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90
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41
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38
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32
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String Quintet: 2 violins, 2 violas, cello
18
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15
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10
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8
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8
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8
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7
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6
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6
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6
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5
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CLASSICAL - BAROQUE - ROMANTIC
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3851
Fauré: Masques et Bergamasques Suite Op.112 - symphonic wind
Large Ensemble - Level 5 - Digital Download SKU: A0.553822 Composed by Gabriel Faur…
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Large Ensemble - Level 5 - Digital Download SKU: A0.553822 Composed by Gabriel Faure. Arranged by Ray Thompson. 20th Century,Romantic Period. Score and parts. 100 pages. RayThompsonMusic #4804305. Published by RayThompsonMusic (A0.553822). Masques et bergamasques, Op. 112, is an orchestral suite by Gabriel Fauré. It was arranged by the composer from incidental music he provided for a theatrical entertainment commissioned for Albert I, Prince of Monaco in 1919. The original score contained eight numbers, including two songs for tenor, and a choral passage. These numbers were not included in the published suite, which has four movements.The eight movements of the divertissement were almost all drawn from earlier works of Fauré:Ouverture (from an abandoned 1869 symphony)Pastorale (the only wholly new movement)Madrigal (Op. 35, 1884; for chorus and orchestra)Le Plus doux chemin (Op. 87, No. 1; for tenor and orchestra)Menuet (extensively reworked from the 1869 symphony)Clair de lune (Op. 46, No. 2; for tenor and orchestra)Gavotte (from the 1869 symphony)Pavane (Op. 50, 1887)The suite drawn from the work has remained one of Fauré's most popular works. It was published by Durand et cie in 1919. It is scored for 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, harp and strings.The suite, which has a typical playing time of about 14 minutes, consists of four of the purely orchestral movements:OvertureMinuetGavottePastoraleIt is arranged here for double wind quintet and bass.(string bass/tuba parts provided)
$19.95
17.87 €
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Gabriel Faure
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Fauré: Masques et Bergamasques Suite Op.112 - symphonic wind
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RayThompsonMusic
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SheetMusicPlus
Youth Happiness Op. 17 No. 1
Chamber Music, Quatuor 4 Trombones - Grade 3 - Digital Download SKU: FX.FX073661 Co…
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Chamber Music, Quatuor 4 Trombones - Grade 3 - Digital Download SKU: FX.FX073661 Composed by Franz Schubert. Arranged by Christophe Roger. Arrangement. Classical. Score and Set of Parts. 8 pages. Duration 1 minute, 55 seconds. FLEX Editions - Digital Sheet Music #FX073661. Published by FLEX Editions - Digital Sheet Music (FX.FX073661). This piece is part of a cycle of four works by Franz SCHUBERT, which may be interesting to play together : Youth Happiness Op. 17 No. 1, Love Op. 17 No. 2, Round Dance Op. 17 No. 3, The Night Op. 17 No. 4 ; Instruments: 4 Trombones.
$8.95
8.02 €
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Franz Schubert
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Instruments: 4 Trombones.
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Youth Happiness Op. 17 No. 1
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
The Night Op. 17 No. 4
Chamber Music, Quatuor 4 Trombones - Grade 3 - Digital Download SKU: FX.FX073664 Co…
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Chamber Music, Quatuor 4 Trombones - Grade 3 - Digital Download SKU: FX.FX073664 Composed by Franz Schubert. Arranged by Christophe Roger. Arrangement. Classical. Score and Set of Parts. 7 pages. Duration 1 minute, 45 seconds. FLEX Editions - Digital Sheet Music #FX073664. Published by FLEX Editions - Digital Sheet Music (FX.FX073664). This piece is part of a cycle of four works by Franz SCHUBERT, which may be interesting to play together : Youth Happiness Op. 17 No. 1, Love Op. 17 No. 2, Round Dance Op. 17 No. 3, The Night Op. 17 No. 4 ; Instruments: 4 Trombones.
$8.95
8.02 €
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Franz Schubert
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Instruments: 4 Trombones.
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The Night Op. 17 No. 4
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
Round Dance Op. 17 No. 3
Chamber Music, Quatuor 4 Trombones - Grade 3 - Digital Download SKU: FX.FX073663 Co…
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Chamber Music, Quatuor 4 Trombones - Grade 3 - Digital Download SKU: FX.FX073663 Composed by Franz Schubert. Arranged by Christophe Roger. Arrangement. Classical. Score and Set of Parts. 6 pages. Duration 50 seconds. FLEX Editions - Digital Sheet Music #FX073663. Published by FLEX Editions - Digital Sheet Music (FX.FX073663). This piece is part of a cycle of four works by Franz SCHUBERT, which may be interesting to play together : Youth Happiness Op. 17 No. 1, Love Op. 17 No. 2, Round Dance Op. 17 No. 3, The Night Op. 17 No. 4 ; Instruments: 4 Trombones.
$7.95
7.12 €
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Franz Schubert
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Instruments: 4 Trombones.
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Round Dance Op. 17 No. 3
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FLEX Editions - Digital Sheet Music
#
SheetMusicPlus
Love Op. 17 No. 2
Chamber Music, Quatuor 4 Trombones - Grade 3 - Digital Download SKU: FX.FX073662 Co…
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Chamber Music, Quatuor 4 Trombones - Grade 3 - Digital Download SKU: FX.FX073662 Composed by Franz Schubert. Arranged by Christophe Roger. Arrangement. Classical. Score and Set of Parts. 6 pages. Duration 55 seconds. FLEX Editions - Digital Sheet Music #FX073662. Published by FLEX Editions - Digital Sheet Music (FX.FX073662). This piece is part of a cycle of four works by Franz SCHUBERT, which may be interesting to play together : Youth Happiness Op. 17 No. 1, Love Op. 17 No. 2, Round Dance Op. 17 No. 3, The Night Op. 17 No. 4 ; Instruments: 4 Trombones.
$7.95
7.12 €
#
Franz Schubert
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Instruments: 4 Trombones.
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Love Op. 17 No. 2
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FLEX Editions - Digital Sheet Music
#
SheetMusicPlus
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (A major, medium key)
Medium Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1328293 Composed by Ri…
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Medium Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1328293 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #916286. Published by Nicole Elyse DiPaolo (A0.1328293). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
6.23 €
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Richard Strauss
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Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition
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Nicole Elyse DiPaolo
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SheetMusicPlus
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (G major, low key)
Low Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1328327 Composed by Richa…
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Low Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1328327 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #916320. Published by Nicole Elyse DiPaolo (A0.1328327). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
6.23 €
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Richard Strauss
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Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition
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Nicole Elyse DiPaolo
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SheetMusicPlus
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Rich…
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.99
6.26 €
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Richard Strauss
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Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition
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Nicole Elyse DiPaolo
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SheetMusicPlus
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Rich…
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
6.23 €
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Richard Strauss
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Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition
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Nicole Elyse DiPaolo
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SheetMusicPlus
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Primo Movimento - Allegro
Small Ensemble Cello,English Horn,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A…
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Small Ensemble Cello,English Horn,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.828699 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 37 pages. Guido Menestrina #119775. Published by Guido Menestrina (A0.828699). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Primo Movimento - Allegro Karl Friedrich Abel - Symphony Op. 7 n. 1 - First Movement - Allegro Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen,[3][4] a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787.[citation needed] One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. https://www.youtube.com/watch?v=bN3mtmg-rLI.
$7.99
7.16 €
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Karl Friedrich Abel
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Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Primo Movimento - Allegro
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Guido Menestrina
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SheetMusicPlus
Pie Jesu Domine from "Requiem" op.48 - arrangement for trumpet, trombone and organ
Organ,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1000552 Composed by Gab…
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Organ,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1000552 Composed by Gabriel Fauré (1845-1924). Arranged by Matthias Eckart - Edition Ensemble Akzente. Romantic Period. 6 pages. Matthias Eckart #6343365. Published by Matthias Eckart (A0.1000552). Pie Jesu Domine from Requiem op.48 from Gabriel Fauré (1845-1924) is a beautiful romantic piece for trumpet/flugelhorn, trombone and organ. Parts in Bb and C are included. A calm and meditative piece for concerts.Das Pie Jesu Domine aus dem Requiem op.48 von Gabriel Fauré (1845-1924) ist ein zauberhaftes romantisches Stück für Trompete/Flügelhorn, Posaune und Orgel. Stimmen in B (Trompete/Tenorhorn) und C (Trompete/Posaune/Bariton) sind vorhanden. Ein ruhiges und meditatives Stück für Konzerte.Beim hier vorliegenden verhaltenen Satz „Pie Jesu Domine aus Faurés Requiem op. 48, wird der originale Sopranpart im vorliegendem Arrangement mit großer Trompete gespielt. Die Achtelpassagen – Ruhephasen zwischen den einzelnen Melodie Abschnitten – sind einer Posaune oder Bariton überlassen, welches Klarinette bzw. Flöte imitiert. Die Orgel ersetzt ein dezent begleitendes Orchester aus Streichern und Holzbläsern.
$17.00
15.23 €
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Gabriel Fauré
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Pie Jesu Domine from "Requiem" op.48 - arrangement for trumpet, trombone and organ
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Matthias Eckart
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SheetMusicPlus
Dvorak: Slavonic Dances Op.46 No.7 in C minor (Skocná) - symphonic wind dectet/bass
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.553794 Composed by Antonin Dvorak. Arranged by Ray Thompson. Romantic Period,Standards,Wedding. Score and parts. 31 pages. RayThompsonMusic #4621337. Published by RayThompsonMusic (A0.553794). The Slavonic Dances (Czech: Slovanské tance) are a series of 16 orchestral pieces composed by AntonÃn Dvořák in 1878 and 1886 and published in two sets as Op. 46 and Op. 72 respectively. Originally written for piano four hands, the Slavonic Dances were inspired by Johannes Brahms's own Hungarian Dances and were orchestrated at the request of Dvořák's publisher soon after composition. The pieces, lively and full of national character, were well received at the time and today are considered among the composer's most memorable works, occasionally making appearances in popular culture. Contrary to what the title might suggest, the dances are not so much inspired by Slavic folk music generally, but specifically by styles and forms from Bohemia. In these pieces, Dvořák never actually quotes folk melodies, but evokes their style and spirit by using traditional rhythmic patterns and structures in keeping with traditional folk dances.This is my arrangement of No 7 from the first set Op.46This is titled SkoÄná which is a rapid Slavic folk-dance, normally in 24 metre.Arranged double wind quintet and bass.
$14.95
13.39 €
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Antonin Dvorak
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Dvorak: Slavonic Dances Op.46 No.7 in C minor
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RayThompsonMusic
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SheetMusicPlus
Dvorak: Slavonic Dances Op.46 No.3 in Ab (Polka) - symphonic wind dectet/bass
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.11298…
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1129885 Composed by Antonin Dvorak. Arranged by Ray Thompson. Chamber,Folk,Romantic Period. 42 pages. RayThompsonMusic #730292. Published by RayThompsonMusic (A0.1129885). Arranged double wind quintet/bass The Slavonic Dances (Czech: Slovanské tance) are a series of 16 orchestral pieces composed by AntonÃn Dvořák in 1878 and 1886 and published in two sets as Op. 46 and Op. 72 respectively. Originally written for piano four hands, the Slavonic Dances were inspired by Johannes Brahms's own Hungarian Dances and were orchestrated at the request of Dvořák's publisher soon after composition. The pieces, lively and full of national character, were well received at the time and today are considered among the composer's most memorable works, occasionally making appearances in popular culture. Contrary to what the title might suggest, the dances are not so much inspired by Slavic folk music generally, but specifically by styles and forms from Bohemia. In these pieces, Dvořák never actually quotes folk melodies, but evokes their style and spirit by using traditional rhythmic patterns and structures in keeping with traditional folk dances.This is my arrangement of No 3 Polka from the first set Op.46 In Simrock's original edition of the piano duet, no. 3 was the D major Sousedská and no. 6 the A flat major Polka - an order apparently approved by Dvořák. Their positions were reversed in the orchestral version. The term polka referring to the dance is derived from the Czech word Polka meaning Polish woman (feminine form corresponding to Polák, a Pole). Czech cultural historian ÄŒenÄ›k ZÃbrt also attributes the term to the Czech word půlka (half), referring to both the half-tempo 2 4 and the half-jump step of the dance.[2] The word was widely introduced into the major European languages in the early 1840s.
$14.95
13.39 €
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Antonin Dvorak
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Dvorak: Slavonic Dances Op.46 No.3 in Ab
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RayThompsonMusic
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SheetMusicPlus
Finale, Op. 17 No.4, Part for Percussion
Percussion Duet - Level 2 - Digital Download SKU: A0.684954 Composed by Jacques Jia…
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Percussion Duet - Level 2 - Digital Download SKU: A0.684954 Composed by Jacques Jiao. Classical. Score. 1 pages. Jacques Jiao #293672. Published by Jacques Jiao (A0.684954). Part of Finale, Op. 17 No.4 https://www.sheetmusicdirect.com/en-US/se/ID_No/758995/Product.aspx https://www.sheetmusicplus.com/title/finale-op-17-no-4-digital-sheet-music/22223123.
$1.99
1.78 €
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Jacques Jiao
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Finale, Op. 17 No.4, Part for Percussion
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Jacques Jiao
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SheetMusicPlus
Abel - 6 Flute Sonatas, Op.6 ; WK 123-128
Instrumental Duet Flute,Harpsichord,Instrumental Duet - Digital Download SKU: A0.819759…
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Instrumental Duet Flute,Harpsichord,Instrumental Duet - Digital Download SKU: A0.819759 Composed by Carl Friedrich Abel. Arranged by J.G. Cucó Barber. Classical. Score and parts. 55 pages. J.G. Cuco Barber #6134725. Published by J.G. Cuco Barber (A0.819759). Work Title 6 Flute Sonatas, Op.6Alternative Title Sei sonate a solo per il flauto traverso e bassoComposer Abel, Carl FriedrichOpus/Catalogue Number Op.6 ; WK 123-128Movements/Sections 6 sonatasFlute Sonata in C major, WK 123Flute Sonata in G major, WK 124Flute Sonata in E minor, WK 125Flute Sonata in E major, WK 126Flute Sonata in F major, WK 127Flute Sonata in G major, WK 128First Publication 1763 - London: ComposerComposer Time Period ClassicalPiece Style ClassicalInstrumentation flute, continuo.
$25.00
22.4 €
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Carl Friedrich Abel
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Abel - 6 Flute Sonatas, Op.6 ; WK 123-128
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J.G. Cuco Barber
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SheetMusicPlus
Chopin: Largo from Op. 65 for Baritone Horn & Piano
Baritone Horn TC,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.552873
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Baritone Horn TC,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.552873 Composed by Frederic Chopin. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards,Wedding. Score and individual part. 6 pages. Jmsgu3 #6050955. Published by jmsgu3 (A0.552873). Score: 5 pages. Duration 3:40This is the third movement of the Sonata in G Minor for Piano & Cello, Op. 65.Chopin performed this sonata on his final recital in 1848. Frédéric Chopin is considered one of the greatest composers of the Romantic era. He is best known for his solo piano works, which revolutionized the way the instrument was played and heard. Chopin's works are widely regarded as some of the most beautiful, lyrical, and technically demanding pieces ever written for the instrument.One of Chopin's most famous works is his Largo from Op. 65. Written in 1845, this piece is a beautiful example of Chopin's mastery of the piano. It is a slow, meditative piece, with its dreamy atmosphere, gentle chords, and haunting melodies. The piece builds to a dramatic climax, before fading away to a tranquil ending. It is one of the most beloved pieces in all of classical music, and is a testament to Chopin's genius.
$32.95
29.52 €
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Frederic Chopin
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Cello, Op
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Chopin: Largo from Op. 65 for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
André - Alpen-Zauber, Op.156
Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Digital Download SKU: A0…
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Digital Download SKU: A0.819830 Composed by Ludwig André. Arranged by J.G. Cucó Barber. Romantic Period. Score and parts. 11 pages. J.G. Cuco Barber #6735973. Published by J.G. Cuco Barber (A0.819830). Work Title Alpen-Zauber, Op.156Composer André, LudwigOpus/Catalogue Number Op.156Dedication Den Mitgliedern des Deutschen und Österreichischen Alpen-Vereins kameradschaftlichst gewidmetComposer Time Period RomanticPiece Style RomanticInstrumentation 2 flutes, violin, piano (or flute, 2 violins, piano).
$13.00
11.65 €
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Ludwig André
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André - Alpen-Zauber, Op.156
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J.G. Cuco Barber
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SheetMusicPlus
Prelude and Fugue No. 1 from "The Well-Tempered Clavier Bk 1", for Woodwind Quartet, Op. 2(a)
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,English Horn,Flute - Level 3 - Digital…
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,English Horn,Flute - Level 3 - Digital Download SKU: A0.1024567 Composed by Johann Sebastian Bach. Arranged by Cho Man Wai. Baroque,Instructional,Standards. 19 pages. Alex Cho Man Wai #3225985. Published by Alex Cho Man Wai (A0.1024567). ---------------------------------Prelude and Fugue No. 1 in C major, arr. for Woodwind Quartet, Op. 2(a)Prelude and Fugue No. 1 in C major, BMW 846, from The Well-Tempered Clavier, Book 1, arr. for Woodwind Quartet, Op. 2(a)Instruments: Flute, Con Anglais (English Horn), Clarinet in Bb, BassoonComposed by Johann Sebastian BachArranged by Cho Man WaiTotal pages: 19. Full score: 11 pages; Part scores: 8 pagesDuration: About 4 minutesThe famous Prelude and Fugue No. 1 in C major from the legendary The Well-Tempered Clavier, by the Baroque master J.S. Bach, is arranged for Flute, Con Anglais (English Horn), Clarinet in Bb, Bassoon. The 4-part voices in the prelude and fugue are carefully arranged and assigned to each of the 4 instruments to suit their range and tone colour, without sacrificing the style and the tone of Baroque music and the voice of Bach.All the tempo and dynamics in the full score and parts are optional - they are just a suggestion from the arranger, and the composer himself did not provide much tempo indicaton and dynamics either, so it is up to the players to find their own voice and dynamics to suit their own needs.
$16.00
14.33 €
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Johann Sebastian Bach
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Prelude and Fugue No. 1 from "The Well-Tempered Clavier Bk 1", for Woodwind Quartet, Op. 2(a)
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Alex Cho Man Wai
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SheetMusicPlus
Prelude and Fugue No. 2 from "The Well-Tempered Clavier Bk 1", arr. for Woodwind Quartet, Op. 2(b)
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,English Horn,Flute - Level 3 - Digital…
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,English Horn,Flute - Level 3 - Digital Download SKU: A0.1024566 Composed by Johann Sebastian Bach. Arranged by Cho Man Wai. Baroque,Instructional,Standards. 21 pages. Alex Cho Man Wai #3234557. Published by Alex Cho Man Wai (A0.1024566). ---------------------------------Prelude and Fugue No. 2 in C minor, arr. for Woodwind Quartet, Op. 2(b)Prelude and Fugue No. 2 in C minor, BMW 847, from The Well-Tempered Clavier, Book 1, arr. for Woodwind Quartet, Op. 2(b)Instruments: Flute, Con Anglais (English Horn), Clarinet in Bb, BassoonComposed by Johann Sebastian BachArranged by Cho Man WaiTotal pages: 21. Full score: 12 pages; Part scores: 9 pagesDuration: 3 minutes and 9 secondsThe famous Prelude and Fugue No. 2 in C minor from the legendary The Well-Tempered Clavier, by the Baroque master J.S. Bach, is arranged for Flute, Con Anglais (English Horn), Clarinet in Bb, Bassoon. The voices in the prelude and fugue are carefully arranged and assigned to each of the 4 instruments to suit their range and tone colour, without sacrificing the style and the tone of Baroque music and the voice of Bach.All the tempo and dynamics in the full score and parts are optional - they are just suggestions from the arranger, and the composer himself did not provide much tempo indications and dynamics either, so it is up to the players to find their own voice and dynamics to suit their own needs.
$18.00
16.13 €
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Johann Sebastian Bach
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Part scores:
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Prelude and Fugue No. 2 from "The Well-Tempered Clavier Bk 1", arr. for Woodwind Quartet, Op. 2(b)
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Alex Cho Man Wai
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SheetMusicPlus
Dvorak: Serenade for Strings Op.22 Mvt. II Waltz - symphonic wind
Large Ensemble - Level 4 - Digital Download SKU: A0.553793 Composed by Antonin Dvor…
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Large Ensemble - Level 4 - Digital Download SKU: A0.553793 Composed by Antonin Dvorak. Arranged by Ray Thompson. Holiday,Romantic Period. Score and parts. 41 pages. RayThompsonMusic #4614887. Published by RayThompsonMusic (A0.553793). Originally written for string orchestra, I have arranged it for wind dectet ( double wind dectet) and double bass.I have transposed it into Bb from A to aid the players.Dvořák is said to have written this Serenade in just 12 days, from 3–14 May. The piece was premiered in Prague on 10 December 1876 by Adolf Čech and the combined orchestras of the Czech and German theatres.Rather than simply transcribing the parts, I have tried to imagine how Dvorak would have written it for wind ensemble, so have spread the string parts around, rather than always giving violin 1 to the flute/oboes.I have added horn sustaining notes in some places.I have also tried to give the wind player somewhere to breath, so restricted the tutti passages.Hope it becomes a useful companion piece to his Serenade for Wind Op.44.I have arranged other movements on this site.Please check them outCheck my arrangements for wind dectet of some movements from Legends Op.59
$9.95
8.91 €
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Antonin Dvorak
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Dvorak: Serenade for Strings Op.22 Mvt. II Waltz - symphonic wind
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RayThompsonMusic
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SheetMusicPlus
Gavotte n°2 in D major, op. 23.
Small Ensemble Cello - Level 4 - Digital Download SKU: A0.798122 Composed by David …
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Small Ensemble Cello - Level 4 - Digital Download SKU: A0.798122 Composed by David Popper. Arranged by Inacio Saldanha. Classical,Concert,Instructional,Romantic Period,Standards. Score and parts. 37 pages. Inacio Saldanha #6320555. Published by Inacio Saldanha (A0.798122). Popper was a prolific composer of cello music, writing four concertos, a Requiem for three cellos and orchestra (1891) and a number of smaller pieces which are still played today, including the solo piece Tarantella. His shorter showpieces were written to highlight the unique sound and style of the cello, extending the instrument's range with pieces such as Spinnlied (Spinning Song), Elfentanz (Dance of the Elves), or the Ungarische Rhapsodie (Hungarian Rhapsody), which was published by the Friedrich Hofmeister Musikverlag.[9] He also wrote instructional pieces. Popper is also known for his High School of Cello Playing (Op. 73), a book of cello études that is widely used by advanced cello students.An old edition of the Grove Dictionary of Music and Musicians described him thus: His tone is large and full of sentiment; his execution highly finished, and his style classical.Gavotte n°2 in D major, op. 23 is originally for Violoncello and Piano. I've adapted piano part for a Cello Ensemble.
$14.99
13.43 €
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David Popper
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Gavotte n°2 in D major, op. 23.
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Inacio Saldanha
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SheetMusicPlus
Pavane, Op. 50, - instruments in four parts
Small Ensemble,Strings - Level 3 - Digital Download SKU: A0.835872 Composed by Gabr…
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Small Ensemble,Strings - Level 3 - Digital Download SKU: A0.835872 Composed by Gabriel Faure. Arranged by Paul Burnell. Romantic Period. Score and parts. 20 pages. Paul Burnell #6440605. Published by Paul Burnell (A0.835872). Pavane, Op. 50, Gabriel Fauré, arranged by Paul Burnell for instruments in four parts.Duration 2:15Score in CDownload comprises both score and partsThe arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows:Part 1: C, Eb (Flute, Oboe, Alto Recorder, Eb Clarinet, Violin 1)Part 2: C, Bb, G (Alto Flute, Oboe, Tenor Recorder, Bb Clarinet, Violin 2)Part 3: C - Bb, Eb, F (Bb Clarinet, Bass Recorder, Alto Saxophone, Horn in F, Violin 3, Viola)Part 4: C - Bb, F (Bassoon, Great bass Recorder, Tenor saxophone, Horn in F, 'Cello)Part 4 may be played an octave lower than written - using the 'Bass Clef up 8' part.Any other appropriate instruments, even if not suggested above, may play.This arrangement is transposed from the original key.Programme note:French composer Gabriel Fauré wrote the Pavane, Op. 50 in 1887 as a piano piece but it is better known in the version for orchestra and optional chorus. It was first performed in Paris in 1888. Fauré described the piece as elegant, assuredly, but not particularly important..
$3.99
3.57 €
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Gabriel Faure
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Pavane, Op. 50, - instruments in four parts
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Paul Burnell
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SheetMusicPlus
Amon - 3 Quartets for Horn & Strings, Op.20
Small Ensemble Cello,Horn,Viola,Violin - Digital Download SKU: A0.819822 Composed b…
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Small Ensemble Cello,Horn,Viola,Violin - Digital Download SKU: A0.819822 Composed by Johann Andreas Amon. Arranged by J.G. Cucó Barber. Classical. Score and parts. 100 pages. J.G. Cuco Barber #6681055. Published by J.G. Cuco Barber (A0.819822). Work Title 3 Quartets for Horn and Strings, Op.20Composer Amon, Johann AndreasOpus/Catalogue Number Op.20Movements/Sections 3 quartets of 3 movements eachYear/Date of Composition ca.1800s?Composer Time Period ClassicalPiece Style ClassicalInstrumentation Horn, Violin, Viola, Violoncello.
$35.00
31.36 €
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Johann Andreas Amon
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Amon - 3 Quartets for Horn & Strings, Op.20
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J.G. Cuco Barber
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SheetMusicPlus
Amon - 3 Quartets for Horn & Strings, Op.109
Small Ensemble Cello,Horn,Viola,Violin - Digital Download SKU: A0.819823 Composed b…
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Small Ensemble Cello,Horn,Viola,Violin - Digital Download SKU: A0.819823 Composed by Johann Andreas Amon. Arranged by J.G. Cucó Barber. Classical. Score and parts. 98 pages. J.G. Cuco Barber #6689245. Published by J.G. Cuco Barber (A0.819823). Work Title 3 Quartets for Horn and Strings, Op.109Composer Amon, Johann AndreasOpus/Catalogue Number Op.109Movements/Sections 3 quartets of 4 movements eachFirst Publication 1828-or-earlierDedication à son ami Aloyse ZwierzinaComposer Time Period ClassicalPiece Style ClassicalInstrumentation Horn, Violin, Viola, Violoncello.
$35.00
31.36 €
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Johann Andreas Amon
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Amon - 3 Quartets for Horn & Strings, Op.109
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J.G. Cuco Barber
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SheetMusicPlus
Fantaisie Op. 79 for Flute and Strings
Large Ensemble Cello,Double Bass,Flute,Viola,Violin - Level 4 - Digital Download SKU: A…
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Large Ensemble Cello,Double Bass,Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.1203650 Composed by Gabriel Faure. Arranged by Andrew Middleton. Classical,Romantic Period. Score and parts. 41 pages. Andrew Middleton #802225. Published by Andrew Middleton (A0.1203650). Fantaisie Op. 79 was originally composed for flute and piano by French composer Gabriel Faure. The Fantaisie was commissioned by and dedicated to Paul Taffanel in 1898 for the Concours de flute, a flute competition held by the Conservatoire de Paris. Although performed as one single movement, Fantaisie can clear be divided into individual sections. A slow opening section that uses ideas from Fauré's incidental music to Pelléas et Mélisande, Op. 80, written at the same time, followed by a faster second section. Faure stated a performance of the piece should last for no longer than 4 minutes, 30 second. This arrangement for flute and strings stays true to Faure’s original score for flute and piano. Adapted flutes parts for clarinet and bassoon are also available too. For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber.
$19.99
17.91 €
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Gabriel Faure
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Fantaisie Op. 79 for Flute and Strings
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Andrew Middleton
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