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Two Pieces for viola (or violin) and cello
Viola (or violin) and cello - Digital Download SKU: OX.9780193203389 Composed by Re…
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Viola (or violin) and cello - Digital Download SKU: OX.9780193203389 Composed by Rebecca Clarke. Score. 10 pages. Oxford University Press Digital #9780193203389. Published by Oxford University Press Digital (OX.9780193203389). ISBN 9780193203389.For viola (or violin) and cello. Clarke's duo is in two contrasted movements and was originally written as a concert piece for the composer to play with the English cellist May Mukle.
$23.25
21.26 €
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Rebecca Clarke
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Two Pieces for viola
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Oxford University Press Digital
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SheetMusicPlus
Three Pieces for Two Violins and Piano
Two Violins, Piano - Digital Download SKU: IZ.PDP300 Composed by Rebecca Clarke. Sc…
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Two Violins, Piano - Digital Download SKU: IZ.PDP300 Composed by Rebecca Clarke. Score and Parts. 52 pages. Imagine Music - Digital #PDP300. Published by Imagine Music - Digital (IZ.PDP300). 9 x 12 inches.Clarke worked on the Pieces for Two Violins and Piano during 1909, her last year at the Royal College, when Danse Bizarre gained her a scholarship. Clarke mentioned Danse Bizarre in her typescript memoir composed in the 1970s, and also discussed it with me in 1977 while helping me catalogue her compositions, but she said then that it was long lost, and made no mention of any related material. In the year 2000, however, Clarke's great-nephew Daniel Braden found.a box that Clarke had put in the back of a closet decades before and evidently forgotten, which turned out to contain a chaotic assortment of letters, papers, medical records, and music-manuscript sheets. When put in order, the latter yielded the missing inner leaf of an important viola piece and a number of previously unknown or presumed-lost arrangements and compositions, including ''Danse Bizarre and a Prelude, a Nocturne, and the beginning of a Finale for the same instruments, on the same paper, and bearing similar markings in Clarke's hand and in at least one other hand, which may well be Stanford's. The four movements were plainly developed as a suite, although there is nothing to suggest a sequence for the inner movements, and no compelling reason to believe that the Finale ever got beyond the extant eight pages. The manuscript of the Finale is noticeably rougher than those of the other movements, and several pencil-markings, apparently in another hand, suggest that some of its motivic material had not yet jelled. It seems entirely possible that Clarke had only begun this movement when a family crisis forced her to leave the College, and that she never returned to it. In any case, there is not enough of the Finale to make performance feasible, but the other movements stand quite magnificently on their own. They were recorded by Lorraine McAslan, David Juritz, and Ian Jones on Dutton CDLX 7132, released in 2003. The first public performance, by students at the Royal College under Jones's supervision, took place in May 2005 in the College's Concert Hall, where Clarke had last performed nearly a century before.
$32.00
29.27 €
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Rebecca Clarke
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Three Pieces for Two Violins and Piano
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Imagine Music - Digital
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SheetMusicPlus
Gottes Zeit ist die allerbeste Zeit - For String Orquestra
Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.8894…
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Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.889436 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. Score and parts. 11 pages. Luis Anjos Teixeira #4737807. Published by Luis Anjos Teixeira (A0.889436). The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works. It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world. Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of theDivi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708. The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe, edited by Wilhelm Rust. The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying. The Arrangement is relatively easy to perform, also appropriate for beginners. It is an ideal piece for advanced performers, this music touches deep into the Soul. The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement. Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form. Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo. I propose an interpretation for a modern string orquestra or a string quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. If the orquestra only has one double bass I would recommend you to reenforce the bass with a cello. It can be very well performed by a „string quintet- a string quartet with a double bass. Have fun! It is a piece that can be used in many different kinds of situations, in a serious concert hall, or a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$10.99
10.05 €
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Johann Sebastian Bach
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edited by Wilhelm Rust.
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Gottes Zeit ist die allerbeste Zeit - For String Orquestra
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Luis Anjos Teixeira
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SheetMusicPlus
Turkish March by Beethoven for Viola Quintet
String Quintet Viola - Level 2 - Digital Download SKU: A0.1164264 Composed by Ludwi…
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String Quintet Viola - Level 2 - Digital Download SKU: A0.1164264 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 12 pages. Woods Only, Arrangements #764611. Published by Woods Only, Arrangements (A0.1164264). This arrangement adapted for viola quintet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions.Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$9.99
9.14 €
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Ludwig van Beethoven
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Turkish March by Beethoven for Viola Quintet
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Woods Only, Arrangements
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SheetMusicPlus
Mendelssohn: Wedding March for Viola & Piano
Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.549885 Composed by Fel…
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Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.549885 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. 23 pages. Jmsgu3 #3602675. Published by jmsgu3 (A0.549885). Score: 12 pages, piano part: 6 pages, viola part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz.
$32.95
30.14 €
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Felix Bartholdy Mendelssohn
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Mendelssohn: Wedding March for Viola & Piano
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jmsgu3
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SheetMusicPlus
Rondeau L’Agreable, Duet for Bb Trumpet & Lever Harp
Instrumental Duet,Lever Harp,Trumpet - Level 3 - Digital Download SKU: A0.804103 Co…
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Instrumental Duet,Lever Harp,Trumpet - Level 3 - Digital Download SKU: A0.804103 Composed by Marin Marais. Arranged by Serena O’Meara. Baroque,Classical,Sacred,Traditional,Wedding. 10 pages. O'Meara Music #6624529. Published by O'Meara Music (A0.804103). This well known Baroque piece, L’Agreable was the first piece in a set of Five Old Dance Pieces for viola and basso continuo published in France in 1717. It is in Rondeau form using a two octave range on the melody instrument. The harp accompaniment considers which strings are still vibrating, finger placement and chromatics. You will receive the Score, plus separate Parts.
$9.00
8.23 €
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Marin Marais
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Rondeau L’Agreable, Duet for Bb Trumpet & Lever Harp
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O'Meara Music
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SheetMusicPlus
Rondeau L’Agreable, Duet for Bb Trumpet & Pedal Harp
Instrumental Duet Harp,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.8…
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Instrumental Duet Harp,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.804111 Composed by Marin Marais. Arranged by Serena O’Meara. Baroque,Classical,Sacred,Traditional,Wedding. Score and parts. 10 pages. O'Meara Music #6624549. Published by O'Meara Music (A0.804111). This well known Baroque piece, L’Agreable was the first piece in a set of Five Old Dance Pieces for viola and basso continuo published in France in 1717. It is in Rondeau form using a two octave range on the melody instrument. You will receive the Score, plus separate Parts.
$9.00
8.23 €
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Marin Marais
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Rondeau L’Agreable, Duet for Bb Trumpet & Pedal Harp
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O'Meara Music
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SheetMusicPlus
Rondeau L’Agreable, Duet for Eb Alto Saxophone & Pedal Harp
Instrumental Duet Alto Saxophone,Harp,Instrumental Duet - Level 3 - Digital Download SK…
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Instrumental Duet Alto Saxophone,Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.804112 Composed by Marin Marais. Arranged by Serena O’Meara. Baroque,Classical,Sacred,Traditional,Wedding. Score and parts. 10 pages. O'Meara Music #6624551. Published by O'Meara Music (A0.804112). This well known Baroque piece, L’Agreable was the first piece in a set of Five Old Dance Pieces for viola and basso continuo published in France in 1717. It is in Rondeau form using a two octave range on the melody instrument. You will receive the Score, plus separate Parts.
$9.00
8.23 €
#
Marin Marais
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Rondeau L’Agreable, Duet for Eb Alto Saxophone & Pedal Harp
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O'Meara Music
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SheetMusicPlus
Rondeau L’Agreable, Duet for Oboe & Pedal Harp
Instrumental Duet Harp,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.8041…
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Instrumental Duet Harp,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.804114 Composed by Marin Marais. Arranged by Serena O’Meara. Baroque,Classical,Sacred,Traditional,Wedding. Score and parts. 10 pages. O'Meara Music #6624559. Published by O'Meara Music (A0.804114). This well known Baroque piece, L’Agreable was the first piece in a set of Five Old Dance Pieces for viola and basso continuo published in France in 1717. It is in Rondeau form using a two octave range on the melody instrument. You will receive the Score, plus separate Parts.
$9.00
8.23 €
#
Marin Marais
#
Rondeau L’Agreable, Duet for Oboe & Pedal Harp
#
O'Meara Music
#
SheetMusicPlus
Rondeau L’Agreable, Duet for Oboe & Lever Harp
Instrumental Duet Folk Harp,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0…
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Instrumental Duet Folk Harp,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.804108 Composed by Marin Marais. Arranged by Serena O’Meara. Baroque,Classical,Sacred,Traditional,Wedding. Score and parts. 10 pages. O'Meara Music #6624539. Published by O'Meara Music (A0.804108). This well known Baroque piece, L’Agreable was the first piece in a set of Five Old Dance Pieces for viola and basso continuo published in France in 1717. It is in Rondeau form using a two octave range on the melody instrument. The harp accompaniment considers which strings are still vibrating, finger placement and chromatics. You will receive the Score, plus separate Parts.
$9.00
8.23 €
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Marin Marais
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Rondeau L’Agreable, Duet for Oboe & Lever Harp
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O'Meara Music
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SheetMusicPlus
Celtiberian Fantasy For Harp and Strings
Small Ensemble Cello,Double Bass,Harp,Viola,Violin - Level 3 - Digital Download SKU: A0…
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Small Ensemble Cello,Double Bass,Harp,Viola,Violin - Level 3 - Digital Download SKU: A0.889414 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 40 pages. Luis Anjos Teixeira #3478441. Published by Luis Anjos Teixeira (A0.889414). Celtiberian Fantasy For Harp And Strings written for the - 2018 Chamber Music Contest Entry. Dear music Lovers and Friends. Celtiberian Fantasy was designed to be performed by a group of five artists, or even seven, nine, one thousand or more! Any kind of diatonic Harp can be used to perform this piece. The harp part can also be performed as a solo piece. When performing the piece solo and according to the size of the harp or the needs of the artist of course, it is possible to transpose the left hand part an octave lower and to open many of its chords or adding a bass without damaging the caracter of the music. When playing the harp with the rest of the ensemble it might be better to perform it mostly as it is written. The double bass is a soloist but it can be reenforced with a cello. Otherwise the cello joins the ensemble only in the „Tutti. However in the absence of a Double bass, than should the cello take its part. A Cello should always be present in the case that a little stringed orquestra performs the piece. It is a perfect piece for a mixed group of early beginners and „early soloists, it is very easy to perform by experienced artists. It can be played by a group of five artists, as well as a complete string orquestra with harp. Some interpretation symbols where used in the score as a performance suggestion. Most of the score is left virgin to the interpretation of the artists involved, particularly the use of bowing and fingering. It is a very flexible piece that can be used in all kinds of events. The score For the 2018 Chamber Music Contest Entrywas written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was produced with samplers from Garritan, conceived as an audio support for the presentation of the score. It is a Harp Quintet with a Double Bass instead of a Cello. Another audio version with the full orquestra will be found in sound cloud at „Anjos Teixeira Music. Thank you very much for taking your time to read this text and to listen to the file. This is the first time that it has been published in Sheet Music Plus. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Thanks to Stray Queen Mimi for my Family, all the Love and Compassion. Special thanks to my feline Family for all the Patience, Love and Compassion. Luis Anjos Teixeira
$28.99
26.51 €
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Luis Anjos Teixeira
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Celtiberian Fantasy For Harp and Strings
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Luis Anjos Teixeira
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SheetMusicPlus
Gnome`s Dream For Harp And Strings
Small Ensemble Cello,Double Bass,Harp,Viola,Violin - Level 3 - Digital Download SKU: A0…
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Small Ensemble Cello,Double Bass,Harp,Viola,Violin - Level 3 - Digital Download SKU: A0.889415 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 18 pages. Luis Anjos Teixeira #3479405. Published by Luis Anjos Teixeira (A0.889415). Dear music Lovers and Friends. Gnome`s Dream revealed in the2018 Chamber Music Contest Entry. Gnome`s Dream was designed to be performed by a group of five artists, or even seven, nine, one thousand or more! Any kind of diatonic Harp can be used to perform this piece. When playing the harp with the rest of the ensemble it might be better to perform it mostly as it was written. In the absence of a Double bass, than should the cello take its part. In the case of an ensemble with more artists where we have already formed a bowed stringed orquestra, The double bass while playing the introduction of the piece remains a soloist and it will than be reenforced with a cello while the other bowed instruments are also playing. It would be good to tune the E string of the double bass down to a D but if this is not possible than simply play the lower „D notes one octave higher. It is a perfect piece for a mixed group of early beginners and „early soloists, it is very easy to perform. It can be played by a group of five artists, as well as a complete string orquestra with harp. Some interpretation symbols where used in the score as a performance suggestion. Most of the score is left virgin to the interpretation of the artists involved, particularly the use of bowing and fingering. It is a very flexible piece that can be used in all kinds of events. The score For the 2018 Chamber Music Contest Entrywas written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was produced with samplers from Garritan, conceived as an audio support for the presentation of the score. It is here presented as a Harp Quintet. Thank you very much for taking your time to read this text and to listen to the file. This is the first time that it has been published in Sheet Music Plus. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Thanks to Stray Queen Mimi for my Family, all the Love and Compassion. Special thanks to my feline Family for all the Patience, Love and Compassion. Luis Anjos Teixeira
$16.44
15.04 €
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Luis Anjos Teixeira
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Gnome`s Dream For Harp And Strings
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Luis Anjos Teixeira
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SheetMusicPlus
Monologue and Minuet (for Bass Viol / Viola da Gamba)
Viola da gamba - Level 5 - Digital Download SKU: A0.787394 Composed by Michael Thom…
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Viola da gamba - Level 5 - Digital Download SKU: A0.787394 Composed by Michael Thomas Andrews. Contemporary. Score. 7 pages. Michael Thomas Andrews #3258841. Published by Michael Thomas Andrews (A0.787394). This contemporary-classical piece for viola da by gamba was written for Liam Byrne and was originally performed at the Handel and Hendrix Museum in central London in August 2013. Â The piece was inspired by Samuel Pepys' diary entries. A video of Liam playing this piece at the Cross-Linx Festival (Muziekgebouw Eindhoven) in the Netherlands can be viewed here: https://youtu.be/Fj7BkCWlRQE?t=3m.
$15.00
13.72 €
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Michael Thomas Andrews
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Monologue and Minuet
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Michael Thomas Andrews
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SheetMusicPlus
Allegro (from "Concerto for Four Claviers") (A min) (String Quintet - 2 Violins, 1 Viola, 1 Cello, 1
String Ensemble,String Quintet - Level 5 - Digital Download SKU: A0.813376 Composed…
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String Ensemble,String Quintet - Level 5 - Digital Download SKU: A0.813376 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Concert,Instructional,Standards,World. Score and parts. 43 pages. Regis Bookshar #6209757. Published by Regis Bookshar (A0.813376). String Quintet - Advanced - Digital Download. This must-have arrangement would be a fabulous addition to any music library and could be performed for concerts and recitals and could also be performed for church services. This brilliant work by Johann Sebastian Bach is an adaptation of Antonio Vivaldi's Concerto for Four Violins and String Orchestra in B minor. Bach had gotten to know Vivaldi's concertos while he was an organist at Weimar, where he transcribed ten of them for solo harpsichord and six of them for organ. Originally written in B minor, Bach transposed it to A minor and, while preserving the melodic outline as conceived by Vivaldi for four violins, this later adaptation, from around 1730, for four harpsichords and string orchestra, is far more ambitious. In it, Bach has both tightened and expanded Vivaldi's counterpoint, enriched it with lusher harmonies and expanded the solo parts with greater complexity and greater clarity. The result is a composition that actually improves on the original work. Written in the standard three-movement concerto form of the Baroque period, Bach's Concerto for Four Claviers in A minor is a virtuoso piece for the soloists. Regis Bookshar has now rearranged the first movement of this concerto, marked Allegro, for a String Quintet, consisting of 2 Violins, 1 Viola, 1 Violoncello and 1 Double Bass, while maintaining the energy and virtuosity of Bach's original work. This arrangement is intended to be performed by accomplished players and may prove to be a huge challenge for many players, but, I think, it will be worth the effort. Included are a score and a complete set of parts (43 pages). In addition to this version for a String Quintet, other arrangements of this selection are also available for a variety of Instrumental Quintets, some of which are in the original key of Concert A minor and some have been transposed to Concert G minor, making it a little easier for some performers, as well as numerous other arrangements in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will be a challenge to many performers but will continue to entertain both performers and audiences alike for years to come. I hope you will enjoy it as much as I have enjoyed working on it.
$35.00
32.01 €
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Johann Sebastian Bach
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Allegro
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Regis Bookshar
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SheetMusicPlus
A Crooked Dance for Viola, Cello, and Bass
String Ensemble,String Trio Cello,Double Bass,Viola - Level 5 - Digital Download SKU: A…
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String Ensemble,String Trio Cello,Double Bass,Viola - Level 5 - Digital Download SKU: A0.749629 Composed by Scott Slapin. 20th Century,Concert,Contemporary,Jewish. Score and parts. 19 pages. Violacentric Publications #1792063. Published by Violacentric Publications (A0.749629). This piece was written along with Slapin's Lament and Hassid and Hayseed, orginally forming his Tryptich. They are often played individually. All parts are for very advanced players. The viola part includes Slapin Trills up and down the strings in 5ths as well as many octaves, in trills. The cello and bass parts use tenor and treble clefs, as well as bass clef. (5 minutes) For more information: www.scottslapin.com Recording available: http://www.cdbaby.com/cd/slapin7.
$15.00
13.72 €
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Scott Slapin
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A Crooked Dance for Viola, Cello, and Bass
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Violacentric Publications
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SheetMusicPlus
Music for Two or Three Violas and Double Bass
String Ensemble Double Bass,Viola - Level 3 - Digital Download SKU: A0.1157099 Comp…
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String Ensemble Double Bass,Viola - Level 3 - Digital Download SKU: A0.1157099 Composed by Scott Slapin. 19th Century,20th Century,Chamber,Contemporary,Jewish. 41 pages. Violacentric Publications #757428. Published by Violacentric Publications (A0.1157099). Two string trios for 2 violas and bass and a piece for Solo Bass and 3 violas (K2VHV Kaddish). Written in 2019, 2006, and 2018. Includes Harold in Retirement (7 1/2 minutes, 3 movements), Elegy (4 minutes), and K2VHV Kaddish (3 minutes). Intermediate level. Video (Elegy): https://youtu.be/-mezBEkSLII Video (Harold in Retirement) is for the viola and bass (duo) version: https://youtu.be/JMszeXSFaeE Video (K2VHV), original 4-viola version: https://youtu.be/hf2ajDMGYUo Recording available: https://apple.co/2Axq8hE For more information, visit: www.scottslapin.com.
$25.00
22.86 €
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Scott Slapin
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Music for Two or Three Violas and Double Bass
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Violacentric Publications
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SheetMusicPlus
A Mighty Fortress is Our God by Luther for Viola Quintet
String Quintet Viola - Level 1 - Digital Download SKU: A0.1135251 Composed by Marti…
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String Quintet Viola - Level 1 - Digital Download SKU: A0.1135251 Composed by Martin Luther. Arranged by Ander. Baroque,Christian,Religious,Renaissance,Sacred. 8 pages. Woods Only, Arrangements #735296. Published by Woods Only, Arrangements (A0.1135251). This easy arrangement for viola quintet has been adapted to be simple to perform and understand, adapted for various levels of musical knowledge; from beginners to music professionals. It can be played freely due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performances at Christian ceremonies and liturgical events in churches, it also serves as a study of the Renaissance repertoire. A Mighty Fortress Is Our God or Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism; where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$9.99
9.14 €
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Martin Luther
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A Mighty Fortress is Our God by Luther for Viola Quintet
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Woods Only, Arrangements
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SheetMusicPlus
Seven Canadian Folk Songs in Chinese Style - Septet for Fl., Cl., Vi., Va, Cello, Bass and Piano
Small Ensemble Bass Voice,Cello,Clarinet,Flute,Piano,Viola,Violin - Level 5 - Digital Down…
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Small Ensemble Bass Voice,Cello,Clarinet,Flute,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1009217 Composed by An-lun Huang. 20th Century,Classical,Folk. Score and parts. 85 pages. DoReMi Edition #614863. Published by DoReMi Edition (A0.1009217). SEVEN CANADIAN FOLK SONGS IN CHINESE STYLE Septet for Flute, Clarinet, Violin, Viola, Cello, Bass and Piano An-lun Huang, op.36 (1986) James Campbell, the famous Canadian clarinets, commissioned a septet from Huang for the China tour of the Canadian Chamber Group in 1984. Campbell suggested that An-lun combine the folk music of Canada and China in this new work. The result was the septet,†Seven Canadian Folk Songs in Chinese style, became the most exciting hit piece of the tour. The world premiere was taken place at the Festival of the Sound at Parry Sound, Ontario, before the China tour. It was performed by seven leading Canadian musicians, Moshe Hammer(violin), Steven Dann(viola), Sophie Rolland(cello), Joel Quarrington(bass), Anton Kuerti(piano), Robert Aitken(flute) and James Campbell(clarinet). The piece was so warmly received both in Canada and China that a record has been released. It was also the most successful piece for the Canada-Hong Kong Festival, Hong Kong, 91. In addition, in 2002, successfully, the Canadian Symphoniatta performed its orchestral version, conducted by Tak-ng Lai, in Paris, France. However, Huang found the musical similarity of the two nations--the pentatonic mode. Written in Chinese idea, the septet gives the opportunity both to the Chinese and Canadian audiences to find themselves in each other through the Seven Canadian folk songs. The septet is divided into seven attacca parts. No.1 begins the music into a very quiet British Columbia Indian folk tune, performed by flute and clarinet, and occasionally, the piano gives few chords to support them. No.2 comes a Alberta Indian lyric song with all instruments. The folk songs of No.3 and 4 are Ontario Forest man’s old tunes which bring the music to the exciting part. The No.5 is a Saskatchewan Indian traditional tune, the war song. Its heavy dynamic shows the typical native Canadian rhythmic patterns. Wooden spoon is a Canadian folk instrument. The clarinet player plays it in No.6 of a vivacious Quebec folk dance. And in a Newfoundland lyric song, No.7, the septet goes to its brilliant ending. The attached mp3 was recorded a Russian master and Fei-ping Hsu, one of the greatest Chinese pianist. Duration: 18 min.
$39.99
36.57 €
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An-lun Huang
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Seven Canadian Folk Songs in Chinese Style - Septet for Fl., Cl., Vi., Va, Cello, Bass and Piano
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DoReMi Edition
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SheetMusicPlus
Threnody and Reverie for String Trio (or string orchestra)
String Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.749…
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String Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.749652 Composed by Scott Slapin. 20th Century,Contemporary. Score and parts. 16 pages. Violacentric Publications #3668025. Published by Violacentric Publications (A0.749652). Two-movement piece for string trio or string orchestra. Trio version is advanced, string orchestra version (with divisi) is intermediate. 5 1/2 minutes, Score is in trio form with notes for performing as string orchestra. (basses will need an extension)Video here: https://youtu.be/EwO0QohoXck.
$20.00
18.29 €
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Scott Slapin
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Threnody and Reverie for String Trio
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Violacentric Publications
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SheetMusicPlus
3 Halloween Pieces for Viola Trio
Viola - Level 2 - Digital Download SKU: A0.1441495 Composed by David Burndrett. Hal…
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Viola - Level 2 - Digital Download SKU: A0.1441495 Composed by David Burndrett. Halloween. 14 pages. David Burndrett #1021479. Published by David Burndrett (A0.1441495). No.1 The Hairy Hobgoblin No.2 The Creepy Castle No.3 Pumpkin Party! Three fun pieces for viola trio! Download includes the score and all of the parts.
$7.95
7.27 €
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David Burndrett
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3 Halloween Pieces for Viola Trio
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David Burndrett
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SheetMusicPlus
Four Pieces For Viola And Double Bass
String Ensemble - Digital Download SKU: A0.955383 Composed by Neal Fitzpatrick. Con…
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String Ensemble - Digital Download SKU: A0.955383 Composed by Neal Fitzpatrick. Contemporary,Standards. Score and parts. 11 pages. Neal Fitzpatrick Editions #5766253. Published by Neal Fitzpatrick Editions (A0.955383). Four Pieces For Viola And Double Bass by Neal Fitzpatrick.Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$10.00
9.15 €
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Neal Fitzpatrick
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Four Pieces For Viola And Double Bass
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Neal Fitzpatrick Editions
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SheetMusicPlus
Four Disparate Pieces for viola and mandolin
Viola and mandoline - Digital Download Composed by David Braid. Score and part. 24 pa…
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Viola and mandoline - Digital Download Composed by David Braid. Score and part. 24 pages. Les Editions Doberman-Yppan (digital) #DO 1337. Published by Les Editions Doberman-Yppan (digital)
$10.95
10.01 €
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David Braid
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Four Disparate Pieces for viola and mandolin
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SheetMusicPlus
Roadside Inn - Viola Trio
String Ensemble,String Trio Viola - Level 3 - Digital Download SKU: A0.844498 Compo…
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String Ensemble,String Trio Viola - Level 3 - Digital Download SKU: A0.844498 Composed by Robert Schumann. Arranged by Phil Beaman. Instructional,Romantic Period,Standards. Score and parts. 6 pages. Phil Beaman #3457419. Published by Phil Beaman (A0.844498). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Roadside Inn, which I have arranged for Instrumental Trio. In keeping with the characteristics of the Romantic period my arrangement is full of contrasts and constant shifts between dynamics, articulations, and themes. There are interpretive marks in every measure as each part independently adds to the stunning polyphonic weaving. Not too difficult to play but sounds quite advanced when all details are observed. A great piece to show your musicianship as a group. To be played warmly and with passion to welcome people to your Roadside Inn. 3 minutes, 3 page score, 1 page @ partTemporary MIDI recording; a live performance will be much more expressive and free
$6.50
5.94 €
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Robert Schumann
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Roadside Inn - Viola Trio
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Phil Beaman
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.76 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.76 €
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Silvano A
#
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
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SheetMusicPlus
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