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73 sheet music found
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51
BEFORE YOU DISAPPEAR (for solo classical guitar)
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Contemporary
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Socrates Arvanitakis
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BEFORE YOU DISAPPEAR
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Socrates Arvanitakis
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SheetMusicPlus
Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1206868 Composed by Socrates Arvanitakis. Contemporary. Individual part. 4 pages. ...
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Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1206868 Composed by Socrates Arvanitakis. Contemporary. Individual part. 4 pages. Socrates Arvanitakis #805051. Published by Socrates Arvanitakis (A0.1206868). TAGS EXPLANATIONLEMONIA PERFORCE. The song saga LEMONIA has been completed in 2011. Perforce denotes its return in 2016.CADENZA INTERROTTA is the Italian technical term for Interrupted Cadence referring to the above return.PARA THIN ALOS 21 is Homeric Greek for by the sea and it is describing summer scenes. no.21 refers to the 21st such summer.SENZA PAROLE in Italian it literally means without words, and it is used for any instrumental version of any vocal piece.Dates in the PDF can also be and are in most cases structural elements of the song.Instrumentation: classical guitarThe MP3 sample provided is extracted from Sibelius using the Note Performer playback engine.NOTESVersion with tenor voice, guitar, and string quartet is also publishedVersion without the string quartet is also published.
$4.00
BEFORE YOU DISAPPEAR (for tenor, classical guitar & string quartet)
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Contemporary
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Socrates Arvanitakis
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BEFORE YOU DISAPPEAR
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Socrates Arvanitakis
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SheetMusicPlus
Small ensemble Acoustic Guitar,Cello,Tenor Voice,Viola,Violin - Level 3 - Digital Download SKU: A0.1206866 Composed by Socrates Arvanitakis. Contemporary...
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Small ensemble Acoustic Guitar,Cello,Tenor Voice,Viola,Violin - Level 3 - Digital Download SKU: A0.1206866 Composed by Socrates Arvanitakis. Contemporary. 24 pages. Socrates Arvanitakis #805047. Published by Socrates Arvanitakis (A0.1206866). TAGS EXPLANATIONLEMONIA PERFORCE. The song saga LEMONIA has been completed in 2011. Perforce denotes its return in 2016.CADENZA INTERROTTA is the Italian technical term for Interrupted Cadence referring to the above return.PARA THIN ALOS 21 is Homeric Greek for by the sea and it is describing summer scenes. no.21 refers to the 21st such summer.Dates in the PDF can also be and are in most cases structural elements of the song.Instrumentation: Tenor solo, classical guitar, string quartet. (all parts included)The MP3 sample provided is extracted from Sibelius using the Note Performer playback engine.NOTESVersion without the string quartet is also publishedInstrumental version for guitar solo is also published.
$10.00
THE COLD AIR I INHALE
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Socrates Arvanitakis
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THE COLD AIR I INHALE
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Socrates Arvanitakis
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SheetMusicPlus
Small Ensemble Cello,Guitar,High Voice,Mandolin - Level 4 - Digital Download SKU: A0.1031690 Composed by Socrates Arvanitakis. Contemporary,Multicultural...
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Small Ensemble Cello,Guitar,High Voice,Mandolin - Level 4 - Digital Download SKU: A0.1031690 Composed by Socrates Arvanitakis. Contemporary,Multicultural,World. Score and parts. 10 pages. Socrates Arvanitakis #3531445. Published by Socrates Arvanitakis (A0.1031690). Most of my song titles have structural tags as headers in the PDF files provided. The tags for this song are : EDELTRAUD 3:THE PSYCHOBITCH => SUBMERGED DIARY => EN PLO 2013/1. The last tag En Plo/(Εν Πλώ), is in ancient Greek language and denotes something that is happening while sailing at sea. Dates in the PDF can also be and are in most cases structural elements of the song. The MP3 sample provided is extracted from Sibelius using the Note Performer playback engine.
$4.00
HAVE A LOOK
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Contemporary
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Socrates Arvanitakis
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HAVE A LOOK
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Socrates Arvanitakis
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SheetMusicPlus
Acoustic Guitar,Bouzouki,Cello,Violin,Voice - Level 3 - Digital Download SKU: A0.1208362 Composed by Socrates Arvanitakis. Contemporary. 27 pages. Socrat...
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Acoustic Guitar,Bouzouki,Cello,Violin,Voice - Level 3 - Digital Download SKU: A0.1208362 Composed by Socrates Arvanitakis. Contemporary. 27 pages. Socrates Arvanitakis #806471. Published by Socrates Arvanitakis (A0.1208362). BEFORE BLAST is a small song cycle standing independently  between the two big song sagas Theory X - LemoniaThe tags as ordered in the PDF are its superstructures.Dates in the PDF can also be and are in most cases structural elements of the song. The MP3 sample provided is extracted from Sibelius using the Note Performer playback engine.instrumentation: Tenor voice, violin, bouzouki, Guitar, Violoncello.
$8.00
Widdicombe Fair by Julius Harrison for Clarinet Quintet
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Julius Harrison
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Stephen Davies
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Widdicombe Fair by Julius Harr
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Stephen Davies
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SheetMusicPlus
Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.891922 Composed by Julius Harrison. Arranged by Stephen Davies. 20th Century,Standards...
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Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.891922 Composed by Julius Harrison. Arranged by Stephen Davies. 20th Century,Standards. 19 pages. Stephen Davies #3539147. Published by Stephen Davies (A0.891922). The prolific conductor and composer Julius Harrison was born in Stourport in Worcestershire England in 1885, he spent most of his life in music, either conducting, composing, writing and teaching. He was also a founding member and Vice-President of the Elgar Society, and a professor at the Royal Academy of Music in London. This arrangement of his Widdicombe Fair highlights the eccentricity but delightful touch that Harrison possessed, don't be fooled by the light and jaunty opening, this music bites back!! Incidentally, I'm using the new Note Performer programme, its really terrific!!
$15.99
Fauré: Requiem Op.48 (Complete - Parts and Score to Accompany Choir/Soloists) - symphonic wind/bass
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Classical
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Gabriel Faure
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Ray Thompson
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Fauré: Requiem Op.48
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble - Level 4 - Digital Download SKU: A0.553856 Composed by Gabriel Faure. Arranged by Ray Thompson. Romantic Period,Sacred,Spiritual. Score a...
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Large Ensemble - Level 4 - Digital Download SKU: A0.553856 Composed by Gabriel Faure. Arranged by Ray Thompson. Romantic Period,Sacred,Spiritual. Score and parts. 117 pages. RayThompsonMusic #4991105. Published by RayThompsonMusic (A0.553856). This is a transcription/arrangement of the orchestral parts to the Requiem.It is arranged for wind dectet/bass.The string parts are covered in their entirety as is the organ.It is a stand alone piece for wind ensemble to accompany a choir and soloists, if a choral society does have access to wind players rather than strings.All of the solo choir/ soloist parts are cued in the instrument parts, so could be useful for rehearsal purposes, or could even be played as a wind piece.The mp3 includes vocals from note performer, so no lyrics are sung, but it gives a fair impression of the overall sound.The vocal parts are NOT yet included.
$24.95
Are You A Passing Tourist?
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Contemporary
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Socrates Arvanitakis
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Are You A Passing Tourist?
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Socrates Arvanitakis
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SheetMusicPlus
Small Ensemble - Level 3 - Digital Download SKU: A0.1206180 Composed by Socrates Arvanitakis. Classical,Contemporary. Score and parts. 24 pages. Socrates...
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Small Ensemble - Level 3 - Digital Download SKU: A0.1206180 Composed by Socrates Arvanitakis. Classical,Contemporary. Score and parts. 24 pages. Socrates Arvanitakis #804377. Published by Socrates Arvanitakis (A0.1206180). Are You A Passing Tourist is one of the last songs of cycle ALL THAT BLUEALL THAT BLUE is the last song cycle of SUMMER BLAST 1The tags as ordered in the PDF are its superstructures.Dates in the PDF can also be and are in most cases structural elements of the song.Instrumentation: Solo Tenor, Flute, Violin or Mandolin, Violoncello, Classical Guitar, Acoustic Bass (all parts included)The MP3 sample provided is extracted from Sibelius using the Note Performer playback engine.
$10.00
HAVE YOU THE WILL
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Contemporary
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Socrates Arvanitakis
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LEAFY AND GREEN
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HAVE YOU THE WILL
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Socrates Arvanitakis
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SheetMusicPlus
Small Ensemble Cello,Guitar,Viola,Violin,Voice - Level 3 - Digital Download SKU: A0.1164445 Composed by Socrates Arvanitakis. Classical,Contemporary. Sco...
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Small Ensemble Cello,Guitar,Viola,Violin,Voice - Level 3 - Digital Download SKU: A0.1164445 Composed by Socrates Arvanitakis. Classical,Contemporary. Score and parts. 27 pages. Socrates Arvanitakis #764773. Published by Socrates Arvanitakis (A0.1164445). Most of my song titles have structural tags as headers in the PDF files provided. The tags for this song are : LEMONIA PERFORCE >> LEAFY AND GREEN. The last tag refers to Northern Europe. Dates in the PDF can also be and are in most cases structural elements of the song. The MP3 sample provided is extracted from Sibelius using the Note Performer playback engine.
$9.00
Golden Cloud
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Contemporary
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Socrates Arvanitakis
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Golden Cloud
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Socrates Arvanitakis
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SheetMusicPlus
Small Ensemble Acoustic Guitar - Level 3 - Digital Download SKU: A0.1206079 Composed by Socrates Arvanitakis. Classical,Contemporary. Score and parts. 14...
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Small Ensemble Acoustic Guitar - Level 3 - Digital Download SKU: A0.1206079 Composed by Socrates Arvanitakis. Classical,Contemporary. Score and parts. 14 pages. Socrates Arvanitakis #804274. Published by Socrates Arvanitakis (A0.1206079). BEFORE BLAST is a small song cycle standing independently  between the two big song sagas Theory X - LemoniaThe tags as ordered in the PDF are its superstructures.Dates in the PDF can also be and are in most cases structural elements of the song. The MP3 sample provided is extracted from Sibelius using the Note Performer playback engine.
$9.00
THE TABLE NEXT TO MINE (for Tenor voice, classical guitar & string quartet)
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Contemporary
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Socrates Arvanitakis
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THE TABLE NEXT TO MINE
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Socrates Arvanitakis
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SheetMusicPlus
Small ensemble Acoustic Guitar,Cello,Tenor Voice,Viola,Violin - Level 3 - Digital Download SKU: A0.1206912 Composed by Socrates Arvanitakis. Contemporary...
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Small ensemble Acoustic Guitar,Cello,Tenor Voice,Viola,Violin - Level 3 - Digital Download SKU: A0.1206912 Composed by Socrates Arvanitakis. Contemporary. 41 pages. Socrates Arvanitakis #805095. Published by Socrates Arvanitakis (A0.1206912). TAGS EXPLANATIONLEMONIA is a very big saga of songs and instrumental pieces.SUMMER BLAST 1 is the second major part of the above.A DREAM OF LONG AGO is the first part of the above, divided into 10 smaller parts (song cycles) at present.DOUBTING MY EYES is the fourth song cycle of the above and the present song THE TABLE NEXT TO MINE Â is the first song of this cycle.Dates in the PDF can also be and are in most cases structural elements of the song.Instrumentation: Tenor voice, classical guitar & string quartetThe MP3 sample provided is extracted from Sibelius using the Note Performer playback engine.
$10.00
Kiss of Love
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Tito Abeleda
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Kiss of Love
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Visionary Quest Records
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SheetMusicPlus
Cello,Double Bass,Glockenspiel,Piano,Viola,Violin - Digital Download SKU: A0.1070271 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Du...
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Cello,Double Bass,Glockenspiel,Piano,Viola,Violin - Digital Download SKU: A0.1070271 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 213. Visionary Quest Records #6073223. Published by Visionary Quest Records (A0.1070271). There is nothing like the kiss of love when you and another dare to express such an intimate act of a loving kiss, an extension of the growing bond you share with another that reflects the love you now share with each other. The depth of love's kiss whether experienced in the moment or in contemplation from a cherished memory is forever powerful and passionate. The Kiss of Love with its solo violins capture the loving emotions conveyed in this powerfully intimate piece.Kiss of Love composed by Tito Abeleda (1964 - ) Instrumentation: Piano, Glockenspiel, Violin Solo I, Violin Solo II, Violin 1-2, Viola, Cello 1-3, Double Bass. Level: Advanced Intermediate. Digital Download Score plus parts = 38 pages. Duration 3:33 MP3 is studio recording. Music Score Video is Sibelius Note Performer sound output.Special thanks for Sheet Cover photo by Marlon SchmeiskiContact Tito for original compositions: http://bit.ly/TitoAbeleda_SoundBetterEmail: tito@visionaryquestrecords.comPRO: BMI.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunes
$1.99
Wagner: Siegfried Idyll - symphonic winds
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Classical
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Richard Wagner
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Ray Thompson
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Wagner: Siegfried Idyll - symp
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Digital Download SKU: A0.1071185 Composed by Richard Wagner. Arranged by Ray Thompson. Romantic Period,Sta...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Digital Download SKU: A0.1071185 Composed by Richard Wagner. Arranged by Ray Thompson. Romantic Period,Standards. Full Performance. Duration 906. RayThompsonMusic #4597059. Published by RayThompsonMusic (A0.1071185). Performed on Note PerformerMusic arranged using Sibelius Software.
$5.95
Crosswinds
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Contemporary
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Kyle Vanderburg
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Crosswinds
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NoteForge
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SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Synthesizer - Level 5 - Digital Download SKU: A0.1002834 Composed by Kyle Vanderburg. Contemporary. Score an...
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Instrumental Duet Clarinet,Instrumental Duet,Synthesizer - Level 5 - Digital Download SKU: A0.1002834 Composed by Kyle Vanderburg. Contemporary. Score and parts. 11 pages. NoteForge #5319515. Published by NoteForge (A0.1002834). Crosswinds represents a melding of the traditional woodwind sound of the clarinet with digital live electronic techniques, and the piece explores the potential for this relationship in three parts.To begin the piece, the stage performer breathes through the clarinet, which serves to inform the electronic elements to come. This initial breath is captured by the computer program and is modified and reduplicated to create the sonic tone of a soft wind always present beneath the piece to come. This is the first step in uniting the digital and woodwind elements, as the same breath which animates the clarinet also activates the electronics.From this most fundamental element, the breath becomes a single sustained note from which the computer will generate all of its subsequent tones. The impression is one of a mentor relationship, where the traditional instrument provides the tools and the support for the electronic elements. The disposition is contemplative, though it alternates between a subdued easiness and a playful mystery, as if to introduce the digital aspects to the range and variety of the clarinet’s moods. The rapport between the two is hesitant in the first part: the electronics contributing a subtle reverb as the performer teaches the computer dexterity through a number of broad leaps, hinting at but never fully embracing the main motif.As the theme becomes more self-assured, the digital element now produces its own tones, parroting the clarinet melody to signal its readiness to be an equal partner in the conversation. As the clarinet begins the second part of the piece, the computer now provides a harmonizing undercurrent each time it is invited to do so by the performer.In the third part, the electronics play counterpoint to the skill of the clarinetist, the two elements intricately entwined. From the elemental sound of wind first produced by the performer and perpetuated by the computer, the piece concludes in a celebration of the relationship built between the two, and the main theme is fully expressed as the two take it in variations.Crosswinds is, in many ways, an experience of the history of our music through the relationship between traditional clarinet and modern digital techniques: the common elements they share, the singularity of their own particular strengths, and the beauty that can be experienced when they collaborate.Patch for live electronics available from https://bitbucket.org/kylevanderburg/crosswinds/downloads/
$7.99
Suite No. 1
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Le...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95
Birthday Suit
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Contemporary
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Igor Korneitchouk
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Drake Mabry, Igor Korneitchouk
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Birthday Suit
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Studio at the Post
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SheetMusicPlus
Instrumental Solo,Ney Flute,Oboe/English Horn - Level 5 - Digital Download SKU: A0.1122089 Composed by Igor Korneitchouk. Arranged by Drake Mabry, Igor K...
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Instrumental Solo,Ney Flute,Oboe/English Horn - Level 5 - Digital Download SKU: A0.1122089 Composed by Igor Korneitchouk. Arranged by Drake Mabry, Igor Korneitchouk. 20th Century,Contemporary. Individual part. 19 pages. Studio at the Post #723162. Published by Studio at the Post (A0.1122089). Duration: 10 minutes, 16 pp. Description: In speaking of his recitation of his Four Quartets on phonograph, T. S. Eliot says: A recording of a poem by its author is no more definitive an 'interpretation' than a recording of a symphony conducted by the composer. The poem, if it is of any depth and complexity, will have meanings in it concealed from the author; and should be capable of being read in many ways, and with a variety of emotional emphasis.... Another reader, reciting the poem, need not feel bound to reproduce these rhythms: but, if he has studied the author's version, he can assure himself that he is departing from it deliberately, and not from ignorance. The composer could not have stated his intentions towards this piece better than to quote T. S. Eliot. No note or inflection is fixed in stone that it cannot be negotiated, changed to better suit the needs of the performer. This is especially true of the first movement which is composed around sections of the first of Eliot's Four Quartets (Burnt Norton), but applies generally to the whole piece. Much of the notation in this piece is meant to be suggestive. The performer may take a highly faithful approach to realizing the score, or consider the movements as models for directed improvisation. Movement 2, for example, asks the performer to continue to improvise in like manner, yet maps out a clear design for the music. Birthday Suit is dedicated to Robert S. Howe, a friend and obstetrician who welcomes into this world many people in their birthday suits. That is the most obvious reason for the title of this piece. A reason more germane to the music itself is the piece's reliance on the performer's own natural body rhythms (such as speech rhythms, involuntary eye movements, and rate of breathing) to help organize the flow of the music. In this way both metabolism and the written note cooperate to make music. There are three movements, Rhythm of Speech - Rhythm of Sight - Rhythm of Breath. Total 10 minutes. (Audio Sample of movement I is for oboe; YouTube Link of movement III is an arrangement for the Turkish ney.).
$2.01
Ragmala
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Liz Sharma
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Ragmala
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Forton Music - Digital
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SheetMusicPlus
2 Fl. 1 Ob. 1 Ob dbl CA. 2 Cl in Bb. 2 Hn in F. 2 Bsn. - Intermediate - Digital Download SKU: F2.FM611 Composed by Liz Sharma. A wind dectet written in I...
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2 Fl. 1 Ob. 1 Ob dbl CA. 2 Cl in Bb. 2 Hn in F. 2 Bsn. - Intermediate - Digital Download SKU: F2.FM611 Composed by Liz Sharma. A wind dectet written in Indian Ragas. Score and parts. 30 pages. Forton Music - Digital #FM611. Published by Forton Music - Digital (F2.FM611). ISBN 9790570485109.'Ragmala' (meaning 'A garland of ragas) concerns the passing of a day, and is written in Indian ragas. Indian classical music is largely improvised according to the strict rules of melody (raga) and rhythm patterns (tala). The Indian scale is Sa Ri Ga Ma Pa Dha Ni Sa. A little like tonic sol-fa on that Sa can be pitched on any note the main performer chooses. However, whereas any note in Western classical music can be natural, sharp or flat, in Indian music Sa and Pa are only allowed to be natural, Ri, Ga, Dha and Ni can be flattened but never sharpened, whilst Ma can be sharpened, but never flattened. A raga (of which there are hundreds all with different names), is a cross between a scale and a melody, based on combinations of notes, and only the fixed notes of the raga can be used. Some ragas have a different order of notes when ascending or descending. Each raga is supposed to express the mood of a particular time of day, or season. There is a different concept of harmony in Indian music, as chord based harmony does not exist. Groups of classical musicians in India tend to be smaller, with most players playing different versions of the main melody. The harmony is formed by the rising and falling melody against a drone-like bass. in 'Ragmala' I have followed the rules of the ragas, but in a manner foreign to most Indian classical musicians, as I have allowed harmonies to form between the ten individual lines.
$25.95
And She Flew
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Contemporary
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Paul Burnell
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And She Flew
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Paul Burnell
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SheetMusicPlus
Small Ensemble Hand Percussion,Voice - Level 3 - Digital Download SKU: A0.835774 Composed by Paul Burnell. Contemporary. Score and parts. 3 pages. Paul B...
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Small Ensemble Hand Percussion,Voice - Level 3 - Digital Download SKU: A0.835774 Composed by Paul Burnell. Contemporary. Score and parts. 3 pages. Paul Burnell #3214065. Published by Paul Burnell (A0.835774). For voice and hands (optional percussion/instruments) The performer speaks rhythmically and at the same time rubs together the palms of their hands, or sandpaper blocks, with the same spoken rhythm and also where marked in the text with dashes (- - - - -). The bracketed direction (open hands) is not spoken, but is an indication to the performer to open their hands wide as a dramatic gesture. Examples of optional instruments - all playing a very quiet tremolo: Three players on low drums with soft sticksAny three low notes on marimba or vibraphoneThree groups of strings quite drumming fingers on the instrument bodies. The three players/groups enter as indicated in relation to the text - [1], [2], [3] - and stop, fade, crescendo where indicated. Programme note: ‘And She Flew’ was composed by Paul Burnell in 2006 and was first performed by percussionist Chris Brannick. The piece can be performed as a solo or together with accompanying instruments playing a quiet tremolo.
$1.99
Eyes Closed
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Pop music
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Ed Sheeran
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Barry McCormick
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Eyes Closed
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B. McCormick
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SheetMusicPlus
Guitar - Level 1 - Digital Download SKU: A0.1227412 By Ed Sheeran. By Ed Sheeran, Fred Gibson, Max Martin, and Shellback. Arranged by Barry McCormick. Po...
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Guitar - Level 1 - Digital Download SKU: A0.1227412 By Ed Sheeran. By Ed Sheeran, Fred Gibson, Max Martin, and Shellback. Arranged by Barry McCormick. Pop,Singer/Songwriter. Chords/Lyrics. 2 pages. B. McCormick #823390. Published by B. McCormick (A0.1227412). ||Get ready to play and sing along to Eyes Closed by Ed Sheeran with our Lead Sheet music!|| This minimalistic arrangement features the melody line, lyrics, and chord symbols, giving you all the essential elements you need to play the song with ease. Whether you're a beginner or an experienced musician, this Lead Sheet is perfect for anyone looking to play Eyes Closed in a simple and straightforward way. So grab your sheet music and get ready to make some beautiful music! ||Notes On the Sheet Music|| -Melody- The melody alters slightly on repeating for subsequent verses etc. These are notated using smaller bracketed note heads and should only be played/sung on the appropriate repeats. The decision was made to not notate the final chorus as sung however when performed/sung the final chorus could be ad-libbed to emulate the original should the performer desire.-Guitar Strumming- There is a suggested strumming pattern/rhythm contained within the intro. This will fit with the song but feel free to come up with your own! This is to be an aid for learners and a resource for teachers. -Structure- The sheet music follows the structure of the song as heard in the recording. If the repeats are not obvious each section (Verse/PreChorus/Chorus) is marked by boxed texts for ease of navigation. I have also provided a tab for the riff which persists throughout the piece in the intro section. -Length- One of my main aims in arranging popular titles is to make the effort to try and minimise the amount of pages required. As a Musician I hate having pages and pages of music that could have been condensed using repeats and other structure markings. This arrangement fully utilises these and this is part of the reason why the decision was made note to notate the final chorus as sung in the recording. As this is a lead sheet it hold all the info to play this song in two pages. -Alternatives- If you need more info in your music I have two other arrangements of this. Both are Voice, Piano, and Guitar Arrangements, the first with the melody above a simple piano accompaniment with the Guitar chords the second is a piano reduction of this arrangement with alterations so that it is playable on the piano. For these arrangements and others that I have done you can click on my publisher link above, B.McCormick. That will take you to all of my arrangements on site. ||About Ed Sheeran|| Ed Sheeran is an award-winning singer-songwriter known for his soulful and introspective lyrics. Born in England in 1991, Sheeran began playing guitar at a young age and started writing his own songs by age 14. He rose to fame with his debut album + in 2011 and has since become one of the most successful and beloved musicians of our time. Sheeran's music is known for its honesty, vulnerability, and emotional depth, and Eyes Closed from his Subtract (-) album is no exception. Get our sheet music arrangement today and experience the magic of Ed Sheeran's music in your own home. ||About the Arranger.|| Hey there! I'm Barry, a musician with over 20 years of experience in everything from performing to tutoring. I studied at Glasgow University and the Royal Conservatoire of Scotland, and now my mission is to create music arrangements that are super fun and easy to learn. I want to help you on your musical journey, so I hope you enjoy using this arrangement - it's all about making music accessible and enjoyable for everyone!
$2.99
Feel It Still
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Rock
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Portugal
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Lawrence H Underwood
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Feel It Still
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Lawrence H Underwood
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SheetMusicPlus
Baritone Horn BC,Euphonium,Piano - Level 3 - Digital Download SKU: A0.1091945 By Portugal. The Man. By Asa Taccone, Brian Holland, Eric Andrew Howk, Fred...
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Baritone Horn BC,Euphonium,Piano - Level 3 - Digital Download SKU: A0.1091945 By Portugal. The Man. By Asa Taccone, Brian Holland, Eric Andrew Howk, Freddie Gorman, Georgia Dobbins, Jason Wade Sechrist, John Baldwin Gourley, John Hill, Kyle O'Quin, Robert Bateman, William Garrett, and Zachary Scott Carothers. Arranged by Lawrence H Underwood. Pop,Rock. Score and part. 9 pages. Lawrence H Underwood #696077. Published by Lawrence H Underwood (A0.1091945). This Portugal. The Man. hit is a blast to play. . .from the first note of the driving bass line to the last note of its catch melody. Now available as an instrumental solo with piano accompaniment, it’s sure to be a favorite with performer and audience alike! This arrangement from veteran performer and music educator Lawrence Underwood is available in versions for solo flute, oboe, bassoon, clarinet, bass clarinet, alto sax, tenor sax, bari sax, horn in F, trumpet, trombone, baritone/euphonium, tuba, mallet percussion, violin, viola, cello, or double bass (with piano accompaniment). Be sure to check out the other titles in this series!
$5.99
Wheels Duets
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Jordan Morrison
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Wheels Duets
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Jordan Morrison Music
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SheetMusicPlus
Instrumental Duet - Level 3 - Digital Download SKU: A0.1392905 Composed by Jordan Morrison. 21st Century,Chamber,Contemporary,Instructional,Multicultural...
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Instrumental Duet - Level 3 - Digital Download SKU: A0.1392905 Composed by Jordan Morrison. 21st Century,Chamber,Contemporary,Instructional,Multicultural,World. 4 pages. Jordan Morrison Music #976431. Published by Jordan Morrison Music (A0.1392905). These two alternative notation duets are geared towards making a duo communicate, listen, flex their creativity, focus on sounds, and make artistic choices. You can read more below from the performance notes for the series but the highlights include: Choice of open instrumentation, choice of paper orientation, choice of rotation (clockwise or counter-clockwise), and choice of speed. More info below!The outside of the wheel connects to the events which are to be played upon an instrument capable of producing the written chords, while the inside wheel connects to the events which are to be played upon an instrument capable of the range and 3 timbres (open, muted, and either a harmonic of a multiphonic)***. This piece is meant to begin at whichever musical event the performers agree upon and rotate in a clockwise or counter-clockwise motion which is also determined and agreed upon by the performers. The orientation of the page is also left to the players discretion but must be agreed upon. When the lines connecting the musical events to the wheel are staggered around the wheel then each musical event must be played in full before the other performer starts his or her next event. When the lines are directly across from one and other the events are to be played simultaneously. The musical events must stay in the order in which they occur around the wheel. When two lines connect a single musical event to the wheel, that event is to be vamped(repeated) until the completion of the other player's event which occurs within that time. The moments of locking in time(both performers playing the selected notes in time with one another) are indicated by parentheses around one or more notes in two simultaneous events***. Accidentals only apply to the note indicated and do not carry through the event. Feel free to connect with me on Instagram @jordan.morrison.music.
$15.00
Oh When the Saints (Boomwhacker duet)
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Traditional
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Robert Newth
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Oh When the Saints
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Robert Newth
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SheetMusicPlus
Boomwhackers,Instrumental Solo - Level 1 - Digital Download SKU: A0.845693 Composed by Traditional. Arranged by Robert Newth. Children,Spiritual. Individ...
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Boomwhackers,Instrumental Solo - Level 1 - Digital Download SKU: A0.845693 Composed by Traditional. Arranged by Robert Newth. Children,Spiritual. Individual part. 1 pages. Robert Newth #5720429. Published by Robert Newth (A0.845693). This popular traditional tune has been arranged here for one set of 8-note diatonic Boomwhackers, played by two performers. One performer plays the tune while the other has the accompaniment. After one verse, the roles switch and the second player takes the melody.The notes have been coloured according to official Boomwhacker colours in order to aid the learning of the piece.If you have enjoyed this arrangement, please consider leaving a review.
$1.99
For Beauty's Sake - parts
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Contemporary
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Emily Misner
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For Beauty's Sake - parts
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Emily Misner
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Flute,Piano,Violin - Level 4 - Digital Download SKU: A0.991542 Composed by Emily Misner. Contemporary. Score and parts. 18 ...
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Small Ensemble Cello,Clarinet,Flute,Piano,Violin - Level 4 - Digital Download SKU: A0.991542 Composed by Emily Misner. Contemporary. Score and parts. 18 pages. Emily Misner #3041909. Published by Emily Misner (A0.991542). This file contains the individual parts for flute, clarinet, violin, cello, and piano, rather than the conductor's score. For Beauty's Sake was written for the Pierrot Ensemble at the University of Montana. It is a piece of lyrical beauty and rhythmic exploration, passing the motive between all musicians in the ensemble. For flute, clarinet, violin, cello, and piano, this piece also makes use of the strings inside the piano for a haunting, wave-like sound as the woodwinds and strings enter slowly, turning a few notes into a beautiful melodic line.One note about the pianist's part. The pianist may either cut short the time she is playing inside the piano to allow for time to move back and forth to the actual keyboard, or she may enlist the help of a second performer for the parts inside the piano.
$9.00
For Beauty's Sake
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Contemporary
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Emily Misner
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For Beauty's Sake
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Emily Misner
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Flute,Piano,Violin - Level 4 - Digital Download SKU: A0.991541 Composed by Emily Misner. Contemporary. Score and parts. 18 ...
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Small Ensemble Cello,Clarinet,Flute,Piano,Violin - Level 4 - Digital Download SKU: A0.991541 Composed by Emily Misner. Contemporary. Score and parts. 18 pages. Emily Misner #3041907. Published by Emily Misner (A0.991541). For Beauty's Sake was written for the Pierrot Ensemble at the University of Montana. It is a piece of lyrical beauty and rhythmic exploration, passing the motive between all musicians in the ensemble. For flute, clarinet, violin, cello, and piano, this piece also makes use of the strings inside the piano for a haunting, wave-like sound as the woodwinds and strings enter slowly, turning a few notes into a beautiful melodic line. One note about the pianist's part. The pianist may either cut short the time she is playing inside the piano to allow for time to move back and forth to the actual keyboard, or she may enlist the help of a second performer for the parts inside the piano.
$9.00
Momentum - For Vibraphone & Electronics
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Paul Emmett
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Momentum - For Vibraphone & El
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Paul Emmett
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SheetMusicPlus
Instrumental Duet,Synthesizer,Vibraphone - Level 4 - Digital Download SKU: A0.1235343 By Paul Emmett. By Paul Emmett. 21st Century,Contemporary. 8 pages....
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Instrumental Duet,Synthesizer,Vibraphone - Level 4 - Digital Download SKU: A0.1235343 By Paul Emmett. By Paul Emmett. 21st Century,Contemporary. 8 pages. Paul Emmett #830880. Published by Paul Emmett (A0.1235343). Momentum takes us on a journey to explore the hidden potential of the fixed metallic bars of the vibraphone in a live electroacoustic performance. Composed for the extraordinarily talented multi-percussionist Rosie Clark, currently studying performance at the University of Nottingham, and in demand across the country with a variety of ensembles and collaborating with Rosie to bring this composition to life has been an exciting and educational experience.The inspiration for Momentum came while watching a video of the Frankfurt based percussionist, composer, and lecturer, Max Gaertner. In the footage, Gaertner demonstrated the art of pitch bending a note on a vibraphone, and in that moment the idea for this composition was born.In Momentum, we delve into the intriguing concept that seemingly static metallic bars possess the ability to move and transform within this musical context. This can occur either through the physical manipulation of the performer, or by the technical wizardry of the technician. These bars which are often viewed as fixed entities thus reveal their hidden dynamism, allowing for a world of musical possibilities.Enhancing this idea of motion, Momentum incorporates a further extended technique of bowing causing the bars to resonate with an ethereal vibrancy. Pairing this effect with spectral effects through plugins by Michael Norris in Ableton Live amplify the kinetic energy of the composition. The performer also moves a handheld microphone over the bars, capturing their sounds in real-time motion.Paul Emmett - May 2023.
$15.00
A Prayer for Harmonic Convergence" for Soprano Sax, B Flat Clarinet, and Bass Clarinet
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David Jaedyn Conley
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A Prayer for Harmonic Converge
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Mydnyte Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio - Level 4 - Digital Download SKU: A0.1006443 Composed by David Jaedyn Conley. 20th Century,Classical,Contemporary,Film/TV...
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Woodwind Ensemble,Woodwind Trio - Level 4 - Digital Download SKU: A0.1006443 Composed by David Jaedyn Conley. 20th Century,Classical,Contemporary,Film/TV. 14 pages. Mydnyte Publishing #2016307. Published by Mydnyte Publishing (A0.1006443). A Prayer for Harmonic Convergence is a musical meditation for Soprano Sax, B Flat Clarinet, and Bass Clarinet. It is written in free time, and is more of an exercise in vertical development versus horizontal. A degree of tonal indeterminacy is implied and demanded, as the nature of the instruments that it was written for requires the player to make adjustments of their embouchure in order to keep the pitch in tune with the other lines. In a piece where a note which acts as a third suddenly finds itself acting as a fifth or a root means that slight variations of intonation is inevitable. This is a desired effect. Slight overtones from the instruments are meant to combine and mingle. Occasionally the overtones converge and cause the sinusoidal waveform to beat at different frequencies. There is no way to predict how and when the phenomena will happen, and therefore there is no real way to perform this piece the same way twice. While the performer should take care to keep their intonation complimentary to the other players, a degree of latitude is intended so that the performer may experiment with this concept. It is suggested that the players perform from the score so as to anticipate the entrances and exits of the other performers.
$9.99
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