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6226
Telemann: Six Sonatas Op. 2 Complete for Baritone Sax Duo
Woodwind Ensemble - Level 3 - Digital Download SKU: A0.552390 Composed by Georg Phi…
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Woodwind Ensemble - Level 3 - Digital Download SKU: A0.552390 Composed by Georg Philipp Telemann 1681-1767. Arranged by James M. Guthrie. Baroque,Concert,Instructional,Standards,Wedding. 151 pages. Jmsgu3 #6341707. Published by jmsgu3 (A0.552390). Telemann: Sonata Op. 2 No. 1I. SoaveII. AllegroIII. AndanteIV. AllegroDuration: 9:00 Score: 14 pages Telemann: Sonata Op. 2 No. 2I. LargoII. AllegroIII. AffettuosoIV. Vivace Telemann: Sonata Op. 2 No. 3I. DolceII. AllegroIII. LargoIV. VivaceDuration: 7:45 Score: 11 pages Telemann: Sonata Op. 2 No. 4I. LargoII. VivaceIII. GratiosoIV. AllegroDuration: 11:15 Score: 15 pages Telemann: Sonata Op. 2 No. 5I. SicilianoII. VivaceIII. AndanteIV. AllegroDuration: 9:45 Score: 16 pages Telemann: Sonata Op. 2 No. 6I. AffetuosoII. PrestoIII. SoaveIV. SpirituosoDuration: 9:15 Score: 18 pages
$49.95
45.68 €
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Georg Philipp Telemann 1681-1767
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Telemann: Six Sonatas Op. 2 Complete for Baritone Sax Duo
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jmsgu3
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SheetMusicPlus
Fauré: Masques et Bergamasques Suite Op.112 - symphonic wind
Large Ensemble - Level 5 - Digital Download SKU: A0.553822 Composed by Gabriel Faur…
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Large Ensemble - Level 5 - Digital Download SKU: A0.553822 Composed by Gabriel Faure. Arranged by Ray Thompson. 20th Century,Romantic Period. Score and parts. 100 pages. RayThompsonMusic #4804305. Published by RayThompsonMusic (A0.553822). Masques et bergamasques, Op. 112, is an orchestral suite by Gabriel Fauré. It was arranged by the composer from incidental music he provided for a theatrical entertainment commissioned for Albert I, Prince of Monaco in 1919. The original score contained eight numbers, including two songs for tenor, and a choral passage. These numbers were not included in the published suite, which has four movements.The eight movements of the divertissement were almost all drawn from earlier works of Fauré:Ouverture (from an abandoned 1869 symphony)Pastorale (the only wholly new movement)Madrigal (Op. 35, 1884; for chorus and orchestra)Le Plus doux chemin (Op. 87, No. 1; for tenor and orchestra)Menuet (extensively reworked from the 1869 symphony)Clair de lune (Op. 46, No. 2; for tenor and orchestra)Gavotte (from the 1869 symphony)Pavane (Op. 50, 1887)The suite drawn from the work has remained one of Fauré's most popular works. It was published by Durand et cie in 1919. It is scored for 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, harp and strings.The suite, which has a typical playing time of about 14 minutes, consists of four of the purely orchestral movements:OvertureMinuetGavottePastoraleIt is arranged here for double wind quintet and bass.(string bass/tuba parts provided)
$19.95
18.25 €
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Gabriel Faure
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Fauré: Masques et Bergamasques Suite Op.112 - symphonic wind
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RayThompsonMusic
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SheetMusicPlus
Romance for violin, horn and piano, Op. 32
Level 3 - Digital Download SKU: A0.1243779 Composed by Richard O. Burdick. 19th Cen…
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Level 3 - Digital Download SKU: A0.1243779 Composed by Richard O. Burdick. 19th Century,20th Century,21st Century,Chamber,Romantic Period. 13 pages. I Ching Music #838749. Published by I Ching Music (A0.1243779). This work received numerous performance (maybe 9 or more) in 1996 with Anita Felix and Wolfgang Fetsh.It is suggested that this work be performed in a set with:Trio No. 1 for violin, horn and piano, Op. 31 (2:44)Romance (or Legend) for violin, horn and piano, Op. 32 (4:50)Minuet, trio and finale for violin, horn and piano, Op.83 (13:20)RIchard O. Burdick writes: Composer Richard O. Burdick’s Romance for violin, horn and piano, Op. 32 has a stillness that Mr. Burdick doesn’t do much to at all in his newer work. Since the time when Richard studied the music of Bach, he has come to believe that a steady underlying beat is very important. This work has a calmness that is created by long; non-moving tones and silence at the end of each phrase.An AI generator took the above text and wrote this: The violin and horn melodies are often similar, but the piano has a unique set of chords that move along with the other instruments. The horn solo in the middle of the piece is especially beautiful. The piece has a slow tempo that allows the listener to imagine a pastoral landscape, and the beautiful textures of the instruments create a peaceful atmosphere. The violin and horn create a sense of warmth and comfort, while the piano’s chords add a gentle sparkle and lift the piece. The simplicity of the piece is a testament to the impact that Richard O. Burdick’s Romance for violin, horn and piano, Op. 32 has had on the field of classical music. It is a timeless work that can be enjoyed by all generations and is one of the composer’s most enduring works. Its stillness and peacefulness will continue to captivate and move listeners for many years to come.The above description is not correct, but it sure is a beautiful description of a nice piece of music.
$15.00
13.72 €
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Richard O
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Romance for violin, horn and piano, Op. 32
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I Ching Music
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SheetMusicPlus
Youth Happiness Op. 17 No. 1
Chamber Music, Quatuor 4 Trombones - Grade 3 - Digital Download SKU: FX.FX073661 Co…
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Chamber Music, Quatuor 4 Trombones - Grade 3 - Digital Download SKU: FX.FX073661 Composed by Franz Schubert. Arranged by Christophe Roger. Arrangement. Classical. Score and Set of Parts. 8 pages. Duration 1 minute, 55 seconds. FLEX Editions - Digital Sheet Music #FX073661. Published by FLEX Editions - Digital Sheet Music (FX.FX073661). This piece is part of a cycle of four works by Franz SCHUBERT, which may be interesting to play together : Youth Happiness Op. 17 No. 1, Love Op. 17 No. 2, Round Dance Op. 17 No. 3, The Night Op. 17 No. 4 ; Instruments: 4 Trombones.
$8.95
8.19 €
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Franz Schubert
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Instruments: 4 Trombones.
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Youth Happiness Op. 17 No. 1
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
The Night Op. 17 No. 4
Chamber Music, Quatuor 4 Trombones - Grade 3 - Digital Download SKU: FX.FX073664 Co…
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Chamber Music, Quatuor 4 Trombones - Grade 3 - Digital Download SKU: FX.FX073664 Composed by Franz Schubert. Arranged by Christophe Roger. Arrangement. Classical. Score and Set of Parts. 7 pages. Duration 1 minute, 45 seconds. FLEX Editions - Digital Sheet Music #FX073664. Published by FLEX Editions - Digital Sheet Music (FX.FX073664). This piece is part of a cycle of four works by Franz SCHUBERT, which may be interesting to play together : Youth Happiness Op. 17 No. 1, Love Op. 17 No. 2, Round Dance Op. 17 No. 3, The Night Op. 17 No. 4 ; Instruments: 4 Trombones.
$8.95
8.19 €
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Franz Schubert
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Instruments: 4 Trombones.
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The Night Op. 17 No. 4
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
Round Dance Op. 17 No. 3
Chamber Music, Quatuor 4 Trombones - Grade 3 - Digital Download SKU: FX.FX073663 Co…
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Chamber Music, Quatuor 4 Trombones - Grade 3 - Digital Download SKU: FX.FX073663 Composed by Franz Schubert. Arranged by Christophe Roger. Arrangement. Classical. Score and Set of Parts. 6 pages. Duration 50 seconds. FLEX Editions - Digital Sheet Music #FX073663. Published by FLEX Editions - Digital Sheet Music (FX.FX073663). This piece is part of a cycle of four works by Franz SCHUBERT, which may be interesting to play together : Youth Happiness Op. 17 No. 1, Love Op. 17 No. 2, Round Dance Op. 17 No. 3, The Night Op. 17 No. 4 ; Instruments: 4 Trombones.
$7.95
7.27 €
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Franz Schubert
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Instruments: 4 Trombones.
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Round Dance Op. 17 No. 3
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
Love Op. 17 No. 2
Chamber Music, Quatuor 4 Trombones - Grade 3 - Digital Download SKU: FX.FX073662 Co…
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Chamber Music, Quatuor 4 Trombones - Grade 3 - Digital Download SKU: FX.FX073662 Composed by Franz Schubert. Arranged by Christophe Roger. Arrangement. Classical. Score and Set of Parts. 6 pages. Duration 55 seconds. FLEX Editions - Digital Sheet Music #FX073662. Published by FLEX Editions - Digital Sheet Music (FX.FX073662). This piece is part of a cycle of four works by Franz SCHUBERT, which may be interesting to play together : Youth Happiness Op. 17 No. 1, Love Op. 17 No. 2, Round Dance Op. 17 No. 3, The Night Op. 17 No. 4 ; Instruments: 4 Trombones.
$7.95
7.27 €
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Franz Schubert
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Instruments: 4 Trombones.
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Love Op. 17 No. 2
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
Concerto for viola and melodica and percussions Op.125 （Portable viola concerto op.125)　
Small Ensemble Hand Percussion,Multi-Percussion,Piano,Viola - Level 5 - Digital Download
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Small Ensemble Hand Percussion,Multi-Percussion,Piano,Viola - Level 5 - Digital Download SKU: A0.885993 Composed by Kohei KONDO. 20th Century,Contemporary,World. Score and parts. 19 pages. Kohei KONDO #38031. Published by Kohei KONDO (A0.885993). Composed by Japanese composer Kohei KONDOConcerto for viola and melodica and percussions Op.125（Portable viola concerto op.125)Composed in 2011 Premiere 21th Jan.2012 Xebec-hall Kobe Hyogo JAPAN Viola Kumi. NAKAJIMAPercussion and melodica. Yusuke KATAOKA Makoto NOMURA Chika SURUTA For performance or other use and more information, please visit koheikondo.com. http://koheikondo.com/.
$8.00
7.32 €
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Kohei KONDO
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Concerto for viola and melodica and percussions Op.125 （Portable viola concerto op.125)　
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Kohei KONDO
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SheetMusicPlus
Prelude In E Minor, Op. 28, No. 4
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 1 - Digital Download SKU…
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 1 - Digital Download SKU: A0.1436125 Composed by Frederic Chopin. Arranged by Jhavilah. 19th Century,Classical,Lent,Romantic Period,Soul. 4 pages. Jhavilah #1016277. Published by Jhavilah (A0.1436125). Frédéric Chopin's Prelude Op. 28, No. 4, is a masterpiece of brevity and emotional depth. Often referred to as the Suffocation Prelude, it is a short yet intensely expressive piece, reflecting Chopin's unparalleled ability to convey profound emotions in a compact form.Composed in 1839, this prelude is written in E minor and features a slow, mournful melody over a repetitive left-hand accompaniment. The piece begins with a simple, descending chromatic pattern in the right hand, which is then echoed by the left hand. This pattern repeats throughout the piece, creating a sense of relentless, suffocating despair.Despite its brevity, Chopin's Prelude Op. 28, No. 4, is rich in emotion and musical depth. The melancholic melody, combined with the hypnotic accompaniment, creates a hauntingly beautiful piece that leaves a lasting impression on the listener. It is a testament to Chopin's genius that he was able to evoke such intense emotion in just over two minutes of music.The piece is often interpreted as a reflection of Chopin's own struggles with illness and mortality, as well as his experiences of exile from his native Poland. Whatever the inspiration behind it, Prelude Op. 28, No. 4, remains one of Chopin's most beloved and enduring works, continuing to captivate and move audiences more than 180 years after it was written.
$5.99
5.48 €
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Frederic Chopin
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Prelude In E Minor, Op. 28, No. 4
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Jhavilah
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SheetMusicPlus
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (A major, medium key)
Medium Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1328293 Composed by Ri…
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Medium Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1328293 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #916286. Published by Nicole Elyse DiPaolo (A0.1328293). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
6.36 €
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Richard Strauss
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Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition
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Nicole Elyse DiPaolo
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SheetMusicPlus
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (G major, low key)
Low Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1328327 Composed by Richa…
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Low Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1328327 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #916320. Published by Nicole Elyse DiPaolo (A0.1328327). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
6.36 €
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Richard Strauss
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Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition
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Nicole Elyse DiPaolo
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SheetMusicPlus
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Rich…
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.99
6.39 €
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Richard Strauss
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Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition
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Nicole Elyse DiPaolo
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SheetMusicPlus
Sammartini: Sonata Op. 1 No. 2 for English Horn Duo
English Horn,Instrumental Duet - Level 2 - Digital Download SKU: A0.1082622 Compose…
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English Horn,Instrumental Duet - Level 2 - Digital Download SKU: A0.1082622 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,Classical,Contest,Festival,Standards,Wedding. 12 pages. Jmsgu3 #686830. Published by jmsgu3 (A0.1082622). Sammartini Op. 1 No. 2 Sonata. Score: 6 pages. Duration: 8:13 I. Andante II. Allegro III. Minuet/GraziosoGiuseppe Sammartini's Sonatas Op. 1 was composed in the early 18th century. Sammartini, an Italian composer, was known for his instrumental works, particularly for the flute, recorder, and oboe. He dedicated his 12 sonatas Op. 1 to Frederick, indicating his attachment to the family he worked for. Most of Sammartini's chamber music was regularly performed and republished during his lifetime, highlighting the significance of his works in the Baroque era. The historical context of these sonatas is rooted in the Baroque period, during which the sonata form and chamber music flourished.Sammartini is considered a formative influence on the preclassical symphony and the development of the Classical style. His approach to symphonic composition was unique, drawing influence from the trio sonata and deviating from the Italian overture model. His symphonies were driven by rhythm and more precise forms, reflecting a mixture of Baroque and Preclassical forms and anticipating the direction of classical music, such as the Sturm und Drang style. He composed around 70 symphonies and is praised for his innovations in the development of the symphony, which have contributed to the development of the Classical style.
$27.95
25.56 €
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Giuseppe Sammartini
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Sammartini: Sonata Op. 1 No. 2 for English Horn Duo
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jmsgu3
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SheetMusicPlus
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Rich…
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
6.36 €
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Richard Strauss
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Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition
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Nicole Elyse DiPaolo
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SheetMusicPlus
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Primo Movimento - Allegro
Small Ensemble Cello,English Horn,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A…
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Small Ensemble Cello,English Horn,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.828699 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 37 pages. Guido Menestrina #119775. Published by Guido Menestrina (A0.828699). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Primo Movimento - Allegro Karl Friedrich Abel - Symphony Op. 7 n. 1 - First Movement - Allegro Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen,[3][4] a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787.[citation needed] One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. https://www.youtube.com/watch?v=bN3mtmg-rLI.
$7.99
7.31 €
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Karl Friedrich Abel
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Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Primo Movimento - Allegro
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Guido Menestrina
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SheetMusicPlus
Pie Jesu Domine from "Requiem" op.48 - arrangement for trumpet, trombone and organ
Organ,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1000552 Composed by Gab…
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Organ,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1000552 Composed by Gabriel Fauré (1845-1924). Arranged by Matthias Eckart - Edition Ensemble Akzente. Romantic Period. 6 pages. Matthias Eckart #6343365. Published by Matthias Eckart (A0.1000552). Pie Jesu Domine from Requiem op.48 from Gabriel Fauré (1845-1924) is a beautiful romantic piece for trumpet/flugelhorn, trombone and organ. Parts in Bb and C are included. A calm and meditative piece for concerts.Das Pie Jesu Domine aus dem Requiem op.48 von Gabriel Fauré (1845-1924) ist ein zauberhaftes romantisches Stück für Trompete/Flügelhorn, Posaune und Orgel. Stimmen in B (Trompete/Tenorhorn) und C (Trompete/Posaune/Bariton) sind vorhanden. Ein ruhiges und meditatives Stück für Konzerte.Beim hier vorliegenden verhaltenen Satz „Pie Jesu Domine aus Faurés Requiem op. 48, wird der originale Sopranpart im vorliegendem Arrangement mit großer Trompete gespielt. Die Achtelpassagen – Ruhephasen zwischen den einzelnen Melodie Abschnitten – sind einer Posaune oder Bariton überlassen, welches Klarinette bzw. Flöte imitiert. Die Orgel ersetzt ein dezent begleitendes Orchester aus Streichern und Holzbläsern.
$17.00
15.55 €
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Gabriel Fauré
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Pie Jesu Domine from "Requiem" op.48 - arrangement for trumpet, trombone and organ
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Matthias Eckart
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SheetMusicPlus
Grieg: Lyric Pieces Op.43 No.2 Ensom vandrer (Solitary Traveller) - wind quintet
Woodwind Ensemble,Woodwind Quintet A Clarinet,Bassoon,Flute,Horn,Oboe - Level 2 - Digital …
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Woodwind Ensemble,Woodwind Quintet A Clarinet,Bassoon,Flute,Horn,Oboe - Level 2 - Digital Download SKU: A0.1309416 Composed by Edvard Grieg. Arranged by Ray Thompson. 20th Century,Chamber,Romantic Period. 11 pages. RayThompsonMusic #898590. Published by RayThompsonMusic (A0.1309416). Lyric Pieces Op.43 No.2 Ensom vandrer (Solitary Traveller) Arranged standard wind quintet.Clarinets in A and BbLyric Pieces (Norwegian: Lyriske stykker) is a collection of 66 short pieces for solo piano written by Edvard Grieg. They were published in 10 volumes, from 1867 (Op. 12) to 1901 (Op. 71).The collection includes several of his best known pieces, such as Wedding Day at Troldhaugen (Bryllupsdag pÃ¥ Troldhaugen), To Spring (Til vÃ¥ren), March of the Trolls (Trolltog), and Butterfly (Sommerfugl).Check out all of my Grieg arrangements hereÂ
$7.50
6.86 €
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Edvard Grieg
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Grieg: Lyric Pieces Op.43 No.2 Ensom vandrer
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RayThompsonMusic
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SheetMusicPlus
Dvorak: Slavonic Dances Op.46 No.7 in C minor (Skocná) - symphonic wind dectet/bass
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.553794 Composed by Antonin Dvorak. Arranged by Ray Thompson. Romantic Period,Standards,Wedding. Score and parts. 31 pages. RayThompsonMusic #4621337. Published by RayThompsonMusic (A0.553794). The Slavonic Dances (Czech: Slovanské tance) are a series of 16 orchestral pieces composed by AntonÃn Dvořák in 1878 and 1886 and published in two sets as Op. 46 and Op. 72 respectively. Originally written for piano four hands, the Slavonic Dances were inspired by Johannes Brahms's own Hungarian Dances and were orchestrated at the request of Dvořák's publisher soon after composition. The pieces, lively and full of national character, were well received at the time and today are considered among the composer's most memorable works, occasionally making appearances in popular culture. Contrary to what the title might suggest, the dances are not so much inspired by Slavic folk music generally, but specifically by styles and forms from Bohemia. In these pieces, Dvořák never actually quotes folk melodies, but evokes their style and spirit by using traditional rhythmic patterns and structures in keeping with traditional folk dances.This is my arrangement of No 7 from the first set Op.46This is titled SkoÄná which is a rapid Slavic folk-dance, normally in 24 metre.Arranged double wind quintet and bass.
$14.95
13.67 €
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Antonin Dvorak
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Dvorak: Slavonic Dances Op.46 No.7 in C minor
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RayThompsonMusic
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SheetMusicPlus
Dvorak: Slavonic Dances Op.46 No.3 in Ab (Polka) - symphonic wind dectet/bass
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.11298…
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1129885 Composed by Antonin Dvorak. Arranged by Ray Thompson. Chamber,Folk,Romantic Period. 42 pages. RayThompsonMusic #730292. Published by RayThompsonMusic (A0.1129885). Arranged double wind quintet/bass The Slavonic Dances (Czech: Slovanské tance) are a series of 16 orchestral pieces composed by AntonÃn Dvořák in 1878 and 1886 and published in two sets as Op. 46 and Op. 72 respectively. Originally written for piano four hands, the Slavonic Dances were inspired by Johannes Brahms's own Hungarian Dances and were orchestrated at the request of Dvořák's publisher soon after composition. The pieces, lively and full of national character, were well received at the time and today are considered among the composer's most memorable works, occasionally making appearances in popular culture. Contrary to what the title might suggest, the dances are not so much inspired by Slavic folk music generally, but specifically by styles and forms from Bohemia. In these pieces, Dvořák never actually quotes folk melodies, but evokes their style and spirit by using traditional rhythmic patterns and structures in keeping with traditional folk dances.This is my arrangement of No 3 Polka from the first set Op.46 In Simrock's original edition of the piano duet, no. 3 was the D major Sousedská and no. 6 the A flat major Polka - an order apparently approved by Dvořák. Their positions were reversed in the orchestral version. The term polka referring to the dance is derived from the Czech word Polka meaning Polish woman (feminine form corresponding to Polák, a Pole). Czech cultural historian ÄŒenÄ›k ZÃbrt also attributes the term to the Czech word půlka (half), referring to both the half-tempo 2 4 and the half-jump step of the dance.[2] The word was widely introduced into the major European languages in the early 1840s.
$14.95
13.67 €
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Antonin Dvorak
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Dvorak: Slavonic Dances Op.46 No.3 in Ab
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RayThompsonMusic
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SheetMusicPlus
Nölck Gavotte Op 7 for Cello and String Orchestra
String Orchestra - Level 3 - Digital Download SKU: A0.1458175 Composed by August N…
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String Orchestra - Level 3 - Digital Download SKU: A0.1458175 Composed by August Nölck. Arranged by Paul Wood. Romantic Period. 36 pages. MyMusicScores.com #1037149. Published by MyMusicScores.com (A0.1458175). Rediscover the charm of August Nölck, a prolific composer whose legacy includes over 300 diverse works ranging from concertos to funeral marches. Despite the unfortunate loss of many compositions during the World Wars, Nölck's cello repertoire continues to captivate audiences worldwide.Among his hidden gems is the Gavotte Op. 7, a delightful piece that deserves far more recognition. Now, with this special arrangement for cello and string orchestra, young cellists have the unique opportunity to showcase their talents in a grander setting.Product Features:A Hidden Gem: Experience the beauty and joy of Nölck's lesser-known Gavotte Op. 7.Arranged for Ensemble: Ideal for young cellists seeking to perform with a string orchestra.Celebrated Composer: Discover the rich musical heritage of August Nölck, a master of diverse genres.Preserve Musical Legacy: Contribute to the revival and appreciation of Nölck's remarkable compositions.The PDF file contains the score and all parts.
$24.99
22.86 €
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August Nölck
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Nölck Gavotte Op 7 for Cello and String Orchestra
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MyMusicScores.com
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SheetMusicPlus
Impromptu Op. 90, No. 3 for String Bass and Piano
Double Bass,Piano,String Bass - Level 2 - Digital Download SKU: A0.1460375 Composed…
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Double Bass,Piano,String Bass - Level 2 - Digital Download SKU: A0.1460375 Composed by Franz Schubert. Arranged by Diego Marani. Classical,Film/TV,Instructional,Romantic Period,Wedding. Score and part. 12 pages. Diego Marani #1039307. Published by Diego Marani (A0.1460375). The Impromptus, Op. 90, D. 899, are a set of four impromptus for solo piano composed by Franz Schubert in 1827. They were written in the same year as the Impromptus, Op. 142, though only the first two pieces were published during Schubert's lifetime. Together with the latter set, they have become a cornerstone of the piano repertoire. The third Impromptu (Andante) is an wonderful epitome of slow-moving Schubert melody over a flowing arpeggiated accompaniment. This lyrical and meditative work remains unified in mood and texture throughout. The piece is a classic example of Schubert's penchant for long melodic lines.This easy arrangement for double bass with piano accompaniment is suitable for classroom, repertoire, recital, wedding or for an emotional encore.
$8.99
8.22 €
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Franz Schubert
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Impromptu Op. 90, No. 3 for String Bass and Piano
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Diego Marani
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SheetMusicPlus
Impromptu Op. 90, No. 3 for Flute and Piano
Piano,Soprano Flute - Level 2 - Digital Download SKU: A0.1460825 Composed by Franz …
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Piano,Soprano Flute - Level 2 - Digital Download SKU: A0.1460825 Composed by Franz Schubert. Arranged by Diego Marani. Classical,Film/TV,Instructional,Romantic Period,Wedding. Score and part. 12 pages. Diego Marani #1039726. Published by Diego Marani (A0.1460825). The Impromptus, Op. 90, D. 899, are a set of four impromptus for solo piano composed by Franz Schubert in 1827. They were written in the same year as the Impromptus, Op. 142, though only the first two pieces were published during Schubert's lifetime. Together with the latter set, they have become a cornerstone of the piano repertoire. The third Impromptu (Andante) is an wonderful epitome of slow-moving Schubert melody over a flowing arpeggiated accompaniment. This lyrical and meditative work remains unified in mood and texture throughout. The piece is a classic example of Schubert's penchant for long melodic lines.This easy arrangement for flute with piano accompaniment is suitable for classroom, repertoire, recital, wedding or for an emotional encore.
$8.99
8.22 €
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Franz Schubert
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Impromptu Op. 90, No. 3 for Flute and Piano
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Diego Marani
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SheetMusicPlus
Suite for Strings after 12 Violin Sonatas, Op. 5 as played by Eugene Ormandy &Philadelphia Orchestra
String Orchestra - Level 3 - Digital Download SKU: A0.1466810 By Arcangelo Corelli,…
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String Orchestra - Level 3 - Digital Download SKU: A0.1466810 By Arcangelo Corelli, Eugene Ormandy and Philadelphia Orchestra. By Arcangelo Corelli. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional,Wedding. 31 pages. Flavio Regis Cunha #1045345. Published by Flavio Regis Cunha (A0.1466810). Corelli: Suite for Strings after 12 Violin Sonatas, Op. 5, for String Orchestra (Full Score & Parts) I. Sarabanda II.Giga III. BadinerieEdition based on the arrangement by Ettore PinelliReview by Flavio Regis Cunha🎻 Transform Your Strings with Corelli’s Masterpiece! 🎶Step into the enchanting world of Baroque music with Arcangelo Corelli’s Suite for Strings after 12 Violin Sonatas, Op. 5, magnificently interpreted by Eugene Ormandy and the Philadelphia Orchestra. Perfect for professional and amateur string orchestras in churches, theatres, and schools, this advanced-intermediate level sheet music brings Corelli’s brilliance to life.🌟 Features:Advanced intermediate LevelFormat: 9 x 12 inches, 23 pages of concert-quality engravingFonts: Beautifully set in Urtext Kapellmeister Music FontsImmerse your orchestra in the lush movements of Sarabanda, the lively rhythms of Giga, and the playful spirit of Badinerie. With every note, let your ensemble convey the passion and elegance of Corelli’s timeless compositions.🎼 Order now and let your strings sing with the soul of the Baroque era!
$18.99
17.37 €
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Arcangelo Corelli, Eugene Ormandy and Philadelphia Orchestra
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Parts) I
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Suite for Strings after 12 Violin Sonatas, Op. 5 as played by Eugene Ormandy &Philadelphia Orchestra
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Flavio Regis Cunha
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SheetMusicPlus
Nikolai Kapustin - Preludio Op.40
Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.1468187 By Niko…
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Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.1468187 By Nikolai Kapustin. By Nikolai Kapustin. Arranged by Ilario Maggi. 20th Century,Chamber,Classical,Contemporary,Jazz. 15 pages. Ilario Maggi #1046497. Published by Ilario Maggi (A0.1468187). Trascrizione con TAB per chitarra e flauto traversiere del preludio tratto dagli 8 studi di concerto Op. 40 di Nikolai Kapustin.Transcription whit TAB for guitar and flute of the prelude from the 8 concerto etudes Op. 40 from Nikolai Kapustin.All rights reserved. I am NOT the rights holder of this piece.
$13.99
12.79 €
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Nikolai Kapustin
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Nikolai Kapustin - Preludio Op.40
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Ilario Maggi
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SheetMusicPlus
Impromptu Op. 90, No. 3 for Brass Quartet
Brass Quartet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1452843
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Brass Quartet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1452843 Composed by Franz Schubert. Arranged by Diego Marani. Classical,Film/TV,Instructional,Romantic Period,Wedding. 16 pages. Diego Marani #1032127. Published by Diego Marani (A0.1452843). The Impromptus, Op. 90, D. 899, are a set of four impromptus for solo piano composed by Franz Schubert in 1827. They were written in the same year as the Impromptus, Op. 142, though only the first two pieces were published during Schubert's lifetime. Together with the latter set, they have become a cornerstone of the piano repertoire. The third Impromptu (Andante) is an wonderful epitome of slow-moving Schubert melody over a flowing arpeggiated accompaniment. This lyrical and meditative work remains unified in mood and texture throughout. The piece is a classic example of Schubert's penchant for long melodic lines.This arrangement for brass quartet (Bb Trumpet 1, Bb Trumpet 2, Trombone or F Horn, Tuba) is suitable for classroom, repertoire, recital, wedding or for an emotional encore.
$9.99
9.14 €
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Franz Schubert
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Impromptu Op. 90, No. 3 for Brass Quartet
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Diego Marani
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SheetMusicPlus
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