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Now's the Time - Trumpet 2
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1201
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Comp…
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.22 €
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Gioachino Rossini
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Largo al factotum
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Nicole Elyse DiPaolo
#
SheetMusicPlus
Bull: Three Pieces from Parthenia In-violata for Harpsichord & Gamba or Cello
Harpsichord,Instrumental Duet,Viola da gamba - Level 2 - Digital Download SKU: A0.12654…
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Harpsichord,Instrumental Duet,Viola da gamba - Level 2 - Digital Download SKU: A0.1265431 Composed by Dr. John Bull, 1562-1628. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 6 pages. Jmsgu3 #858250. Published by jmsgu3 (A0.1265431). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a doctor of music at the universities of both Oxford and Cambridge. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces, published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the wedding in 1613 of the Princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Their expressive harmonies and intricate counterpoint characterize Gibbons' compositions.Thomas Tomkins: Tomkins was another English composer active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasies. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and made significant contributions to the repertoire of keyboard and choral music during that era.
$32.95
30.26 €
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Dr
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Bull: Three Pieces from Parthenia In-violata for Harpsichord & Gamba or Cello
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jmsgu3
#
SheetMusicPlus
Wie Du warst (Octavian's Aria) from Der Rosenkavalier - Accessible Accompaniments Edition
Alto Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799612 Composed by Richa…
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Alto Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. Nicole Elyse DiPaolo #5022023. Published by Nicole Elyse DiPaolo (A0.799612). The first of its kind, and the third entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Wie Du warst, Octavian's famous aria from Strauss's Der Rosenkavalier (1911). Mezzos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury. This edition also includes a two-measure recomposed ending four measures after rehearsal 25, making this edition a great choice for concert and audition situations in which another singer isn't available to sing the Marschallin's lines.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.22 €
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Richard Strauss
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Wie Du warst
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Bethlehem Angel and The First Noel
Small Ensemble Flute,Piano,Voice - Level 3 - Digital Download SKU: A0.889815 Compos…
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Small Ensemble Flute,Piano,Voice - Level 3 - Digital Download SKU: A0.889815 Composed by Ginny Saltzman (Bethlehem Angel) and The First Noel - Traditional. Christmas. Score and parts. 9 pages. Ginny's House of Music #4362443. Published by Ginny's House of Music (A0.889815). *Bethlehem Angel and The First Noel This is a very beautifully flowing presentation which includes both an original work by this composer entitled Bethlehem Angel and an arrangement of The First Noel. It includes scriptures and lyrics. It was written for flute, guitar, voice, and piano accompaniment on Intermediate Level.  It is based on the scriptures Luke 2: 8-11 --- And there were in the same country shepherds abiding in the field, keeping watch over their flock by night. And, lo, the angel of the Lord came upon them, and the glory of the Lord shone round about them: and they were sore afraid. And the angel said unto them, Fear not: for, behold, I bring you good tidings of great joy, which shall be to all people. For unto you is born this day in the city of David a Saviour, which is Christ the Lord and Matthew 2:1-10 ---- Now when Jesus was born in Bethlehem of Judaea in the days of Herod the king, behold, there came wise men from the east to Jerusalem, Saying, Where is he that is born King of the Jews? for we have seen his star in the east, and are come to worship him. When Herod the king had heard these things, he was troubled, and all Jerusalem with him. And when he had gathered all the chief priests and scribes of the people together, he demanded of them where Christ should be born. And they said unto him, In Bethlehem of Judaea: for thus it is written by the prophet, And thou Bethlehem, in the land of Judea, art not the least among the princes of Judea: for out of thee shall come a Governor, that shall rule my people Israel. Then Herod, when he had privily called the wise men, enquired of them diligently what time the star appeared. And he sent them to Bethlehem, and said, Go and search diligently for the young child; and when ye have found him, bring me word again, that I may come and worship him also. When they had heard the king, they departed; and, lo, the star, which they saw in the east, went before them, till it came and stood over where the young child was. When they saw the star, they rejoiced with exceeding great joy.Â
$4.99
4.58 €
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Ginny Saltzman
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Bethlehem Angel and The First Noel
#
Ginny's House of Music
#
SheetMusicPlus
Tchaikovsky: Dance of the Flutes from Nutcracker Suite for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549807 Co…
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549807 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and individual part. 16 pages. Jmsgu3 #3541697. Published by jmsgu3 (A0.549807). Duration: ca. 2:10. Score: 9 pages. 77 measures in 2/4. Solo parts: 2 pages, Piano part: 4 pages. A favorite Christmas selection from the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season. Â
$32.95
30.26 €
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Peter Ilyich Tchaikovsky
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Tchaikovsky: Dance of the Flutes from Nutcracker Suite for Oboe d'Amore & Piano
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jmsgu3
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SheetMusicPlus
Tchaikovsky: Dance of the Sugar-Plum Fairy from Nutcracker Suite for Bass Flute & Piano
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549687 Comp…
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Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549687 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and individual part. 14 pages. Jmsgu3 #3520299. Published by jmsgu3 (A0.549687). Duration: ca. 1:42, 52 measures, Score: 7 pages, solo part: 2 pages, piano part: 4 pages. A popular Christmas favorite from Tchaikovsky's Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
30.26 €
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Peter Ilyich Tchaikovsky
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Tchaikovsky: Dance of the Sugar-Plum Fairy from Nutcracker Suite for Bass Flute & Piano
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jmsgu3
#
SheetMusicPlus
Tchaikovsky: Dance of the Sugar-Plum Fairy from Nutcracker Suite for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549688 Co…
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549688 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and individual part. 14 pages. Jmsgu3 #3520331. Published by jmsgu3 (A0.549688). Duration: ca. 1:42, 52 measures, Score: 7 pages, solo part: 2 pages, piano part: 4 pages. A popular Christmas favorite from Tchaikovsky's Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
30.26 €
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Peter Ilyich Tchaikovsky
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Tchaikovsky: Dance of the Sugar-Plum Fairy from Nutcracker Suite for Oboe d'Amore & Piano
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jmsgu3
#
SheetMusicPlus
Come, Now Is the Time to Worship
Brass, Guitar, Percussion, Rhythm - Level 3 - Digital Download SKU: H1.C5539RDP Com…
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Brass, Guitar, Percussion, Rhythm - Level 3 - Digital Download SKU: H1.C5539RDP Composed by Brian Doerksen. Arranged by Arnold B. Sherman. Sing & Ring Series. Contemporary, Gathering, General Worship, Call To Worship, Worship. Parts. 37 pages. Hope Publishing - Digital #C5539RDP. Published by Hope Publishing - Digital (H1.C5539RDP). By Brian Doerksen. Psalms 29:2 - Psalms 95:6 - Psalms 95:9 - Psalms 100:2 - Isaiah 55:1 - Philippians 2:5 - Philippians 2:6 - Philippians 2:7 - Philippians 2:8 - Philippians 2:9 - Philippians 2:10 - Philippians 2:11 - 2 Corinthians 6:1 - 2 Corinthians .Popular praise and worship song by Brian Doerksen Utilizing handbells, SATB choir and praise band, Arnold Sherman brings both traditional and contemporary elements together in this dynamic new setting of Brian Doerksen's popular praise and worship song. The combination of these forces in this ring & sing arrangement is the perfect opportunity to bring all of your church musicians together for a powerful worship presentation. The 3-5 octave handbell accompaniment and rhythm parts are optional. The bell setting can be performed alone or with the guitar, bass, drums and alto sax, which are included in the separate Rhythm Parts. The Rehearsal/Performance CD includes two tracks, one of bells and rhythm and the other of just the rhythm that can be used to accompany a bell choir.
$34.95
32.1 €
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Brian Doerksen
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Brian Doerksen
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Come, Now Is the Time to Worship
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Hope Publishing - Digital
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SheetMusicPlus
Grieg: Anitra's Dance from Peer Gynt Suite for Bass Flute & Piano
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549560 Comp…
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Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549560 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and individual part. 16 pages. Jmsgu3 #3507999. Published by jmsgu3 (A0.549560). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Delicate, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.92 €
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Edvard Grieg
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Grieg: Anitra's Dance from Peer Gynt Suite for Bass Flute & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Anitra's Dance from Peer Gynt Suite for Baritone Horn & Piano
Baritone Horn TC,Euphonium,Piano - Level 3 - Digital Download SKU: A0.552856 Compos…
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Baritone Horn TC,Euphonium,Piano - Level 3 - Digital Download SKU: A0.552856 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3508137. Published by jmsgu3 (A0.552856). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.92 €
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Edvard Grieg
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Grieg: Anitra's Dance from Peer Gynt Suite for Baritone Horn & Piano
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jmsgu3
#
SheetMusicPlus
Grieg: Ase's Death from Peer Gynt Suite for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549539 Co…
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549539 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and individual part. 11 pages. Jmsgu3 #3505889. Published by jmsgu3 (A0.549539). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.92 €
#
Edvard Grieg
#
Grieg: Ase's Death from Peer Gynt Suite for Oboe d'Amore & Piano
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jmsgu3
#
SheetMusicPlus
Grieg: Anitra's Dance from Peer Gynt Suite for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549565 Co…
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549565 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and individual part. 16 pages. Jmsgu3 #3508063. Published by jmsgu3 (A0.549565). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Delicate, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com.
$24.95
22.92 €
#
Edvard Grieg
#
Grieg: Anitra's Dance from Peer Gynt Suite for Oboe d'Amore & Piano
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jmsgu3
#
SheetMusicPlus
4 x 2 x 1 Bass Trombone Solo with Double Trombone Quartet
Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.811134 Composed by Jim…
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Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.811134 Composed by Jim Pugh. 20th Century,Contemporary,Jazz. Score and parts. 43 pages. Gordon Cherry #5337657. Published by Gordon Cherry (A0.811134). Jim Pugh's 4 x 2 x 1 is written for Bass Trombone solo with a double Trombone Quartet accompaniment. It is appropriate for advanced performers and is about 8 1/2 minutes in length. Here is what Jim Pugh says about his composition 4 x 2 x 1: Dave Taylor and I have had a long musical association going back to my first recording sessions with him in New York in 1976 and continuing for 30+ years, including, among many things, two Pugh/Taylor Project recordings. When Dave was putting together the 1999 Manhattan School of Music Trombone Day, he asked me to write a piece featuring him along with his invited guest artists, the Four Of A Kind Trombone Quartet and the Vienna Trombone Quartet – hence the title: 4 (quartet) x 2 (two of them) x 1 (1 soloist). I enjoyed the opportunity to feature not only the bass trombone but, at times, the bass trombone trio that the orchestration provides. The piece is loosely in Rondo form. After an initial statement of the Theme, there follows three unrelated Vignettes separated by variations on the original Theme. A brief GP introduces an improvisation from the bass trombone soloist leading to the final statement of the Theme. The score reflects the correct positioning of the players, left to right, with the two quartet bass trombones on either end of the group and the two first tenor players in the middle, flanking the bass trombone soloist. A little aside here, the tenor trombone solo beginning in measure 77 was specifically written for another dear friend, colleague and collaborator, Joe Alessi. It was a great thrill and honor to have been asked to write music for not only Dave but also two of the best trombone quartets in existence at that time, knowing that anything I wrote would be so beautifully performed. This piece was recorded on the Signum Records CD: The Graham Ashton Brass Ensemble Plays The Music of James Pugh and Daniel Schnyder.
$35.00
32.15 €
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Jim Pugh
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4 x 2 x 1 Bass Trombone Solo with Double Trombone Quartet
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Gordon Cherry
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SheetMusicPlus
Now's the Time - Part 2 - Eb Alto Sax
Level 2 - Digital Download SKU: HX.319292 By Charlie Parker. Arranged by John Berry…
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Level 2 - Digital Download SKU: HX.319292 By Charlie Parker. Arranged by John Berry. This edition: scorch. Jazz,Standards. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.319292).
$6.00
5.51 €
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Charlie Parker
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Now's the Time - Part 2 - Eb Alto Sax
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Hal Leonard - Digital
#
SheetMusicPlus
Now's The Time
Instrumental Duet Bassoon,Instrumental Duet,Trombone - Level 2 - Digital Download SKU: …
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Instrumental Duet Bassoon,Instrumental Duet,Trombone - Level 2 - Digital Download SKU: A0.917729 By Charlie Parker. By Charlie Parker. Arranged by Katrin Scherer. Jazz. Score and parts. 2 pages. Katrin Scherer #5765943. Published by Katrin Scherer (A0.917729). Lead Sheet in C Bass ClefMelody, Chords, Scales
$1.99
1.83 €
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Charlie Parker
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Now's The Time
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Katrin Scherer
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SheetMusicPlus
Now's the Time - Guitar
Level 2 - Digital Download SKU: HX.319299 By Charlie Parker. Arranged by John Berry…
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Level 2 - Digital Download SKU: HX.319299 By Charlie Parker. Arranged by John Berry. This edition: scorch. Jazz,Standards. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.319299).
$6.00
5.51 €
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Charlie Parker
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Now's the Time - Guitar
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Hal Leonard - Digital
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SheetMusicPlus
Now's the Time - Part 3 - Trombone
Level 2 - Digital Download SKU: HX.319296 By Charlie Parker. Arranged by John Berry…
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Level 2 - Digital Download SKU: HX.319296 By Charlie Parker. Arranged by John Berry. This edition: scorch. Jazz,Standards. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.319296).
$6.00
5.51 €
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Charlie Parker
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Now's the Time - Part 3 - Trombone
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Hal Leonard - Digital
#
SheetMusicPlus
Now's the Time - Flute
Level 1.5 - Digital Download SKU: HX.337187 Arranged by Paul Murtha. This edition: …
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Level 1.5 - Digital Download SKU: HX.337187 Arranged by Paul Murtha. This edition: scorch. Jazz,Standards. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.337187).
$6.00
5.51 €
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Now's the Time - Flute
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Hal Leonard - Digital
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SheetMusicPlus
Now's the Time - Vibes
Level 1.5 - Digital Download SKU: HX.337186 Arranged by Paul Murtha. This edition: …
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Level 1.5 - Digital Download SKU: HX.337186 Arranged by Paul Murtha. This edition: scorch. Jazz,Standards. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.337186).
$6.00
5.51 €
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Now's the Time - Vibes
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Hal Leonard - Digital
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SheetMusicPlus
Now's the Time - Drums
Level 1.5 - Digital Download SKU: HX.337185 Arranged by Paul Murtha. This edition: …
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Level 1.5 - Digital Download SKU: HX.337185 Arranged by Paul Murtha. This edition: scorch. Jazz,Standards. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.337185).
$6.00
5.51 €
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Now's the Time - Drums
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Hal Leonard - Digital
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SheetMusicPlus
Now's The Time
Instrumental Duet Bassoon,Instrumental Duet,Trombone - Level 2 - Digital Download SKU: …
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Instrumental Duet Bassoon,Instrumental Duet,Trombone - Level 2 - Digital Download SKU: A0.917705 By Charlie Parker. By Charlie Parker. Arranged by Katrin Scherer. Jazz. Score and parts. 1 pages. Katrin Scherer #5765193. Published by Katrin Scherer (A0.917705). Lead Sheet in C Bass Clef Melody, Chords, Scales
$1.99
1.83 €
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Charlie Parker
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Now's The Time
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Katrin Scherer
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SheetMusicPlus
Now's the Time - Part 3 - Bb Tenor Sax
Level 2 - Digital Download SKU: HX.319294 By Charlie Parker. Arranged by John Berry…
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Level 2 - Digital Download SKU: HX.319294 By Charlie Parker. Arranged by John Berry. This edition: scorch. Jazz,Standards. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.319294).
$6.00
5.51 €
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Charlie Parker
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Now's the Time - Part 3 - Bb Tenor Sax
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Hal Leonard - Digital
#
SheetMusicPlus
Now's the Time - Part 3 - Eb Alto Sax
Level 2 - Digital Download SKU: HX.319295 By Charlie Parker. Arranged by John Berry…
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Level 2 - Digital Download SKU: HX.319295 By Charlie Parker. Arranged by John Berry. This edition: scorch. Jazz,Standards. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.319295).
$6.00
5.51 €
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Charlie Parker
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Now's the Time - Part 3 - Eb Alto Sax
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Hal Leonard - Digital
#
SheetMusicPlus
Now's The Time
Small Ensemble Flute,Oboe,Recorder - Level 2 - Digital Download SKU: A0.917730 By C…
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Small Ensemble Flute,Oboe,Recorder - Level 2 - Digital Download SKU: A0.917730 By Charlie Parker. By Charlie Parker. Arranged by Katrin Scherer. Jazz. Score and parts. 1 pages. Katrin Scherer #5765945. Published by Katrin Scherer (A0.917730). Lead Sheet in CMelody, Chords, Scales
$1.99
1.83 €
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Charlie Parker
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Now's The Time
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Katrin Scherer
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SheetMusicPlus
Now's The Time
Small Ensemble Flute,Oboe,Recorder - Level 2 - Digital Download SKU: A0.917706 By C…
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Small Ensemble Flute,Oboe,Recorder - Level 2 - Digital Download SKU: A0.917706 By Charlie Parker. By Charlie Parker. Arranged by Katrin Scherer. Jazz. Score and parts. 1 pages. Katrin Scherer #5765197. Published by Katrin Scherer (A0.917706). Lead Sheet in C Melody, Chords, Scales
$1.99
1.83 €
#
Charlie Parker
#
Now's The Time
#
Katrin Scherer
#
SheetMusicPlus
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