Download Digital Sheet Music of One of

One of

Rubank Intermediate Method – Marimba, Xylophone or Vibes

Marimba, Xylophone or Vibes Mallets; Marimba; Vibes; Vibraphone; Xylophone (Marimba) SK…(+)

Marimba, Xylophone or Vibes Mallets; Marimba; Vibes; Vibraphone; Xylophone (Marimba) SKU: HL.4470270 Concert Band Method. Intermediate Band Method. Instruction. Softcover. 32 pages. Rubank Publications #RUBL166. Published by Rubank Publications (HL.4470270). ISBN 9781540001283. UPC: 073999295306. 9.0x12.0x0.128 inches. Edited by Ray Joliff.One of the most widely used series of methods for individual or like-instrument class instruction. Using a very well-rounded approach including scales, arpeggios, technical studies, studies for musicianship, articulation studies, solos, duets, and studies devoted to the special needs of each instrument, this series provides a fantastic wealth of material for all student musicians.
Song List: (Oh, My Darling) Clementine Raymond Overture Melody Reverie Poem Military Salute (Streabbog) Theme (Czibulka) Behold Our Faith Divine Theme (Chopin) Tell Us Of The Night (L.Mason) Theme (Gillet) Faust Ballet Music (Gounod) Invention Viii (Bach) Chorale Moderato (Concone) Intermezzo Russe (Franke) Cradle Song (Hauser M) Barcarolle Holy Is The Lord
$7.99 7.18 € #Marimba #Rubank Intermediate Method – Marimba, Xylophone or Vibes #Rubank Publications #SheetMusicPlus

Small Ensemble - Level 4 - Digital Download SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #2019061. Published by Thomas Oboe Lee (A0.869266). Instrumentation: Alto sax solo and orchestra, 2222-4231-perc-drum set-strings Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, thatâ€™s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getzâ€™s Focus, she said, Itâ€™s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace â€¦ Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Graceâ€™s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!

Ecstasy Of Gold

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…(+)

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1457296 Composed by Ennio Morricone. Arranged by Tim Price. Film/TV. 10 pages. EzTiger #1036346. Published by EzTiger (A0.1457296). The Ecstasy of Gold (Italian: L'estasi dell'oro) is a musical composition by Ennio Morricone, part of his score for the Sergio Leone film The Good, the Bad and the Ugly. It is played while Tuco (Eli Wallach) is frantically searching a cemetery for the grave that holds $200,000 in gold coins. Sung by Edda Dell'Orso, it stands as one of the most well known of Morricone's themes.This is an outstanding arrangement for a saxophone quartet, the complete pack includes parts for: ConductorSopranoAltoTenorBaritoneAdd this score to your repertoire and excite your audiences like never before.
$38.43 34.51 € #Ennio Morricone #Ecstasy Of Gold #EzTiger #SheetMusicPlus

Brass Ensemble Trombone - Digital Download SKU: A0.799487 Composed by Anonymous. Arranged by Drake Mabry. Classical. Score and parts. 7 pages. Drake Mabry #3079037. Published by Drake Mabry (A0.799487). Personet Armonia comes from a collection of music composed in Cyprus during the beginning of the 15th century. Many French musicians and composers were active at the Cypriot court, and the town of Nicosia became one of the most important centers of the Ars Subtilior style. This piece provides a perfect introduction to the beautiful and mysterious world of this 14th and 15th century musical style. The duration is 3'50. The King, Janus I de Lusignan (1374-1432), was one of the most important figures in the music life of Cyprus. His daughter Anna, upon her marriage to Louis, Count of Geneva, took with her a thick manuscript, written between 1413 and 1426. It consists of 159 folios containing over two hundred polyphonic compositions both sacred and secular. Two peculiarities make this manuscript unique: first, not a single composer is mentioned by name; and second, each work is without exception a unique copy: not one has ever been found in any other manuscript. This, then, is the only record of the Cypriot Ars Subtilior style. The central compositional concern of those working in the Cypriot Ars Subtilior style was the logical, consistent attainment of the polyphonic ideal. Each voice is completely independent of the others, and moves through the polyphonic fabric to form a contour of its own. As to rhythm, Cypriot compositional technique is extremely complex. Ample use was made of rhythmic novelties such as syncopation, color and proportion, and new note symbols permitted the representation of note values that had previously defied graphical rendering. Thus, metric accents in the different voices almost never coincide, and the laws of rhythm were at times out of joint. In fact, a rhythm that was regular and without syncopation would stand out immediately as particularly conspicuous detail. I have also adapted this trio in versions for either clarinets or recorders. Paul Van Nevel has recorded a version for three sackbuts with his Huelgas Ensemble.

Donut Etudes v5 - Scale Duets for 2 Euphoniums or Baritones in Treble Clef

Instrumental Duet Euphonium,Instrumental Duet - Digital Download SKU: A0.784315 Com…(+)

Instrumental Duet Euphonium,Instrumental Duet - Digital Download SKU: A0.784315 Composed by Joshua Hauser. Instructional. Score and parts. 41 pages. Slide Ride #3570015. Published by Slide Ride (A0.784315). â€ƒIf this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake! â€ƒThe initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Donâ€™t step in the holes! â€ƒI only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent. â€ƒAs with those exercises, you can vary these as much as youâ€™d like. â€¢â€ƒChoose a tempo â€¢â€ƒChoose a dynamic. â€¢â€ƒChoose an articulation/style. â€ƒOne way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group. â€ƒPractice one key, gradually speeding it up to improve fluidity or choose a variation and take it through all keys, playing version A, B, C, or D then skipping 5 lines to play the same set in a new key. â€ƒIf you want an additional challenge in terms of range, play them in different octaves to expand the set. â€ƒAdditionally, you can change the Key. Play them in f minor (all forms), different modes, etc. For jazz players, try swinging them in dorian or mixolydian modes. â€ƒThe variations are endless! â€ƒAll Donut Etudes with the same version number are compatible so you can play them in mixed duets with one person on part 1 and a different instrument on part 2. â€ƒEnjoy!
$10.00 8.98 € #Joshua Hauser #Donut Etudes v5 - Scale Duets for 2 Euphoniums or Baritones in Treble Clef #Slide Ride #SheetMusicPlus

The Carol Of Joseph (i Believe In You)

Small Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone,Trombone,Trumpet,Tuba - L…(+)

Small Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.585178 By For King And Country. By Joel Smallbone, Luke Smallbone, and Matthew Hales. Arranged by Jeff Tincher. Contemporary. Score and parts. 19 pages. Jeff Tincher #6201045. Published by Jeff Tincher (A0.585178). This is one of two new songs from For King And Country that is a part of their A Drummer Boy Christmas. In the original key, this is a beautifully mellow piece. Duration = 4:18. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99 11.67 € #For King And Country #The Carol Of Joseph #Jeff Tincher #SheetMusicPlus

Small Ensemble B-Flat Bass Clarinet,B-Flat Clarinet - Level 3 - Digital Download SKU: A0.799485 Composed by Anonymous. Arranged by Drake Mabry. Classical. Score and parts. 7 pages. Drake Mabry #3079033. Published by Drake Mabry (A0.799485). Personet Armonia comes from a collection of music composed in Cyprus during the beginning of the 15th century. Many French musicians and composers were active at the Cypriot court, and the town of Nicosia became one of the most important centers of the Ars Subtilior style. This piece provides a perfect introduction to the beautiful and mysterious world of this 14th and 15th century musical style. The duration is 3'50. The King, Janus I de Lusignan (1374-1432), was one of the most important figures in the music life of Cyprus. His daughter Anna, upon her marriage to Louis, Count of Geneva, took with her a thick manuscript, written between 1413 and 1426. It consists of 159 folios containing over two hundred polyphonic compositions both sacred and secular. Two peculiarities make this manuscript unique: first, not a single composer is mentioned by name; and second, each work is without exception a unique copy: not one has ever been found in any other manuscript. This, then, is the only record of the Cypriot Ars Subtilior style. The central compositional concern of those working in the Cypriot Ars Subtilior style was the logical, consistent attainment of the polyphonic ideal. Each voice is completely independent of the others, and moves through the polyphonic fabric to form a contour of its own. As to rhythm, Cypriot compositional technique is extremely complex. Ample use was made of rhythmic novelties such as syncopation, color and proportion, and new note symbols permitted the representation of note values that had previously defied graphical rendering. Thus, metric accents in the different voices almost never coincide, and the laws of rhythm were at times out of joint. In fact, a rhythm that was regular and without syncopation would stand out immediately as particularly conspicuous detail. This trio also exists in my adapted versions for either recorders or trombones. Paul Van Nevel has recorded a version for three sackbuts with his Huelgas Ensemble.

Percussion-Quintett - Digital Download SKU: S9.Q50078 A Homage to Deagan for percussion ensemble. Composed by Gavin Bryars. This edition: score and parts. Downloadable, score and parts. Duration 20 minutes. Schott Music - Digital #Q50078. Published by Schott Music - Digital (S9.Q50078). One Last Bar Then Joe Can Sing (1994) was commissioned by the Arts Council of Great Britain for the percussion quintet Nexus, and is a reflection on aspects of percussion history, both personal and musical. The members of Nexus are my friends (I played in the Steve Reich Ensemble along with Russ Hartenberger in 1972, the year after Nexus was formed). The piece aimed to demonstrate how a fine percussion ensmeble can be as musically expressive and subtle as, say, a string quartet. The piece starts from the last bar at the end of the second act of my opera Medea, a very short coda for a quintet of untuned percussion instruments during which the curtain falls. In this piece, however, this one apparently innocuous measure is progressively fragmented until it is taken over, little by little, by the addition of tuned percussion instruments. Eventually two metallophones (crotales and songbells) play aria-like material with bows, occasionally joined by the xylophone, and accompanied by marimba and xylophone ostinati. The piece ends with a coda in which phrases are passed from bowed vibraphone to bowed crotales, then to bowed songbells, supported by tremolos on the marimbas. The rare 3-octave songbells that Nexus owns is one of the American instrument maker J. C. Deagan's particularly fine instruments. The piece is effectively a kind of homage to Deagan, the Stradivarius of the tuned percussion world, who collaborated closely with Percy Grainger in the development of tuned percussion music between the wars. The allusions in the title are obvious: the one last bar is the last measure of music from my opera; the song is that of Deagan's songbells. In the case of Joe I wanted to link my father, Joe Bryars (who was a good amateur baritone singer) with Joseph Deagan and his songbells. However, some time after I had written the piece, Nexus's Bob Becker took me to one side and told me (gently) that the initial J in Deagan's name, in fact, stood for JohnGavin BryarsPercussion 1: Crotales (with bow), Chocolo, Mark Tree; Percussion 2I: Song Bells (with bow), Chinese Cymbal, 3 Wood Blocks; Percussion 3: 2 Cymbals, 2 Triangles, Xylophone, Marimba (shared with Marimba II), Vibraphone (with bow); Percussion 4: 2 Cymbals, 2 Gongs, Marimba I (with low F), Maracas; Percussion 5: 2 low Tom-Toms, Marimba II (to low A).

Donut Etudes v5 - Scale Duets for 2 Trombones in Bb/F, 2 Euphoniums in Bass Clef, or 2 Bassoons

Instrumental Duet Bassoon,Euphonium,Instrumental Duet,Trombone - Digital Download SKU: …(+)

Instrumental Duet Bassoon,Euphonium,Instrumental Duet,Trombone - Digital Download SKU: A0.784312 Composed by Joshua Hauser. Instructional. Score and parts. 41 pages. Slide Ride #3570005. Published by Slide Ride (A0.784312). â€ƒIf this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake! â€ƒThe initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Donâ€™t step in the holes!â€ƒI only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent. â€ƒAs with those exercises, you can vary these as much as youâ€™d like.â€¢â€ƒChoose a tempoâ€¢â€ƒChoose a dynamic. â€¢â€ƒChoose an articulation/style. â€ƒOne way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group. â€ƒPractice one key, gradually speeding it up to improve fluidity or choose a variation and take it through all keys, playing version A, B, C, or D then skipping 5 lines to play the same set in a new key. â€ƒIf you want an additional challenge in terms of range, play them in different octaves or change the clef and key signature to expand the set. For example, if you play the F Major example in Tenor Clef, change the key signature to C Major and you have a version that is based an octave higher than the C Major version as written later.â€ƒAdditionally, you can change the Key. Play them in f minor (all forms), different modes, etc. For jazz players, try swinging them in dorian or mixolydian modes. â€ƒThe variations are endless! â€ƒAll Donut Etudes with the same version number are compatible so you can play them in mixed duets with one person on part 1 and a different instrument on part 2. â€ƒEnjoy!
$10.00 8.98 € #Joshua Hauser #Donut Etudes v5 - Scale Duets for 2 Trombones in Bb/F, 2 Euphoniums in Bass Clef, or 2 Bassoons #Slide Ride #SheetMusicPlus

Selected Duets - Trombone Or Baritone (Volume 2)

Volume 2 - Medium-Advanced Trombone, Baritone B.C., Euphonium - Advanced SKU: HL.447103…(+)

Volume 2 - Medium-Advanced Trombone, Baritone B.C., Euphonium - Advanced SKU: HL.4471030 Volume 2 â€“ Medium-Advanced. Edited by Himie Voxman. Concert Band Method. Ensemble Collection. Instruction. 72 pages. Rubank Publications #RUBL191. Published by Rubank Publications (HL.4471030). ISBN 9781423445401. UPC: 073999710304. 9.0x12.0x0.222 inches. Edited H. Voxman.This classic series of duets for like instruments is recognizable to nearly everyone who has ever studied an instrument. The wealth of material supplements musical development and provides a rich experience for growing musicians. Duet playing is often a student's first form of ensemble experience - technique, tone quality, intonation and balance are introduced as students do one of the things they enjoy most - making music with a friend. And duet playing leads easily and naturally to competent performance in larger ensembles. (Vol. I â€“ Easy to Medium, Vol. 2 â€“ Medium to Advanced).
$11.99 10.77 € #Selected Duets - Trombone Or Baritone #Rubank Publications #SheetMusicPlus

Selected Duets - Trombone Or Baritone (Volume 1)

Volume 1 Baritone, Trombone - Easy-Medium SKU: HL.4471020 Volume 1 - Easy to Med…(+)

Volume 1 Baritone, Trombone - Easy-Medium SKU: HL.4471020 Volume 1 - Easy to Medium. Edited by H. Voxman. Concert Band Method. Ensemble Collection. Classical, Instruction. 72 pages. Rubank Publications #RUBL190. Published by Rubank Publications (HL.4471020). ISBN 9781423445395. UPC: 073999710205. 9.0x12.0x0.18 inches. Edited H. Voxman.This classic series of duets for like instruments is recognizable to nearly everyone who has ever studied an instrument. The wealth of material supplements musical development and provides a rich experience for growing musicians. Duet playing is often a student's first form of ensemble experience - technique, tone quality, intonation and balance are introduced as students do one of the things they enjoy most - making music with a friend. And duet playing leads easily and naturally to competent performance in larger ensembles. (Vol. I â€“ Easy to Medium, Vol. 2 â€“ Medium to Advanced).
$11.99 10.77 € #Selected Duets - Trombone Or Baritone #Rubank Publications #SheetMusicPlus

Lover Of The Light

Small Ensemble Clarinet,Guitar,Violin - Level 5 - Digital Download SKU: A0.904371 B…(+)

Small Ensemble Clarinet,Guitar,Violin - Level 5 - Digital Download SKU: A0.904371 By Mumford & Sons. By Mumford & Sons. Arranged by Tennessee O'Hanlon. Pop. Score and parts. 21 pages. Tennessee O'Hanlon #4594673. Published by Tennessee O'Hanlon (A0.904371). Mumford & Sons, one of my favorite pop bands. Not only do they produce incredible melodies, but they are easily translatable to other instruments like the ones shown here: Clarinet, Violin, & Guitar. Great wedding music material for the seasoned professionals. Also great for anyone seeking a fresh perspective on what it is to play good popular music. .
$15.99 14.36 € #Mumford & Sons #Lover Of The Light #Tennessee O'Hanlon #SheetMusicPlus

Small Ensemble Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288665. Published by Slide Ride (A0.784336). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Donâ€™t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as youâ€™d like.Â· Choose a tempo.Â· Choose a dynamic.Â· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!

Overture to The Barber of Seville for Brass Ensemble

Brass Ensemble Euphonium,Horn,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.722730(+)

Brass Ensemble Euphonium,Horn,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.722730 Composed by Gioachino Rossini. Arranged by Jari A. Villanueva. Classical. Score and parts. 108 pages. JV MUSIC #3241941. Published by JV MUSIC (A0.722730). Overture to The Barber of Seville for Brass Ensemble by Gioachino Rossini (1792-1868) Arranged for Brass Ensemble by Jari VillanuevaAn exciting and playable setting of this great standard. Perfect for concerts and events. It works as a great openerScore Trumpet in Eb 3 Trumpets in Bb 3 Horns in F (optional Eb Horn part provided) 3 Trombones Euphonium (optional Baritone TC provided) Tuba Timpani (optional) Percussion (optional)The Barber of Seville, or The Useless Precaution is an opera buffa in two acts by Gioachino Rossini with an Italian libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's French comedy Le Barbier de SÃ©ville (1775). The premiere of Rossini's opera (under the title Almaviva, o sia L'inutile precauzione) took place on 20 February 1816 at the Teatro Argentina, Rome. Rossini's Barber has proven to be one of the greatest masterpieces of comedy within music, and has been described as the opera buffa of all opere buffe. The overture remains a popular stand-alone selection for orchestras, wind and brass bands. Jari Villanueva has been writing arrangements for decades. A student of Bill Holcombe, he continues writing for different ensembles. Many of his arrangements can be found on Sheet Music Plus. He is a winner of the 2016 Arranging Contest.
$40.00 35.92 € #Gioachino Rossini #Overture to The Barber of Seville for Brass Ensemble #JV MUSIC #SheetMusicPlus

Small Ensemble - Level 3 - Digital Download SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide Ride (A0.784334). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Donâ€™t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as youâ€™d like.Â· Choose a tempo.Â· Choose a dynamic.Â· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!

Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Multi-Percussion,Orff Instrument,Recorder,Ukulele,Voice,Xylophone - Level 1 - Digital Download SKU: A0.565232 By Sharon Wilson. By I. B. Woodbury. Arranged by Sharon Wilson. Children,Folk,Holiday,Instructional,Traditional. Score and parts. 11 pages. Sharon Wilson #3624957. Published by Sharon Wilson (A0.565232). This sheet music is notated for 13-note (one octave, C to C chromatic scale) instruments with Handbells on one staff and BoomwhackersÂ® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody while the BoomwhackersÂ® keep a steady beat with three-note chords. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord reference chart is also providedThough this sheet music is notated for Handbells and BoomwhackersÂ®, this song is playable by any 13-note, C to C chromatic scale (one octave) instrument such as a xylophone or glockenspiel. The melody could also be played by a recorder.This set of scores uses black and white noteheads and is best suited for musicians already familiar with reading standard music notation. For beginning musicians, this same set of scores is available (sold separately) with color coded noteheads.Only filled noteheads (quarter and eighth notes) are used so the notes are easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure. Lyrics and chord names are provided as well to aid in the learning and teaching of this song.The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one or two notes to each person. Instrument assignment suggestions are provided.Other suggestions and uses: * have both parts played by bells or both parts played using only BoomwhackersÂ® * form a choir using multiple sets of bells and/or BoomwhackersÂ® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, childrenâ€™s ministriesThis song is one of the 20 arrangements in the collection Folk Songs for 13-note Bells and BoomwhackersÂ® (with Black and White Notes), VOL. 1. BoomwhackersÂ® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilsonâ€™s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic