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Tristan und Isolde
3 (3. auch Picc.) · 2 · Engl. Hr. · 2 · Bassklar. · 3 - 4 · 3 · 3 …
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3 (3. auch Picc.) · 2 · Engl. Hr. · 2 · Bassklar. · 3 - 4 · 3 · 3 · 1 - P. S. (Trgl. · Bck.) - Hfe. - Str. Auf der Bühne: Engl. Hr. · 6 Hr. · 3 Trp. · 3 Pos. - Digital Download SKU: S9.Q17773 Handlung in drei Aufzügen. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 270' 0. Schott Music - Digital #Q17773. Published by Schott Music - Digital (S9.Q17773). German.An important addition to the newly produced orchestral materials by Schott Music is the fi rst publication of vocal scores of Richard Wagner’s ten great operas in every important version. For the first time, we are able to offer theatres and interested opera-lovers vocal scores as urtext editions conceived following uniform editorial criteria: * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. * The publisher has secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages (German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. TRISTAN UND ISOLDE Performance directions by the singer Ludwig Schnorr von Carolsfeld are incorporated in the vocal score from the Complete Edition’s Tristan und Isolde volume. He entered these directions into his own copy of the Tristan part which he used at the 1865 Munich premiere. Richard Wagner was deeply impressed by his interpretation of the title role. For the first time in a vocal score of Tristan und Isolde all cuts are incorporated—with the corresponding transitional bars—which Wagner himself made, and approved, in two cases, were actually declared by him to be final. These cuts strikingly document Wagner’s struggle with the final form of the work. For the first time in a single edition all of Wagner’s own suggestions for ossias are found; ossias which evolved from performances under his own direction. Egon Voss writes about this in his foreword to the vocal score: “Such ‘pointers’, as you might say, were current practice in the 19th century which Wagner, as the example shows, did not evade. He was enough of a practical man of the theatre to know that a badly sung top note is worse than doing without it. Wagner even tolerated the transposition of lengthier passages because he was less concerned with the letter of the score than with theatrical effectiveness. [...] The present vocal score goes beyond the Complete Edition [...] in that the ossias mentioned above are indicated in the vocal part itself, in small notes. They concern principally the role of Tristan, but also those of Isolde, Brangäne and Kurwenal. They rest in part on the Tristan edition within the Complete Edition but for the greater part go back to a source which could not be consulted for the Complete Edition because it was not yet accessible. This relates to a vocal score from the estate of the composer Peter Cornelius who was engaged by Wagner as repetiteur at the Vienna rehearsals in 1861-63. That the ossia bars go back to Wagner can be taken as certain, since in some places they are notated in his own hand.†(Egon Voss, quoted from the foreword to the vocal score) The transpositions mentioned by Egon Voss—two by Hans von Bülow for the revival of the work which he conducted in Munich in 1869 and the third suggested by Wagner himself in 1861—are printed in the appendix to the vocal score. The ossias, transpositions, and cuts are available for practical use in the theatre and in rehearsal. The cuts are also incorporated into the orchestral materials for Tristan und Isolde. This is also the case with ossias which affect the orchestral parts.2013 marks Wagner’s bicentenary, making the year largely focused on his music, particularly the dramatic works. An important addition to the newly produced orchestral materials by Schott Music. The score corresponds to the performance materials from the Complete Edition. Schott Music have secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. For the first time, this work is available to theatres and interested opera-lovers as urtext editions. For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. The forewords are given in three languages (German, English, and French). Other vocal scores available: Der fliegende Holländer (1841) Der fliegende Holländer (1842-80) Tannhäuser Lohengrin Das Rheingold Die Walküre Siegfried Götterdämmerung Die Meistersinger von Nürnberg Parsifal.
$47.99
42.99 €
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Richard Wagner
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Tristan und Isolde
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Schott Music - Digital
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SheetMusicPlus
Paint It, Black
Instrumental Duet,Piano Bass Trombone,Instrumental Duet,Piano,Tenor Trombone - Level 3 - D…
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Instrumental Duet,Piano Bass Trombone,Instrumental Duet,Piano,Tenor Trombone - Level 3 - Digital Download SKU: A0.1191120 By The Rolling Stones. By Keith Richards and Mick Jagger. Arranged by Golden Skull Editions. Rock,Singer/Songwriter. 14 pages. Golden Skull Editions #790638. Published by Golden Skull Editions (A0.1191120). A nice arrangement for the song Paint It, Black, by The Rolling Stones. For tenor trombone, bass trombone and piano.
$4.99
4.47 €
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The Rolling Stones
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Paint It, Black
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Golden Skull Editions
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SheetMusicPlus
Paint It, Black
Instrumental Duet,Piano Bass Trombone,Instrumental Duet,Piano,Tenor Trombone - Level 3 - D…
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Instrumental Duet,Piano Bass Trombone,Instrumental Duet,Piano,Tenor Trombone - Level 3 - Digital Download SKU: A0.1191119 By The Rolling Stones. By Keith Richards and Mick Jagger. Arranged by Golden Skull Editions. Rock,Singer/Songwriter. 14 pages. Golden Skull Editions #790637. Published by Golden Skull Editions (A0.1191119). A nice arrangement for the song Paint It, Black, by The Rolling Stones. For tenor trombone, bass trombone and piano, followed with chord symbols.
$4.99
4.47 €
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The Rolling Stones
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Paint It, Black
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Golden Skull Editions
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SheetMusicPlus
Paint It, Black
Instrumental Duet,Piano Double Bass,Instrumental Duet,Piano - Level 3 - Digital Download
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Instrumental Duet,Piano Double Bass,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.1191092 By The Rolling Stones. By Keith Richards and Mick Jagger. Arranged by Golden Skull Editions. Rock,Singer/Songwriter. 14 pages. Golden Skull Editions #790609. Published by Golden Skull Editions (A0.1191092). A nice arrangement for the song Paint It, Black, by The Rolling Stones. For contrabass duet and piano.
$4.99
4.47 €
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The Rolling Stones
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Paint It, Black
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Golden Skull Editions
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SheetMusicPlus
Paint It, Black
Instrumental Duet,Piano Double Bass,Instrumental Duet,Piano - Level 3 - Digital Download
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Instrumental Duet,Piano Double Bass,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.1191091 By The Rolling Stones. By Keith Richards and Mick Jagger. Arranged by Golden Skull Editions. Rock,Singer/Songwriter. 14 pages. Golden Skull Editions #790607. Published by Golden Skull Editions (A0.1191091). A nice arrangement for the song Paint It, Black, by The Rolling Stones. For contrabass duet and piano, followed with chord symbols.
$4.99
4.47 €
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The Rolling Stones
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Paint It, Black
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Golden Skull Editions
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SheetMusicPlus
Never Dreamt I'd Grow Old
Vocal Solo,Voice - Digital Download SKU: A0.751424 Composed by Joel Goodman. Contem…
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Vocal Solo,Voice - Digital Download SKU: A0.751424 Composed by Joel Goodman. Contemporary. 5 pages. Joel Goodman #4313701. Published by Joel Goodman (A0.751424). A solo song from my new show Painting Her. Sung by an older person, male or female.https://www.youtube.com/watch?v=qqb15v1u-nk&feature=youtu.be
$3.99
3.57 €
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Joel Goodman
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Never Dreamt I'd Grow Old
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Joel Goodman
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SheetMusicPlus
Inner Rhythm - six small paintings (for solo mandolin or violin)
Instrumental Duet Instrumental Duet,Mandolin,Violin - Level 3 - Digital Download SKU: A…
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Instrumental Duet Instrumental Duet,Mandolin,Violin - Level 3 - Digital Download SKU: A0.971649 Composed by Jeffrey Hoover. 20th Century,Contemporary. Score and parts. 13 pages. Musicart Publications #4367746. Published by Musicart Publications (A0.971649). Inner Rhythm (six small paintings) for solo mandolin or violin is inspired by a series of six pastel chalk paintings of the same title by the composer. (Duration, 9 min. 45 sec. in performance) With Inner Rhythm, the music parallels the visual gestures and textures seen in the paintings. The pitches of the melodies are related to the visual color of the paintings. In a similar way that the eye tracks or views the paintings, the music of Inner Rhythm is heard in time. The development of the music follows an organic development, the melody moving like the gestures in the paintings. Images of the paintings are available directly from the composer to project during the performance if desired.Jeffrey Hoover's compositions- music ranging from soloist to symphony orchestra -have received recognition through the prestigious Trieste prize, the international Luigi Russolo competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as a Bch.Sc. from Ball State University. His career in higher education has included both faculty and arts administration appointments.
$13.95
12.5 €
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Jeffrey Hoover
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Inner Rhythm - six small paintings
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Musicart Publications
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SheetMusicPlus
The Old Castle
Alto saxophone and piano - easy to intermediate - Digital Download SKU: S9.Q7324
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Alto saxophone and piano - easy to intermediate - Digital Download SKU: S9.Q7324 From Pictures at an Exhibition. Composed by Modest Petrovich Mussorgsky. Arranged by Heinz Both. This edition: Sheet music. Downloadable. Schott Music - Digital #Q7324. Published by Schott Music - Digital (S9.Q7324). With his piano cycle Pictures at an Exhibition from 1874, Mussorgsky created a classic example of programme music. Based on the paintings of his deceased friend Viktor Hartmann, he also composed the lyrical serenade 'Il vecchio castello' (The Old Castle), among others. Hartmann's picture shows a medieval Italian castle with a singing troubadour who accompanies himself on the lute. In Maurice Ravel's subsequent famous orchestral version, the beautiful, melancholy melody was played by the alto saxophone. Accompaniment, prelude and interludes are reminiscent of playing a medieval hurdy-gurdy with its pervading drone bass. Therein lies the continuity of the piece, thereabove lies the quiet romance with its melancholy character – the unrequited love of the troubadour. This separate edition now gives all saxophonists the opportunity to play the piece with piano accompaniment.
$10.99
9.85 €
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Modest Petrovich Mussorgsky
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The Old Castle
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Schott Music - Digital
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SheetMusicPlus
The Old Rugged Cross, for Wind Quartet
Woodwind Ensemble,Woodwind Quartet Clarinet,Flute - Level 2 - Digital Download SKU: A0.…
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Woodwind Ensemble,Woodwind Quartet Clarinet,Flute - Level 2 - Digital Download SKU: A0.763295 Composed by George Bennard. Arranged by Nigel Williams. Folk,Lent. 7 pages. Nigel Williams #4111649. Published by Nigel Williams (A0.763295). This iconic American hymn tune is arranged for two flutes and two clarinets in Bb. The slow moving pulse of this tune is perfect for the semiquaver accompaniment in the flutes, their upward rising figures painting a picture of our gazing upward to the cross. Ideal for High School music ensembles as well as church music groups across the denominations. The performance duration is comfortably over two minutes and the full score comes with four separate parts attached. (See also my Christmas carol arrangements for flute trio and other wind combinations on SMP).
$9.99
8.95 €
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George Bennard
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The Old Rugged Cross, for Wind Quartet
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Nigel Williams
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SheetMusicPlus
Golden Thread of Caring-for CARILLON-Mvt 3
Instrumental Solo - Level 4 - Digital Download SKU: A0.1092872 By Frances Newell. B…
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Instrumental Solo - Level 4 - Digital Download SKU: A0.1092872 By Frances Newell. By Frances Newell. Arranged by Frances Newell. 20th Century,Contemporary,Contest,Festival. Individual part. 3 pages. Frances Newell #696972. Published by Frances Newell (A0.1092872). Lively tone-painting of the work of growing and maintaining our national parks and historic landmarks.
$3.00
2.69 €
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Frances Newell
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Golden Thread of Caring-for CARILLON-Mvt 3
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Frances Newell
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SheetMusicPlus
Paul Wehage: To You for baritone, tenor saxophone and piano
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Downlo…
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
26.83 €
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Paul Wehage
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Paul Wehage: To You for baritone, tenor saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Mussorgsky: Pictures at an Exhibition for Piano Quartet - 2nd Edition - Score Only
Piano Quartet - Level 5 - Digital Download SKU: A0.1397796 Composed by Modest Petro…
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Piano Quartet - Level 5 - Digital Download SKU: A0.1397796 Composed by Modest Petrovich Mussorgsky. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 104 pages. Jmsgu3 #981065. Published by jmsgu3 (A0.1397796). The Second edition features more textural variety and interplay between the strings and piano.Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Using complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the underworld depths. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title referencing a painting, sculpture, or architectural feature from an art museum. The suite is composed to capture the moods and emotions the artworks evoke. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.The composition was inspired by a visit to an art exhibition featuring the works of Mussorgsky's friend, the Russian artist Viktor Hartmann. The Pictures at an Exhibition pieces aim to capture the sketches, watercolors, and architectural designs displayed at the exhibition. Mussorgsky links the suite's movements to depict the viewer's progress through the exhibition. Two Promenade movements serve as portals to the various pictures, representing the composer himself strolling through the exhibition. Mussorgsky and Hartmann were devoted to the cause of an intrinsically Russian art, and their friendship likely developed in the home of the influential critic Vladimir Stasov, who followed both of their careers with interest. Mussorgsky's original composition is known for its multi-layered music imbued with energy and vitality, requiring the performer to move between soothing melodies, humorous tunes, and pounding rhythms. The suite's diverse range of musical styles and moods is a testament to Mussorgsky's skill as a composer.Pictures at an Exhibition (Картинки Ñ Ð²Ñ‹Ñтавки) by Modest PetroviÄ Musorgskij, 1874(МодеÑÑ‚ Петрович МуÑоргÑкий) Arranged for Piano Quartet by James M. Guthrie (Ð”Ð¶ÐµÐ¹Ð¼Ñ Ðœ. Гатри)Score: 103 pages, 924 measures, duration: 34:30. Contents: Promenade 1 Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto 1. GNOMUS (The Gnome) Sempre vivo  Promenade 2 Moderato commodo assai e con delicatezza  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore  Promenade 3 Moderato non tanto, pesamente  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games)   Allegretto non troppo, capriccioso 4. BYDLO (Cattle) Sempre moderato pesante Promenade 4 Tranquillo 5. Ballet of the Unhatched Chicks Балет невылупившихÑÑ Ð¿Ñ‚ÐµÐ½Ñ†Ð¾Ð²  Scherzino 6. Samuel Goldenberg und Schmuÿle  Еврей в меховой шапке. Cандомир Andante Promenade 5 Allegro giusto, nel modo russico, poco sostenuto 7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News)   Allegretto vivo, sempre scherzando 8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) ПарижÑкие катакомбы Largo    CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language)   Andante non troppo, con lamento 9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. ЧаÑÑ‹ в руÑÑком Ñтиле   Allegro con brio, feroce  10. The Bogatyr Gates (In the Capital in Kiev) Проект городÑких ворот в Киеве. Главный фаÑадThe Great Gates of Kiev Allegro alla breve Maestoso con grandezza.
$32.95
29.52 €
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Modest Petrovich Mussorgsky
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Mussorgsky: Pictures at an Exhibition for Piano Quartet - 2nd Edition - Score Only
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jmsgu3
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SheetMusicPlus
Mussorgsky: Pictures at an Exhibition for Piano Quintet - 2nd Edition - Score Only
Piano Quintet - Level 5 - Digital Download SKU: A0.1398898 Composed by Modest Petro…
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Piano Quintet - Level 5 - Digital Download SKU: A0.1398898 Composed by Modest Petrovich Mussorgsky. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 104 pages. Jmsgu3 #982173. Published by jmsgu3 (A0.1398898). The Second edition features more textural variety and interplay between the strings and piano.Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Using complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the underworld depths. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title referencing a painting, sculpture, or architectural feature from an art museum. The suite is composed to capture the moods and emotions the artworks evoke. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.Pictures at an Exhibition (Картинки Ñ Ð²Ñ‹Ñтавки) by Modest PetroviÄ Musorgskij, 1874(МодеÑÑ‚ Петрович МуÑоргÑкий) Arranged for Piano Quartet by James M. Guthrie (Ð”Ð¶ÐµÐ¹Ð¼Ñ Ðœ. Гатри)Score: 103 pages, 924 measures, duration: 34:30. Contents: Promenade 1 Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto 1. GNOMUS (The Gnome) Sempre vivo  Promenade 2 Moderato commodo assai e con delicatezza  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore  Promenade 3 Moderato non tanto, pesamente  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games)   Allegretto non troppo, capriccioso 4. BYDLO (Cattle) Sempre moderato pesante Promenade 4 Tranquillo 5. Ballet of the Unhatched Chicks Балет невылупившихÑÑ Ð¿Ñ‚ÐµÐ½Ñ†Ð¾Ð²  Scherzino 6. Samuel Goldenberg und Schmuÿle  Еврей в меховой шапке. Cандомир Andante Promenade 5 Allegro giusto, nel modo russico, poco sostenuto 7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News)   Allegretto vivo, sempre scherzando 8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) ПарижÑкие катакомбы Largo    CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language)   Andante non troppo, con lamento 9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. ЧаÑÑ‹ в руÑÑком Ñтиле   Allegro con brio, feroce  10. The Bogatyr Gates (In the Capital in Kiev) Проект городÑких ворот в Киеве. Главный фаÑадThe Great Gates of Kiev Allegro alla breve Maestoso con grandezza.
$32.95
29.52 €
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Modest Petrovich Mussorgsky
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Mussorgsky: Pictures at an Exhibition for Piano Quintet - 2nd Edition - Score Only
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jmsgu3
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SheetMusicPlus
Mussorgsky: Pictures at an Exhibition for Piano Quintet
Piano Quintet Piano - Level 4 - Digital Download SKU: A0.549935 Composed by Modest …
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Piano Quintet Piano - Level 4 - Digital Download SKU: A0.549935 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Contemporary,Romantic Period,Standards. 223 pages. Jmsgu3 #4312237. Published by jmsgu3 (A0.549935). Pictures at an Exhibition (Картинки Ñ Ð²Ñ‹Ñтавки) by Modest PetroviÄ Musorgskij, 1874 (МодеÑÑ‚ Петрович МуÑоргÑкий) Arranged for Piano Quintet by James M. Guthrie Contents:  Promenade 1 Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto page 1 1. GNOMUS (The Gnome) Sempre vivo page 4  Promenade 2 Moderato commodo assai e con delicatezza page 15  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore page 18  Promenade 3 Moderato non tanto, pesamente page 27  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games)    Allegretto non troppo, capriccioso page 29  4. BYDLO (Cattle) Sempre moderato pesante page 34  Promenade 4 Tranquillo page 38  5. Ballet of the Unhatched Chicks Балет невылупившихÑÑ Ð¿Ñ‚ÐµÐ½Ñ†Ð¾Ð²  Scherzino page 40  6. Samuel Goldenberg und Schmuÿle Еврей в меховой шапке. Cандомир Andante page 44  Promenade 5 Allegro giusto, nel modo russico, poco sostenuto page 52  7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News)     Allegretto vivo, sempre scherzando page 56  8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) ПарижÑкие катакомбы Largo page 66    CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language)     Andante non troppo, con lamento page 68  9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. ЧаÑÑ‹ в руÑÑком Ñтиле    Allegro con brio, feroce page 71  10. The Bogatyr Gates (In the Capital in Kiev) Проект городÑких ворот в Киеве. Главный фаÑад The Great Gates of Kiev Allegro alla breve Maestoso con grandezza page 90Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Using complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the underworld depths. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title referencing a painting, sculpture, or architectural feature from an art museum. The suite is composed to capture the moods and emotions the artworks evoke. From the bright and energetic Promenade to the sad and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum. Â
$57.95
51.92 €
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Modest MUSSORGSKY
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Mussorgsky: Pictures at an Exhibition for Piano Quintet
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jmsgu3
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SheetMusicPlus
Mussorgsky: Pictures at an Exhibition for String Trio
String Trio - Level 4 - Digital Download SKU: A0.549939 Composed by Modest MUSSORGS…
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String Trio - Level 4 - Digital Download SKU: A0.549939 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Contemporary,Romantic Period,Standards. 137 pages. Jmsgu3 #4320269. Published by jmsgu3 (A0.549939). еÑÑ‚ Петрович МуÑоргÑкий) Arranged for String Trio by James M. Guthrie (Ð”Ð¶ÐµÐ¹Ð¼Ñ Ðœ. Гатри) Score: 69 pages, 924 measures, duration: 34:30. Contents:  Promenade 1 Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto 1. GNOMUS (The Gnome) Sempre vivo  Promenade 2 Moderato commodo assai e con delicatezza  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore  Promenade 3 Moderato non tanto, pesamente  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games)    Allegretto non troppo, capriccioso  4. BYDLO (Cattle) Sempre moderato pesante  Promenade 4 Tranquillo  5. Ballet of the Unhatched Chicks Балет невылупившихÑÑ Ð¿Ñ‚ÐµÐ½Ñ†Ð¾Ð²  Scherzino  6. Samuel Goldenberg und Schmuÿle Еврей в меховой шапке. Cандомир Andante  Promenade 5 Allegro giusto, nel modo russico, poco sostenuto  7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News)    Allegretto vivo, sempre scherzando  8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) ПарижÑкие катакомбы Largo    CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language)    Andante non troppo, con lamento  9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. ЧаÑÑ‹ в руÑÑком Ñтиле    Allegro con brio, feroce  10. The Bogatyr Gates (In the Capital in Kiev) Проект городÑких ворот в Киеве. Главный фаÑад The Great Gates of Kiev Allegro alla breve Maestoso con grandezzaMussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Through the use of complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the depths of the underworld. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title that references a painting, sculpture, or architectural feature from an art museum. The suite is composed in such a way that it captures the moods and emotions evoked by the artworks. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.
$37.95
34 €
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Modest MUSSORGSKY
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Mussorgsky: Pictures at an Exhibition for String Trio
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jmsgu3
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SheetMusicPlus
Uriel - for harp or piano
Instrumental Duet Harp,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.971…
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Instrumental Duet Harp,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.971641 Composed by Jeffrey Hoover. 20th Century,Contemporary,Spiritual. Score and parts. 14 pages. Musicart Publications #4270425. Published by Musicart Publications (A0.971641). Duration: 5 min. 45 sec. Appropriate for recitals, concert performances, and worship services. In biblical literature, Archangel Uriel is a divine messenger from God, bringing knowledge to the people while serving as a protector of truth. Uriel's providence is set in light, truth, and wisdom. Uriel is a patron of poetry, associated with repentance, and is one of the archangels who stand in the presence of God. In some traditions, Uriel stands at the entrance to the Garden of Eden, with a fiery sword, preventing Man's return to that paradise on Earth. Uriel is the angel who came to Earth and warned Noah of the Great Flood to come. Uriel also spoke to the biblical prophet Ezra on behalf of God, teaching and answering a series of questions Ezra posed to God. Uriel is associated with several literary and artistic works, notably depicted in Leonardo da Vinci's famous painting The Virgin on the Rocks. In this painting, Uriel is shown along with Mary (the mother of Jesus), with Jesus and John the Baptist presented as young toddlers. The composition Uriel makes use of two modal scales to create melodic and harmonic tension and resolution: an altered E Phrygian scale (with a lowered 6th step of the scale) and an altered C Lydian (with a lowered 6th and 7th scale step). The Phrygian scale brings a dark minor quality to the sound, in contrast to the Lydian scale's major yet veiled quality. Set in an unfolding three-part form, the music invokes a blurred and sometimes mystical atmosphere for the listener. Jeffrey Hoover's compositions- music for soloist to symphony orchestra -have received recognition through the prestigious Trieste prize, the international Luigi Russolo competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships, and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Whether making interdisciplinary works, or traditional stand-alone sonic or visual art, Hoover shapes his work through inner vision and practical experience. Jeffrey Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing. Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as a M.M. and Bch.Sc. from Ball State University. His career in higher education has included both faculty and arts administration appointments.
$19.00
17.02 €
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Jeffrey Hoover
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Uriel - for harp or piano
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Musicart Publications
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SheetMusicPlus
Running This Realm
Bass Guitar,Bass Voice - Level 3 - Digital Download SKU: A0.1453115 By Florence. By…
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Bass Guitar,Bass Voice - Level 3 - Digital Download SKU: A0.1453115 By Florence. By Florence. Arranged by Florence. 21st Century,Rock. Full Performance. Duration 240. Florence #1032349. Published by Florence (A0.1453115). Running This Realm is a high-energy song that celebrates individuality, resilience, and unapologetic self-expression. With a blend of confidence and defiance, the lyrics paint a vivid picture of a protagonist who refuses to conform to societal norms. Here’s what makes this song stand out:Unapologetic Attitude: The verses introduce a character who rolls into the beat with ice-cold confidence. They’re unafraid of the spotlight, and their rebellious spirit sets them apart. The lyrics emphasize self-reliance and a refusal to compromise.Rule Breaker: The chorus serves as a rallying cry. The protagonist claims ownership of their world, asserting that they dictate the terms. The use of “punks” and “fools” highlights their disdain for those who question their authority.Mystery and Intrigue: In the second verse, we learn about the protagonist’s MVP status. Their enigmatic persona keeps listeners guessing—what’s their backstory? The reference to “mining my own gold” hints at hidden depths and untold stories.Wild Energy: The bridge amplifies the intensity. The protagonist defies haters, flaunting their bling and grinding relentlessly. The song’s energy mirrors a wildfire, untamed and unstoppable.Empowerment: Overall, “Rebel Anthem” empowers listeners to embrace their uniqueness, rise above adversity, and create their own path. It’s a sonic declaration of independence.
$15.00
13.44 €
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Florence
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Running This Realm
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Florence
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SheetMusicPlus
Pearl for Brass Trio - Trumpet, Horn and Tuba by Eddie Lewis
Brass Ensemble Horn,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.750232 Compos…
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Brass Ensemble Horn,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.750232 Composed by Eddie Lewis. Contemporary. Score and parts. 19 pages. Tiger Music #3007665. Published by Tiger Music (A0.750232). Pearl is the only composition the composer has ever written about a person. He has written works that tell stories about people. He has dedicated compositions to people. He has been inspired by people, but never composed anything that represents someone's personality the way Pearl does. Composed in October 2005, this work is the musical painting of the woman who would become the composer's wife almost two years later. Each musical aspect of the two movements symbolizes a different characteristic of Pearl's personality. Woven into the music is her quiet, caring, devoted nature, her love for God, her passion for the things she believes in, her wisdom, her logical and analytical approach to life, and her care-free disregard for the pressures that force many other women to be less than true to themselves. All of these facets of Pearl are portrayed through symbolism, atmosphere, and mood. The first movement is best described as unfolding. In an unassuming way, the piece unfolds like a delicate blossom confidently moving from bud to full bloom. This unfolding represents the gradual discovery of the depth of a personality as a relationship grows. The second movement represents the patient waiting associated with allowing a relationship to grow and mature. The subtle use of silence is symbolic of this patience, and adds richness to the piece. The debut performance of this remarkable composition formed part of the October 2008 Faculty Recital at Rice University, Houston, Texas. Pearl is appropriate for college or professional level musicians. As a serious work, Pearl makes an excellent recital piece. The unusual brass trio instrumentation for this work is an added bonus and makes the piece ideal for integration in a brass quintet repertoire, as it provides a rest opportunity for the trombone and one of the trumpets.The MP3 in the sample is only the first movement.
$17.76
15.91 €
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Eddie Lewis
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Pearl for Brass Trio - Trumpet, Horn and Tuba by Eddie Lewis
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Tiger Music
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SheetMusicPlus
Wynwood Walls
Guitar and string quartet - Advanced - Digital Download SKU: ZY.DO-1526 Composed by…
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Guitar and string quartet - Advanced - Digital Download SKU: ZY.DO-1526 Composed by Stephen Goss. Score and parts. 120 pages. Les Editions Doberman-Yppan (digital) #DO 1526. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1526). Wynwood Walls draws on 9 artworks which lend their titles to the 9 connected sections of the quintet. The music reflects and amplifies my own subjective responses to the artworks.The movements are organised in pairs, circling out from a still centre – No Woman, No Cry. The title for this centrepiece comes from Chris Ofili’s moving portrait of Doreen Lawrence, the mother of a teenager murdered in an unprovoked racist attack. As well as this specific reference, the artist intended the painting to be read as a universal portrayal of melancholy, solace, and grief. The two segments flanking No Woman, No Cry complete the central triptych. Edward Hopper’s Nighthawks explores loneliness and isolation, while Grayson Perry’s #Lamentation is a meditation on remembrance and the transience of life. In contrast to the rest of Wynwood Walls, the music here is dark and introspective.I want my time with you is a giant neon sign designed by Tracey Emin for St. Pancras Station, London. Selfie with Sunflowers is an essay written by Julian Barnes about our over-familiarisation with Van Gogh’s iconic sunflower paintings. The music is sentimental, bordering on schmaltz and kitsch. Sunflower Seeds and Infinity Room are a pair of moto perpetuo scherzos inspired by the minimalist installations of Ai Weiwei and Yayoi Kusama respectively. The opening section, Bathers at Asnières, suggests Seurat’s iconic painting, while the finale, Seurat’s Bathers, evokes Howard Hodgkin’s reworking of the Seurat using a blaze of vivid colours.The title of the quintet is borrowed from the Wynwood art district of Miami – an area characterised by the hundreds of colourful street murals which decorate the walls of old warehouses in the neighbourhood. In performance, the artworks can be projected onto a screen behind the ensemble.Wynwood Walls s'appuient sur 9 œuvres d'art dont les titres prêtent leurs noms aux 9 sections connectées du quintette. La musique reflète et amplifie mes propres réponses subjectives aux œuvres d'art.Les mouvements sont organisés par paires, émergeant d'un centre immobile - No Woman, No Cry. Le titre de cette pièce maîtresse provient du portrait émouvant de Chris Ofili de Doreen Lawrence, la mère d'un adolescent assassiné lors d'une attaque raciste gratuite. En plus de cette référence spécifique, l'artiste a voulu que le tableau soit perçu comme une représentation universelle de la mélancolie, du réconfort et du chagrin. Les deux segments flanquant No Woman, No Cry complètent le triptyque central. Nighthawks d'Edward Hopper explore la solitude et l'isolement, tandis que #Lamentation de Grayson Perry est une méditation sur le souvenir et la fugacité de la vie. Contrairement au reste des Wynwood Walls, la musique ici est sombre et introspective.I want my time with you est un immense panneau néon conçu par Tracey Emin pour la gare de St. Pancras, à Londres. Selfie with Sunflowers est un essai écrit par Julian Barnes sur notre sur-familiarisation avec les peintures emblématiques de tournesols de Van Gogh. La musique est sentimentale, frôlant le kitsch et le sentimentalisme. Sunflower Seeds et Infinity Room sont une paire de scherzos moto perpetuo inspirés des installations minimalistes d'Ai Weiwei et de Yayoi Kusama respectivement. La section d'ouverture, Bathers at Asnières, suggère le tableau emblématique de Seurat, tandis que le finale, Seurat’s Bathers, évoque la réinterprétation de Seurat par Howard Hodgkin en utilisant une explosion de couleurs vives.Le titre du quintette est emprunté au quartier artistique de Wynwood à Miami - une zone caractérisée par les centaines de fresques murales colorées qui ornent les murs des vieux entrepôts du quartier. En performance, les œuvres d'art peuvent être projetées sur un écran derrière l'ensemble.
$33.95
30.42 €
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Stephen Goss
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Wynwood Walls
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Les Editions Doberman-Yppan
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SheetMusicPlus
Kosmos
Piano (2 pieces for 2 pianos) - Digital Download SKU: S9.Q42249 34 miniatures fo…
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Piano (2 pieces for 2 pianos) - Digital Download SKU: S9.Q42249 34 miniatures for piano. Composed by Wilfried Hiller. This edition: Sheet music. Downloadable. Duration 41' 0. Schott Music - Digital #Q42249. Published by Schott Music - Digital (S9.Q42249). In a film portrait of dancer, painter and sculptor Antje Tesche-Mentzen, I learned that in former times she was a proficient pianist. When she told me that she intended to begin playing again, I promised to compose her a cycle for her new beginning: 34 miniatures, some of them with a direct connection to her paintings and sculptures. The main part of Kosmos was composed in 2014, 400 years after Albrecht Dürer created his copperplate engraving ‘Melencolia I’, in which a magic square appears. In a magicsquare, numbers are arranged in a grid so that their sum in each column, row, and the two diagonals is the same number. In the square I have chosen, the magic number is 34. Wilfried HillerEine Hommage an die Kunst: 34 kurze Klavierstücke unterschiedlichen Charakters bestehend aus alten und neuen Kompositionen wurden hier zusammengeführt – beschwingte Tänze, ergreifende Seufzermotive, jubilierende Akkorde. Für Wiedereinsteiger und eingerostete Pianistenfinger.
$33.99
30.45 €
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Wilfried Hiller
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Kosmos
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Schott Music - Digital
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SheetMusicPlus
Dance
Small Ensemble Cello,Clarinet,Piano,Violin - Level 5 - Digital Download SKU: A0.1026327…
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Small Ensemble Cello,Clarinet,Piano,Violin - Level 5 - Digital Download SKU: A0.1026327 Composed by Jason Anthony Gomez. 20th Century,Contemporary. Score and parts. 27 pages. Jason Anthony Gomez #6066525. Published by Jason Anthony Gomez (A0.1026327). Dance (2018) was written to be performed by SOLI Chamber Ensemble at the 2018 Alba Music Festival Composition Program. The piece is directly inspired by the 20th century painting La Danse (1910) and the artistic philosophies of its painter Henri Matisse (1869 - 1954). Matisse constantly chose to seek the beauty and joy in life despite his own personal struggles and pain. His art serves as a reminder to us all that even in the most difficult times when beauty and joy can seem almost trivial, they are actually worth fighting for and can help us find hope and perseverance. Dance (2018) is my way of trying to channel these philosophies into music while also trying to translate the bold lines and vivid colors of his painting which are used to convey an almost ancient connection to humanity and joy. I encourage listeners and performers to have as much fun engaging in this piece as I did writing it. Enjoy!
$50.00
44.79 €
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Jason Anthony Gomez
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Dance
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Jason Anthony Gomez
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SheetMusicPlus
The Flying Dutchman
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2
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Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2 Ventil-Trp. · 3 Pos. · Basstb. - P. - Str. Auf der Bühne: 3 Picc. (womöglich mehrfach besetzt) - 6 Hr. - Tamtam - Windschleuder - Digital Download SKU: S9.Q25915 Romantic Opera in 3 Acts. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 135' 0. Schott Music - Digital #Q25915. Published by Schott Music - Digital (S9.Q25915). German • English.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (Original version) With this edition, the original version of Wagner’s opera Der fliegende Holländer [The flying Dutchman] WWV 63 is made available to the public for the first time in piano score form. The score on which the edition is based was published in the Richard Wagner-Complete Edition 1983: Richard Wagner. Collected works Vol. 4, I-II, The Flying Dutchman. Romantic opera in three acts (original version 1841), edited by Isolde Vetter (Schott Music International, Mainz, RWA 104-10/RWA 104-20).†(Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenesâ€. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopskiâ€, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).Les opéras de Richard Wagner paraissent pour la première fois sous forme de piano-chant chez Schott en version originale. Sont déjà publiés dans la série : L’Or du Rhin, Lohengrin, Parsifal et Le Vaisseau fantôme (première version de 1841 et version 1842-1880). Les autres opéras de Wagner représentés à Bayreuth paraîtront d'ici 2013, année anniversaire de la naissance du compositeur.
$42.99
38.51 €
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Richard Wagner
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The Flying Dutchman
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Schott Music - Digital
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SheetMusicPlus
LOOK DOWN, LORD
Medium-High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1171213 By PAUL L…
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Medium-High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1171213 By PAUL LUTHER VINES. By PAUL LUTHER VINES. Arranged by PAUL LUTHER VINES. Blues,Christian,Folk,Religious,Spiritual. 1 pages. PAUL Luther VINES #770148. Published by PAUL Luther VINES (A0.1171213). I wrote this song when I moved from home on the farm to a lonely, low cost, one studio apartment in downtown Seattle where I aspired to become an artist. I still recall those days and joys of writing songs between my breaks of playing tennis and oil painting. Happily, two of my paintings sold which helped me get by.
$3.00
2.69 €
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PAUL LUTHER VINES
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LOOK DOWN, LORD
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PAUL Luther VINES
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SheetMusicPlus
Gottes Zeit ist die allerbeste Zeit - For String Orquestra
Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.8894…
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Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.889436 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. Score and parts. 11 pages. Luis Anjos Teixeira #4737807. Published by Luis Anjos Teixeira (A0.889436). The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works. It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world. Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of theDivi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708. The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe, edited by Wilhelm Rust. The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying. The Arrangement is relatively easy to perform, also appropriate for beginners. It is an ideal piece for advanced performers, this music touches deep into the Soul. The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement. Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form. Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo. I propose an interpretation for a modern string orquestra or a string quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. If the orquestra only has one double bass I would recommend you to reenforce the bass with a cello. It can be very well performed by a „string quintet- a string quartet with a double bass. Have fun! It is a piece that can be used in many different kinds of situations, in a serious concert hall, or a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$10.99
9.85 €
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Johann Sebastian Bach
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edited by Wilhelm Rust.
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Gottes Zeit ist die allerbeste Zeit - For String Orquestra
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Luis Anjos Teixeira
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SheetMusicPlus
Boots and Embers (Voice / Clarinet / Piano Trio)
Small Ensemble Cello,Clarinet,Piano,Violin - Level 4 - Digital Download SKU: A0.914811
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Small Ensemble Cello,Clarinet,Piano,Violin - Level 4 - Digital Download SKU: A0.914811 Composed by Lynn Hutchinson. 20th Century,Christmas,Folk,Pop. Score and parts. 35 pages. Lynn Hutchinson Music #4823253. Published by Lynn Hutchinson Music (A0.914811). I live in Los Angeles but grew up in Minnesota. Warm weather folks miss out on a lot of cold winter things: embers smoldering in a fireplace, boots and socks soaked by snow, the warm embrace of a cup of coffee on a cold morning. This piece paints a picture of those dark but beautiful days of winter. The vocal line and piano part are simple, but the accompaniment is not. Ability to handle tricky rhythms and entrances, extended techniques (col legno) and strong ensemble communication skills required. Has a Joni Mitchell vibe.
$15.00
13.44 €
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Lynn Hutchinson
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Boots and Embers
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Lynn Hutchinson Music
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SheetMusicPlus
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