranger? The Ride of the Valkyries Richard Wagner. 4 pages of full on can’t take your eyes off for a second challenge! Will your band take it on? Chop fatigue guaranteed plus and standing ovation from the audience.
$59.99
54.75 €
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Richard Wagner
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The Ride of the Valkyries. Wagner
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Phillip Lawrence
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SheetMusicPlus
Spring Spirits
Instrumental Duet Horn,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.7…
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Instrumental Duet Horn,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.765039 Composed by Lori Archer Sutherland. Contemporary,Standards. Score and parts. 6 pages. Lori Archer Sutherland #4969137. Published by Lori Archer Sutherland (A0.765039). Two copies of the performance score are included in the PDF, one for each performer. For trumpet/horn duet The season of spring, at least here in the Midwest, is full of contradictions. It is windy and chilly one day, and beautiful and sunny the next. The first section represents the stormy side of spring. The sun appears in the middle section to brighten things up, the second voice taking over the melody. The storms reappear for the final section, reminding us that summer has not yet come. Suitable for solo and ensemble contest.
$6.00
5.48 €
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Lori Archer Sutherland
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Spring Spirits
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Lori Archer Sutherland
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SheetMusicPlus
A Frozen Wisp - Bass Clarinet
Bass Clarinet,Instrumental Duet,Marimba - Level 5 - Digital Download SKU: A0.1015085
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Bass Clarinet,Instrumental Duet,Marimba - Level 5 - Digital Download SKU: A0.1015085 Composed by Dane Anthony Madrigal. Contemporary. 6 pages. Dane Anthony Madrigal #6207701. Published by Dane Anthony Madrigal (A0.1015085). COMPOSERâ??S NOTESA Frozen Wisp is actually a development from a setting of words that I wrote in my spare time. The Words somewhat reflect the sacred atmosphere from the time of penning. Moreover, the text is meant to cast the shadow of life's burdens, and its inevitable end. Provided here are the words:Though winter may seem cold.Filling earth with such great chill, Winter's sweet silence will make us whole;The storm may find us weary, Cold and dark with such great fright,Yet in this darkness there is still light;So bring on life's troubles, Doubt and fear and all life's woes, Glory shall find me where'er I go.
$2.00
1.83 €
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Dane Anthony Madrigal
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A Frozen Wisp - Bass Clarinet
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Dane Anthony Madrigal
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SheetMusicPlus
A Frozen Wisp - Marimba
Bass Clarinet,Instrumental Duet,Marimba - Level 3 - Digital Download SKU: A0.1015088
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Bass Clarinet,Instrumental Duet,Marimba - Level 3 - Digital Download SKU: A0.1015088 Composed by Dane Anthony Madrigal. Contemporary. 7 pages. Dane Anthony Madrigal #6207707. Published by Dane Anthony Madrigal (A0.1015088). COMPOSER’S NOTESA Frozen Wisp is actually a development from a setting of words that I wrote in my spare time. The Words somewhat reflect the sacred atmosphere from the time of penning. Moreover, the text is meant to cast the shadow of life's burdens, and its inevitable end. Provided here are the words:Though winter may seem cold.Filling earth with such great chill, Winter's sweet silence will make us whole;The storm may find us weary, Cold and dark with such great fright,Yet in this darkness there is still light;So bring on life's troubles, Doubt and fear and all life's woes, Glory shall find me where'er I go.
$2.00
1.83 €
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Dane Anthony Madrigal
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A Frozen Wisp - Marimba
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Dane Anthony Madrigal
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SheetMusicPlus
Sync (Flute Part Only)
Small Ensemble Cello,Double Bass,Flute - Digital Download SKU: A0.1024748 Composed …
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Small Ensemble Cello,Double Bass,Flute - Digital Download SKU: A0.1024748 Composed by Will Phillips. 20th Century,Contemporary. Score and parts. 5 pages. Will Phillips Music #3465400. Published by Will Phillips Music (A0.1024748). Sync, for flute, cello, and bass trio, is a complex piece which includes a variety of time signatures, virtuosic flute lines, driving cello rhythms, and jazz-influenced pizzicato bass lines. The title derives from the phasing that occurs as a result of multiple pulses that align, dis-align, and re-align throughout. The rhythms that drive the piece are heavily syncopated, yet often times, even non-syncopated rhythms are perceived as such as a result of the offsetting phasing of the pulse. The rhythmic figures are constructed as not just a variety of attacks, but also note lengths, which alternate between combinations of accents, legato, and staccato phrases. Each section is glued together using transitions which guide the individual pulses to their next point of alignment. Throughout the bridge sections, all three instruments take on differing roles: the flute plays ethnically influenced over-arching melodies, while the cello underscores the flute with double and triple-stop chords, and the bass maintains a steady but syncopated pulse. Finally, the piece comes to a close with each instrument rallying together as one; the final sync point.
$3.99
3.64 €
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Will Phillips
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the final sync point.
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Sync
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Will Phillips Music
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SheetMusicPlus
Sync (Cello Part Only)
Small Ensemble Cello,Double Bass,Flute - Digital Download SKU: A0.1024749 Composed …
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Small Ensemble Cello,Double Bass,Flute - Digital Download SKU: A0.1024749 Composed by Will Phillips. 20th Century,Contemporary. Score and parts. 5 pages. Will Phillips Music #3465402. Published by Will Phillips Music (A0.1024749). Sync, for flute, cello, and bass trio, is a complex piece which includes a variety of time signatures, virtuosic flute lines, driving cello rhythms, and jazz-influenced pizzicato bass lines. The title derives from the phasing that occurs as a result of multiple pulses that align, dis-align, and re-align throughout. The rhythms that drive the piece are heavily syncopated, yet often times, even non-syncopated rhythms are perceived as such as a result of the offsetting phasing of the pulse. The rhythmic figures are constructed as not just a variety of attacks, but also note lengths, which alternate between combinations of accents, legato, and staccato phrases. Each section is glued together using transitions which guide the individual pulses to their next point of alignment. Throughout the bridge sections, all three instruments take on differing roles: the flute plays ethnically influenced over-arching melodies, while the cello underscores the flute with double and triple-stop chords, and the bass maintains a steady but syncopated pulse. Finally, the piece comes to a close with each instrument rallying together as one; the final sync point.
$3.99
3.64 €
#
Will Phillips
#
the final sync point.
#
Sync
#
Will Phillips Music
#
SheetMusicPlus
Sync
Small Ensemble Cello,Double Bass,Flute - Level 5 - Digital Download SKU: A0.1024747…
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Small Ensemble Cello,Double Bass,Flute - Level 5 - Digital Download SKU: A0.1024747 Composed by Will Phillips. 20th Century,Contemporary. Score and parts. 13 pages. Will Phillips Music #3465398. Published by Will Phillips Music (A0.1024747). Sync, for flute, cello, and bass trio, is a complex piece which includes a variety of time signatures, virtuosic flute lines, driving cello rhythms, and jazz-influenced pizzicato bass lines. The title derives from the phasing that occurs as a result of multiple pulses that align, dis-align, and re-align throughout. The rhythms that drive the piece are heavily syncopated, yet often times, even non-syncopated rhythms are perceived as such as a result of the offsetting phasing of the pulse. The rhythmic figures are constructed as not just a variety of attacks, but also note lengths, which alternate between combinations of accents, legato, and staccato phrases. Each section is glued together using transitions which guide the individual pulses to their next point of alignment. Throughout the bridge sections, all three instruments take on differing roles: the flute plays ethnically influenced over-arching melodies, while the cello underscores the flute with double and triple-stop chords, and the bass maintains a steady but syncopated pulse. Finally, the piece comes to a close with each instrument rallying together as one; the final sync point.
$19.99
18.24 €
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Will Phillips
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the final sync point.
#
Sync
#
Will Phillips Music
#
SheetMusicPlus
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