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Piano Drama Movement I
Sheetmusic to print
4 sheet music found
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Sketches of Christ 3 "I Was Blind; Now I See" - Tone Poem for Instrumental Solo and Piano by Stephen
Small Ensemble Cello,Clarinet,Flute,Piano,Trombone,Trumpet,Violin - Digital Download SK…
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Small Ensemble Cello,Clarinet,Flute,Piano,Trombone,Trumpet,Violin - Digital Download SKU: A0.818293 Composed by Stephen R Dalrymple (Dalrymple Designs). Contemporary. Score and parts. 109 pages. Stephen R Dalrymple #4991045. Published by Stephen R Dalrymple (A0.818293). Sketches of Christ Movement 3 Though I Was Blind; Now I SeeTone Poem for Cello and Piano and Piano by Stephen R Dalrymplebased on John 9, the account of the interactions of the man born blind, Jewish authorities, and Jesus Christtranscribed for solo flute, clarinet, trumpet, euphonium/trombone, and violin Sketches of Christ is a 3 movement work by Stephen R Dalrymple intended for the concert stage (contrasted with preludes and offertories at church). It was originally titled Sonata for Cello and Piano. As I composed similar works, I realized that, although I have used the concepts of sonata form in various movements, because these pieces reflect the drama of selected passages of the Bible, Tone Poem was a more fitting genre title. I have begun the process of transcribing these Tone Poems for additional instruments. I consider these Tone Poems as contemporary classical music. I have used modal harmonies; polychords and polytonality; free dissonance; atonality, mixed meters, etc. to convey the drama of the Bible. Sketches of Christ is based on 3 episodes from Christ’s Life: The calming of the Sea of Galilee, Mary and Martha, and the healing of the man born blind. This score is movement 3 of a 3 movement tone poem, originally scored and premiered as a sonata for Cello and Violin. It is presented here for 5 additional solo instruments: Flute, Clarinet, Trumpet, Euphonium (or Trombone) and Violin.  Sketches of Christ is written in 20th Century Classical Music composition techniques. Various movements employ a mix of bitonality, modal harmony, deliberate dissonance, and mixed meter. Each movement dramatizes an event form the Life of Christ. This movement expresses the interactions of the man born blind, Jewish authorities, and Jesus Christ from John 9.  The score shows the parts for cello and piano, but individual parts are provided for the other solo instruments.  Includes 14 scores: Full Score for cello and piano letter size; Cello, Flute, Clarinet, Trumpet, Euphonium (or trombone), and Violin solo parts; Full Score for cello and small page format for performing from a 10 inch tablet and the same solo parts for 10 inch tablet. tablet (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)  The 3 movements of the tone poem are published separately. This tone poem is actually a more like a solo instrument and piano duet rather than a solo with a piano accompaniment.
$6.50
6.01 €
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Stephen R Dalrymple
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Sketches of Christ 3 "I Was Blind; Now I See" - Tone Poem for Instrumental Solo and Piano by Stephen
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Stephen R Dalrymple
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SheetMusicPlus
Sonata for Flute (or Violin) And Piano - Opus 6
Small Ensemble Flute,Piano,Violin - Level 5 - Digital Download SKU: A0.918710 Compo…
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Small Ensemble Flute,Piano,Violin - Level 5 - Digital Download SKU: A0.918710 Composed by Daniel Carr. 20th Century,Contemporary,Romantic Period. Score and parts. 86 pages. Daniel Carr #30873. Published by Daniel Carr (A0.918710). The Sonata for Flute and Piano is the longest and most complex work I have composed for Flute and Piano. My goal for this piece was to push myself as a composer, and to push both flautist and pianist to their absolute limits – both musically and technically. The flute is capable of much more than just being pretty – and in this work it depicts violence, drama, joy, sorrow and heroism. Extended techniques are used throughout the sonata (aire, percussive tonguing, pitch bends, harmonics and flutter tonguing) but always within a tonal framework. The first movement starts out peacefully, as if beginning a legend, with a folk-like and serene melody. The second and third themes are more percussive and rhythmical – the flute and piano engaging in a violent, interlaced dance in a section marked Allegro Swordfight. In the recapitulation, the first theme reappears in much more dramatic form. The second movement begins with a forceful march before a darker and more cabalistic middle section emerges. The movement builds to a formidable climax in the final measures. The third movement begins simply and quietly, offering a respite from the energy of the first two movements, and quoting themes from both of them. It then leads attacca (without pause) into the final movement, which surges forward relentlessly before a lyrical section provides the flute an opportunity to soar above wave-like arpeggios in the piano. The piece ends on an ethereal note, with flute and piano hovering near silence in their upper ranges.
$10.00
9.24 €
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Daniel Carr
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Sonata for Flute
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Daniel Carr
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SheetMusicPlus
Oneness in This World (clarinet, cello, piano)
Instrumental Duet,Piano Cello,Clarinet,Instrumental Duet,Piano - Level 4 - Digital Downloa…
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Instrumental Duet,Piano Cello,Clarinet,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.971656 Composed by Jeffrey Hoover. 20th Century,Contemporary,Spiritual. Score and parts. 47 pages. Musicart Publications #5719085. Published by Musicart Publications (A0.971656). Set in two movements, the music of Oneness in This World represents two things necessary for humanity to move together: Unity and Joy.In the first movement, the music evolves from tension and musical discord to unity and harmony. While much of the drama is heard through the interaction of the clarinet and cello, the piano provides a key factor throughout the second part of the first movement through foundational chaconne variations. As the harmonic progression repeats, the clarinet and cello become more aligned in their music yet maintaining a sense of individuality. Without unity and informed agreement, a society cannot truly benefit its people. Unity is strongest within diversity, contributing to growth, and moving towards a common goal to benefit all.In the second movement, all three musicians share equally in the production of the state of joy. The varied tone colors of the instruments, shifting meters, and dancing music all provide energy and emotions suggesting joy. Joy is a certainty of the goodness of life, in spite of sorrows or pain or even tragedy. Joy gives us wings to transcend our situation, opens us to our potential, and helps us become who we are to be. Joy comes from faith and belief of value and purpose for our life and its beauty.As with other musical compositions of mine, there are two paintings– a diptych –titled Unity and Joy which I created to visually interpret the music. –Jeffrey HooverThis edition is set to print correct page turns, back-to-back.Jeffrey Hoover's work– music ranging from soloist to symphony orchestra –has received recognition through the prestigious Trieste prize, the SMP/Universal Edition composition award for contemporary music, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, the L. Russolo competition, grants, publications fellowships, and more than 25 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer.One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Whether making interdisciplinary works, or traditional stand-alone sonic or visual art, Hoover shapes his work through inner vision and practical experience. Jeffrey Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.Jeffrey Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as a M.M. and Bch.Sc. from Ball State University. His career in higher education has included both music faculty and arts administrative appointments.For questions about this music, how he combines his music with his paintings or other inquiries, please visit his website or contact the composer directly:jeffreyhooverart@gmail.comhttps://jeffreyhooverart.wixsite.com/mysite
$21.95
20.28 €
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Jeffrey Hoover
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Oneness in This World
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Musicart Publications
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SheetMusicPlus
Mozart: Requiem in D minor K626 III.Sequenz No.2 Tuba Mirum - symphonic wind
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.11111…
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1111159 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Religious,Sacred. 16 pages. RayThompsonMusic #713434. Published by RayThompsonMusic (A0.1111159). Arranged standard wind decet/dectet/bass Mozart's textual inspiration is apparent in the Tuba mirum (Hark, the trumpet) movement, which is introduced with a sequence of three notes in arpeggio, played in B♠major by a solo tenor trombone, unaccompanied, in accordance with the usual German translation of the Latin tuba, Posaune (trombone). Two measures later, the bass soloist enters, imitating the same theme. At m. 7, there is a fermata, the only point in all the work at which a solo cadence occurs. The final quarter notes of the bass soloist herald the arrival of the tenor, followed by the alto and soprano in dramatic fashion. On the text Cum vix justus sit securus (When only barely may the just one be secure), there is a switch to a homophonic segment sung by the quartet at the same time, articulating, without accompaniment, the cum and vix on the strong (1st and 3rd), then on the weak (2nd and 4th) beats, with the violins and continuo responding each time; this interruption (which one may interpret as the interruption preceding the Last Judgment) is heard sotto voce, forte and then piano to bring the movement finally into a crescendo into a perfect cadence. My arrangement gives the trombone part to the first horn, and the vocal entries are given to the 4 wind instruments (All Player 1) I have added some additional sustaining notes on the horns, under the syncorpated section. Section III of the requiem is titled “Sequenz†(sequentia or sequence). It is made up of the following pieces I have arrangements of all of them, for varying types of ensemble * Dies irae * Tuba mirum * Rex tremendae * Recordare * Confutatis * Lacrymosa I have also arranged Mozarts Motet “Ave Verum Corpus†K618.
$9.95
9.19 €
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Wolfgang Amadeus Mozart
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Mozart: Requiem in D minor K626 III.Sequenz No.2 Tuba Mirum - symphonic wind
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RayThompsonMusic
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SheetMusicPlus
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