Version française
Browse Free-scores.com
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home page
Top Downloads
Instrumentations
Composers
New additions
Christmas
Other Services
Other Services
Top 100
Staff paper
Metronome
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free Sheet Music
Digital Sheet Music
146
Sheet Music Books
1,803
Music Equipment
23
Digital scores
(access after purchase)
Post mailing
Digital sheet music
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Not classified
146
PIANO & KEYBOARDS
Piano solo
201
Piano, Voice
49
Piano, Vocal and Guitar
27
Easy Piano
26
Organ
22
Piano Trio: piano, violin, cello
7
Big Note Piano
5
1 Piano, 4 hands
5
C Instruments
3
Harpsichord
1
Organ, Piano (duet)
1
Piano Quintet: piano, 2 violins, viola, cello
1
Piano Accompaniment
1
2 Pianos, 4 hands
1
Piano Quartet: piano, 2 violins, cello
1
Instrumentations suivantes
Retracter
GUITARS
Guitar notes and tablatures
51
Guitar
26
Ukulele
5
Melody line, (Lyrics) and Chords
2
Bass guitar
2
Guitar, Violin, Cello (trio)
1
Dulcimer
1
Piano, Guitar (duet)
1
Instrumentations suivantes
Retracter
VOICE
Choral SATB
32
Choral 3-part
16
Alto voice, Piano
9
Choral SSAA
8
Choral 2-part
4
Choral Unison
4
Choral TTBB
3
Choral SSATB
1
High voice
1
Instrumentations suivantes
Retracter
WOODWIND
2 Saxophones (duet)
17
Flute and Piano
15
Saxophone Quartet: 4 saxophones
13
Clarinet and Piano
13
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
13
Oboe, Piano (duet)
11
2 Flutes (duet)
9
Clarinet
9
Alto Saxophone and Piano
8
Alto Saxophone
8
Clarinet Ensemble
8
Flute, Oboe, Clarinet, Bassoon
8
Clarinet Quartet: 4 clarinets
8
2 Clarinets (duet)
7
Flute ensemble
7
Tenor Saxophone and Piano
7
Flute
6
Tenor Saxophone
6
Flute Quartet: 4 flutes
6
Soprano Saxophone and Piano
6
Saxophone ensemble
5
2 Oboes (duet)
4
Baritone Saxophone, Piano
3
English horn, Piano
2
Bass Clarinet, Piano
2
Saxophone Quintet: 5 Saxophones
2
Baritone Saxophone
2
Oboe
2
Soprano Saxophone
2
Saxophone (band part)
1
Piccolo, Piano
1
Flute, Oboe, Piano (trio)
1
Flute and Guitar
1
Descant (Soprano) Recorder
1
Saxophone and Organ
1
Flute Trio: 3 flutes
1
Clarinet Quintet: Clarinet, String Quartet
1
Flute, Clarinet, Piano (trio)
1
Recorder Quartet
1
Instrumentations suivantes
Retracter
WOODBRASS
Brass Quintet: 2 trumpets, horn, trombone, tuba
17
French Horn and Piano
13
Trombone and Piano
11
Trumpet, Piano
9
Euphonium, Piano (duet)
7
Trumpet
7
Tuba and Piano
6
2 French horns (duet)
5
Tuba
5
2 Trumpets (duet)
4
2 Trombones (duet)
4
French horn
3
Brass Quartet: 2 trumpets, horn, trombone
3
Trombone
3
Brass quartet : 2 trumpets, trombone, tuba
3
English horn, Piano
2
2 Tubas (duet)
2
Trumpet, Trombone (duet)
1
Brass Quartet: 4 horns
1
Bass Trombone
1
Brass Quartet: 4 trombones
1
Tuba ensemble
1
Trombone ensemble
1
Instrumentations suivantes
Retracter
STRINGS
Violin and Piano
29
String Quartet: 2 violins, viola, cello
23
Harp
15
String Trio: violin, viola, cello
14
Cello, Piano
11
Violin
9
Viola, Piano
8
2 Violins (duet)
6
Cello
6
2 Cellos (duet)
5
2 Violas (duet)
4
Double bass, Piano (duet)
3
Viola
3
Double Bass
2
2 Double basses (duet)
2
String Quintet: 2 violins, viola, cello, bass
2
String Trio: 2 violins, cello
2
2 Violins, Piano
1
4 Cellos
1
Harp, Flute (duet)
1
String Trio: 3 cellos
1
Cello, Guitar (duet)
1
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
Concert band
74
Orchestra
25
String Orchestra
15
Brass ensemble
13
Jazz Ensemble
11
Handbells
9
Chamber Orchestra
3
Jazz combo
2
Vibraphone
1
2 Marimbas
1
Drums
1
Percussion Ensemble
1
Instrumentations suivantes
Retracter
OTHERS
You've selected:
Not in the Mood
Sheetmusic to print
146 sheet music found
<
1
26
51
....
126
Grieg: Morning Mood from Peer Gynt Suite for Baritone Horn & Piano
Baritone Horn TC,Euphonium,Piano - Level 3 - Digital Download SKU: A0.552855 Compos…
(+)
Baritone Horn TC,Euphonium,Piano - Level 3 - Digital Download SKU: A0.552855 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3504695. Published by jmsgu3 (A0.552855). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation.  Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$32.95
30.38 €
#
Edvard Grieg
#
Grieg: Morning Mood from Peer Gynt Suite for Baritone Horn & Piano
#
jmsgu3
#
SheetMusicPlus
Grieg: Morning Mood from Peer Gynt Suite for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549521 Co…
(+)
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549521 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 17 pages. Jmsgu3 #3504479. Published by jmsgu3 (A0.549521). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Very effective on the Oboe d'Amore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Â
$32.95
30.38 €
#
Edvard Grieg
#
Grieg: Morning Mood from Peer Gynt Suite for Oboe d'Amore & Piano
#
jmsgu3
#
SheetMusicPlus
The Monk's Turned Topsy-Turvy
Clarinet - Digital Download SKU: A0.1071177 Composed by Lori Archer Sutherland. Con…
(+)
Clarinet - Digital Download SKU: A0.1071177 Composed by Lori Archer Sutherland. Contemporary,Folk,Standards. Full Performance. Duration 224. Lori Archer Sutherland #4804263. Published by Lori Archer Sutherland (A0.1071177). The Monk’s Turned Topsy-Turvy is an original fantasy for clarinet choir, based on the old French-Canadian children’s song, Ah! Si mon moine voulait danser! (Danse, mon moine, danse). The title is a play on words: moine means both monk and spinning top in French. The lyrics speak of persuading mon moine to dance by offering various articles of clothing, such as a hood or cap.After a brief, yet bold, introduction, the piece jumps into a straightforward rendition of the tune. From there, the melody is repeated, bringing in other voices and added flourishes. While the tune starts to repeat a third time, it doesn’t get to finish its full statement. It’s interrupted by a run up through the ensemble into a rollicking 7/8 section.With a rhythmic accompaniment underneath, the jaunty melody begins in the third clarinets. The upper instruments take over briefly in 6/8, then the tune returns to 7/8. After a quick breather, the accompaniment introduces an upward sweep motif. This alternates with the accompaniment pattern heard at the beginning of the 7/8 section.The lower voices then take control, driving downward into a different tonality and mood. An undulating accompaniment sets a dreamlike feel, with different voices quoting fragments of the theme. The accompaniment transfers between voices throughout the section, eventually changing back into a 3/4, then a 2/4 feel, resulting in a transition back to the original feel of the piece.The low voices get the melody, with rhythmic accompaniment and racing runs throughout the other sections. The melody goes a bit topsy-turvy before the group comes together in the descending quarter note motif from the beginning of the piece, bringing us to the coda. There’s one final quote of the opening of the main theme from the low voices, leading to a whirlwind in the first and Eb with accented notes and suspensions underneath. The Eb pipes up with one last comment and the group closes out the piece.
$1.99
1.83 €
#
Lori Archer Sutherland
#
The Monk's Turned Topsy-Turvy
#
Lori Archer Sutherland
#
SheetMusicPlus
The Moon's Sun
Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 4 - Digital Downloa…
(+)
Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.1029742 Composed by Nolwazi Nkwanyana. 20th Century,Contemporary,Romantic Period. Score and parts. 15 pages. Nolwazi Nkwanyana #6884175. Published by Nolwazi Nkwanyana (A0.1029742). For Flute, Bb Clarinet and PianoDuration: 4.5 minutesThe relationship between the sun and the moon is a rather fascinating one. One could imagine that the sun, as bright and glorious as it is, shares its light to help the moon come to life at night. A bright full moon is such a splendid and ethereal sight -but it would not be so without the sun. During the darkest nights, the moon and sun work together to provide the night sky with a timeless illumination. You will find that all three instruments have their beautiful individual moments. However, the most brilliant and splendid sections in the piece are a result of their timbres combined and the way their melodic lines intertwine. The piano part is crucial for setting the mood of each section and should be treated with ultimate delicacy and importance. There is no main instrument in this piece. The flute and clarinet come together bringing additional light and life to the majestic landscape that is provided by the piano.
$11.99
11.05 €
#
Nolwazi Nkwanyana
#
The Moon's Sun
#
Nolwazi Nkwanyana
#
SheetMusicPlus
It Is Not Death to Die - Orchestration
Small Ensemble - Digital Download SKU: A0.976717 Composed by Robert Myers. Contempo…
(+)
Small Ensemble - Digital Download SKU: A0.976717 Composed by Robert Myers. Contemporary,Easter,Sacred. Score and parts. 67 pages. WheatMyer Music #4794639. Published by WheatMyer Music (A0.976717). It Is Not Death to Die is a new setting of French poet Henri Abraham César Malan's Non, ce n'est pas mourir as translated by George Washington Bethune and adapted for this work. Why this text? It first came to my notice shortly after the passing of Billy Graham, who was known to paraphrase D. L. Moody, Someday you will read or hear that Billy Graham is dead. Don’t you believe a word of it. I shall be more alive than I am now. I will just have changed my address. I will have gone into the presence of God.Graham's bold proclamation and Malan's poetry motivated me to focus anew on the resurrection, re-remembering it as the pivotal element of the Christian faith. For if there is no resurrection, Paul says in 1 Cor 15, our faith is useless. But Christ has indeed been raised from the dead! Unfortunately, singing about heaven has, perhaps, been neglected of recent decades. We seem to have focused more on the already to the detriment of the not yet. But it is important to remember that this life is not all there is! Quoting Paul again, the sufferings of this present time are not worth comparing with the glory that is to be revealed to us (Rom 8:18). Yet, if Christ delays, the grim inevitability of our transition into eternity is a certain experience we all face. Malan's poetry so poignantly and eloquently captures this tension that it compelled me to compose a fresh musical setting that attempts to captures the mixture of dread and hope borne out in the acclamation that death is swallowed up in victory! I pray that this setting aids the Church to remember the great hope and promise Christ has granted us: O Death, where is your victory? O Death, where is your sting?_______________________________________________________________________________________________The music opens with a C# diminished chord in a very still and somber texture reflective of grief. The text is introduced with the first of two main motives, a rising 4-note outline of B minor in a triple repetition of It Is Not Death. As each stanza proceeds the music concludes on the second motive, a 5-note descending span of a minor 7th in Bb Lydian. The energy and mood of the music gradually shift over the five stanzas, as the focus moves from this life to the next; the texture thickens, the harmony expands, and the dynamic grows into the music’s pinnacle on reign with You on high! The music closes on a reprise of the opening section, simultaneously mindful of our mortality and our eternity.Available with orchestral (this version) or piano accompaniment, It Is Not Death to Die is a fitting close to the Easter season, or is suitable for Ascension Sunday, a funeral or memorial service, or any time in the church year to remind Christians of the central hope of our faith, eternal life in Christ.Robert MyersS.D.G.Orchestration 2 1 1 1 1 2 2 2 1 1 Timp Glock Perc Mark Tree, Sus Cym, Crash Cym, Snare, Bass Drum, Mid Tom, Triangle, Tam Tam Piano Strings
$75.00
69.14 €
#
Robert Myers
#
#
It Is Not Death to Die - Orchestration
#
WheatMyer Music
#
SheetMusicPlus
Variations in Db
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
(+)
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1254186 Composed by Joe Strachan. 21st Century,Blues,Classical,Jazz,Traditional. Brass Band. 37 pages. Joseph Strachan #847781. Published by Joseph Strachan (A0.1254186). I intend to compose using the structure of theme and variations, scored for a brass band which consists of an Eb Soprano cornet, Bb cornets, Flugelhorn, Eb Tenor horns, Bb Baritones, Tenor Trombones, Bass trombone, Bb Euphonium, Bb Tuba, Eb tuba and percussion. I intend to convey multiple moods and brass band techniques throughout my piece by creating blended harmony, jazzy rhythm, and modulation. With the theme, I intend to make the band blend in harmony with the music. Into the first variation to create different rhythms and to create a jazz mood. To create the theme, I intend to establish the key of Db major in 4/4 time with a homophonic texture. For Example, to establish the key of Db in bb.1-8. I intend to use the primary and secondary chords Db, Eb, Db, Bb, Eb, Bb, Db, Bb, Eb, Fm, Gm, Bb, Eb, Fm, Ab, Db. To strengthen the chords, I use the root note in the bass lines (e.g. Bb bass).  With creating the theme I also take into consideration having a structured flowing catchy melody to show the audience a clear statement that this is the theme. The Rhymtic features in the theme are crotchets and quavers. But which are soon to be embellished in the variations. The dynamic in the theme is mf (mezzo-forte)  and mp (mezzo-piano)  in the higher instruments.  And forte in the lower voices for balancing. The tempo marking is crotchet equals 60 beats per minute. In variation 1, I intend to maintain the original melody from the theme (solo cornet)  whole creating contrast with the inclusion of jazz-styled rhythms and dissonant chords. For example, I use a jazz-styled drum ostinato (bb. 9-61) Featuring dotted quavers and semiquavers. In addition to this, I feature dissonance with the use of 7th chords which can be seen at bb.18-26, 31-39, and bars  54-62 For example, in bars 18-26 the cornets are playing the melody in a four-part harmony only using 7th chords. The rhythmic features are more embellished using crotchets and quavers. But also using dotted quavers and semiquavers to show that this melody this a variation. The dynamics in the variation are extended with more instruments having a forte dynamic to have a strong expressive dynamic. Inspiration of this variation comes from people like (Maynard Ferguson, and Gordon Goodwin).
$40.00
36.88 €
#
Joe Strachan
#
Variations in Db
#
Joseph Strachan
#
SheetMusicPlus
I'm In The Mood For Love
Rhythm Section Bass Clef Instrument,Bass Guitar,Bass Trombone,Double Bass,Drum Set,Drums,K…
(+)
Rhythm Section Bass Clef Instrument,Bass Guitar,Bass Trombone,Double Bass,Drum Set,Drums,Keyboard,Piano,Tenor Trombone,Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.961211 Composed by Dorothy Fields and Jimmy McHugh. Arranged by Robert Coil. Contemporary,Jazz,Standards. 32 pages. Polished Brass #6348031. Published by Polished Brass (A0.961211). This arrangement for trombone quintet, with optional rhythm section, has an up-tempo beat. A solo section with chords and notated solos are included in each of the trombone parts to encourage solos. The first part requires a player with a confident c2, but all the other parts are accessible to good high school players. For variety, an optional rubato intro is suggested, which can be used in place of the up-tempo start. Originally published in 1935, this song was sung in the movie I by Frances Langford. She used this song to great affect while on tour with Bob Hope to entertain the troops in WW II. Many artists have had hits with this song, among them Louis Armstrong, Barbara Streisand, and Rod Stewart. Jimmy McHugh and Dorothy Fields collaborated on over 30 songs, including On The Sunny Side Of The Street and I Can't Give You Anything But Love. The arranger, Bob Coil, is a graduate of the University of Cincinnati College-Conservatory of music, where he studied bass trombone with Betty Glover. Dr. Coil is the leader of the Bones of Cincinnatus trombone ensemble in Cincinnati, OH.
$12.99
11.98 €
#
Dorothy Fields and Jimmy McHugh
#
I'm In The Mood For Love
#
Polished Brass
#
SheetMusicPlus
The Winner
Small Ensemble - Digital Download SKU: A0.1017906 Composed by Andreas Kleinert. Con…
(+)
Small Ensemble - Digital Download SKU: A0.1017906 Composed by Andreas Kleinert. Contemporary. Score and parts. 2 pages. Andreas Kleinert #6326291. Published by Andreas Kleinert (A0.1017906). Ein Ruf der Kinder aus unseren Familienferien: Auf den Ruf hin „Wer gehört oben ist! gab es einen Wettlauf die Treppe hoch. Genau aus diesem Ruf und der Situation entstand in meinem Kopf dieses Stück - voll guter Laune! Das Stück darf gern etwas wild gespielt werden, wie eben der Wettlauf unserer Kinder, als sie noch klein waren! Es hat, wie ich erst später sah, wieder nur die von mir so geliebten weißen Tasten. Und es kling trotzdem jazzig! Ich habe auch ein Big-Band-Arrangement mit Solos davon, die du hier in den Teilen B und C siehst.In our familiy holidays suddenly our children called: „Wer zuerst oben ist! (Who´s up first?)and there was a race upstairs! Right from this call and this situation this piece of music originated in my head – full of good mood! You may play this piece a bit wildly – just like the competition race of our children in the time when they were still small. As I noticed later, the piece has only white keys – and sounds jazzy nevertheless! The original version was a piece for big band with solos (look part B and C). The piece fits on two pages and has a rondo form as it is written above: Intro A B A C A. Sorry to say that my music program does not understand it, I don´t know why, but you`ll understand it, and this is the main thing! Have great fun with sports and games! And music! Das Stück passt gut auf zwei Seiten und ist auch in Rondoform, wie es darüber steht, leicht zu verstehen: Intro ABAC A. Leider versteht es mein Notensatzprogramm nicht, warum, weiß ich nicht. Aber du hast es verstanden, das ist die Hauptsache! Viel Spaß bei Sport und Spiel! Und der Musik!
$3.99
3.68 €
#
Andreas Kleinert
#
The Winner
#
Andreas Kleinert
#
SheetMusicPlus
Together As One
Choral Choir,Choral,SSA Chorus - Level 4 - Digital Download SKU: A0.1514589 Compose…
(+)
Choral Choir,Choral,SSA Chorus - Level 4 - Digital Download SKU: A0.1514589 Composed by Michael Thomas Coull. 21st Century,Contemporary,Pop,Standards. 20 pages. MTC Publishing #1089079. Published by MTC Publishing (A0.1514589). Together As One - Choral Composition for SSA choir and Piano by Michael Thomas CoullTogether As One is a song about singing in a choir and performing to an audience. It explores how singing gives us both sides of the emotional coin: from nervousness and even trepidation on one side, to great joy on the other. We all feel nervous before a performance, and even more so when we are actually standing in front of the audience. But then we are announced, the choir director raises their arms, the accompanist starts the introduction and we are all brought in and start singing. And at that moment we realize something, that when we all sing a great joy overtakes us, lifting us up to another world where our voices meld 'Together As One'. This original composition for SSA choir and piano accompaniment is an inspirational song that captures the mood and enjoyment of singing, and how singing effects us both individually and as a group. A song that your choir will love to sing with beautiful harmonies and a soaring descant part, and perfect to perform at any time of the year.Also available for SATB, SSAA and Unison in F Major, and 2-Part in Eb Major.
$3.99
3.68 €
#
Michael Thomas Coull
#
Together As One
#
MTC Publishing
#
SheetMusicPlus
Gabrieli: Jubilate Deo Ch. 136 for Low Brass Choir
Level 3 - Digital Download SKU: A0.549196 Composed by Giovvanni Gabrieli. Arranged …
(+)
Level 3 - Digital Download SKU: A0.549196 Composed by Giovvanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3457617. Published by jmsgu3 (A0.549196). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: 3 trombones, 3 euphoniums & 3 tubas. Duration: 3:00, cut time 4/2 at half-note = 96, 71 ms. Score: 24 pg. parts: 2 pg. Here is a stunningly beautiful example of Renaissance polyphony, and a mesmerizing fast-paced recital number. Program this either at the beginning to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not difficult but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.21 €
#
Giovvanni Gabrieli
#
3 tubas
#
Gabrieli: Jubilate Deo Ch. 136 for Low Brass Choir
#
jmsgu3
#
SheetMusicPlus
Gabrieli: Jubilate Deo Ch. 136 for Double Reed Choir
Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.549199…
(+)
Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.549199 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3458615. Published by jmsgu3 (A0.549199). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: 4 oboes, 2 English horns, 2 bassoons, 1 contrabassoon (or 3 bassoons). Duration: 3:00, cut time 4/2 at half-note = 96, 71 ms. Score: 24 pg. parts: 2 pg. Here is a stunningly beautiful example of Renaissance polyphony, and a mesmerizing fast-paced recital number. Program this either at the beginning to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not difficult but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$47.95
44.21 €
#
Giovanni Gabrieli
#
Gabrieli: Jubilate Deo Ch. 136 for Double Reed Choir
#
jmsgu3
#
SheetMusicPlus
Around the Cauldron
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.898935 Composed by …
(+)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.898935 Composed by Gilad Cohen. Contemporary. Score and parts. 107 pages. Gilad Cohen #4367110. Published by Gilad Cohen (A0.898935). Around the Cauldron was inspired by the three witches from Shakespeare’s play Macbeth. With a nod to multi-movement pieces such as Schumann's Scenes From Childhood and Mussorgsky's Pictures At An Exhibition, Around the Cauldron is comprised of seven short scenes, each of which evokes a mood that resonates with an image of three witches gathered around a cauldron in a dark forest, muttering spells, and adding selected creatures to a bubbling stew. The movements carry individual titles: In Dusk, Pounce, Transmutation, Boiling, Witches Waltz, Newts’ Lament, and Sacrificial. Most of the melodies in the piece were tailored to fit lines from the original Shakespearean text and were also arranged as songs for a production of Macbeth at Ramapo College of New Jersey. Thus, the main theme sets the play’s immortal opening words: Fair is foul and foul is fair / Hover through the fog and filthy air. Honoring the three witches, the piece reflects the number three in its rhythms, which highlight groups of three beats; in its themes, which are constructed of three phrases; and in its instrumentation, which suggests that each instrument represents a different witch. Around the Cauldron was commissioned by Concert Artists Guild with support from the Adele and John Gray Endowment Fund for Lysander Piano Trio, which is fittingly named after another Shakespearean character.
$18.95
17.47 €
#
Gilad Cohen
#
Around the Cauldron
#
Gilad Cohen
#
SheetMusicPlus
In The Mood
Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 5 - Digital Download SKU: A0.…
(+)
Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 5 - Digital Download SKU: A0.1473929 By Ernie Field's Orchestra. By Joe Garland. Arranged by Reno Fusani. Jazz. 42 pages. Reno Fusani #1051627. Published by Reno Fusani (A0.1473929). Funtime! Not quite Glenn Miller but close. Includes an optional solo for any instrument. The sound clip jumps from measure 8 to measure 21.
$19.99
18.43 €
#
Ernie Field's Orchestra
#
In The Mood
#
Reno Fusani
#
SheetMusicPlus
In the Mood
Small Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Piano and Keyboard - Interact…
(+)
Small Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Piano and Keyboard - Interactive Download SKU: A0.482087 By Glenn Miller. By Joe Garland. Arranged by Nicholas Cocco. This edition: Interactive Download. Standards. Score and parts. 11 pages. Duration 118. Published by CoccoMusic LLC and Underdog Music and Publishing (A0.482087). This is an arrangement of Joe Garland's song, not a transcription. Don't be surprised by the changes. Feel free to comment!
$19.99
18.43 €
#
Glenn Miller
#
In the Mood
#
CoccoMusic LLC and Underdog Music and Publishing
#
SheetMusicPlus
Sing the Glory of God
Digital Download SKU: C6.646022303 Accompaniment mp3. Composed by Vicki Hanc…
(+)
Digital Download SKU: C6.646022303 Accompaniment mp3. Composed by Vicki Hancock Wright. Christian. MP3. Growing In Grace - Digital #646022303. Published by Growing In Grace - Digital (C6.646022303). Based on Psalm 19:1, this delightfully rhythmic unison anthem celebrates the majesty of God's creation. The melodic lines explore nice open vowels on high notes while the light syncopation propels the music forward. A contrasting middle section serves as a prayer. Optional handbells (or handchimes) and finger cymbals add to the festive mood of the piece.
$9.99
9.21 €
#
Vicki Hancock Wright
#
Sing the Glory of God
#
Growing In Grace - Digital
#
SheetMusicPlus
Sing the Glory of God
Digital Download SKU: C6.636022303 Demonstration mp3. Composed by Vicki Hanc…
(+)
Digital Download SKU: C6.636022303 Demonstration mp3. Composed by Vicki Hancock Wright. Christian. MP3. Growing In Grace - Digital #636022303. Published by Growing In Grace - Digital (C6.636022303). Based on Psalm 19:1, this delightfully rhythmic unison anthem celebrates the majesty of God's creation. The melodic lines explore nice open vowels on high notes while the light syncopation propels the music forward. A contrasting middle section serves as a prayer. Optional handbells (or handchimes) and finger cymbals add to the festive mood of the piece.
$1.99
1.83 €
#
Vicki Hancock Wright
#
Sing the Glory of God
#
Growing In Grace - Digital
#
SheetMusicPlus
A Whitman Triptych: II. What Is the Grass? (Downloadable)
Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - Digital Download SK…
(+)
Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8322-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 15 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8322-E. Published by E. C. Schirmer Music Company - Digital (MQ.8322-E). UPC: 600313483226. English. The three a cappella choral pieces that comprise “A Whitman Triptych†were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass†was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed†as the basis for my composition “Invocation and Dance.†I went on to set “Good-Bye, My Fancy†for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road†for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. “What is the Grass?†is also an adaptation of a much longer poem, one of Whitman’s deepest, and most mysterious. The poem begins as a child-like meditation on grass; as hope, as an embodiment of new life and new growth in the plant world. Then suddenly there is a somber turn with the line “And now it seems to me the beautiful uncut hair of graves.†Here Whitman enters an extended mediation on how grass connects life and death, informed by his experiences in the Civil War. Hope returns with the line: “They are alive and well somewhere,†leading to the mysterious final line: “And to die is different from what anyone supposed, and luckier…†Here Whitman affirms that death can be an initiation into a broader participation of existence. In the words of poet Ivan M. Granger, Whitman offers a “Zen-like riddle that doesn’t offer an answer so much as a pathway of questioning.†My musical setting follows Whitman’s exploration, first taking a child’s point of view, expressed with lilting melodies set in a lively compound meter. The entry of the tenor soloist indicates a change of mood to the serious. The first mood returns, leading to a climax on the words “And led forward life…â€, set in 9-part harmony. The mood turns reverent, as the tenor soloist intones: “All goes onward and outward; nothing collapses.†The piece ends with a tone of gentle, slightly ironic questioning. -David ConteDuration: 5:42
$2.85
2.63 €
#
David Conte
#
A Whitman Triptych: II. What Is the Grass?
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Nocturne in Bb minor (Vesper Procession)
Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.966750
(+)
Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.966750 Composed by Dillon Ekle. 20th Century,Christian,Easter,Sacred. Score and parts. 9 pages. Dillon Ekle #3068399. Published by Dillon Ekle (A0.966750). This original composition takes its inspiration from Vespers, an evening service of prayer. The piece begins with a brooding bass rhythm, which underlies much of the composition, as melodies depict images of the evening sun's procession toward the horizon. At the moment of the sun's setting, a grand hymn emerges, the emotional high point of the journey as the fires of creation illuminates the world in God's glory, before cooling into a final reprise of the initial melody as the darkness of night settles in.While not an actual setting of the text, the original hymn-like melody in this piece is inspired by the ancient prayer called Phos Hilaron (O Gladsome Light), one of the earliest Christian hymns.This piece, written for piano duet (1-piano, 4-hands), is appropriate for concerts, or as a prelude or other instrumental moment in a church service, especially evening services. While it is not specific to any season, the mood is also appropriate for services in Advent, Lent, Holy Week, or other times of reflection.Melodies move throughout the range of the piano and across both players. Both parts are of similar difficulty, and neither part is more featured than the other; a musical performance will require a strong sense of ensemble.An audio preview accompanied by images and the Phos Hilaron text which inspired part of this piece can be found here: https://www.youtube.com/watch?v=NK0NAl15juUThe PDF file is formatted to be printed double-sided. Once printed and bound, odd numbered pages (including the cover page) should be on the right (where the primo player sits), and even numbered pages should be on the left (where the secondo player sits). Alternatively, if two pianos are being used, the file can be printed single-sided and the parts separated out; the primo player will have the odd numbered pages, and the secondo player will have the even numbered pages.
$4.99
4.6 €
#
Dillon Ekle
#
Nocturne in Bb minor
#
Dillon Ekle
#
SheetMusicPlus
Eg veit i himmerik ei borg (I know a castle in heaven)
Brass Ensemble Trumpet - Level 3 - Digital Download SKU: A0.940772 Composed by Nick…
(+)
Brass Ensemble Trumpet - Level 3 - Digital Download SKU: A0.940772 Composed by Nick Walkley. Christian,Contemporary,Patriotic,World. Score and parts. 15 pages. Nick Walkley #3433499. Published by Nick Walkley (A0.940772). This is a meditative arrangement of a well known Norwegian hymn. The arrangement sets three verses of the melody 'bookended' by a mirrored introduction and coda. It was originally written for and performed by the cornet section of the Band of the Welsh Guards, before being also expanded to military (wind) and brass band formats.In the hymn, one sings of a hopeful final journey to a place without worry or sorrow. The arrangement reflects the mood of these three verses, with increaing tension and movement through ascending lines as the journey progresses towards a final resting place. The hymn is regularly used at funerals and memorial services. The text was originally old German and translated to Norwegian by Bernt Støyland in 1905. Translated to English, the text reads as:I know a castle in heaven above, shining as bright as the sun; you'll find no sin nor sorrow there, and never a tear is shed.I am a weary traveller; may my path lead me from here to my Father's land; God, bless me on my way.We thank you for eternity God the Father, one in three. For you are gentle and mild to us in Jesus Christ! Amen.Note to performers:The opening and closing sections require precision in the start and release of notes for the chord progression to function. Attention to detail should be paid to each individual crescendi, diminuendi and articulation. This is excellent training for all brass musicians!
$15.00
13.83 €
#
Nick Walkley
#
Eg veit i himmerik ei borg
#
Nick Walkley
#
SheetMusicPlus
Nights In White Satin
Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download SKU: A0.10…
(+)
Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download SKU: A0.1071669 By The Moody Blues. By Justin Hayward. Arranged by Diane L. Correa. Folk,Pop,Rock. 13 pages. Diane L. Correa #675354. Published by Diane L. Correa (A0.1071669). #DianaFlutist Are you performing this piece? This is a Flute Ensemble arrangement of the of the Moody Blues classic. In the words of Justin Hayward, (Performing Songwriter Magazine; issue(vol.)13, “Nights in White Satin was about a very romantic set of white satin sheets, about Love, about the end of one big affair and the beginning of another. It was about real things that were happening in my life.†“It sort of had that double meaning, which was intentional, sort of medieval knights as well..†Justin Hayward (Performing Songwriter magazine: issue (vol.)13. This is a flute choir ensemble arrangement of the interpretation of a romantic set of white satin sheets, that has a strong thread of Love weaved in and out throughout the piece if you listen with extra care, wrapped up carefully in unrequited Love. Additional note: In the original album where Nights in White Satin first debuted is a concluding poem written by the group’s drummer Graeme Edge. The poem was called “Late Lament†which gave Nights in White Satin it’s carefully written ornamental completion. The original album was called Days of Future Passed, and the beginning lines of the poem Late Lament goes like this…â€Breathe deep the gathering gloom, Watch lights fade from every room,..please enjoy performing this flute choir ensemble arrangement of Nights in White Satin, it was arranged with Love.
$19.99
18.43 €
#
The Moody Blues
#
issue(vol
#
Nights In White Satin
#
Diane L. Correa
#
SheetMusicPlus
"The Sea of Sunset" - for Soprano, Trombone, Double Bass and Piano [Performance Score]
Small Ensemble Double Bass,High Voice,Piano,Trombone - Level 4 - Digital Download SKU: …
(+)
Small Ensemble Double Bass,High Voice,Piano,Trombone - Level 4 - Digital Download SKU: A0.976037 Composed by Lior Navok. 20th Century,Contemporary. Score and parts. 18 pages. Lior Navok Music #4719307. Published by Lior Navok Music (A0.976037). THE SEA OF SUNSETfor Soprano, Trombone, Double Bass and Piano (1997) DURATION: 8 Minutes POEM BY: Emily Dickinson PROGRAM NOTES: The composer writes about his work: The poems of Emily Dickinson are very unique work of art. Most of her poems are full with detailed descriptions, transferring the poems to a medium of picture, carefully painted and calculated. Yet, it is quiet amazing that these poems came from the hand of a woman who lived secluded life, in her hometown Amherst, Massachusetts. A clue may be finds in one of Dickinson's saying: To shut our eyes is to travel. As I approached Dickinson's poems (which are close to 2000), I found that most of them, even the short ones, are built into a large space. Each poem needs its development time and cannot be rushed or squeezed to a regular song form. In The Sea of Sunset, I have let the words, the nature description, and the lazy mood of the poem take me to the picture medium. Adding the murmur of the sea, and the whisper of the wind, I tried to get as close as possible to the picture I saw through the poem. INFO: Item: Full Score Edition: 2nd Edition Copyright: Lior Navok Publisher: Lior Navok Music Pages: 18 Ink: Black & White Paper Size: Folio (Europe) / Legal (USA) Remarks: All performers read from score.
$18.00
16.59 €
#
Lior Navok
#
"The Sea of Sunset" - for Soprano, Trombone, Double Bass and Piano [Performance Score]
#
Lior Navok Music
#
SheetMusicPlus
Toon and Weather Collections: Collections for Violin Volume 6 - ACCOMPANIMENT
Instrumental Duet,Piano Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.11…
(+)
Instrumental Duet,Piano Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.1134590 Composed by Julian Carlick. Classical,Holiday,Instructional,Traditional. Score and parts. 17 pages. Oval Music Edition #734644. Published by Oval Music Edition (A0.1134590). The Accompaniment Book: * Full score showing parts for violin pupil, violin accompaniment and keyboard accompaniment. * Make 'real music' when playing with the accompaniment, such a vital part of the style of learning in the 8 volumes of Collections * Four versions available separately each for Violin, Viola, Cello and some Collections for Double Bass, so that all the instruments can play together. * The Toon and Weather Collections in Volume 6 involve the student violinist in using a new position for the second finger. The accompaniment part helps the student depict the different moods that weather can express such as in 'Hail' and 'Splashing' as well as telling the time by the 'Westminster Chimes', used in clocks all over the world. The nine Collections will soon (from November 2022) be available in two Volumes or one all together. The pupils' book has a total of 66 pages for all 9 Collections. A midi, sound version of the accompaniments is not yet available but is under consideration (November 2022).
$5.00
4.61 €
#
Julian Carlick
#
Toon and Weather Collections: Collections for Violin Volume 6 - ACCOMPANIMENT
#
Oval Music Edition
#
SheetMusicPlus
Partita in Eb Major
Woodwind Ensemble Bassoon,Clarinet,Horn,Oboe - Level 5 - Digital Download SKU: A0.13224…
(+)
Woodwind Ensemble Bassoon,Clarinet,Horn,Oboe - Level 5 - Digital Download SKU: A0.1322449 Composed by Antonio Rosetti. Arranged by Edited & Typeset by Trevor Denyer. Classical. 56 pages. Trevor Denyer #910747. Published by Trevor Denyer (A0.1322449). A terrific piece for Wind Octet that has not been in a performable format. Rosetti has been rather overshadowed by the Classical Greats of the period, but his work was much admired in his lifetime - and it should still be!Wind Partitas were performed at outdoor gatherings to lighten the mood, but the music deserved to be given full attention as it is absolutely delightful.As with all my editions, print the parts double-sided (as presented) and the page turns will work.
$20.00
18.44 €
#
Antonio Rosetti
#
Partita in Eb Major
#
Trevor Denyer
#
SheetMusicPlus
Here Comes The Sun
Choral Choir,Choral (3-Part Mixed) - Level 2 - Digital Download SKU: A0.1349569 By …
(+)
Choral Choir,Choral (3-Part Mixed) - Level 2 - Digital Download SKU: A0.1349569 By The Beatles. By George Harrison. Arranged by Stewart J Wallace. Children,Contemporary,Folk,New Age,Pop. 11 pages. Stewart J Wallace #934329. Published by Stewart J Wallace (A0.1349569). This song by George Harrison appears on the 1969 Abbey Road album. At the time, the Beatles were beginning to find the stress of business meetings tiresome, and George Harrison found time away and composed this song in Eric Clapton's garden. He's clearly longing for the weather and the mood of the band to lift. It has unusual time signature changes and harmonies, and it's instantly recognisable and uplifting. In this arrangement the 2 upper voices mostly move a sixth apart and the lower voices just add foundational notes. As well as the full score, there's a vocal score which will be easier for the singers to find their way - watch out for the repeats. The syncopated rhythms need to be precise but also relaxed.
$1.99
1.83 €
#
The Beatles
#
Here Comes The Sun
#
Stewart J Wallace
#
SheetMusicPlus
<
1
26
51
....
126
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version
