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Old Man
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3251
Bartók: Rumanian Folk Dances Sz.56 (Complete) -symphonic wind dectet
Large Ensemble Bassoon,Clarinet,Double Bass,Horn,Oboe,Piccolo - Level 4 - Digital Download…
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Large Ensemble Bassoon,Clarinet,Double Bass,Horn,Oboe,Piccolo - Level 4 - Digital Download SKU: A0.1038136 Composed by Bela Bartok. Arranged by Ray Thompson. 20th Century,Classical,Folk. Score and parts. 46 pages. RayThompsonMusic #643066. Published by RayThompsonMusic (A0.1038136). The complete set arranged wind dectet and bass Romanian Folk Dances Sz. 56, BB 68 is a suite of six short piano pieces composed by Béla Bartók in 1915. He later orchestrated it for small ensemble in 1917 as Sz. 68, BB 76. It is based on seven Romanian tunes from Transylvania, originally played on fiddle or shepherd's flute. The original name for the piece was titled Romanian Folk Dances from Hungary but was later changed by Bartók when Transylvania became part of Romania in 1920. It is nowadays available in the 1971 edition which is written with key signatures although Bartók rarely ever used key signatures. This set of dances consists of six movements and, according to the composer, it should take four minutes and three seconds to perform, but most professional pianists take up to five minutes. The list of the movements is as follows (with the original Hungarian title listed first, the most commonly known Romanian title second, and the English translation in parentheses): Bot tánc / Jocul cu bâtă (Stick Dance)The melody of the first movement, according to Bartók, came from the Mezőszabad (present-day Voiniceni) village that was part of Mezőcsávás (present-day Ceuașu de Câmpie) commune which was located in the Maros-Tordaadministrative county within Transylvania, and he first heard it when two gypsy violinists were playing it. Brâul (Sash Dance)The second movement is a typical dance from Romania called Brâul, for which traditionally a sash or a waistband was used. This melody came from Egres (present-day Igriș), in the Banat region. Topogó / Pe loc (In One Spot)The third dance comes also from Egres (Igriș), but its theme is much darker and its melody recreates Middle Eastern instruments, such as the flute.[4] Bucsumà tánc / Buciumeana (Dance from Bucsum)The fourth dance came from Bucsony, Alsó-Fehér County (today Bucium, Alba county in Romania) Román polka / Poarga Românească (Romanian Polka)The fifth dance is an old Romanian dance similar to the Polka and comes from Belényes (present-day Beiuş, in Bihor county), near the border between Hungary and Romania. Aprózó / Mărunțel (Fast Dance)The sixth and last dance is formed by two different melodies: the first one comes from Belényes (present-day Beiuș) and the second one comes from the then named Nyagra (present-day Neagra) village within the Palotailva (present-day Lunca Bradului) commune. Both on the orchestral version and on the original piano version, the final two dances are performed attacca-without a break between movements.
$19.95
18.42 €
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Bela Bartok
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Bartók: Rumanian Folk Dances Sz.56
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RayThompsonMusic
#
SheetMusicPlus
The Cranky Old Man (Piano Accompaniment Track)
Choir,Piano - Digital Download SKU: A0.1065731 Composed by Carol Troutman Wiggins. …
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Choir,Piano - Digital Download SKU: A0.1065731 Composed by Carol Troutman Wiggins. Children,Halloween. Accompaniment. Duration 78. Carol Troutman Wiggins #4784063. Published by Carol Troutman Wiggins (A0.1065731). THE CRANKY OLD MAN Piano Track Unison w/Ratchet, Kazoos, Wood Blocks, & Bell This cranky old an was a meanie! However, it’s surprising how a little kindness can change a person – even a cranky old man! Excellent for upper elementary and as a warmup for middle school students Great for use at Halloween or as an opportunity to introduce songs in a minor key Optional ratchet, kazoos, wood blocks, and bells for sound effects Instrument cues in score Chords included for additional instruments Piano Accompaniment Track on this site,
$3.99
3.68 €
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Carol Troutman Wiggins
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Bell
 
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The Cranky Old Man
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Carol Troutman Wiggins
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SheetMusicPlus
Carson Cooman: Jaunts (2001) for mandolin quintet
Small Ensemble Bass Guitar,Mandolin - Level 5 - Digital Download SKU: A0.533658 Com…
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Small Ensemble Bass Guitar,Mandolin - Level 5 - Digital Download SKU: A0.533658 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #3035635. Published by Musik Fabrik Music Publishing (A0.533658). Jaunts (2001) for mandolin quintet (2 mandolins, mandola, guitar and bass guitar) was written for and is dedicated to the Sydney Mandolins,with much admiration.The work is about travel -- not long journeys or voyages -- but rather jaunts which thedictionary defines as short trips or excursions, usually for pleasure. The work exploresdiverse textures within a short time-span. The piece is in four general sections: It begins witha slow and unfolding opening leading to a moderate jaunt. This proceeds into a much fasterand driving section which ends very abruptly. The moderate pace begins again to themoderate pace which leads finally the opening spare textures again.The seeds of the musical material for the entire work come from the first mandolin's openinggesture.Aspects of the color and textures of the mandolin ensemble have been utilized by thecomposer in the work, inspired very much from the hearing of countless recordings of theSydney Mandolins in the performance of contemporary music.
$25.95
23.97 €
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Carson Cooman
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Carson Cooman: Jaunts
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Musik Fabrik Music Publishing
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SheetMusicPlus
Old Comrades Swinging
Brass Ensemble Baritone Horn TC,Cornet,E-Flat Tuba TC,Euphonium,Flugelhorn,Trombone,Trumpe…
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Brass Ensemble Baritone Horn TC,Cornet,E-Flat Tuba TC,Euphonium,Flugelhorn,Trombone,Trumpet - Digital Download SKU: A0.1118778 Composed by Carl Teike. Arranged by Chris Gorman. Jazz. Score and parts. 40 pages. Chris Gorman #720214. Published by Chris Gorman (A0.1118778). Carl Albert Hermann Teike (5 February 1864 – 28 May 1922) was a German composer who wrote over 100 military marches and twenty concert works. Teike began writing military marches, including one in 1889 that would eventually be named Alte Kameraden (Old Comrades). Upon his bandmaster's disapproval of that composition, Teike resigned from the army. A publisher purchased the song from him for twenty German Goldmark. Alte Kameraden later became one of the most popular marches in the world. This arrangement is for a Brass 8 piece.
$25.00
23.09 €
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Carl Teike
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Old Comrades Swinging
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Chris Gorman
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SheetMusicPlus
Before The Old Man Comes Home
Choral Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.791540 Composed by Be…
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Choral Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.791540 Composed by Benj Pasek and Justin Paul. Arranged by W. Brent Sawyer. Contemporary. Score. 8 pages. Diamond S Music #3620095. Published by Diamond S Music (A0.791540). BEFORE THE OLD MAN COMES HOME from A CHRISTMAS STORY the musical - Piano (keyboard) & Vocal Part Only . Arranged for Vocal Duet (with Kids Ensemble) and 8 piece arrangement. This Keyboard part also contains the important cues for the other instrumentation. The beloved Christmas Classic film turned into a hit Broadway musical by the Tony Award and Academy Award winning team Benj Pasek & Justin Paul (Dear Evan Hansen, The Greatest Showman, La La Land). This 8 piece arrangement is for: Reed 1 (Flute, Bb Clarinet, Piccolo), Reed 2 ( Flute, Bb Clarinet, Bass Clarinet), Trumpet, Trombone, Electronic Keyboard, Double Bass, Drum Set, Percussion (mallets & aux). Other 8 piece Orchestrations/Arrangements from A Christmas Story the musical by this publisher (Diamond S Music) available here are: Before The Old Man Comes Home, Just Like That, Ralphie To The Rescue, Overture, Somewhere Hovering Over Indiana, When You're A Wimp, A Christmas Story, Counting Down To Christmas, Act 1 Finale, What A Mother Does, Parker Family Sing A-long, Sticky Situation, Up On Santa's Lap, You'll Shoot Your Eye Out, The Genius Of Cleveland Street, Red Ryder Carbine Action BB Gun, Christmas Morning. Other similar arrangements from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$9.99
9.23 €
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Benj Pasek and Justin Paul
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Vocal Part Only
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Before The Old Man Comes Home
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Diamond S Music
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SheetMusicPlus
“This Old Man” for 8-note Bells and Boomwhackers® (with Black and White Notes)
Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,…
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Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - Digital Download SKU: A0.565431 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Children,Folk,Instructional,Standards,Traditional. Score and parts. 11 pages. Sharon Wilson #4357007. Published by Sharon Wilson (A0.565431). This sheet music is notated for 8-note, C major diatonic scale (one octave) instruments with Handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Both parts play the melody for one verse beginning with part one (handbells) on the melody and part two (Boomwhackers®) on harmony. After a short interlude, part two plays the melody for the second verse while part one plays harmony. If you want to play only the first verse, an optional ending is provided or it can be skipped to perform the two verses together. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note chart is also provided to aid in the learning and teaching of this song. Lyrics are provided as well for sing along enjoyment.  This set of scores uses black and white noteheads and is best suited for musicians already familiar with reading standard music notation. For beginning musicians, this same set of scores is available (sold separately) with color coded noteheads.Though this sheet music is notated for Handbells and Boomwhackers®, this song is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel. Only filled noteheads (quarter and eighth notes) are used so the notes are easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one or two notes to each person. Note assignment suggestions are included.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers® * form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, children’s ministriesThis song is one of the 20 arrangements in the collection Folk Songs for 13-note Bells and Boomwhackers® (with Black and White Notes), VOL. 2. Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
5.53 €
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Sharon Wilson
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“This Old Man” for 8-note Bells and Boomwhackers®
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Sharon Wilson
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SheetMusicPlus
Burnt Old Man
Instrumental Solo,Piano,Voice - Level 1 - Interactive Download SKU: A0.1397532 By T…
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Instrumental Solo,Piano,Voice - Level 1 - Interactive Download SKU: A0.1397532 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M Music. This edition: Interactive Download. Folk,World. Individual part. 4 pages. Duration 48. Heather Mueller Music #1QTrxamNGOiHCdG14BWNBP. Published by Heather Mueller Music (A0.1397532). Key: D major.Burnt Old Man Jig Sheet Music - Embark on an Irish Fiddling Adventure! Step into the vibrant world of Irish fiddling with Burnt Old Man Jig. This spirited tune, deeply rooted in tradition, offers a dynamic canvas for your creativity, inviting you to infuse your own embellishments and variations, reminiscent of the improvisational spirit found in jazz music. Key Features: Interactive sheet music with customizable options for tempo and key adjustments. Ideal addition to collections of Irish fiddle tunes, jig anthologies, and Celtic music compilations. Enhance your fiddling technique with targeted exercises for scales, rhythm, sight-reading, ear training, and musicality. Dive into improvisation as Burnt Old Man Jig provides a foundation for your creativity, allowing you to add your own unique touches. Experience the timeless charm of Irish music through this dynamic and engaging jig. Join the celebration of Irish fiddling with Burnt Old Man Jig. Let your imagination soar as you explore the nuances of this lively melody and make it your own.
$2.99
2.76 €
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Traditional Fiddle Tunes
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Burnt Old Man
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Heather Mueller Music
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SheetMusicPlus
I Married an Old Man / A Braxa
Small Ensemble Accordion,Fiddle,Harp,Medium Voice,Piccolo - Digital Download SKU: A0.49…
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Small Ensemble Accordion,Fiddle,Harp,Medium Voice,Piccolo - Digital Download SKU: A0.497415 Composed by Alan Wagstaff & Traditional. Arranged by Alan Wagstaff. Celtic,Folk,Irish,Traditional. Score and parts. 10 pages. Published by Alan Wagstaff (A0.497415). I Married An Old Man / A Braxa An original song in the Irish tradition with lyrics based on The Old Man of Kilcockan The song is coupled with 'A Braxa' - a traditional Irish tune Arranged for harp, accordion, whistle, fiddle, and medium voice by Alan Wagstaff.
$3.50
3.23 €
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Alan Wagstaff & Traditional
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I Married an Old Man / A Braxa
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Alan Wagstaff
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SheetMusicPlus
The Old Men, for saxophone ensemble (SAAATTB)
Small Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level…
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Small Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.833860 Composed by Michael Compton. Contemporary. Score and parts. 11 pages. Kreechur Kumfort Publishing #6353595. Published by Kreechur Kumfort Publishing (A0.833860). The Old Men is a saxophone ensemble composition based on the children's songs This Old Man and Do You Know the Muffin Man? in a sweetly soft setting. Arranged for soprano saxophone, three altos, two tenors, and a baritone saxophone this has lush harmonies and accessible parts for any playing level. A work that will please any audience. 3:00 performance time.
$15.00
13.85 €
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Michael Compton
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The Old Men, for saxophone ensemble
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Kreechur Kumfort Publishing
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SheetMusicPlus
Don't Let The Old Man In
Guitar,Voice - Level 2 - Digital Download SKU: A0.1396768 By Toby Keith. By Toby Ke…
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Guitar,Voice - Level 2 - Digital Download SKU: A0.1396768 By Toby Keith. By Toby Keith. Arranged by Belén Castillo López. 21st Century,Multicultural,World. Guitar Tab with Voice. 6 pages. Belén Castillo López #980110. Published by Belén Castillo López (A0.1396768). Arreglo de partitura con tablatura para guitarra de Don´t let the old man in - Toby Keith.
$5.45
5.03 €
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Toby Keith
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Don't Let The Old Man In
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Belén Castillo López
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SheetMusicPlus
Old Man of Peru - for tenor or soprano voice and marimba
Small Ensemble High Voice,Marimba - Digital Download SKU: A0.562815 Composed by Sam…
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Small Ensemble High Voice,Marimba - Digital Download SKU: A0.562815 Composed by Samuel Stokes, traditional limerick. Concert,Contemporary. Score and parts. 4 pages. SamuelStokesMusic.com #6294079. Published by SamuelStokesMusic.com (A0.562815). This is a setting of the traditional limerick Old Man of Peru for tenor or soprano voice with marimba accompaniment, with additional lyrics by Samuel Stokes. This is a humorous and challenging vocal piece that is sure to be entertaining! Learn more about the composer Samuel Stokes at https://www.SamuelStokesMusic.com
$4.99
4.61 €
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Samuel Stokes, traditional limerick
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Old Man of Peru - for tenor or soprano voice and marimba
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SamuelStokesMusic.com
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SheetMusicPlus
The Flying Dutchman
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2
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Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2 Ventil-Trp. · 3 Pos. · Basstb. - P. - Str. Auf der Bühne: 3 Picc. (womöglich mehrfach besetzt) - 6 Hr. - Tamtam - Windschleuder - Digital Download SKU: S9.Q25915 Romantic Opera in 3 Acts. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 135' 0. Schott Music - Digital #Q25915. Published by Schott Music - Digital (S9.Q25915). German • English.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (Original version) With this edition, the original version of Wagner’s opera Der fliegende Holländer [The flying Dutchman] WWV 63 is made available to the public for the first time in piano score form. The score on which the edition is based was published in the Richard Wagner-Complete Edition 1983: Richard Wagner. Collected works Vol. 4, I-II, The Flying Dutchman. Romantic opera in three acts (original version 1841), edited by Isolde Vetter (Schott Music International, Mainz, RWA 104-10/RWA 104-20).†(Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenesâ€. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopskiâ€, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).Les opéras de Richard Wagner paraissent pour la première fois sous forme de piano-chant chez Schott en version originale. Sont déjà publiés dans la série : L’Or du Rhin, Lohengrin, Parsifal et Le Vaisseau fantôme (première version de 1841 et version 1842-1880). Les autres opéras de Wagner représentés à Bayreuth paraîtront d'ici 2013, année anniversaire de la naissance du compositeur.
$42.99
39.7 €
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Richard Wagner
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The Flying Dutchman
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Schott Music - Digital
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SheetMusicPlus
This Old Man (Jazzy Style!) for String Orchestra
String Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.115…
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String Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.1155307 Composed by Traditional. Arranged by David Burndrett. Jazz. Score and parts. 10 pages. David Burndrett #755598. Published by David Burndrett (A0.1155307). This is a jazzy arrangement of this old nursery rhyme! As usual I have added an optional violin three part which is the same as the viola part.
$8.95
8.27 €
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Traditional
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This Old Man
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David Burndrett
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SheetMusicPlus
Cold Cold Man
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.515777 By Saint Mo…
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.515777 By Saint Motel. By Aaron Sharp, Alexander Jackson, Chonrak Lerdamornpong, and Gregory Erwin. Arranged by Eve C. Mailly. Contemporary. Score and parts. 21 pages. Zene Strings #4623931. Published by Zene Strings (A0.515777). Cold, Cold Man is a song by Saint Motel. A great song, with lots of movement, this arrangement is for string trio. The cello has the famous rhythmic bass line, supported by the viola (or violin 2 alternate), while the violin shines with the melody. This trio can be played by either two violins and a cello, or a violin, viola and cello. The middle part is included in both alto clef (for viola) and in treble clef (for the second violin), giving you greater performance flexibility.From your friends at Zene Strings - enjoy!To see our other great arrangements visit: Zene Strings. Â Questions or comments? Â Email us at Music@ZeneSheetMusic.com. Â We're here to help!
$12.99
12 €
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Saint Motel
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Cold Cold Man
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Zene Strings
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SheetMusicPlus
Crown Him with Many Crowns
(Trumpet) - Level 4 - Digital Download SKU: H1.2709TDP Arranged by Arnold B. Sherma…
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(Trumpet) - Level 4 - Digital Download SKU: H1.2709TDP Arranged by Arnold B. Sherman and Joel Raney. Easter Sunday. Director Score & Trumpet Part. 17 pages. Hope Publishing - Digital #2709TDP. Published by Hope Publishing - Digital (H1.2709TDP). Easter Hymn tune For the Easter season, here is an effective, rhythmic setting of a Joel Raney hymn setting that has been newly transcribed for handbells by Arnold Sherman. With a tempo marking of Con brio, you can imagine the energy and joyous character for which this hymn has been treated. An optional trumpet part is provided for festive occasions.
$14.95
13.81 €
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Crown Him with Many Crowns
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Hope Publishing - Digital
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SheetMusicPlus
Beginning Method For Violin - Volume 1 (Modern Hohmann-Wohlfahrt In Two Volumes)
Orchestra; Violin SKU: HL.4472510 Volume 1. Edited by Harvey S. Whistler. St…
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Orchestra; Violin SKU: HL.4472510 Volume 1. Edited by Harvey S. Whistler. String Method. Instruction. 48 pages. Rubank Publications #RUBL116. Published by Rubank Publications (HL.4472510). ISBN 9781540001696. UPC: 073999725100. 9.0x12.0x0.168 inches.Hohmann-Wohlfahrt Method for Violin, Volume I (Introducing the First Position) (Whistler).
Song List: The First Noel Just A Song At Twilight (Love's Old Sweet Song) Largo Long, Long Ago Old Black Joe Processional (Williams L) Silent Night Spring Song, Op.68 #15 Autumn Song Polish Dance Aria (Weber) Aria (Handel) Duet (Hohmann) Aria (Hohmann) Morning Song (Hohmann) Serenade (Hohmann) Scotch Air Soldier's March (Hohmann) Homeward Bound (H0hmann) Night Winds (Hohmann) Aria (Donizetti) Festival Day (Balfe) Duet (Wohlfahrt) Pomp And Chivalry (Wohlfahrt) Andantino (Pleyel) Allegro De Concert (Dancla) Allegretto Con Variazioni(Pleyel Valse Evening Song My Bonnie Lies Over The Ocean Little Brown Jug Barcarolle Country Dance Waltz Auld Lang Syne Ode To Joy Home On The Range Caprice Jingle Bells Nocturne, Op. 33 O Come, All Ye Faithful Folk Dance, Op. 39, No. 13 Waltz, Op. 39, No. 8
$7.99
7.38 €
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Violin
SKU: HL
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Beginning Method For Violin - Volume 1
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Rubank Publications
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SheetMusicPlus
Soldier's March by Schumann for Brass Quartet in Schools
Brass Quartet Euphonium,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1158…
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Brass Quartet Euphonium,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1158917 Composed by Robert Schumann. Arranged by Joseph Judge. Chamber,Romantic Period. 22 pages. School Ensemble Music #759155. Published by School Ensemble Music (A0.1158917). Soldiers March by Schumann, 3:30, for brass quartet. Also includes Humming Song, First Loss, and Wild Horseman from Album for the Young. Trumpet, Trumpet, Trombone, Trombone, with alternate lower parts for Bb Euphonium on treble staff. This recognizable song was arranged to be easy to play: range limited, rests provided, rehearsal marks designed for easy group cuing, and the workload shared (everyone gets to play the melody). Also available for other quartets: Saxophone, String, Woodwind. Submit feedback at SchoolEnsemble.com.
$8.99
8.3 €
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Robert Schumann
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Soldier's March by Schumann for Brass Quartet in Schools
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School Ensemble Music
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SheetMusicPlus
To Boldly Go
Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.851130 Composed by Ale…
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Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.851130 Composed by Alexander Courage, Gene Roddenberry, and Michael Giacchino. Arranged by Sophia Johanna Transistor. Contemporary. Score and parts. 40 pages. Sophia Transistor #6275113. Published by Sophia Transistor (A0.851130). Epic famous film music STAR TREK theme To Boldly Go and End Credits arranged for trombone quartet (or any 4 voices notated in bass clef in C). A symphonic suite arranged for quartet instrumentation.This piece by Michael Giacchino contains portions of the TV Theme by Alexander Courage and Gene Roddenberry. Therefore it is like an epic medley of many familiar symphonic Star Trek tunes as we all love them.It has been adapted specifically for trombone t-bone brass players. Breething signs and spaces are included. Page changes are mainly during breaks.Total play time is approximately 7 minutes and 43 secondsbut there is an option to end the piece in front of the interlude at time 2 min 42 sec at the same bar where the official HalLeonard piano arrangement of to boldly go ends:https://www.sheetmusicplus.com/title/to-boldly-go-digital-sheet-music/19455787After that, the music gets a little bit darker and string-dominated. These parts have been changed or excluded to make it a solid brasswind only Star Trek performance.Leadsheet with all 4 voices is available in C with 18 pages in DIN-A4 format.Following parts are available:1st voice as trombone in C on 5 pages in DIN-A4.2nd voice as trombone in C on 5 pages in DIN-A4.3rd voice as trombone in C on 5 pages in DIN-A4.4th voice as trombone or bass trombone in C on 5 pages in DIN-A4.Titelpage and table of contents page are included.Total page number: 40Highest note of voice 1: ringing c''' (but the higher notes are also notated one octave lower)Thanks!Youtube Play Along:https://youtu.be/XP8sB87veKIGerman Description:Die Enterprise dringt dabei in Galaxien vor, die nie ein Mensch zuvor gesehen hat. To Boldly Go and End Credits arrangiert für Posaune notiert in C im Bassschlüssel.Dieses Stück von Michael Giacchino enthält auch Teile des Fernsehintros komponiert von Alexander Courage und Gene Roddenberry. Deswegen ist es eigentlich das perfekte Medley aus vielen bekannten Star Trek Melodien, die uns besonders aus den Anfängen noch bekannt sind (mit Theremin und so) teilweise jazzig aber vor allem symphonisch und orchestral.Dieses Stück wurde speziell auf Posaune angepasst. Die Streicher-lastigen Stellen wurden gekürzt, weggelassen oder umgedichtet, damit man am Ende ein solides Blechblasstück hat. Atmungszeichen und Plätze zum Atmen finden Verwendung. Wenn man umblättern muss, dann meistens an Stellen, wo man Pause hat.Spielzeit insgesamt: 7:43Wem das zu lang ist, dem sei gesagt, dass es ein alternatives Ende nach 2:42 gibt, an der gleichen Stelle, wo auch das offizielle Hal Leonard Klavier Arrangement aufhört:https://www.sheetmusicplus.com/title/to-boldly-go-digital-sheet-music/19455787Die Score-Partitur mit allen 4 Stimmen gibt es einmal als Lead-Conductor-Sheet auf 18 Seiten in DIN-A4.Folgende Einzelstimmen sind verfügbar:1. Stimme als Posaune in C auf 5 Seiten in DIN-A4.2. Stimme als Posaune in C auf 5 Seiten in DIN-A4.3. Stimme als Posaune in C auf 5 Seiten in DIN-A4.4. Stimme als Posaune oder Bassposaune in C auf 5 Seiten in DIN-A4.Knallige Titelseite und Inhaltsangabe mit Copyrightinfo sind ebenfalls vorhanden.Insgesamt 40 Seiten.Stimme 1 bis klingend c'' (nach unten transponieren immer möglich)Epische Filmmusiknoten für Posaunen-Quartett: STAR TREK theme to boldly go symphonic suite.#smppressmusic#startrekmusic#startrektheme#epictrom.
$17.01
15.71 €
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Alexander Courage, Gene Roddenberry, and Michael Giacchino
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To Boldly Go
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Sophia Transistor
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SheetMusicPlus
A Whitman Triptych: III. Facing West (Downloadable)
Soprano voice and tenor voice soli, SATB choir unaccompanied - Moderately Difficult - Digi…
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Soprano voice and tenor voice soli, SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8323-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 9 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8323-E. Published by E. C. Schirmer Music Company - Digital (MQ.8323-E). UPC: 600313483233. English. The three a cappella choral pieces that comprise “A Whitman Triptych†were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass†was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed†as the basis for my composition “Invocation and Dance.†I went on to set “Good-Bye, My Fancy†for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road†for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. Facing West is drawn from the Children of Adam book from Walt Whitman's Leaves of Grass. The full title of the poem is Facing West From California's Shores. Though Whitman never visited California, his biographer Justin Kaplan made the insightful observation that he imagined California's shores to be the starting point for a journey through time and culture. Here was Walt, 'a child, very old,' facing home again, looking over to it, joyous, as after long travel, growth, and sleep, asking: 'But where is what I started for, so long ago?/And why is it yet unfound?' The invitation from the International Orange Chorale to compose a piece in honor of the 75th anniversary of the Golden Gate Bridge led me easily and naturally to this great poem. The tone of Facing West is rich and complex, and draws on one of Whitman's favorite themes of using travel to distant lands as a metaphor for spiritual development. In his poem, Whitman strikes notes of reflection, of longing for adventure, and ultimately ends with a question. The continuing relevance of this question is for me beautifully addressed by the contemporary American writer Edmund White in his 1980 book States of Desire. To paraphrase somewhat, White writes: California is where dreams may come true, and the problem it presents is whether, after all, we wanted these particular dreams to be fulfilled - or would we have preferred others? Did we know what price these dreams would exact? Did we anticipate the ways in which they would unsuit us for the business of daily life? Or should our notion of daily life itself be transformed? For Americans, California's coast is as far as one can go in establishing new roots and new ways of living. As a transplanted Midwesterner who has made California his home for nearly three decades, I experience the Golden Gate Bridge as a beautiful monument to the aspirations and dreams of a restless and inventive people, qualities that Whitman's poem captures perfectly. -David ConteDuration: 5:42
$2.65
2.45 €
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David Conte
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A Whitman Triptych: III. Facing West
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Tristan und Isolde
3 (3. auch Picc.) · 2 · Engl. Hr. · 2 · Bassklar. · 3 - 4 · 3 · 3 …
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3 (3. auch Picc.) · 2 · Engl. Hr. · 2 · Bassklar. · 3 - 4 · 3 · 3 · 1 - P. S. (Trgl. · Bck.) - Hfe. - Str. Auf der Bühne: Engl. Hr. · 6 Hr. · 3 Trp. · 3 Pos. - Digital Download SKU: S9.Q17773 Handlung in drei Aufzügen. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 270' 0. Schott Music - Digital #Q17773. Published by Schott Music - Digital (S9.Q17773). German.An important addition to the newly produced orchestral materials by Schott Music is the fi rst publication of vocal scores of Richard Wagner’s ten great operas in every important version. For the first time, we are able to offer theatres and interested opera-lovers vocal scores as urtext editions conceived following uniform editorial criteria: * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. * The publisher has secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages (German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. TRISTAN UND ISOLDE Performance directions by the singer Ludwig Schnorr von Carolsfeld are incorporated in the vocal score from the Complete Edition’s Tristan und Isolde volume. He entered these directions into his own copy of the Tristan part which he used at the 1865 Munich premiere. Richard Wagner was deeply impressed by his interpretation of the title role. For the first time in a vocal score of Tristan und Isolde all cuts are incorporated—with the corresponding transitional bars—which Wagner himself made, and approved, in two cases, were actually declared by him to be final. These cuts strikingly document Wagner’s struggle with the final form of the work. For the first time in a single edition all of Wagner’s own suggestions for ossias are found; ossias which evolved from performances under his own direction. Egon Voss writes about this in his foreword to the vocal score: “Such ‘pointers’, as you might say, were current practice in the 19th century which Wagner, as the example shows, did not evade. He was enough of a practical man of the theatre to know that a badly sung top note is worse than doing without it. Wagner even tolerated the transposition of lengthier passages because he was less concerned with the letter of the score than with theatrical effectiveness. [...] The present vocal score goes beyond the Complete Edition [...] in that the ossias mentioned above are indicated in the vocal part itself, in small notes. They concern principally the role of Tristan, but also those of Isolde, Brangäne and Kurwenal. They rest in part on the Tristan edition within the Complete Edition but for the greater part go back to a source which could not be consulted for the Complete Edition because it was not yet accessible. This relates to a vocal score from the estate of the composer Peter Cornelius who was engaged by Wagner as repetiteur at the Vienna rehearsals in 1861-63. That the ossia bars go back to Wagner can be taken as certain, since in some places they are notated in his own hand.†(Egon Voss, quoted from the foreword to the vocal score) The transpositions mentioned by Egon Voss—two by Hans von Bülow for the revival of the work which he conducted in Munich in 1869 and the third suggested by Wagner himself in 1861—are printed in the appendix to the vocal score. The ossias, transpositions, and cuts are available for practical use in the theatre and in rehearsal. The cuts are also incorporated into the orchestral materials for Tristan und Isolde. This is also the case with ossias which affect the orchestral parts.2013 marks Wagner’s bicentenary, making the year largely focused on his music, particularly the dramatic works. An important addition to the newly produced orchestral materials by Schott Music. The score corresponds to the performance materials from the Complete Edition. Schott Music have secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. For the first time, this work is available to theatres and interested opera-lovers as urtext editions. For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. The forewords are given in three languages (German, English, and French). Other vocal scores available: Der fliegende Holländer (1841) Der fliegende Holländer (1842-80) Tannhäuser Lohengrin Das Rheingold Die Walküre Siegfried Götterdämmerung Die Meistersinger von Nürnberg Parsifal.
$47.99
44.32 €
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Richard Wagner
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Tristan und Isolde
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Schott Music - Digital
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SheetMusicPlus
Allemande No 1 - Tielman Susato - Dansereye 1551
Level 2 - Digital Download SKU: A0.1389915 Composed by Tielman Susato. Arranged by …
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Level 2 - Digital Download SKU: A0.1389915 Composed by Tielman Susato. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 8 pages. Wold Meridian #973515. Published by Wold Meridian (A0.1389915). Renaissance Dance music provides some of the most simple yet satisfying pieces to play in ensemble on a wide range of instruments.  They are suitable for recorders, modern strings, woodwinds or brass, or where available, reproductions of 16th century instruments, such as crumhorns, viols or shawms to name but a few.Also appearing in the publication Chording to the Dance Masters,  this individual piece is presented in full score and with separate parts for each of the lines.Wold Meridian editions of these pieces have been created to make performing them as accessible as possible.  Chords have been provided so that the piece can be performed with just the harmony line and a simple accompaniment.You can hear the piece in a linked YouTube video at https://www.youtube.com/watch?v=GDB0keav-mEAs a help for players who are not so familiar with playing harmony and inner linesLine 2  is featured at https://www.youtube.com/watch?v=XAOlCzAxDTALine 3 is featured at https://www.youtube.com/watch?v=jh8Vpwd0kKE Line 4 is featured at  https://www.youtube.com/watch?v=k8mwEtondxE
$2.50
2.31 €
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Tielman Susato
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Allemande No 1 - Tielman Susato - Dansereye 1551
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Wold Meridian
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SheetMusicPlus
Lorelei from Romanzen und Balladen III, op. 53, Low Voice Transposition in C major
Low Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.799605 Composed by Robert…
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Low Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.799605 Composed by Robert Schumann. Arranged by Nicole Elyse DiPaolo. Romantic Period. 2 pages. Nicole Elyse DiPaolo #3455867. Published by Nicole Elyse DiPaolo (A0.799605). A low-voice-friendly transposition of this relatively little-known Schumann song about the Lorelei (a mythical mermaid-like creature from the Rhine river). It has a one-octave range from C3-C4 as written, so it’s great for an undergraduate singer still sorting out technique. If you would like to commission a customized transposition in another key, please contact me through my website (linked below).About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo is a versatile pianist, composer, and scholar currently based in Bloomington, Indiana. She holds a B.Mus in Music Theory from the University of Michigan-Ann Arbor, where she studied piano under Michele Cooker and Louis Nagel; she also studied composition with Bright Sheng and basso continuo/harpsichord accompaniment with Edward Parmentier. In 2006 and 2007, Nicole appeared as a concerto soloist with the Ambassador Chamber Players, featuring works of J. S. Bach and Mozart alongside two performances of her own Piano Trio in C minor. Following her graduation from Michigan, Nicole completed an MM in Music Theory from Indiana University-Bloomington, where she has recently become a PhD candidate in the same field; her dissertation research will explore relationships between selected early partimenti (instructional sketches used by Italian composition teachers) and George Frideric Handel’s compositional techniques. Currently, Nicole is a sought-after private instructor of piano, music theory, and composition on the IU campus, where she is also an active mostly-vocal accompanist. Nicole continues to enjoy musical partnerships with students of nearly every current IU voice department faculty member (and she unashamedly absorbs and borrows teaching/coaching/performing tips from all these professors). In addition, she has taken French and German diction courses with Prof. Gary Arvin. Notable recent engagements include the 2016 National Society of Arts and Letters Vocal Competition (multiple entrants); the Opera Night at North benefit concert with students of IU's top-ranked opera program (among them Accidental Tenor Andrew Lunsford); and two long-term cruise ship performing contracts with violinist Amy Schlicher as the Duo del Mare.When not working on one of her many concurrent musical projects, Nicole might be found maintaining The Collaborative Pianists’ Community on Facebook, cuddling the nearest dog, looking for opportunities to maintain her Spanish and Italian language skills, and raising and releasing monarch butterflies. To learn more about Nicole’s many and varied performing, teaching, research, and publishing pursuits, please visit her website at http://ndipaolo.musicaneo.com .
$4.95
4.57 €
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Robert Schumann
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Lorelei from Romanzen und Balladen III, op. 53, Low Voice Transposition in C major
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Nicole Elyse DiPaolo
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SheetMusicPlus
The Candy Man
Alto Saxophone,Baritone Saxophone,Bassoon,Clarinet,Drum Set,Electric Bass Guitar,Euphonium…
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Alto Saxophone,Baritone Saxophone,Bassoon,Clarinet,Drum Set,Electric Bass Guitar,Euphonium,Flute,Horn,Oboe,Piano,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.846337 By Sammy Davis Jr. By Anthony Newley and Leslie Bricusse. Arranged by Mike Hyziak. Jazz. 99 pages. MPH Holding #5221983. Published by MPH Holding (A0.846337). (SLIGHTLY REDUCED) CONCERT BAND. This medley includes The Candy Man, Pure Imagination, and I've Got a Golden Ticket.Hello, and thank you very much for your interest in my works! With this purchase you will receive a full score & complete set of parts, along with a MIDI rendition with click count-off at 100% speed. MIDI renditions at 85% and 70% speeds are available by request, free of charge. Do you need an alternate part that is not in the score? One can be made for you, for a small fee. All inquiries can be made by contacting me via email at: mike.hyziak@yahoo.comFinally, I have many more works not yet listed here, available on my website:http://emmphmusic.com/EMMPH/Sheet_Music_Purchases.html.
$90.00
83.12 €
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Sammy Davis Jr
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The Candy Man
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MPH Holding
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SheetMusicPlus
10 Romantic Easy duets for Oboe and English Horn
Composed by Niccolò Paganini Johannes Brahms, Ludwig van Beethoven (1770-1827),…
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Composed by Niccolò Paganini Johannes Brahms, Ludwig van Beethoven (1770-1827), Robert Schumann, Anton Rubinstein (1829-1894), Peter Ilyich Tchaikovsky (1840-1893), Antonin Dvorak (1841-1904), and Modest Petrovich Mussorgsky (1839-1881). Arranged by Francesco Leone. Classical, Instructional, Romantic Period. 41 pages. Glissato Edizioni Musicali #6664795. Published by Glissato Edizioni Musicali
10 easy duets collection of the romantic period arranged for Oboe in C and English Horn in F, very useful for recital of beginners / intermediate players. Each title is arranged in three different keys, the most comfortable, from low to high. Duration 15.00 (+-).<br> Contents: 1. Largo from "New World Symphony" – A. Dvorák 2. Theme from "Le Streghe" - N.Paganini 3. Melody – A. Rubinstein 4. Soldier March – R. Schumann 5. The Great Gate of Kiev - M. Mussorgsky 6. Theme from "New World Symphony" (IV mov.) - A. Dvorák 7. Theme from "Symphony n. 1" (IV mov.) - J. Brahms 8. Theme from "Symphony n. 5" (II mov.) - L. van Beethoven 9. Theme from "Symphony n. 7" (II mov.) - L. van Beethoven 10. Theme from "Swane Lake" - P.I.Tchaikovsky.
$12.99
12 €
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Niccolò Paganini Johannes Brahms, Ludwig van Beethoven
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10 Romantic Easy duets for Oboe and English Horn
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Glissato Edizioni Musicali
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SheetMusicPlus
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