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Ode to Jane
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1
Samba De Janeiro
Small Ensemble Timpani,Trumpet - Level 4 - Digital Download SKU: A0.977353 By Vario…
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Small Ensemble Timpani,Trumpet - Level 4 - Digital Download SKU: A0.977353 By Various Artists. By Airto G Moreira, Gottfried Engels, and Ramon Zenker. Arranged by Des McNutty. Contemporary. Score and parts. 12 pages. Des Press #6438145. Published by Des Press (A0.977353). Part of the series: A Pulchritudinous Posy of Pleasing Party-PiecesA few fancies for five-part natural trumpet ensemble* with optional timpani. At last: Some new repertoire for the historical natural trumpet! This one-handed instrument was familiar to composers such as JS Bach, Handel, Telemann, Purcell, Vivaldi etc., but was largely neglected after the invention of valves in the early 19th century - and the subsequent invention of the nodal vent-hole systems in the late 20th-century - until recently, when the elusive lost art of clarino playing (in the fourth octave and above) was cracked by dedicated optimists such as Don L Smithers and JF Madeuf. These arrangements are a stylistic departure from the trumpet's golden age of Baroque repertoire, featuring works well known in the 20th century, and provide excellent training for rhythmic precision, style, pitching and team playing. They're also fun, if you like that sort of thing. Advice on tuning up the differently-pitched instruments and a technical tip are included. The current regulations on SMP mean us little guys can only publish in-copyright works one at a time. So, you can collect them all and make yourself a tome! These arrangements were originally written for Lunchtime Tower Music (weather permitting), at the Dartington International Summer School between roughly 2000 and 2010, for courses led by Michael Laird and David Staff. Such performances from the mediæval clock tower involved the various brass and other wind classes playing seriously with an informal atmosphere. Logistical issues, a narrow staircase and the ubiquitous Health-and-Safety regulations prevented the use of timpani on the tower but sometimes larger groups, and those involving vertigo sufferers, played in the courtyard instead. These pieces are the opposite of playing Baroque music on modern, or postmodern instruments. Get them all now and enjoy a refreshing change! Enjoy! DM
$12.99
11.83 €
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Various Artists
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Samba De Janeiro
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Des Press
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SheetMusicPlus
Tico Tico (tico Tico No Fuba)
Instrumental Duet,Piano B-Flat Trumpet,Instrumental Duet,Piano,Tenor Trombone - Level 4 - …
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Instrumental Duet,Piano B-Flat Trumpet,Instrumental Duet,Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.747015 By The Andrews Sisters. By Aloysio Oliveira, Ervin Drake, and Zequinha Abreu. Arranged by Keith Terrett. Classical,Latin,Multicultural,World. 10 pages. Keith Terrett #5870055. Published by Keith Terrett (A0.747015). Arranged for for Bb Trumpet, C Trombone & Piano Tico-Tico no fubá (sparrow in the cornmeal, or, literally, rufous-collared sparrow in the cornmeal) is a Brazilian choro song written by Zequinha de Abreu in 1917. A great arrangement for your next performance, sure to be a big hit with your audience!Its original title was Tico-Tico no farelo (sparrow in the bran), but since Brazilian guitarist Américo Jacomino Canhoto (1889–1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics.Eros Volusia and her dancers dance to Tico-Tico in 1942 Rio Rita. Ethel Smith performed Tico-Tico onscreen in Bathing Beauty (1944). Carmen Miranda performed Tico-Tico onscreen in Copacabana (1947); It was also featured in the Aquarela do Brasil segment of the Walt Disney film Saludos Amigos (1942) and in Woody Allen's Radio Days (1987).In Quebec the song has been used for several decades in commercials for Sico paint.In season three of Mama's Family episode An Ill Wind, an intoxicated Iola briefly sings the song's chorus before passing out onto a bed.This song can be heard on various episodes of the Belgian Kabouter Wesley cartoon.In season one of Narcos: Mexico, episode 3 (El Padrino), the orchestral version of the song is played by a band during a reception. A biographical movie about Zequinha de Abreu with the same title, Tico-Tico no Fubá was produced in 1952 by the Brazilian film studio Companhia Cinematográfica Vera Cruz, starring Anselmo Duarte as Abreu.The title phrase also features in the lyrics to the song O Pato made famous by João Gilberto.Choro (Portuguese pronunciation: [ˈʃoɾu], cry or lament), also popularly called chorinho (little cry or little lament), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chorõe
$12.99
11.83 €
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The Andrews Sisters
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Tico Tico
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Keith Terrett
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SheetMusicPlus
Tico Tico (tico Tico No Fuba)
Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.747005 By The Andrews Si…
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Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.747005 By The Andrews Sisters. By Aloysio Oliveira, Ervin Drake, and Zequinha Abreu. Arranged by Keith Terrett. Classical,Latin,Multicultural,World. 14 pages. Keith Terrett #5869409. Published by Keith Terrett (A0.747005). Arranged for Brass Quartet, Tico-Tico no fubá (sparrow in the cornmeal, or, literally, rufous-collared sparrow in the cornmeal) is a Brazilian choro song written by Zequinha de Abreu in 1917. A great arrangement for your next performance, sure to be a big hit with your audience!Its original title was Tico-Tico no farelo (sparrow in the bran), but since Brazilian guitarist Américo Jacomino Canhoto (1889–1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics.Eros Volusia and her dancers dance to Tico-Tico in 1942 Rio Rita. Ethel Smith performed Tico-Tico onscreen in Bathing Beauty (1944). Carmen Miranda performed Tico-Tico onscreen in Copacabana (1947); It was also featured in the Aquarela do Brasil segment of the Walt Disney film Saludos Amigos (1942) and in Woody Allen's Radio Days (1987).In Quebec the song has been used for several decades in commercials for Sico paint.In season three of Mama's Family episode An Ill Wind, an intoxicated Iola briefly sings the song's chorus before passing out onto a bed.This song can be heard on various episodes of the Belgian Kabouter Wesley cartoon.In season one of Narcos: Mexico, episode 3 (El Padrino), the orchestral version of the song is played by a band during a reception. A biographical movie about Zequinha de Abreu with the same title, Tico-Tico no Fubá was produced in 1952 by the Brazilian film studio Companhia Cinematográfica Vera Cruz, starring Anselmo Duarte as Abreu.The title phrase also features in the lyrics to the song O Pato made famous by João Gilberto.Choro (Portuguese pronunciation: [ˈʃoɾu], cry or lament), also popularly called chorinho (little cry or little lament), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chorões.
$12.99
11.83 €
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The Andrews Sisters
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Tico Tico
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Keith Terrett
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SheetMusicPlus
Music Makers, Dreamers of Dreams
TTBB choir, soloists, cello, and piano - Moderately Difficult - Digital Download SKU: M…
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TTBB choir, soloists, cello, and piano - Moderately Difficult - Digital Download SKU: MQ.AHM-28-E Composed by Christopher Aspaas. 20 pages. Aspen Hill Music - Digital #AHM-28-E. Published by Aspen Hill Music - Digital (MQ.AHM-28-E). English.Music Makers, Dreamers of Dreams was commissioned by One Voice Mixed Chorus, Minnesota's own and North America's largest LGBT and straight allies chorus under the direction of Jane Ramseyer Miller. The text is a combination of Arthur O'Shaughnessy's Ode, Walt Whitman's Leaves of Grass and an anonymous text spoken at a GALA national conference: We have started a song and it cannot stop. Originally set for baritone soloist, piano, cello and SATB choir, the work seeks to empower singers of all ages through this stirring text setting. This version for tenor/bass voices was commissioned by the Southern California Vocal Association for the 2016 Men's Honor Choir.
$3.15
2.87 €
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Christopher Aspaas
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Music Makers, Dreamers of Dreams
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Aspen Hill Music - Digital
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SheetMusicPlus
Madrigal Pavane / Timburibá
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. A…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95
7.24 €
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Francisco Braga
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Madrigal Pavane / Timburibá
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Les Productions d'OZ - Digital
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SheetMusicPlus
Folk Songs For Classical Guitar - Volume 9 (Songs 217-243)
Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1152788 Comp…
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Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1152788 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 44 pages. Socrates Arvanitakis #753026. Published by Socrates Arvanitakis (A0.1152788). This is the ninth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view. Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 9 (Songs 217-243)Crystal Spring (The)Cuckoo (the)Cumha MhicCupid’s GardenCutting Down the PinesDabbling in the DewDance to your DaddyDarby KellyDashing Away With the Smoothing IronDashing White Sergeant (the) continue hereDavy LowstonDean CadalanDeath and the LadyDeath of Admiral Benbow (the)Death of Queen Jane (the)Derby Ram (the)DerwentwaterDerwentwater’s FarewellDeserter (the) version ADeserter (the) version BDevil and the Farmer’s Wife (the)Dewy Dells of Yarrow (the)DiademDialogue between Jacob and Esau (A)Dicky of Tauton DeneDidn’t My Lord Deliver DanielDigger’s Song (the).
$25.00
22.76 €
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Traditional/Anonymous
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Folk Songs For Classical Guitar - Volume 9
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Socrates Arvanitakis
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SheetMusicPlus
Folk Songs For Classical Guitar - Volume 20 (Songs 514-540)
Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1156211 Comp…
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Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1156211 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 46 pages. Socrates Arvanitakis #756525. Published by Socrates Arvanitakis (A0.1156211). This is the twentieth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view. Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 20 (Songs 514-540)Lancashire Peace Egging Song (1)Lancashire Peace Egging Song (2)Lancashire Processional MorrisLand of the Silver BirchLark in the Morn (the)Last Valentine’s DayLavender Cries 1Lavender Cries 2Lay the bent to the bonny broomLeave her JohnnyLeaving of Liverpool (the)Leezie LindsayLemondayLeprehaun (the)Let Me in this Ae NightLi’l Liza JaneLiberty for the SailorsLilliburleroLily-white Boys (the)LimboLimejuice Ship (the)Lincolnshire PoacherLinden LeaLinstead MarketLisbon 1Lisbon 2Lisbon 3.
$25.00
22.76 €
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Traditional/Anonymous
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Folk Songs For Classical Guitar - Volume 20
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Socrates Arvanitakis
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SheetMusicPlus
Lay All Your Love On Me
Carillon,Instrumental Solo - Level 3 - Digital Download SKU: A0.1198764 By ABBA. By…
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Carillon,Instrumental Solo - Level 3 - Digital Download SKU: A0.1198764 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Sophia Janevic. Disco,Pop. Individual part. 2 pages. Sophia Janevic #797846. Published by Sophia Janevic (A0.1198764). An arrangement of ABBA's pop hit Lay All Your Love On Me for carillon. Short, crowd pleasing, and the perfect addition to any recital!ABBA composed the song’s chorus to sound like a hymn, with the original disco track utilizing vocoder effects to imitate the sounds of a church congregation singing. Though vocoder effects can’t be used in this carillon arrangement, the rich tones of the bells harken back to the vocal track’s spiritual soundscape.
$5.99
5.45 €
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ABBA
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Lay All Your Love On Me
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Sophia Janevic
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SheetMusicPlus
Choros No 1
String Ensemble,String Quintet Cello,Double Bass,Viola,Violin - Level 3 - Digital Download…
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String Ensemble,String Quintet Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.513367 Composed by Heitor Villa Lobos. Arranged by Renato Esteves. Classical,Latin,Multicultural,World. Score and parts. 29 pages. Renato Esteves #124134. Published by Renato Esteves (A0.513367). Villa-Lobos composed Chôros No. 1 in Rio de Janeiro in 1920, originally publishing it under the title Chôro tÃpico, then Chôro tÃpico brasileiro. The title is taken from an improvisational genre of Brazilian instrumental popular music that originated in Rio de Janeiro in the nineteenth century. The Portuguese word choro (pronounced [ˈʃoɾu]), means cry or lament, though most music of this type is far from being sorrowful. Four years after composing this work, at the time of his first visit to Paris, he decided to make it part of an extended cycle of works collectively titled Chôros, which eventually included fourteen numbered compositions, plus an Introduction aux chôros (Introdução aos chôros): Ouverture, for guitar and orchestra, designed to be played before a complete performance of the cycle, and Chôros bis, a two-movement duo for violin and cello, considered as a sort of encore piece. A Quintet (em forma de chôros), for five woodwind instruments (1928) is sometimes considered as related. In the context of the larger cycle, Chôros No. 1 is like the essence, the embryo, the psychological model that will be developed technically in the conception of all the Chôros.[1] The score of Chôros No. 1 is dedicated to Ernesto Nazareth, and a recording of it made by the composer lasts just under four minutes. Unlike the successor works, there is no attempt here to synthesize different aspects of Brazilian music into a stylistic montage. Instead, it employs the patterns, figurations, and simple structure characteristic of the improvised music of such celebrated chorões of the late-nineteenth and early twentieth centuries as Zequinha de Abreu, Quincas Laranjeiras [pt], Chiquinha Gonzaga, and Catulo da Paixão Cearense [pt].[2] This simplicity and the beauty of its composition have made it a favourite with professional guitarists.[3] Footnotes Villa-Lobos 1972, p. 210. Wright, Simon. 1992. Villa-Lobos. Oxford Studies of Composers. Oxford and New York: Oxford University Press. ISBN 0-19-315476-5 (cloth); ISBN 0-19-315475-7 (pbk). p. 62. Appleby, David. 2002. Heitor Villa-Lobos: A Life (1887–1959). Lanham, MD: Scarecrow Press. ISBN 978-0-8108-4149-9. p. 80. https://en.wikipedia.org/wiki/Ch%C3%B4ros_No._1.
$20.00
18.21 €
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Heitor Villa Lobos
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ISBN 0-19-315475-7 (pbk)
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Choros No 1
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Renato Esteves
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SheetMusicPlus
Trombone Quartets for Young Players
Trombone - Level 2 - Digital Download SKU: A0.1488049 Composed by Ran Whitley. 21st…
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Trombone - Level 2 - Digital Download SKU: A0.1488049 Composed by Ran Whitley. 21st Century,Instructional. 70 pages. Gordon Cherry #1064933. Published by Gordon Cherry (A0.1488049). Trombone Quartets for Young Players by Ran Whitley are seven fun works in varying styles just perfect for beginner-intermediate level performers.The seven works of about 2 minutes each in length are:Fiesta (Cha cha)SaharaHoedown (Square dance)Rio de Janeiro (Samba)Mystic TempleCuckoo ClockCourante (a Baroque dance)Technical and endurance requirements are quite modest, with lots of opportunities to learn about how to start learning to play chamber music.
$27.50
25.04 €
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Ran Whitley
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Trombone Quartets for Young Players
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Gordon Cherry
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SheetMusicPlus
Desafinado
Small Ensemble B-Flat Clarinet,Double Bass,Flugelhorn,Flute,Piano Accompaniment,Tenor Trom…
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Small Ensemble B-Flat Clarinet,Double Bass,Flugelhorn,Flute,Piano Accompaniment,Tenor Trombone - Digital Download SKU: A0.502935 Composed by Antonio Carlos Jobim and Newton Mendonça. Arranged by Rubinho. Jazz,Standards. Score and parts. 40 pages. Published by Rubinho (A0.502935). Desafinado is a bossa nova song composed by Antônio Carlos Jobim (Tom Jobim) and Newton Mendonça and recorded by João Gilberto on November 10, 1958, at Estúdios Odeon , in Rio de Janeiro . The song would be released in February 1959 as a single by the EMI-Odeon record label and included on their debut album, Chega de Saudade , released in the second week of March of that year. It is considered one of the seminal songs in the musical style and one that best defines the genre. The song is a response to criticism at the time, which considered bossa nova as music for out-of-tune singers. The song was later recorded by several artists, including Antônio Carlos Jobim , Herb Alpert , Nara Leão , Ella Fitzgerald and Stan Getz who, in 1963, won the Grammy for Best Jazz Performance by a Soloist or Small Group for the song. Two English-language adaptations of the song were performed: Slightly Out of Tune by Jon Hendricks and Off Key by Gene Lees. This arrangment is for 01 Flute, 01 Bb Clarinet, 01 Flugelhorn, 01 Trombone, Accompaniment Chords and Acoustic Bass.
$14.00
12.75 €
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Antonio Carlos Jobim and Newton Mendonça
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Desafinado
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Rubinho
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SheetMusicPlus
We Are Young
Small Ensemble Alto Recorder,Banjo,Clarinet,English Horn,Flute,Guitar,Oboe,Piano,Soprano R…
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Small Ensemble Alto Recorder,Banjo,Clarinet,English Horn,Flute,Guitar,Oboe,Piano,Soprano Recorder,Tenor Recorder,Trumpet,Ukulele,Viola,Violin,Voice - Digital Download SKU: A0.858261 By Fun. Featuring Janelle Monae. By Andrew Dost, Jack Antonoff, Jeff Bhasker, and Nate Ruess. Arranged by Stephen Bulat. Pop,Rock. Score and parts. 5 pages. Stephen Bulat Publishing #3882801. Published by Stephen Bulat Publishing (A0.858261). Lead sheet (melody, lyrics & chords) of the epic pop hit by fun. This arrangement has been gig-tested and has a very easy to follow roadmap with all essential cues and rehearsal markings throughout. Backing vocals also included. Please click on publisher to view this song in other keys as well as to purchase other easy to follow charts to add to your modern day gig book.
$4.99
4.54 €
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Fun
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We Are Young
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Stephen Bulat Publishing
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SheetMusicPlus
Gdye TÑ—, Zvyozdochka? (Where Are You, Little Star?)
2-part choir, Solo, Piano - Digital Download SKU: LX.15-2053R Composed by Modest Pe…
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2-part choir, Solo, Piano - Digital Download SKU: LX.15-2053R Composed by Modest Petrovich Mussorgsky. Arranged by Jonathan Sokasits. Janet Galván Women's Choral. Concert. Octavo. 8 pages. Roger Dean Publishing #e15/2053R. Published by Roger Dean Publishing (LX.15-2053R). UPC: 000308100501.A beautiful introduction to the Russian style, this work includes a literal translation and a poetic translation of the text, a pronunciation guide and a citation of a Russian text guide.
$2.40
2.19 €
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Modest Petrovich Mussorgsky
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Gdye TÑ—, Zvyozdochka?
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Roger Dean Publishing
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SheetMusicPlus
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