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Now Is The Time Approaching
Sheetmusic to print
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Now Is The Time Approaching (Rehearsal Track)
Choir - Level 1 - Digital Download SKU: A0.1051318 By Stephen DeCesare. By Stephen …
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Choir - Level 1 - Digital Download SKU: A0.1051318 By Stephen DeCesare. By Stephen DeCesare. Advent,Children,Contemporary,Praise & Worship,Sacred. Full Performance. Duration 116. Exultet Music #285. Published by Exultet Music (A0.1051318). Lively Praise and worship Advent song that is scored for a Unison children's choir with Piano accompaniment.
$3.99
3.59 €
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Stephen DeCesare
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Now Is The Time Approaching
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Exultet Music
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SheetMusicPlus
Now Is The Time Approaching (Accompaniment Track)
Digital Download SKU: A0.1051316 Composed by Stephen DeCesare. Advent,Children,Cont…
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Digital Download SKU: A0.1051316 Composed by Stephen DeCesare. Advent,Children,Contemporary,Praise & Worship,Sacred. Accompaniment. Duration 121. Exultet Music #287. Published by Exultet Music (A0.1051316). Lively Praise and worship Advent song that is scored for a Unison children's choir with Piano accompaniment.
$3.99
3.59 €
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Stephen DeCesare
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Now Is The Time Approaching
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Exultet Music
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SheetMusicPlus
The Grim Reaper's Suite
Small Ensemble Guitar - Level 3 - Digital Download SKU: A0.942081 Composed by Apost…
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Small Ensemble Guitar - Level 3 - Digital Download SKU: A0.942081 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Halloween,Romantic Period,World. Score and parts. 40 pages. Silver Sickle Publications #4887663. Published by Silver Sickle Publications (A0.942081). The Grim Reaper’s Suite consists of five humorous and at the same dark pieces for five guitars to celebrate the humanity of the Grim Reaper. Two of these pieces are the well-known tune of Happy Birthday in two different and witty variations. The work was conceived to be performed live during the projection of a film by Apostolos Paraskevas called I Finally Did It. The work was premiered in 2009 by an array of well-known soloists at the Iserlohn Guitar Festival in Germany. Duration: approx. 10 minutes Apostolos Paraskevas is a classical guitarist and composer as well as an award-winning film director and producer. He has received multiple international awards for his compositions and was nominated for a Grammy Award. He is the only guitarist ever to have a major orchestral piece performed at Carnegie Hall under the direction of Lukas Foss––and the only musician who has performed there in a Grim Reaper outfit. He was the founder and served for 16 years as the artistic director of the International Guitar Congress-Festival of Corfu, Greece. He is a voting member of the Recording Academy (Grammys). After his undergraduate music studies in Volos he pursued advanced studies in classical guitar with Costas Cotsiolis (diploma, 1990) and Leo Brouwer (Havana 1984, 1988), as well as postgraduate studies in composition with Lukas Foss and Theodore Antoniou (DMA in composition, Boston University, 1998). Paraskevas embarked on a successful career as a guitar soloist and contemporary composer, achieving distinctions in both disciplines: Grammy nomination for Chase Dance (Bridge Records, 1999); first prize for Night Wanderings (Lukas Foss Composition Competition, 2000); first prize for Phygein Adynaton (National Composers Conference, 1997); and numerous prestigious commissions, performances, and publications. Following teaching posts at Northeastern and Boston Universities, Paraskevas has taught since 2001 at the Berklee College of Music in Boston (professor of composition and classical guitar). His eclectic compositional style arises as an idiosyncratic integration of seemingly conflicting influences – from avant-garde approaches to harmonic structure, form, and timbre, to pop-folk modal and rhythmical concepts – amalgamated into a personal evocative musical language, characterized by rhythmic verve, melodic grace, dramatic (and sometimes unexpectedly humorous) gestures, and ritualistic or theatrical elements. The latter feature has also led Paraskevas to the creation of films, notably the acclaimed I Finally Did It (Gold award, California Film Awards 2010), dealing wittily with Death, a recurring extra-musical theme in his music. The Groves Dictionary of Music
$12.99
11.68 €
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Apostolos Paraskevas
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The Grim Reaper's Suite
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Silver Sickle Publications
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SheetMusicPlus
Smoke On The Water
Small Ensemble Flute,Oboe,Recorder,Viola,Violin,Voice - Intermediate - Digital Download
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Small Ensemble Flute,Oboe,Recorder,Viola,Violin,Voice - Intermediate - Digital Download SKU: A0.510118 By Deep Purple. By Ian Gillan, Ian Paice, Jon Lord, Ritchie Blackmore, and Roger Glover. Arranged by Andrea La Rose. Rock. Score and parts. 48 pages. Published by Andrea La Rose (A0.510118). • Melody and four-part harmony parts for C instruments: voice, recorder, flute, oboe, violin, viola, mallets.• Chords included in melody part, to encourage use of song as a vehicle for improvisation.• In original key, so you can play along with the recording.As a young musician, I often had a hard time finding music for me and my friends to play together. Small wonder, when I was a flutist and my closest friends in band played trumpet, baritone sax, and clarinet. Who writes for that combination?Later, as a music teacher, I would either be approached by students in the same kind of situation or I would have an after-school ensemble consisting of something like 3 flutes, 2 alto saxes, 4 pianists, 5 drummers, a guitar, a viola, and an accordion. Now, really. Who writes for THAT combination?!Since I am also a composer (who often finds herself writing for similarly odd instrumentation), I would simply arrange music for that combination. But not every teacher or student is comfortable with doing that or has the time to. Finally, I am sharing with you all the fruits of my labor. Let friends play with friends! Let people pick parts that they are comfortable with! Let’s play some music we love!
$12.99
11.68 €
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Deep Purple
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Smoke On The Water
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Andrea La Rose
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SheetMusicPlus
Smoke On The Water
Small Ensemble Clarinet,Soprano Saxophone,Tenor Saxophone,Trumpet - Intermediate - Digital…
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Small Ensemble Clarinet,Soprano Saxophone,Tenor Saxophone,Trumpet - Intermediate - Digital Download SKU: A0.510119 By Deep Purple. By Ian Gillan, Ian Paice, Jon Lord, Ritchie Blackmore, and Roger Glover. Arranged by Andrea La Rose. Rock. Score and parts. 48 pages. Published by Andrea La Rose (A0.510119). • Melody and four-part harmony parts for Bb instruments: Bb clarinet, bass clarinet, soprano saxophone, tenor saxophone, trumpet.• Chords included in melody part, to encourage use of song as a vehicle for improvisation.• In original key, so you can play along with the recording.As a young musician, I often had a hard time finding music for me and my friends to play together. Small wonder, when I was a flutist and my closest friends in band played trumpet, baritone sax, and clarinet. Who writes for that combination?Later, as a music teacher, I would either be approached by students in the same kind of situation or I would have an after-school ensemble consisting of something like 3 flutes, 2 alto saxes, 4 pianists, 5 drummers, a guitar, a viola, and an accordion. Now, really. Who writes for THAT combination?!Since I am also a composer (who often finds herself writing for similarly odd instrumentation), I would simply arrange music for that combination. But not every teacher or student is comfortable with doing that or has the time to. Finally, I am sharing with you all the fruits of my labor. Let friends play with friends! Let people pick parts that they are comfortable with! Let’s play some music we love!
$12.99
11.68 €
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Deep Purple
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Smoke On The Water
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Andrea La Rose
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SheetMusicPlus
Smoke On The Water
Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Cello,Clarinet,Double Bass,Drum S…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Cello,Clarinet,Double Bass,Drum Set,English Horn,Euphonium,Flute,Oboe,Piano Accompaniment,Recorder,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet,Tuba,Viola,Violin,Voice - Intermediate - Digital Download SKU: A0.510117 By Deep Purple. By Ian Gillan, Ian Paice, Jon Lord, Ritchie Blackmore, and Roger Glover. Arranged by Andrea La Rose. Rock. Score and parts. 109 pages. Published by Andrea La Rose (A0.510117). • Melody and four-part harmony parts for all standard band and orchestral instruments.• Chords included in melody part, to encourage use of song as a vehicle for improvisation.• In original key, so you can play along with the recording.As a young musician, I often had a hard time finding music for me and my friends to play together. Small wonder, when I was a flutist and my closest friends in band played trumpet, baritone sax, and clarinet. Who writes for that combination?Later, as a music teacher, I would either be approached by students in the same kind of situation or I would have an after-school ensemble consisting of something like 3 flutes, 2 alto saxes, 4 pianists, 5 drummers, a guitar, a viola, and an accordion. Now, really. Who writes for THAT combination?!Since I am also a composer (who often finds herself writing for similarly odd instrumentation), I would simply arrange music for that combination. But not every teacher or student is comfortable with doing that or has the time to. Finally, I am sharing with you all the fruits of my labor. Let friends play with friends! Let people pick parts that they are comfortable with! Let’s play some music we love!
$29.99
26.95 €
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Deep Purple
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Smoke On The Water
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Andrea La Rose
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SheetMusicPlus
Smoke On The Water
Small Ensemble Bassoon,Cello,Double Bass,Euphonium,Trombone - Intermediate - Digital Downl…
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Small Ensemble Bassoon,Cello,Double Bass,Euphonium,Trombone - Intermediate - Digital Download SKU: A0.510122 By Deep Purple. By Ian Gillan, Ian Paice, Jon Lord, Ritchie Blackmore, and Roger Glover. Arranged by Andrea La Rose. Rock. Score and parts. 37 pages. Published by Andrea La Rose (A0.510122). • Melody and four-part harmony parts for bass clef instruments: bassoon, trombone, euphonium, cello, bass• Chords included in melody part, to encourage use of song as a vehicle for improvisation.• In original key, so you can play along with the recording.As a young musician, I often had a hard time finding music for me and my friends to play together. Small wonder, when I was a flutist and my closest friends in band played trumpet, baritone sax, and clarinet. Who writes for that combination?Later, as a music teacher, I would either be approached by students in the same kind of situation or I would have an after-school ensemble consisting of something like 3 flutes, 2 alto saxes, 4 pianists, 5 drummers, a guitar, a viola, and an accordion. Now, really. Who writes for THAT combination?!Since I am also a composer (who often finds herself writing for similarly odd instrumentation), I would simply arrange music for that combination. But not every teacher or student is comfortable with doing that or has the time to. Finally, I am sharing with you all the fruits of my labor. Let friends play with friends! Let people pick parts that they are comfortable with! Let’s play some music we love!
$12.99
11.68 €
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Deep Purple
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Smoke On The Water
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Andrea La Rose
#
SheetMusicPlus
A Treatise on the Astrolabe
Small Ensemble Double Bass,High Voice,Multi-Percussion - Digital Download SKU: A0.10230…
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Small Ensemble Double Bass,High Voice,Multi-Percussion - Digital Download SKU: A0.1023054 Composed by Kyle Rowan. Contemporary. Score and parts. 27 pages. Penguinman Music #6097405. Published by Penguinman Music (A0.1023054). The only one of Chaucer’s works that is scientific, not literary, in nature, A Treatise on the Astrolabe represents the oldest known English-language scientific manual and is a personal manual for his son on how to use an astrolabe, an ancient astronomical instrument. The that this work was created for a practical rather than artistic purpose was particularly appealing – it called to mind Walter Miller’s A Canticle for Leibowitz, when Brother Francis creates an illumination of a relic of St. Leibowitz, unaware that the relic was in fact a simple, and quite ordinary, circuit diagram.Presented here are seven songs divided among four parts. The first part, Prelude, contains one song, a setting of Chaucer’s personal introduction to his son, Lewis. The second, Here Begynneth the descripcioun of thin Astrolabie, contains three songs describing various components of the astrolabe. The worken the verrey pracktik of the forseide conclusions follows with two songs explaining the use of the astrolabe to calculate the position of the sun and the time of dawn and dusk; here, the words are spoken rather than sung. Postlude concludes the work in a style reminiscent of the opening, unmeasured material, using for its text the humble conclusion to Chaucer’s introduction.I am very grateful to soprano Tiffany DuMouchelle and percussionist Steve Solook, who I first approached in 2011 about a potential Chaucer cycle, as well as bassist Scott Worthington, who came to the project later but no less enthusiastically; without their support this piece would not have been possible.With the purchase, you are authorized to print a copy of the score for each member of the ensemble for the purposes of rehearsal and performance. For best results print on 11x17 tabloid size paper, landscape orientation.
$45.00
40.45 €
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Kyle Rowan
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A Treatise on the Astrolabe
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Penguinman Music
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SheetMusicPlus
John Hartford's Old-Time Fiddle Favorites
Fiddle - Beginning; Intermediate; Advanced - Digital Download SKU: M0.30529EB Fo…
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Fiddle - Beginning; Intermediate; Advanced - Digital Download SKU: M0.30529EB For Fiddle and Mandolin. Composed by Austin Gregory. Edited by Austin Gregory. Mandolin. Strings. E-book. Mel Bay Publications - Digital Sheet Music #30529EB. Published by Mel Bay Publications - Digital Sheet Music (M0.30529EB). ISBN 9781619116603. 8.75x11.75 inches.John Hartford was known for his quirky song writing and tap-dancing while he played the banjo, but he also possessed an encyclopedic knowledge of old-time fiddle tunes. Included in this collection are all 22 fiddle tunes from John's Hamilton Ironworks album. Each tune is presented in standard notation and in mandolin tab. Also included are many of John's variations, suggested chords, and information about the origins and insights on how to approach each tune. This collection of fiddle tunes played by John Hartford is to provide fiddle players with an accurate source so as to incorporate these great tunes into their repertoire. Difficulty ranges from relatively basic fiddling to solos that employ a range of techniques such as slides, alternate tunings and playing on up the fingerboard. This collection is a must have for any fan of John Hartford's music and for all old-time musicians.
$17.99
16.17 €
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Austin Gregory
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Intermediate
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John Hartford's Old-Time Fiddle Favorites
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Jack's Journey - A new Musical by David Catherwood, inspired by the boyhood adventures of CS Lewis (
Choral Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.739502 Composed by Da…
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Choral Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.739502 Composed by David Catherwood. Broadway,Children,Musical/Show. Score. 60 pages. Opus 3 Music #6052583. Published by Opus 3 Music (A0.739502). 'Jack's Journey'(A new Musical by Adeline Dinsmore and David Catherwood)Piano and vocal score (contains 7 songs plus overture and incidental music) plus Script - $9.50Duration c.40 minutesIdeal for schools, youth groups or adult dramatic/musical companies.Requirements - Narrator, Chorus, (unison/2part) Soloists, Actors, Piano accompanimentOptional - Dancers, orchestral parts for Flute, Clarinet. Trumpet, Horn, Strings, Percussion and Bass/guitar About the Musical A great story about one of the 20th century’s greatest storytellers. Carefully researched, yet full of fun, this entertaining musical tells the story of the early part of CS Lewis' life from the time of his mother's death in 1908 until his arrival as a student at Oxford in 1916. (Throughout his life CS Lewis was always known as Jack) This new work was premiered at the end of 2019 at the annual CS Lewis Festival held in Ireland. (CS Lewis’ birthplace) It proved to be a great success and was very enthusiastically received. Synopsis Jack’s Journey is a whimsical re-imagining of the childhood journeys of CS Lewis - each of the seven songs representing a stop along the way to his eventual career as the writer of the Narnia Chronicles. The story is told through music relating his memories and significant episodes from his schooldays up to his entry into Oxford. Living almost entirely in his imagination as a small boy, the seeds of the world of Narnia are already beginning to grow in his writing and drawings. Little Lea, his childhood home, provides the setting for the early scenes. Following the death of his mother the young Jack has his first experience of school and England. He endures with fortitude the harsh regime of boarding school and begins to recognise the value of friendship, mutual support and the courage that children can show in adversity. He returns to Ireland and to Campbell College – a much more positive experience. Illness brings his attendance at Campbell to an end. Returning to Little Lea, Jack imagines the world of fairies and dwarves, a world beyond our own. He returns to school in England and comes under the influence of a variety of teachers. Expelled from Malvern, Jack next falls under the influence of his great mentor, Professor Kirkpatrick – the model for the Professor of The Lion, the Witch and the Wardrobe. Jack’s Journey concludes with the anticipated arrival of a great hero, the hero of the first of the Narnian Chronicles, Aslan, the lion. ‘Jack’s Journey’ gives opportunity for young actors, (supported if desired by adults, taking the parts of the grown-ups.) There are short dramatic scenes, plenty of chorus work, opportunity for choreography and many solo spots for vocalists in the songs which are milestones in the story. List of Songs (the sample pages and mp3 file gives a chance to see and hear the first page of most of the songs) 1 Soft through the window 2 Kingdom of Mourne 3 Little Lea 4 Campbell Days - Boy to the left, Boy to the right 5 The Dandy's song 6 The Scholar's song 7 Strength and honour As will be evident from the above, there is plenty of flexibility regarding the scale of the performance. ‘Jack’s Journey’ may be staged using relatively modest outlay – for example, the premiere did not have a set because the venue for the performance was an actual railway station! The piece certainly allows for imaginative approaches to design and staging. In terms of the additional challenges presented by 2020 the length of the musical at 40 minutes helps in delivering a shorter theatrical experience. Also, the fully digital download of all performing materials allows for distribution via email Indeed the whole show could be effectively recorded and presented online as well as in person.
$9.50
8.54 €
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David Catherwood
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Jack's Journey - A new Musical by David Catherwood, inspired by the boyhood adventures of CS Lewis
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Opus 3 Music
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SheetMusicPlus
Jack's Journey - A Musical inspired by the boyhood adventures of CS Lewis (lyrics by Adeline Dinsmor
Large Ensemble,Strings Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.739501
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Large Ensemble,Strings Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.739501 Composed by David Catherwood. Broadway,Children,Musical/Show. Score. 323 pages. Opus 3 Music #6051989. Published by Opus 3 Music (A0.739501). A great story about one of the 20th century’s greatest storytellers. Carefully researched, yet full of fun, this entertaining musical tells the story of the early part of CS Lewis' life from the time of his mother's death in 1908 until his arrival as a student at Oxford in 1916. (Throughout his life CS Lewis was always known as Jack) This new work was premiered at the end of 2019 at the annual CS Lewis Festival held in Ireland. (CS Lewis’ birthplace) It proved to be a great success and was very enthusiastically received. Synopsis Jack’s Journey is a whimsical re-imagining of the childhood journeys of CS Lewis - each of the seven songs representing a stop along the way to his eventual career as the writer of the Narnia Chronicles. The story is told through music relating his memories and significant episodes from his schooldays up to his entry into Oxford. Living almost entirely in his imagination as a small boy, the seeds of the world of Narnia are already beginning to grow in his writing and drawings. Little Lea, his childhood home, provides the setting for the early scenes. Following the death of his mother the young Jack has his first experience of school and England. He endures with fortitude the harsh regime of boarding school and begins to recognise the value of friendship, mutual support and the courage that children can show in adversity. He returns to Ireland and to Campbell College – a much more positive experience. Illness brings his attendance at Campbell to an end. Returning to Little Lea, Jack imagines the world of fairies and dwarves, a world beyond our own. He returns to school in England and comes under the influence of a variety of teachers. Expelled from Malvern, Jack next falls under the influence of his great mentor, Professor Kirkpatrick – the model for the Professor of The Lion, the Witch and the Wardrobe. Jack’s Journey concludes with the anticipated arrival of a great hero, the hero of the first of the Narnian Chronicles, Aslan, the lion. ‘Jack’s Journey’ gives opportunity for young actors, (supported if desired by adults, taking the parts of the grown-ups.) There are short dramatic scenes, plenty of chorus work, opportunity for choreography and many solo spots for vocalists in the songs which are milestones in the story. List of Songs (the sample pages and mp3 file gives a chance to see and hear the first page of most of the songs) 1 Soft through the window 2 Kingdom of Mourne 3 Little Lea 4 Campbell Days - Boy to the left, Boy to the right 5 The Dandy's song 6 The Scholar's song 7 Strength and honour As will be evident from the above, there is plenty of flexibility regarding the scale of the performance. ‘Jack’s Journey’ may be staged using relatively modest outlay – for example, the premiere did not have a set because the venue for the performance was an actual railway station! The piece certainly allows for imaginative approaches to design and staging. In terms of the additional challenges presented by 2020 the length of the musical at 40 minutes helps in delivering a shorter theatrical experience. Also, the fully digital download of all performing materials allows for distribution via email Indeed the whole show could be effectively recorded and presented online as well as in person.
$75.00
67.41 €
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David Catherwood
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Jack's Journey - A Musical inspired by the boyhood adventures of CS Lewis
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Opus 3 Music
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SheetMusicPlus
Jingle Bells for Baritone Horn & Piano
Baritone Horn TC,Euphonium,Piano - Level 1 - Digital Download SKU: A0.552826 Compos…
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Baritone Horn TC,Euphonium,Piano - Level 1 - Digital Download SKU: A0.552826 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3408519. Published by jmsgu3 (A0.552826). Jingle Bells arranged for baritone horn (treble clef) and piano. Easy! Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.42 €
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James Pierpont
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Jingle Bells for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
The Art of Lutherie
Guitar (classical and lute) - Digital Download SKU: M0.30105MEB Composed by Tom Bil…
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Guitar (classical and lute) - Digital Download SKU: M0.30105MEB Composed by Tom Bills. Flatpicking Guitar. E-book and online video. Mel Bay Publications - Digital Sheet Music #30105MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.30105MEB). ISBN 9781619115378. 8.75x11.75 inches.The Art Of Lutherie offers a glimpse into the mind and craft of luthier Tom Bills, whom many consider to be one of the most talented luthiers today. In this beautifully written and enjoyable read, Tom elegantly and clearly shares his best-kept secrets and methods of custom guitar making - those which make his guitars favorites among top collectors and players. Tom's unique approach to The Art Of Lutherie will empower and inspire you to create more than just a guitar, but a truly unique work of art. The information that is generously shared within this insightful and timeless work is both practical and applicable. It contains the same hard-won wisdom that only comes from years of experience and experimentation that Tom uses in creating his inspiring instruments. Over the years, he has produced instruments considered to be some of the best sounding guitars ever made. Learning the steps of how to build a guitar is important, but understanding why master luthiers take those steps and make those decisions can empower you to make your own educated choices. This will allow you to create unique guitars, and the world needs your art, your guitars - your important contribution. The Art Of Lutherie, a truly unique and inspiring guide, can prepare you to reach new heights when designing and creating unique guitars. It is not often I heap such lavish praise on people; however, Tom is in this case more than deserving: I know of no other luthier whose work I respect more. Tom knows his craft inside and out; he pours his soul into every guitar he makes; he uses cutting-edge science to guide his work, and it shows...as head of Artist Relations and Product Development at Mel Bay, it gives me great pleasure to publish Tom's work, which will no doubt take the art of lutherie to a new level. I hope you'll spend some time soaking in this book - it will certainly augment your musicality - Collin Bay. Includes access to online video.
$14.99
13.47 €
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Tom Bills
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The Art of Lutherie
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861898 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Connor Musik International #6206157. Published by Mark O'Connor Musik International (A0.861898). Piano Trio No. 1 Poets and Prophets (piano score – piano, vln, cel) MO160APiano Score (parts available)Music by Mark O’Connor51 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160A
$22.50
20.22 €
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets and Prophets"
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio No. 1 "Poets and Prophets" (violin part - pno, vln, cel)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861899 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Connor Musik International #6206159. Published by Mark O'Connor Musik International (A0.861899). Piano Trio No. 1 Poets and Prophets (violin part – piano, vln, cel) MO160BViolin Part (score and parts available)Music by Mark O’Connor20 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160.
$15.00
13.48 €
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets and Prophets"
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Mark O'Connor Musik International
#
SheetMusicPlus
Piano Trio No. 1 "Poets and Prophets" (cello part - pno, vln, cel)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861901 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Connor Musik International #6206161. Published by Mark O'Connor Musik International (A0.861901). Piano Trio No. 1 Poets and Prophets (cello part – piano, vln, cel) MO160CCello Part (score and parts available)Music by Mark O’Connor18 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number.
$15.00
13.48 €
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets and Prophets"
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Mark O'Connor Musik International
#
SheetMusicPlus
The Christmas Song (chestnuts Roasting On An Open Fire)
Instrumental Duet Flute,Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.58…
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Instrumental Duet Flute,Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.589372 By John Denver. By Mel Torme and Robert Wells. Arranged by David McKeown. Christmas,Holiday,Jazz. Score and parts. 3 pages. David McKeown #6065191. Published by David McKeown (A0.589372). The Christmas Song is better known to many by its first line Chestnuts Roasting on an Open Fire. The song was written on a hot summer day in 1945 by Mel Torme and Bob Wells who were trying to cool down by composing a wintry lyric. It was first recorded by Nat King Cole the following year and was an instant hit. Nat King Cole revisited the song several times in his career and it has also been recorded by just about every noteworthy popular artist since, from Frank Sinatra, Bing Crosby, Peggy Lee, Doris Day, Ella Fitzgerald, Paul McCartney to The Jacksons, and many more. This version is arranged as a duet for one Flute and one Viola. Musicians at an intermediate standard will find this ideal for formal and informal concert performances, with both parts enjoying melodic interest. Total performance time is around four minutes. Teachers will enjoy using this arrangement as a fun way to approach expressive playing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.38 €
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John Denver
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The Christmas Song
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David McKeown
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SheetMusicPlus
The Christmas Song (chestnuts Roasting On An Open Fire)
Instrumental Duet E-Flat Clarinet,Instrumental Duet - Level 3 - Digital Download SKU: A…
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Instrumental Duet E-Flat Clarinet,Instrumental Duet - Level 3 - Digital Download SKU: A0.589364 By John Denver. By Mel Torme and Robert Wells. Arranged by David McKeown. Christmas,Contemporary,Holiday. Score and parts. 3 pages. David McKeown #6065175. Published by David McKeown (A0.589364). The Christmas Song is better known to many by its first line Chestnuts Roasting on an Open Fire. The song was written on a hot summer day in 1945 by Mel Torme and Bob Wells who were trying to cool down by composing a wintry lyric. It was first recorded by Nat King Cole the following year and was an instant hit. Nat King Cole revisited the song several times in his career and it has also been recorded by just about every noteworthy popular artist since, from Frank Sinatra, Bing Crosby, Peggy Lee, Doris Day, Ella Fitzgerald, Paul McCartney to The Jacksons, and many more. This version is arranged as a duet for one Clarinet and one Alto Clarinet. Musicians at an intermediate standard will find this ideal for formal and informal concert performances, with both parts enjoying melodic interest. Total performance time is around four minutes. Teachers will enjoy using this arrangement as a fun way to approach expressive playing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.38 €
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John Denver
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The Christmas Song
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David McKeown
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SheetMusicPlus
The Christmas Song (chestnuts Roasting On An Open Fire)
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU:…
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Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.589376 By John Denver. By Mel Torme and Robert Wells. Arranged by David McKeown. Christmas,Holiday,Jazz. Score and parts. 3 pages. David McKeown #6065199. Published by David McKeown (A0.589376). The Christmas Song is better known to many by its first line Chestnuts Roasting on an Open Fire. The song was written on a hot summer day in 1945 by Mel Torme and Bob Wells who were trying to cool down by composing a wintry lyric. It was first recorded by Nat King Cole the following year and was an instant hit. Nat King Cole revisited the song several times in his career and it has also been recorded by just about every noteworthy popular artist since, from Frank Sinatra, Bing Crosby, Peggy Lee, Doris Day, Ella Fitzgerald, Paul McCartney to The Jacksons, and many more. This version is arranged as a duet for one Oboe and one Cor Anglais, (or English Horn). Musicians at an intermediate standard will find this ideal for formal and informal concert performances, with both parts enjoying melodic interest. Total performance time is around four minutes. Teachers will enjoy using this arrangement as a fun way to approach expressive playing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.38 €
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John Denver
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The Christmas Song
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David McKeown
#
SheetMusicPlus
The Christmas Song (chestnuts Roasting On An Open Fire)
Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.58…
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Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.589377 By John Denver. By Mel Torme and Robert Wells. Arranged by David McKeown. Christmas,Holiday,Jazz. Score and parts. 3 pages. David McKeown #6065201. Published by David McKeown (A0.589377). The Christmas Song is better known to many by its first line Chestnuts Roasting on an Open Fire. The song was written on a hot summer day in 1945 by Mel Torme and Bob Wells who were trying to cool down by composing a wintry lyric. It was first recorded by Nat King Cole the following year and was an instant hit. Nat King Cole revisited the song several times in his career and it has also been recorded by just about every noteworthy popular artist since, from Frank Sinatra, Bing Crosby, Peggy Lee, Doris Day, Ella Fitzgerald, Paul McCartney to The Jacksons, and many more. This version is arranged as a duet for one Oboe and one Violin. Musicians at an intermediate standard will find this ideal for formal and informal concert performances, with both parts enjoying melodic interest. Total performance time is around four minutes. Teachers will enjoy using this arrangement as a fun way to approach expressive playing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.38 €
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John Denver
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The Christmas Song
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David McKeown
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SheetMusicPlus
The Way We Were
Instrumental Duet E-Flat Clarinet,Instrumental Duet - Level 3 - Digital Download SKU: A…
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Instrumental Duet E-Flat Clarinet,Instrumental Duet - Level 3 - Digital Download SKU: A0.594374 By Barbra Streisand. By Marvin Hamlisch. Arranged by David McKeown. Broadway,Contemporary,Film/TV,Musical/Show,Pop. Score and parts. 3 pages. David McKeown #6607927. Published by David McKeown (A0.594374). The Way We Were is one of the best known and best loved songs performed by Barbra Streisland during her long and successful career. The song was written by Alan Bergman, Marilyn Bergman and Marvin Hamlisch for the 1973 film of the same name. It was the top selling single of the year in the US and won two Academy awards for its writers. This version is arranged as a duet for one Clarinet and one Alto Clarinet. Click on the YouTube link above to listen to a full performances of this arrangement played on Clarinet.This version of The Way We Were is faithful to the Streisland version, with her rhythmic variations. The music is arranged in a key and range best suited to the instruments and is ideal for musicians at an intermediate level and above. Total performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to approach expressive playing and control at a slow tempo. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.38 €
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Barbra Streisand
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The Way We Were
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David McKeown
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SheetMusicPlus
The Way We Were
Instrumental Duet Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.594402…
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Instrumental Duet Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.594402 By Barbra Streisand. By Marvin Hamlisch. Arranged by David McKeown. Broadway,Contemporary,Film/TV,Musical/Show,Pop. Score and parts. 3 pages. David McKeown #6607983. Published by David McKeown (A0.594402). The Way We Were is one of the best known and best loved songs performed by Barbra Streisland during her long and successful career. The song was written by Alan Bergman, Marilyn Bergman and Marvin Hamlisch for the 1973 film of the same name. It was the top selling single of the year in the US and won two Academy awards for its writers. This version is arranged as a duet for one Trumpet and one Tenor Horn in E Flat. Click on the YouTube link above to listen to a full performances of this arrangement played on Clarinet.This version of The Way We Were is faithful to the Streisland version, with her rhythmic variations. The music is arranged in a key and range best suited to the instruments and is ideal for musicians at an intermediate level and above. Total performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to approach expressive playing and control at a slow tempo. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.38 €
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Barbra Streisand
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The Way We Were
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David McKeown
#
SheetMusicPlus
The Way We Were
Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.59…
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Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.594392 By Barbra Streisand. By Marvin Hamlisch. Arranged by David McKeown. Broadway,Contemporary,Film/TV,Musical/Show,Pop. Score and parts. 3 pages. David McKeown #6607963. Published by David McKeown (A0.594392). The Way We Were is one of the best known and best loved songs performed by Barbra Streisland during her long and successful career. The song was written by Alan Bergman, Marilyn Bergman and Marvin Hamlisch for the 1973 film of the same name. It was the top selling single of the year in the US and won two Academy awards for its writers. This version is arranged as a duet for one Oboe and one Violin. Click on the YouTube link above to listen to a full performances of this arrangement played on Clarinet.This version of The Way We Were is faithful to the Streisland version, with her rhythmic variations. The music is arranged in a key and range best suited to the instruments and is ideal for musicians at an intermediate level and above. Total performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to approach expressive playing and control at a slow tempo. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.38 €
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Barbra Streisand
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The Way We Were
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David McKeown
#
SheetMusicPlus
The Way We Were
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU:…
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Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.594391 By Barbra Streisand. By Marvin Hamlisch. Arranged by David McKeown. Broadway,Contemporary,Film/TV,Musical/Show,Pop. Score and parts. 3 pages. David McKeown #6607961. Published by David McKeown (A0.594391). The Way We Were is one of the best known and best loved songs performed by Barbra Streisland during her long and successful career. The song was written by Alan Bergman, Marilyn Bergman and Marvin Hamlisch for the 1973 film of the same name. It was the top selling single of the year in the US and won two Academy awards for its writers. This version is arranged as a duet for one Oboe and one Cor Anglais (or English Horn). Click on the YouTube link above to listen to a full performances of this arrangement played on Clarinet.This version of The Way We Were is faithful to the Streisland version, with her rhythmic variations. The music is arranged in a key and range best suited to the instruments and is ideal for musicians at an intermediate level and above. Total performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to approach expressive playing and control at a slow tempo. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.38 €
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Barbra Streisand
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The Way We Were
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David McKeown
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SheetMusicPlus
Holst: A Somerset Rhapsody Op.21 - symphonic wind dectet
A Clarinet,Bassoon,Double Bass,Flute,Horn,Oboe,Piccolo - Level 4 - Digital Download SKU…
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A Clarinet,Bassoon,Double Bass,Flute,Horn,Oboe,Piccolo - Level 4 - Digital Download SKU: A0.1319293 Composed by Gustav Holst. Arranged by Ray Thompson. 20th Century,Chamber,Folk. 50 pages. RayThompsonMusic #907927. Published by RayThompsonMusic (A0.1319293). A Somerset Rhapsody Op.21Arranged symphonic wind dectet/bass(Double wind quintet)NB Clarinets in A as in original orchestra (Parts in Bb also provided)Holst: A Somerset Rhapsody, Op. 21, was composed by Gustav HOLST in 1906, and was dedicated to Cecil Sharp, the renowned collector of English folksong music. It began as a work for orchestra called Folk Songs of Somerset, making use of 10 songs from the collections of Sharp. That work (on manuscript)was rediscovered in 2017 in New Zealand Holst reworked four of the tunes from that piece into the Rhapsody:The Sheep-Shearing Song (also known as It’s a Rosebud in June), invokes idyllic pastoral settings and is played at the beginning by the oboe d’amore (English Horn in the wind band version). High Germany, is a song about marching off to war, and is also used by Holst’s colleague, Ralph Vaughan Williams, in his own Folk Song Suite.True Love’s Farewell, is a song about lovers saying goodbye, and is sometimes also known as Ten Thousand Miles. The final tune used is The Cuckoo.Curiously, The Cuckoo does not seem to be recognised as one of the folk tunes used in this piece...the program note in the transcription refers only to the three other folk melodies, and many program notes omit any reference to The Cuckoo whatsoever.Though not a programmatic work, the composer once divulged to a colleague that the work told a story:Into a quiet country scene comes the sound of approaching soldiers. A youth who is courting a girl is persuaded to enlist and go to war. The soldiers march into the distance and the pastoral quietness returns. The girl is left alone.â€It works well for wind dectet.
$24.95
22.42 €
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Gustav Holst
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Holst: A Somerset Rhapsody Op.21 - symphonic wind dectet
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RayThompsonMusic
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SheetMusicPlus
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