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Old Shores
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holding your hands ( Misty Highland Shores )
Acoustic Guitar,Double Bass,Electric Violin,Flute,Piano - Level 4 - Digital Download SK…
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Acoustic Guitar,Double Bass,Electric Violin,Flute,Piano - Level 4 - Digital Download SKU: A0.1487249 By Eve Mctelenn ( Ai Studio). By Eve McTelenn. Arranged by Eve McTelenn. Celtic,Folk,Irish,Medieval. Full Performance. Duration 230. Eve Rodolfi-McTelenn #1064223. Published by Eve Rodolfi-McTelenn (A0.1487249). Holding your hands[Verse]In the whispering woods, I wander farBeneath the ancient oaks and shining starYour voice it calls, a guiding lightIn the heart of the silent night[Chorus]Through the shadows and the echoing landsI know I'll find my way, holding your hands[Verse]Upon the misty shores, where waves embraceI journey on, to find your graceYour melody lingers, across the seaIn the twilight's soft, eternal plea[Chorus]Through the tempest and the boundless tidesTogether we'll roam, where true love abidesholding your hands[Verse]In the whispering woods, I wander farBeneath the ancient oaks and shining starYour voice it calls, a guiding lightIn the heart of the silent night[Chorus]Through the shadows and the echoing landsI know I'll find my way, holding your hands.
$1.99
1.78 €
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Eve Mctelenn
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holding your hands
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Eve Rodolfi-McTelenn
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SheetMusicPlus
A Whitman Triptych: III. Facing West (Downloadable)
Soprano voice and tenor voice soli, SATB choir unaccompanied - Moderately Difficult - Digi…
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Soprano voice and tenor voice soli, SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8323-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 9 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8323-E. Published by E. C. Schirmer Music Company - Digital (MQ.8323-E). UPC: 600313483233. English. The three a cappella choral pieces that comprise “A Whitman Triptych†were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass†was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed†as the basis for my composition “Invocation and Dance.†I went on to set “Good-Bye, My Fancy†for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road†for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. Facing West is drawn from the Children of Adam book from Walt Whitman's Leaves of Grass. The full title of the poem is Facing West From California's Shores. Though Whitman never visited California, his biographer Justin Kaplan made the insightful observation that he imagined California's shores to be the starting point for a journey through time and culture. Here was Walt, 'a child, very old,' facing home again, looking over to it, joyous, as after long travel, growth, and sleep, asking: 'But where is what I started for, so long ago?/And why is it yet unfound?' The invitation from the International Orange Chorale to compose a piece in honor of the 75th anniversary of the Golden Gate Bridge led me easily and naturally to this great poem. The tone of Facing West is rich and complex, and draws on one of Whitman's favorite themes of using travel to distant lands as a metaphor for spiritual development. In his poem, Whitman strikes notes of reflection, of longing for adventure, and ultimately ends with a question. The continuing relevance of this question is for me beautifully addressed by the contemporary American writer Edmund White in his 1980 book States of Desire. To paraphrase somewhat, White writes: California is where dreams may come true, and the problem it presents is whether, after all, we wanted these particular dreams to be fulfilled - or would we have preferred others? Did we know what price these dreams would exact? Did we anticipate the ways in which they would unsuit us for the business of daily life? Or should our notion of daily life itself be transformed? For Americans, California's coast is as far as one can go in establishing new roots and new ways of living. As a transplanted Midwesterner who has made California his home for nearly three decades, I experience the Golden Gate Bridge as a beautiful monument to the aspirations and dreams of a restless and inventive people, qualities that Whitman's poem captures perfectly. -David ConteDuration: 5:42
$2.65
2.37 €
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David Conte
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A Whitman Triptych: III. Facing West
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
America, Grand Dame
Small Ensemble Cello,Double Bass,Flute,Viola,Violin - Level 4 - Digital Download SKU: A…
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Small Ensemble Cello,Double Bass,Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.928956 Composed by Donald A. Mills. Contemporary,Folk. Score and parts. 8 pages. Donald A Mills #3094797. Published by Donald A Mills (A0.928956). Your audiences will love this new instrumental piece. Written for a chamber ensemble of strings and flutes, it has musical pictures that are indicative of this land that we love. Early morning...This piece is tranquil, a day of calm in this first movement. The Pacific Coast, the great western mountain ranges, the sweeping plains, the eastern mountains, and on to the eastern shores. As the old song says, from sea to shining sea.Our country...a global treasure. And, WE get to live here!
$3.99
3.56 €
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Donald A
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America, Grand Dame
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Donald A Mills
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SheetMusicPlus
Emerald Necklace ... The Story of Frederick Law Olmsted (2009) for narrator and orchestra
Large Ensemble Voice - Level 4 - Digital Download SKU: A0.869309 Composed by Thomas…
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Large Ensemble Voice - Level 4 - Digital Download SKU: A0.869309 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Pluto … The Lord of the Underworld. (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofiev’s “Peter and the Wolf.†I said, “Yes. I would be delighted to do so.†He. 90 pages. Thomas Oboe Lee #431371. Published by Thomas Oboe Lee (A0.869309). Program note. Maestro Charles Ansbacher has been a devoted supporter of my work for many years. In the past 6 years he has commissioned me to write two works for his ensemble, the Boston Landmarks Orchestra: 1) Mambo!!! (2003) 2) Pluto … The Lord of the Underworld (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofiev’s Peter and the Wolf. I said, Yes. I would be delighted to do so. He told me that the subject for this work would be Boston’s own landscape architect, Frederick Law Olmsted. Sure, I said, why not? Charles told me he had a poet in mind who would provide the text, Nancy Stevenson. I said, Great! The work is in four parts, following Ms. Stevenson’s poetic design. I wrote a marching music in Part One depicting Mr. Olmsted when as a child he walked from his home to his aunts and uncles who lived far away. As a young man, Mr. Olmsted went through many jobs until he decided that as a landscape architect he could make cities a better place for children and adults alike. The mayor of Boston hired him to do just that, to make Boston more livable. In Part Two, I wrote presto music depicting the dredging of the Charles River and the planting of trees along its shores. In Part Three, the text describes the Boston Emerald Necklace – the paths that lead from the Fens to the Arboretum to Franklin Park. For this section I chose music that is bucolic and pastoral, a setting that evokes the country side with a flock of sheep, complete with a shepherd and his dog. In the last section the text describes Mr. Olmsted’s dream that in his parks there would be tranquility and rest to the mind … a place where the rich and the poor would play together. The music returns to the legato march that began the work.
$9.99
8.92 €
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Thomas Oboe Lee
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Emerald Necklace ... The Story of Frederick Law Olmsted
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Thomas Oboe Lee
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SheetMusicPlus
Emerald Necklace ... The Story of Frederick Law Olmsted (2009) for narrator and orchestra
Large Ensemble Voice - Digital Download SKU: A0.869339 Composed by Thomas Oboe Lee.…
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Large Ensemble Voice - Digital Download SKU: A0.869339 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Pluto … The Lord of the Underworld. (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofiev’s “Peter and the Wolf.†I said, “Yes. I would be delighted to do so.†He. 90 pages. Thomas Oboe Lee #32449. Published by Thomas Oboe Lee (A0.869339). Program note. Maestro Charles Ansbacher has been a devoted supporter of my work for many years. In the past 6 years he has commissioned me to write two works for his ensemble, the Boston Landmarks Orchestra: 1) Mambo!!! (2003) 2) Pluto … The Lord of the Underworld (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofiev’s Peter and the Wolf. I said, Yes. I would be delighted to do so. He told me that the subject for this work would be Boston’s own landscape architect, Frederick Law Olmsted. Sure, I said, why not? Charles told me he had a poet in mind who would provide the text, Nancy Stevenson. I said, Great! The work is in four parts, following Ms. Stevenson’s poetic design. I wrote a marching music in Part One depicting Mr. Olmsted when as a child he walked from his home to his aunts and uncles who lived far away. As a young man, Mr. Olmsted went through many jobs until he decided that as a landscape architect he could make cities a better place for children and adults alike. The mayor of Boston hired him to do just that, to make Boston more livable. In Part Two, I wrote presto music depicting the dredging of the Charles River and the planting of trees along its shores. In Part Three, the text describes the Boston Emerald Necklace – the paths that lead from the Fens to the Arboretum to Franklin Park. For this section I chose music that is bucolic and pastoral, a setting that evokes the country side with a flock of sheep, complete with a shepherd and his dog. In the last section the text describes Mr. Olmsted’s dream that in his parks there would be tranquility and rest to the mind … a place where the rich and the poor would play together. The music returns to the legato march that began the work.
$9.99
8.92 €
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Thomas Oboe Lee
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Emerald Necklace ... The Story of Frederick Law Olmsted
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Thomas Oboe Lee
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SheetMusicPlus
The Marines' Hymn: Apotheosis
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - Digital Download SKU: A0.1241960 Composed by Sammy Nestico. Arranged by Adrian Horn. 20th Century. Brass Band. 35 pages. AJH Brass #837317. Published by AJH Brass (A0.1241960). The Marines’ Hymn is the official hymn of the United States Marine Corps and the oldest official song in the US Armed Forces, authorised for use by the Commandant of the Marine Corps in 1929. The lyrics for the hymn were written by an anonymous author prior to this and includes lines referencing famous battles such as “To the shores of Tripoli†referring to the First Barbary War and “The Halls of Montezuma†referencing the Battle of Chapultepec. The music, however, originates from the “Gendarmes’ Duet†from Offenbach's 1859 opera Genevieve de Brabant. Sammy Nestico, whilst best known as a composer, arranger, and conductor for the Count Basie Orchestra and as a prolific composer of television themes including shows such as M*A*S*H*, and Charlie’s Angels, was also the director of the U.S. Marine Band under both John F. Kennedy and Lyndon B. Johnson. In 1968, Nestico took the original version of the hymn and revamped it in his own inimitable style giving us Apotheosis - Marines' Hymn. I give it my heart… a Marine's heart – Sammy Nestico. Instrumentation - British Brass Band,  Full Score,  Soprano Cornet, Solo Cornets, Repiano Cornet, 2nd Cornets, 3rd Cornets,  Flugel Horn, Solo Tenor Horn, 1st Tenor Horn, 2nd Tenor Horn,  1st Baritone, 2nd Baritone,  1st Trombone, 2nd Trombone, Bass Trombone,  Euphoniums,  Eb Basses, BBb Basses,  Timpani, Tubular Bells.
$24.99
22.32 €
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Sammy Nestico
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The Marines' Hymn: Apotheosis
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AJH Brass
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SheetMusicPlus
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