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329 sheet music found
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326
Singing Back Phrases for Grades 1-3 Aural
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Classical
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MusicOnline UK
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Singing Back Phrases for Grade
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Music Online UK
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SheetMusicPlus
Voice - Digital Download SKU: A0.1071395 Composed by MusicOnline UK. Classical. Full Performance. Duration 319. Music Online UK #5033703. Published by Mu...
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Voice - Digital Download SKU: A0.1071395 Composed by MusicOnline UK. Classical. Full Performance. Duration 319. Music Online UK #5033703. Published by Music Online UK (A0.1071395). Practice Singing Back Phrases for Grades 1-3 ABRSM Aural Tests.
$1.99
Bireli Lagrene's Phrases Vol.1
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Jazz
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Ilario Maggi
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Bireli Lagrene's Phrases Vol.1
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Ilario Maggi
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SheetMusicPlus
Digital Download SKU: A0.1490959 By Ilario Maggi. By Bireli Lagrene. Jazz. Educational Method. 12 pages. Ilario Maggi #1067744. Published by Ilario Maggi...
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Digital Download SKU: A0.1490959 By Ilario Maggi. By Bireli Lagrene. Jazz. Educational Method. 12 pages. Ilario Maggi #1067744. Published by Ilario Maggi (A0.1490959). Trascrizione ed analisi delle frasi musicali più significative di Bireli Lagrene su C'est si Bon.
$12.99
100 Technical Paraphrases on Kreutzer-Etudes
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Maxim Jacobsen
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100 Technical Paraphrases on K
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Musikverlag Zimmermann - Digital
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SheetMusicPlus
Violin - Digital Download SKU: S9.Q589536 Leading up to the utmost Perfection. Composed by Maxim Jacobsen. Classics Relaunched. Downloadable. Musi...
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Violin - Digital Download SKU: S9.Q589536 Leading up to the utmost Perfection. Composed by Maxim Jacobsen. Classics Relaunched. Downloadable. Musikverlag Zimmermann - Digital #Q589536. Published by Musikverlag Zimmermann - Digital (S9.Q589536). German • English • French.Maxim Jacobsen (1887-1973) war ein lettischer Violinist, der in St. Petersburg und Berlin studiert hatte. Noch vor Hitlers Machtergreifung ging er nach Mailand und eröffnete eine Musikschule. Als Jude war er auch hier bald Diskriminierungen ausgesetzt. Er bewarb sich als Violinlehrer an den belgischen Königshof. Nach dem Einmarsch der Deutschen in Belgien gab ihm seine Schülerin Königin Elisabeth Papiere und er floh nach Südfrankreich. Weil er keinen gültigen Pass mehr besaß, galt er als staatenlos und wurde interniert. Danach wanderte er nach Portugal aus, wo er den Rest seines Lebens verbrachte. Die Technischen Paraphrasen über Kreutzer-Etüden wurden von den bekannten Violinlehrern seiner Zeit (Flesch, Kreisler, Sevcik, Pollak u.a.m.) hochgelobt. In Deutschland durften sie aufgrund von Jacobsens jüdischer Herkunft nicht mehr lange aufgelegt werden, aber wurden weiterhin im englischen Subverlag ausgeliefert.
$18.99
Bach: Wachet auf for Bass Flute & Piano
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Classical
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Johann Sebastian Bach
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James M
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#
Bach: Wachet auf for Bass Flut
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.549846 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Ba...
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Bass Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.549846 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3554877. Published by jmsgu3 (A0.549846). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Bach: Wachet auf for Oboe d'Amore & Piano
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Classical
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Johann Sebastian Bach
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James M
#
#
Bach: Wachet auf for Oboe d'Am
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jmsgu3
#
SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.552247 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. ...
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Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.552247 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3554879. Published by jmsgu3 (A0.552247). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Mediterraneo - Score Only
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Alicia DomÃnguez Arcos Sona
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Alicia DomÃnguez Arcos
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Mediterraneo - Score Only
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Alicia Dominguez
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SheetMusicPlus
Level 2 - Digital Download SKU: A0.1372693 By Alicia DomÃnguez Arcos Sonay. By Joan Manuel Serrat. Arranged by Alicia DomÃnguez Arcos. Film/TV,Mult...
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Level 2 - Digital Download SKU: A0.1372693 By Alicia DomÃnguez Arcos Sonay. By Joan Manuel Serrat. Arranged by Alicia DomÃnguez Arcos. Film/TV,Multicultural,Pop,Praise & Worship,Singer/Songwriter,World. 30 pages. Alicia Dominguez #957004. Published by Alicia Dominguez (A0.1372693). In these 112 measures for the twinning of Istanbul-Algeciras I have wanted to incorporate concepts from both parties, with the respect that the composition of Don Joan Manuel Serrat deserves in which in 1970 he sang “Mare Nostrum†(Nostrum mare more correctly in Latin classic, being one of the popular anthems of Spain and therefore a cultural heritage. Therefore it can be used instrumentally or if required, there is a number in the score of which, although the guitar has a melody and one of the choral voices, with two guitars, or make two choral voices or join with your own melody, use both bowed string instruments and plucked strings, etc.Likewise, there are two voices, of which a single voice can use the phrasings of both one voice and the other, giving it its own personality.The tempo will be whatever the interpretation itself wants, much slower, without accelerating so much between the beginning and the moment of the song itself. I have incorporated some instruments into the arrangement as examples:Buzukibouzouki, like the sazturco and the Lebanese Buzuq, which belong to the same family of Buzuki instruments.And as percussion only percussion The Turkish Darbuka is a percussion musical instrument The Turkish Darbuka is a percussion musical instrument from Turkey. The Turkish Darbuka have a high range of low and high resonant tones that sound between the two registers; serious (Dum) and acute (Tek). The edge or lip allows for finger breaking techniques that are not possible in the Egyptian Darbuka.And the Tombak, also called Dombak Ozarb, is a chalice-shaped drum, traditionally built with a hollowed-out biker or walnut trunk covered with skin at one end.With the beginning and among the work itself I wanted to give place to the Bashraf (Turkish Pesrev and Persian Pishraw, which means Overture) and the Sama'i (Turkish Sam Semai) Instrumental genre that is used in the Turkish court and in Sufi music . They were introduced into the Arab world before the 19th century.And also give place in his forms to the Ottoman composer Ismail Hakkibei (1866-1927). Unite Serrat with Hakkibey with this Istanbul-Algeciras work.Although the Bashraf is always made up of four points, Khanat (Plural Dekhana) or Hanne in Turkish, which are always followed by a chorus (Taslim / Teslim), its structure being Khana 1+ Taslim, Khana 2, Khana 3+ Taslim, Khana 4 + Taslim.The fragments must be incorporated since the main base is the Mediterranean pop theme. For this reason, its original rhythm is the Defâhte (In Arabic, Faakhito Fahitah Turki. Being a 20/4 time signature subdivided into 5 sub-groups of 4/4 where the complete cycle coincides with the phrases of the theme. Without forgetting that in music Arabic with the oriental rhythm Lsaada Duyukde 8/8 making a cycle for each measure of 4/4, that is, cycles per phrase, if those written for Western reading in 4/4 with double durations and simplicity. Unit of time: quarter note , coincides in two phrases of 5 measures per staff for a better understanding of the form of the piece, also within a written Arabic version of the theme the unit of time is eighth note 8/8 in G, but it had to be incorporated into Mediterráneo and it is always It is more feasible to think of the human voice as being more limited than instrumentation such as flute, plucked leather instruments, and bowed string instruments.Instrumentation:FluteGuitar 1 (1st voice melody)Guitar 2 (2nd voice melody)Bass (accompaniment and chords)BuzukiSazDarbukaTombakVoice 1st2nd voiceSMATB Voices1st violin2nd violinViolaCellosDouble basses.
$9.00
Iko Iko
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The Dixie Cups
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Shaula Kitan Walko
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Iko Iko
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Shady Lady Music
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SheetMusicPlus
Instrumental Solo,Steel Pan - Level 2 - Digital Download SKU: A0.1040308 By The Dixie Cups. By Barbara Ann Hawkins, Joan Marie Johnson, and Rosa Lee Hawk...
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Instrumental Solo,Steel Pan - Level 2 - Digital Download SKU: A0.1040308 By The Dixie Cups. By Barbara Ann Hawkins, Joan Marie Johnson, and Rosa Lee Hawkins. Arranged by Shaula Kitan Walko. Children,Folk,Multicultural,Pop,World. Individual part. 2 pages. Shady Lady Music #645081. Published by Shady Lady Music (A0.1040308). Individual parts are available here for any extra parts needed to accompany the Iko, Iko Jumbie Jam and Piano Accompaniment set, for use with multiple players. Arranged for Jumbie Jam tuned in G. These are individual parts only. Does not include piano accompaniment.The song Iko, Iko was originally written by James Crawford in 1953 using phrases he heard being chanted by Mardi Gras Indians and setting some of those phrases to music. In 1965 the Dixie Cups added some elements of their own and the song became an international hit. Dr. John further popularized the song with his version of Iko, Iko in 1972.This is a set of parts. There are two unison Jumbie Jam parts in this set. Great for the classroom. A set including a single part, a piano accompaniment, and a Jumbie Jam diagram is also available.
$4.99
Goodbye Yellow Brick Road
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Rock
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Elton John
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James M
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Goodbye Yellow Brick Road
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.547878 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthr...
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Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.547878 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and individual part. 11 pages. Jmsgu3 #3073395. Published by jmsgu3 (A0.547878). BASS FLUTE & PIANOScore: 6 pages, solo part: 2 pages, piano part: 3 pages. Duration 3' 11 at half note = 60. Length: 51 measures. One of Elton John's greatest songs, this mega-hit is suitable for performance in church, nightclub, or recital hall. This song contains many advanced songwriting techniques and shows a complete mastery of advanced tonal harmony and voice leading. The verses are syllabic and arranged in 8 regular phrases. The last phrase is elided with a contrasting melismatic bridge that suddenly modulates to the lowered mediant, causing a foreign chromatic mediant relation. (F major to Ab major). Further drama is evoked by the voice-leading where an ascending leap of a minor 9th signals the beginning of the bridge. The bridge then modulates back to the original key for the refrain, which, like the verses is arranged in 8 regular phrases and elides once again into a final version of the bridge which functions this time as a coda.Â
$53.95
Ebony
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Roma Cafolla
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Ebony
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Forton Music - Digital
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SheetMusicPlus
Cl/a. /Bbcl. Pft - Advanced - Digital Download SKU: F2.FM343 Composed by Roma Cafolla. Bb or A Clarinet and Piano. Score and Parts. 17 pages. Forton Musi...
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Cl/a. /Bbcl. Pft - Advanced - Digital Download SKU: F2.FM343 Composed by Roma Cafolla. Bb or A Clarinet and Piano. Score and Parts. 17 pages. Forton Music - Digital #FM343. Published by Forton Music - Digital (F2.FM343). ISBN 9790570482429.A or Bb Clarinet and Piano - Ebony The second movement of the first Clarinet Concerto, this has become a favourite with players and audiences. Its haunting lament - like melody and swooping virtuosic phrases were designed to show off the tonal control and virtuosity of Leslie Craven for whom it was written and who is considered by the composer to be the definitive interpreter of this beautiful work. Each of the phrases in the opening grows out of the previous thought. The middle section of flowing crotchets is embellished by semiquaver flourishes then after a brief pyrotechnical episode of heart searing coruscating demisemiquaver scales, returns to calm, finishing in a mood of totally serenity.
$7.95
Festival Hymn Setting on Kingsfold (Downloadable)
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James Biery
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Festival Hymn Setting on Kings
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Congregation, brass quartet, and organ, with optional SATB choir, soprano descant, tuba, and timpani - Moderately Easy - Digital Download SKU: MQ.20-320-E
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Congregation, brass quartet, and organ, with optional SATB choir, soprano descant, tuba, and timpani - Moderately Easy - Digital Download SKU: MQ.20-320-E Composed by James Biery. Lent. 33 pages. MorningStar Music Publishers - Digital Sheet Music #20-320-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.20-320-E). This stirring setting of the English tune KINGSFOLD is arranged for congregation, optional SATB voices and descant, brass quartet or quintet, and optional timpani. Proclamatory phrases for brass and organ are interspersed with short phrases of the tune in the introduction, which is reprised in the short coda. Of the 3 stanzas that are included, one is the standard Vaughan Williams harmonization, and one is intended as a final stanza. A welcome treatment of an often used hymn tune. Instrumental Parts include: Trumpet I and II in C and Bb, Horn in F, Trombone (Substitute for Horn in F), Trombone, Tuba, Timpani.
$35.00
Sinfonietta for Percussion Trio
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Contemporary
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measure 41, the transition has
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Dan Heslink
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Sinfonietta for Percussion Tri
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Pharaoh Publications
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SheetMusicPlus
Large Ensemble Bass Drum,Drums,Marimba,Multi-Percussion,Snare Drum,Vibraphone,Xylophone - Level 5 - Digital Download SKU: A0.935386 Composed by Dan Hesli...
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Large Ensemble Bass Drum,Drums,Marimba,Multi-Percussion,Snare Drum,Vibraphone,Xylophone - Level 5 - Digital Download SKU: A0.935386 Composed by Dan Heslink. Contemporary. Score and parts. 46 pages. Pharaoh Publications #6058011. Published by Pharaoh Publications (A0.935386). Sinfonietta composed by Dan Heslink Sinfonietta is a trio for vibraphone, marimba and percussion (xylophone, snare drum, and bass drum). Its expression is intended to be non-representational, presenting only an interesting technical construction in a suave formal organization. With the title the composer designates a single movement, with length and seriousness of expression approaching a symphonic movement. Its form approximates an expanded version of the classical sonata-allegro, dividing materials into three large sections. Beginning are the two main phrases of the principal theme, which establish patterns that are idiomatic throughout the movement. The first measure’s quartal harmonies divide into rhythms alternating the two hands, the right-hand posing a melody and the left-hand complementing it with harmony and rhythmic repetition. The phrase at measure 7 is a long-breathed melody for vibes accompanied by undulating chords in the marimba. A transition comprising highly qualitative rhythms (stated first by the marimba in m. 20.) has much identity. By measure 41, the transition has grown into a full secondary theme, one that is developed and repeated often throughout the movement. The exposition closes with a theme beginning in measure 51. It is announced by the vibes as another long-breathed melody unfolding over the active rhythm of the second theme. After a gradual dissipation, the development section starts at measure 92 with a new but related theme, heard first in the vibes. It offers a different key and an expressive melody slowly unfolding over rhythmically active harmonies. The remainder of this middle section explores nuances of the secondary and closing themes, and ultimately leads to the movement’s first climax. It eventually dissipates through a gradual reduction of density and tempo. The Reprise begins vigorously at m. 118 with statements of both the principal theme’s phrases. Then the second theme is transformed by the addition of bass drum strokes, which sets up a codetta. This section comprises a long crescendo on the new theme over a rhythmic tattoo derived from the second theme, and builds to a bold conclusion. Pedaling on the vibes is indicated with a solid bracket below the connected notes, and half pedaling with a dashed bracket. It is imperative that the percussion part be heard but not dominate. The performer is encouraged to experiment with a piccolo snare drum and 28 bass drum. Sinfonietta would serve equally well in a professional, college or advanced high school percussion recital. The composer assigns a difficulty level of medium difficult. Duration is 8:10. The composer, Dan Heslink, can be contacted at dan@dheslink.com.
$9.99
Little Waltz for a Dancing Occasion
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Instructional
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Phil Thrift
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Little Waltz for a Dancing Occ
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Phil Thrift
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SheetMusicPlus
Large Ensemble - Level 1 - Digital Download SKU: A0.955739 Composed by Phil Thrift. Instructional. Score and parts. 18 pages. Phil Thrift #6327371. Publi...
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Large Ensemble - Level 1 - Digital Download SKU: A0.955739 Composed by Phil Thrift. Instructional. Score and parts. 18 pages. Phil Thrift #6327371. Published by Phil Thrift (A0.955739). Little Waltz for a Dancing Occasion is intended for junior players and can be performed on virtually any combination of five or more woodwind and/or brass instruments. It is based on my own experience of working with such groups.This waltz is perhaps a little unconventional in that it does not make use of a strong first beat – traditionally played by bass instruments – followed by weaker second and third beats. Furthermore, in this piece most of the phrases are five, seven or nine measures long, thus departing from the four- or eight-measure phrases many players will be used to. From measure 22 the melody in 3/4 time has an accompaniment that is essentially in 2/4 time; I’ve included accents here to help ensure a 2/4 feel. There’s also a rather abrupt ending which, hopefully, will take some by surprise. And everybody gets the tune at some stage, not just the usual melody instruments!The parts included are suitable for the instruments found in groups of learners:flute, oboe, Bb clarinet, bassoonEb alto sax, Bb tenor saxBb trumpet, F/Eb horn, trombone (TC/BC), euphonium (TC/BC), tuba, Bb/Eb bassThe high flute/oboe part is optional. The glockenspiel is also optional and I’ve mainly included this part so that, if you have a drummer who needs something to do, he or she won’t be tempted to just play bass drum on first beat, snare on second and third beats!The tempo chosen will depend on the abilities of the players.Apart from maybe saving paper, writing two parts on one system does help players to learn to read such charts – something I feel all players should learn to do from an early age.
$12.99
Iko Iko
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The Dixie Cups
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Shaula Kitan Walko
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Iko Iko
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Shady Lady Music
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SheetMusicPlus
Percussion Ensemble Instrumental Solo,Piano,Steel Pan - Level 2 - Digital Download SKU: A0.920774 By The Dixie Cups. By Barbara Ann Hawkins, Joan Marie J...
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Percussion Ensemble Instrumental Solo,Piano,Steel Pan - Level 2 - Digital Download SKU: A0.920774 By The Dixie Cups. By Barbara Ann Hawkins, Joan Marie Johnson, and Rosa Lee Hawkins. Arranged by Shaula Kitan Walko. Children,Folk,Multicultural,Pop,World. Score and individual part. 5 pages. Shady Lady Music #6668185. Published by Shady Lady Music (A0.920774). Arranged for solo or unison Jumbie Jam steel drum tuned in G and includes a piano accompaniment.This is a simplified version of Iko, Iko arranged for beginning Jumbie Jam tuned in G. There is some rhythmic syncopation. Suggested sticking patterns are simplified with the beginning player in mind.The song Iko, Iko was originally written by James Crawford in 1953 using phrases he heard being chanted by Mardi Gras Indians and setting some of those phrases to music. In 1965 the Dixie Cups added some elements of their own and the song became an international hit. Dr. John further popularized the song with his version of Iko, Iko in 1972.This set contains one Jumbie Jam diagram, one Jumbie Jam part, and one piano accompaniment. Great for at home, recital, and classroom. Additional sets of two Jumbie Jam parts for the classroom, without piano accompaniment, are also available.
$4.99
Kyrie (Durante) (Euphonium Quartet - Treble Clef)
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Francesco Durante
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Regis Bookshar
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Kyrie
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Euphonium - Level 3 - Digital Download SKU: A0.1092454 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sa...
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Brass Ensemble Euphonium - Level 3 - Digital Download SKU: A0.1092454 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. Score and parts. 8 pages. Regis Bookshar #696546. Published by Regis Bookshar (A0.1092454). Kyrie - by Francesco Durante; Euphonium Quartet – Intermediate – Digital Download. “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Euphonium Quartet, written in Treble Clef. There is also a version written in Bass Clef, if you would prefer. This would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (8 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a Euphonium Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
Kyrie (Durante) (Euphonium Quartet - Bass Clef)
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Francesco Durante
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Regis Bookshar
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Kyrie
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Euphonium - Level 3 - Digital Download SKU: A0.1092452 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sa...
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Brass Ensemble Euphonium - Level 3 - Digital Download SKU: A0.1092452 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. Score and parts. 7 pages. Regis Bookshar #696544. Published by Regis Bookshar (A0.1092452). Kyrie - by Francesco Durante; Euphonium Quartet – Intermediate – Digital Download. “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Euphonium Quartet, written in Bass Clef. There is also a version written in Treble Clef, if you would prefer. This would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a Euphonium Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
Kyrie (Durante) (Trumpet Quartet)
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Francesco Durante
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Regis Bookshar
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Kyrie
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble,Trumpet Quartet Trumpet - Level 3 - Digital Download SKU: A0.1092489 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,In...
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Brass Ensemble,Trumpet Quartet Trumpet - Level 3 - Digital Download SKU: A0.1092489 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. Score and parts. 8 pages. Regis Bookshar #696580. Published by Regis Bookshar (A0.1092489). Kyrie - by Francesco Durante; Trumpet Quartet – Intermediate – Digital Download. “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Trumpet Quartet. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (8 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed this Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a Trumpet Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
Kyrie (Durante) (French Horn Quartet)
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Francesco Durante
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Regis Bookshar
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Kyrie
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble,Horn Quartet Horn - Level 3 - Digital Download SKU: A0.1092457 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instruct...
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Brass Ensemble,Horn Quartet Horn - Level 3 - Digital Download SKU: A0.1092457 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. Score and parts. 7 pages. Regis Bookshar #696549. Published by Regis Bookshar (A0.1092457). Kyrie - by Francesco Durante; French Horn Quartet – Intermediate – Digital Download. “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a French Horn Quartet. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a French Horn Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
Tips For Creating an 8 Bar Melody
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David Ivinson
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Tips For Creating an 8 Bar Mel
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Ivinson Music
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SheetMusicPlus
Level 1 - Interactive Download SKU: A0.1033920 Composed by David Ivinson. This edition: Interactive Download. Blues,Children,Christmas,Classical,Contest,...
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Level 1 - Interactive Download SKU: A0.1033920 Composed by David Ivinson. This edition: Interactive Download. Blues,Children,Christmas,Classical,Contest,Country,Film/TV,Folk,Hip-Hop,Holiday,Jazz,Latin,Musical/Show,Opera,Pop,Praise & Worship,Rock,Standards,Video Game,Wedding,World. Worksheet. 1 pages. Duration 58. Ivinson Music #7L57LlbvRPchVyPOMczGft. Published by Ivinson Music (A0.1033920). Key: C major.This is a worksheet demonstrating some helpful tips for writing an 8 bar melody. This is a guide looking more at macro formatting issues rather than passing and neighbouring tones. This worksheet begins with the assumption that has already been learnt. The large slur lines (arcs0 represent two bar phrases and can be applied differently to suit smaller phrases in your final composition.
$3.00
Meditation on "We Gather Together" and "Dona Nobis Pacem" for Fl Cl TSax Tpt
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Sacred music
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James Siddons
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Meditation on "We Gather Toget
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James Siddons Music and Writings
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SheetMusicPlus
Clarinet,Flute,Tenor Saxophone,Trumpet - Level 3 - Digital Download SKU: A0.1314336 Composed by James Siddons. Chamber,Christian,Holiday,Praise & Worship...
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Clarinet,Flute,Tenor Saxophone,Trumpet - Level 3 - Digital Download SKU: A0.1314336 Composed by James Siddons. Chamber,Christian,Holiday,Praise & Worship,Religious. 8 pages. James Siddons Music and Writings #903081. Published by James Siddons Music and Writings (A0.1314336). Description This “Meditation,†in the unusual combination of flute, clarinet, tenor saxophone, and trumpet, uses melodic phrases from Kremser Tune, used to sing We Gather Together, and Dona Nobis Pacem. The latter is a round and gives a texture of flowing counterpoint to the homophonic stateliness of the hymn tune. The trumpet gives a clarion sound to entrances of the hymn tunes but elsewhere is mellowed by the three woodwinds. As is common practice in chamber music, each performer will need to listen to the other instruments to achieve a balanced sound. For this reason, relatively few dynamic markings are in the parts, as the performers will determine these in each performance environment. Note that this is not an arrangement or medley of these two melodies, but a distinct composition built on their melodic phrases (motives). For Christian worship, this short piece is appropriate for services of Christian unity and peace, and, in the United States, for Thanksgiving Day. This composition is also available as a standard woodwind quartet (fl ob cl bsn). The first performance was on November 5, 2023, at Saint Andrew Presbyterian Church, Lynchburg, Virginia.
$11.00
Jazz Licks at Your Fingertips
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Jazz
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Tony Benade
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Jazz Licks at Your Fingertips
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Tony Benade
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Guitar,Soprano Saxophone,Tenor Saxophone,Trumpet,Vibraphone,Xylophone - Level 5 - Digital Downlo...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Guitar,Soprano Saxophone,Tenor Saxophone,Trumpet,Vibraphone,Xylophone - Level 5 - Digital Download SKU: A0.809108 Composed by Tony Benade. Instructional,Jazz. Score and parts. 63 pages. Tony Benade #3564237. Published by Tony Benade (A0.809108). This study is intended for the serious student of jazz. It contains approximently 70 jazz phrases (Licks) in several different keys for the student to memorize and perform. They are jazz phrases that have been and are being used by professional jazz musicians. There are several different chord progressions that are mapped with the jazz licks being applied and shown in several different keys. It becomes just a matter of using these licks on the matching chord changes in jazz standards.
$24.95
The Dying of the Light : Musical Settings of the Poetry of Dylan Thomas (Downloadable Piano/Vocal Score)
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Gwyneth W
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The Dying of the Light : Music
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Tenor voice solo with string quartet or piano - Moderately Easy - Digital Download SKU: MQ.8329-E Composed by Gwyneth W. Walker. Instrument part. 23 page...
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Tenor voice solo with string quartet or piano - Moderately Easy - Digital Download SKU: MQ.8329-E Composed by Gwyneth W. Walker. Instrument part. 23 pages. Duration 10 minutes, 10 seconds. E. C. Schirmer Music Company - Digital #8329-E. Published by E. C. Schirmer Music Company - Digital (MQ.8329-E). English.The poetry of Dylan Thomas (1914–1953) is characteristically Welsh and dark. Death is a common topic in his writings. Yet despite the somber imagery, there is often a strength and resilience. The journey of death is described, but not taken. Death is the adversary, not the ruler. The Hand that Signed the Paper speaks of the often cruel and deadly power of a signed document- a document of taxation, of treaty or of counting casualties. The five fingers mark the dead, but do not soothe. “Hands have no tears to flow.†And Death Shall Have No Dominion expresses the triumph of the human spirit over death. “Though lovers be lost love shall not.†Do Not Go Gentle into that Good Night represents the fight against death. “Rage, rage against the dying of the light.†The musical expression of these poems places the voice in the low (dark) range. Tempi are slow, and minor keys are prevalent. Only occasionally are major tonalities presented. These passages combine with particularly uplifting phrases such as “Though they sink through the sea, they shall rise again†and “Wild men, who caught and sang the sun in flight…†Near the end of the last song, the poet addresses his deceased father: “And you, my father, there on the sad height...†The voice stays on a constant pitch while the harmony lifts beneath (to the heights), in the Lydian (raised) mode. [One might hear the voice as “perched atop†the rising chords.] This is one of the most personal lines of Dylan Thomas' poetry. As the poet speaks to his father, the climax of the song comes with the rising phrases of “Rage, rage against the dying of the light.†The final chords are dissonant, marked “with determination and triumph.†Duration: 10:10.
$12.00
Kyrie (Durante) (Oboe Quartet)
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Francesco Durante
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Regis Bookshar
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Kyrie
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Oboe - Level 3 - Digital Download SKU: A0.1092459 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacr...
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Woodwind Ensemble Oboe - Level 3 - Digital Download SKU: A0.1092459 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. 7 pages. Regis Bookshar #696551. Published by Regis Bookshar (A0.1092459). Kyrie - by Francesco Durante; Oboe Quartet – Intermediate – Digital Download. “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for an Oboe Quartet. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for an Oboe Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
Jubilate Deo!
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Sacred music
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Dan Edwards
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Jubilate Deo!
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Chorister's Guild - Digital
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SheetMusicPlus
SAT chorus - Digital Download SKU: C7.CGA1278 Composed by Dan Edwards. General. Voices with Orff. With Orff Instrument, Percussion. Sacred Anthem. Octavo...
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SAT chorus - Digital Download SKU: C7.CGA1278 Composed by Dan Edwards. General. Voices with Orff. With Orff Instrument, Percussion. Sacred Anthem. Octavo. 20 pages. Chorister's Guild - Digital #CGA1278. Published by Chorister's Guild - Digital (C7.CGA1278). UPC: 749193017234.Jubilate Deo! is an exhilarating piece by Dan Edwards using Orff instruments and Latin percussion. The piece is masterfully written for SAT voices, making it a wonderful addition to your middle school choir repertoire. The piece is written entirely in simple Latin phrases, but the repetition of melodic phrases and harmonization and the use of call-and-response make it accessible and fun to learn!
$2.25
Kyrie (Durante) (Brass Quartet - 2 Trp, 2 Trb)
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Francesco Durante
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Regis Bookshar
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Kyrie
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1092447 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructi...
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Brass Ensemble Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1092447 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. Score and parts. 8 pages. Regis Bookshar #696539. Published by Regis Bookshar (A0.1092447). Kyrie - by Francesco Durante; Brass Quartet – Intermediate – Digital Download. “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Brass Quartet, consisting of 2 Bb Trumpets and 2 Trombones. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (8 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a Brass Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
Englishman In New York
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Sting
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Peter Stöve
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Englishman In New York
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Peter Stove
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SheetMusicPlus
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1509911 By Sting. By Sting. Arranged by Peter Stöve. 20th Century,Chamber,Jazz,Pop. 2...
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1509911 By Sting. By Sting. Arranged by Peter Stöve. 20th Century,Chamber,Jazz,Pop. 22 pages. Peter Stove #1085118. Published by Peter Stove (A0.1509911). String quartet version of Sting's 1988 hit. Instead of putting the melody of each strain in the same instrument, the various phrases are constantly exchanged. This allows for a maximum of variation in the sound. If your quartet has a first violinist with jazz chops, this is the arrangement for him of her to shine: the Branford Marsalis saxophone solo is copied note-for-note. Enjoy!
$12.99
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