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What do they matter? (for medium-high voice and harp)
Small Ensemble Harp,Voice - Level 5 - Digital Download SKU: A0.799604 Composed by N…
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Small Ensemble Harp,Voice - Level 5 - Digital Download SKU: A0.799604 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary. Score and parts. 4 pages. Nicole Elyse DiPaolo #3417119. Published by Nicole Elyse DiPaolo (A0.799604). This short song was composed in 2012 during my doctoral coursework at Indiana University's Jacobs School of Music. It was written for tenor, but given its accessible range (Db4 to G5 in the original key), it would work well for lighter voices in many fachs, including light lyric sopranos, baritones, and mezzos. The text, translated from a poem by Takuboku Ishikawa (1886-1912), is gender-neutral. This would be a great introduction to new music for an undergraduate singer with strong aural skills and a still-light voice (since young dramatics might overpower the harp).If you'd like to talk about commissioning a transposed score, please get in touch! Transposition options will be a bit more limited with the harp than with the piano, but I'm sure we could make something work.Poem text (in English translation, as it appears in the score)Setting sun, Drifting clouds, New moon, Evening twilight, What do they matter to me?Composer biography:Nicole Elyse DiPaolo is a versatile composer, teacher, collaborative pianist, and music theorist currently based in Bloomington, Indiana. Currently a PhD candidate in music theory at Indiana University, she recently completed a doctoral minor in composition, having studied with Claude Baker, Don Freund, P. Q. Phan, and David Schneider. She also holds a B.Mus. from the University of Michigan, where she studied composition with Bright Sheng and piano with Louis Nagel. Nicole's music has been heard across the world: along with numerous performances in the Midwest, her commissioned song settings of Muscogee poet laureate Alexander Posey's texts have been performed at Shorter College (GA) and Lincoln University (PA), and the Smithsonian Institution procured copies of two of these (Nature's Blessings and A Vision) to archive at the National Museum of the American Indian. Additionally, Nicole's viola duo Three Episodes was featured at Ball State University's 40th Annual New Music Festival in February 2010. Her early compositions have been garnering interest as well: music students in Kenya performed several of Nicole's such pieces in May 2013 through a pedagogical project spearheaded by IU faculty member Kimberly Carballo. Nicole's music also received its Mexican premiere in October 2013 with a performance of her Divertimento, written for the International String Quartet of Yucatán. In 2014, Nicole published a set of twenty short pedagogical pieces in uncommon keys, entitled Venturing Beyond, available on SheetMusicPlus. Also a sought-after teacher and adjudicator, Nicole frequently judges regional and divisional MTNA composition competitions at all levels, ranging from elementary to college-level Young Artists, and she also served as the composition department chair at Blue Lake Fine Arts Camp in 2014. For more on Nicole DiPaolo and her varied musical pursuits, visit her website at http://ndipaolo.musicaneo.com !
$5.99
5.5 €
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Nicole Elyse DiPaolo
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What do they matter?
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Nicole Elyse DiPaolo
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SheetMusicPlus
Viva la Verdi - Highlights of the Requiem
Small Ensemble Drums,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.78…
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Small Ensemble Drums,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.782181 Composed by Giuseppe Verdi. Arranged by James Haynor. Romantic Period. Score and parts. 93 pages. James Haynor #3139129. Published by James Haynor (A0.782181). Giuseppe Fortunino Francesco Verdi was an Italian opera composer. Verdi was born near Busseto to a provincial family of moderate means, and developed a musical education with the help of a local patron. Verdi completed his Requiem Mass in April 1874 and conducted the first performance on May 22, 1874, at the church of San Marco in Milan. Viva la Verdi is a medley of Greatest Hits from the Requiem. The instrumentation consists of double brass quintet plus timpani and bass drum. ( Flugelhorn is preferred for the first trumpet’s solo.) It would be an ambitious undertaking for an excellent college or professional group but the rewards are many. This is a beautiful piece of music and the power of the brass ensemble is needed to convey both the intensity and peace of the Requiem Mass. Duration: 9:25
$15.00
13.78 €
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Giuseppe Verdi
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Viva la Verdi - Highlights of the Requiem
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James Haynor
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SheetMusicPlus
Ah, scostati!...Smanie implacabili (Dorabella) from Così fan tutte - Accessible Accompaniments Ed.
Mezzo-Soprano Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1186002 Compose…
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Mezzo-Soprano Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1186002 Composed by Wolfgang Amadeus Mozart. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 10 pages. Nicole Elyse DiPaolo #785660. Published by Nicole Elyse DiPaolo (A0.1186002). The first of its kind, this is a much more readable and sight-playable piano/vocal reduction of Ah, scostati!...Smanie implacabili,†Dorabella’s first aria from Mozart’s Così fan tutte (1790). The sextuplets in the right hand found in most standard reductions have been condensed into triplets with a grace note, emphasizing that the gestural shape is what needs to be heard rather than every individual note, and the result is a much clearer and less note-filled score for the audition pianist. Some large spans in the left hand have also been reduced out and redistributed for more ergonomic playing on long audition days. When a grace note has an accidental that is then repeated later in the gesture, I’ve rewritten that accidental on the full-size note containing it for ease of reading (so the cue-size accidental is not the only indication of said accidental in the measure, which would make it too easy to miss). The recitative “Ah, scostati!†is also included with slight alterations and courtesy accidentals in the melodic minor scales.As with any Accessible Accompaniments edition that’s not also an audition/solo cut, I suggest bringing two copies to each audition: one Accessible Accompaniment and one copy of a standard edition. Audition pianists who don’t know the aria will almost always choose the cleaner look of the Accessible Accompaniment, but those who know “Smanie†well might prefer to play from the edition they learned it from. This will provide singers and their audition pianists every chance of a successful collaboration.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included additional courtesy accidentals.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. I’ve also replaced text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.22 €
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Wolfgang Amadeus Mozart
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Ah, scostati!...Smanie implacabili
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Nicole Elyse DiPaolo
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SheetMusicPlus
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Comp…
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.22 €
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Gioachino Rossini
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Largo al factotum
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Nicole Elyse DiPaolo
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SheetMusicPlus
Musical Response Suite for The Book of I (from the Original Soundtrack): SCORE
Large Ensemble Cello,Chimes,Cymbals,Double Bass,High Voice,Synthesizer,Timpani,Viola,Violi…
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Large Ensemble Cello,Chimes,Cymbals,Double Bass,High Voice,Synthesizer,Timpani,Viola,Violin - Level 5 - Digital Download SKU: A0.800336 Composed by Sarah Wallin Huff. Contemporary. Score and parts. 72 pages. Novel Soundtrax #12115. Published by Novel Soundtrax (A0.800336). The complete Score from the Original Soundtrack to the novel, The Book of I by Jorge Armenteros. Featuring string orchestra, percussion, and a variety of soloists and small ensemble combinations. …the soundtrack composed by Sarah Wallin Huff stands out as both a powerful album, taking its listener on an emotional journey of beauty, despair, and hope, as well as a fascinating study of the composer’s visceral and intellectual connection to the source material…the album is a stunning collection of gorgeous, orchestral selections comprised mostly of string instruments that are, at times, vividly haunting but always entirely engrossing. - Barbra Dillon, Fanboy Comics.Listen to all track samples at http://www.cdbaby.com/cd/sarahwallinhuff1
$65.00
59.7 €
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Sarah Wallin Huff
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Musical Response Suite for The Book of I
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Novel Soundtrax
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SheetMusicPlus
Aase's Death from Peer Gynt for 5-part Trombone Ensemble
Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.810866 Composed by Edv…
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Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.810866 Composed by Edvard Grieg. Arranged by Hayes, Edward. Romantic Period. Score and parts. 9 pages. Gordon Cherry #3664487. Published by Gordon Cherry (A0.810866). P.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 8.0px Helvetica} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 8.0px Helvetica; min-height: 10.0px} Grieg’s incidental music to Henrik Ibsen’s play became his most popular work, premiering in 1876 along with the play. Aase’s death is an elegy depicting the death of Peer Gynt’s mother dying alone on a mountain. It is simple and powerful. Ed Hayes and Frank Harmantas have score this work for 5-part Trombone Ensemble. This 4-minute work is playable by moderately advanced performers except the top part which goes up to a couple high d’s and need some endurance.
$20.00
18.37 €
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Edvard Grieg
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font: 8
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Aase's Death from Peer Gynt for 5-part Trombone Ensemble
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Gordon Cherry
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SheetMusicPlus
There Is a Higher Throne
Vocal ensemble Vocal Solo (Med. Voice, Key of G) w/opt. Violin & C-D - Digital Download
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Vocal ensemble Vocal Solo (Med. Voice, Key of G) w/opt. Violin & C-D - Digital Download SKU: H1.8554DP Arranged by Lloyd Larson. Piano with Optional Violin & Cello. Contemporary, General Worship, Redemption. Vocal score. 8 pages. Hope Publishing - Digital #8554DP. Published by Hope Publishing - Digital (H1.8554DP). By Keith Getty & Kristyn Getty.Contemporary song by Keith Getty & Kristyn Getty Keith and Kristyn Getty have made a tremendous impact on congregational song in the last decade, and this powerful ballad is exceptional in both word and melody. Based on Revelation 7:9, this is a celebration of the promise that believers will someday gather around the throne of God lifting voices in united songs of praise. This accessible SATB setting from Lloyd Larson features optional violin (reproducible part included) and cello. The separate Instrumental packet contains a Conductor's Score and parts for Cello & Violin.
$7.95
7.3 €
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Keith Getty & Kristyn Getty
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There Is a Higher Throne
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Hope Publishing - Digital
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SheetMusicPlus
There Is a Higher Throne
Solo Solo instrument (Cello, Violin) - Digital Download SKU: H1.C5666PDP Composed b…
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Solo Solo instrument (Cello, Violin) - Digital Download SKU: H1.C5666PDP Composed by Keith Getty & Kristyn Lennox Getty. Arranged by Lloyd Larson. Piano with Optional Violin & Cello. Contemporary, General Worship, Redemption. Conductor's Score & Cello Part. 16 pages. Hope Publishing - Digital #C5666PDP. Published by Hope Publishing - Digital (H1.C5666PDP). By Keith Getty & Kristyn Getty. Revelation 7:9 - Revelation 7:10 - Revelation 7:11 - Revelation 7:12.Contemporary song by Keith Getty & Kristyn Getty Keith and Kristyn Getty have made a tremendous impact on congregational song in the last decade, and this powerful ballad is exceptional in both word and melody. Based on Revelation 7:9, this is a celebration of the promise that believers will someday gather around the throne of God lifting voices in united songs of praise. This accessible SATB setting from Lloyd Larson features optional violin (reproducible part included) and cello. The separate Instrumental packet contains a Conductor's Score and parts for Cello & Violin.
$10.95
10.06 €
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Keith Getty & Kristyn Getty
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Keith Getty & Kristyn Lennox Getty
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There Is a Higher Throne
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Hope Publishing - Digital
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SheetMusicPlus
There Is a Higher Throne
Choral, Vocal, Solo (Cello, Violin) - Digital Download SKU: H1.C5666DP Arranged by …
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Choral, Vocal, Solo (Cello, Violin) - Digital Download SKU: H1.C5666DP Arranged by Lloyd Larson. Piano with Optional Violin & Cello. Contemporary, General Worship, Redemption. Octavo. 12 pages. Hope Publishing - Digital #C5666DP. Published by Hope Publishing - Digital (H1.C5666DP). By Keith Getty & Kristyn Getty.Contemporary song by Keith Getty & Kristyn Getty Keith and Kristyn Getty have made a tremendous impact on congregational song in the last decade, and this powerful ballad is exceptional in both word and melody. Based on Revelation 7:9, this is a celebration of the promise that believers will someday gather around the throne of God lifting voices in united songs of praise. This accessible SATB setting from Lloyd Larson features optional violin (reproducible part included) and cello. The separate Instrumental packet contains a Conductor's Score and parts for Cello & Violin.
$3.25
2.98 €
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Keith Getty & Kristyn Getty
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There Is a Higher Throne
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Hope Publishing - Digital
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SheetMusicPlus
The Poet's Pen for Tenor, Oboe and Piano
Small Ensemble High Voice,Oboe,Piano Accompaniment - Level 5 - Digital Download SKU: A0…
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Small Ensemble High Voice,Oboe,Piano Accompaniment - Level 5 - Digital Download SKU: A0.981218 Composed by Judith Cloud. Contemporary,Standards. Score and parts. 17 pages. Judith Cloud #6689693. Published by Judith Cloud (A0.981218). Composer’s Notes In my parents' library there was an assortment of very old books that I used to leaf through while home for holidays. One of these, The Ladies' Wreath, was of special interest. The inscription inside the front cover read To Miss Sophia Venable by her friend William M. Duphuy, April 25, 1850. Within the collection of romantic short stories and poems was The Poet's Pen from the Greek didactic poet Menecrates. Here was something very different from the overly sentimental offerings in most of the volume. I imagined the solitary lady reading this would feel most exhilarated and even empowered. Ideas for setting the poem came almost immediately, with the oboe as a key figure. Having experimented with a choral setting, I settled on tenor, oboe and piano and in 1989 the piece was completed. I revised The Poet’s Pen in 2016. The Poet's Pen I was a useless reed; no cluster hungMy brow with purple grapes; no blossom flungThe coronet of crimson on my stem;No apple blushed upon me, nor (the gemof flowers) the violet strewed the yellow heathAround my feet; nor jessamine's sweet wreathRobed me in silver: day and night I pinedOn the lone moor, and shivered in the wind.At length a poet found me. From my sideHe smoothed the pale and withered leaves, and dyedMy lips in Helicon. From that high hour,I spoke! my words were flame and living power!All the wide wonders of the earth were mine;Far as the surges roll, or sunbeams's shine;Deep as earth's bosom hides the emerald;High as the hills with thunder-clouds are palled;And there was sweetness round me, that the dewHad never wet so sweet on violets blue.To me the mighty scepter was a wand;The roar of nations pealed at my command.To me the dungeon, sword, and scourge were vain,I smote the smiter, and I broke the chain;Or, towering o'er them all, without a plumeI pierced the purple air, the tempest's gloom,Till blazed th'Olympian glories on my eye,Stars, temples, thrones and gods--infinity. Menecrates of Ephesus (330-270 BC)
$15.00
13.78 €
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Judith Cloud
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The Poet's Pen for Tenor, Oboe and Piano
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Judith Cloud
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SheetMusicPlus
Glorious Christmas Refrains
Choir Sacred Instrumental Ensemble - Digital Download SKU: JX.00-23754 Arranged by …
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Choir Sacred Instrumental Ensemble - Digital Download SKU: JX.00-23754 Arranged by Thomas Fettke. This edition: InstruPax. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Christmas; Sacred. Part(s). 57 pages. Jubilate Music Group - Digital #00-23754. Published by Jubilate Music Group - Digital (JX.00-23754). English. Psalm 97, Isaiah 29:17-19, Isaiah 61:10-11, Luke 2:1-20.Here's the quintessential closer for every Christmas service and concert! This marvelous 5 minute tapestry includes 11 of the most popular Christmas refrains of all time, seamlessly woven by Tom Fettke: glorias from Angels We Have Heard on High, Hark! The Herald Angels Sing and Ding, Dong, Merrily on High; noels from Sing We Now of Christmas and The First Noel; rejoicing from How Great Our Joy and O Come, O Come, Emmanuel; and MORE, all culminating in the powerful refrain from O Holy Night! A Christmas treasure, available in 2 voicings, with festive orchestration by Mike Lawrence!
$35.00
32.15 €
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Choral Octavo
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Glorious Christmas Refrains
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Jubilate Music Group - Digital
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SheetMusicPlus
Born a Mighty King - Accompaniment Download
Digital Download SKU: LX.E99-3786L Composed by Mary McDonald. Christmas. Sacred Ant…
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Digital Download SKU: LX.E99-3786L Composed by Mary McDonald. Christmas. Sacred Anthem, Christmas, Epiphany. Accompaniment MP3. Lorenz Publishing - Digital Sheet Music #E99/3786L. Published by Lorenz Publishing - Digital Sheet Music (LX.E99-3786L). Downloadable accompaniment track for Born a Mighty King (10/4922L) From the cantata Jesus!: The Advent of the Messiah (65/2077L), this piece shines bright with energy and style. With a melody that is fun to sing, a powerful orchestration, and a brief chorus from Angels We Have Heard on High, this anthem will bring the celebration of Christ's birth to your Christmas service!
$14.95
13.73 €
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Mary McDonald
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Born a Mighty King - Accompaniment Download
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Leave The Door Open
Alto Saxophone,Drum Set,Electric Bass Guitar,Electric Guitar,Flugelhorn,Flute,Piano,Tenor …
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Alto Saxophone,Drum Set,Electric Bass Guitar,Electric Guitar,Flugelhorn,Flute,Piano,Tenor Saxophone,Trumpet,Voice - Level 4 - Digital Download SKU: A0.834696 By Bruno Mars, Anderson .paak And Silk Sonic. By (brandon Paak Anderson), Anderson .paak, Brandon Paak Anderson, Bruno Mars, Chris Brody Brown, Christopher Brody Brown, and Dernst Emile. Arranged by MAJOR SCORE PUBLISHING TM. Funk,Pop,R & B,Singer/Songwriter,Soul. 72 pages. Major Score Publishing #6460861. Published by Major Score Publishing (A0.834696). Leave the Door Open (Silk Sonic)Singer(s) & 7 or 9 piece bandDesigned for maximum audience impact for high profile live performances, concerts & events, this stunning arrangement provides the backing and power of a 7 or 9 piece showband! This chart is designed to be highly flexible to feature one vocalist singing both the Anderson PAAK & Bruno Mars parts, OR split up between two vocalists like on the SILK SONIC recording. The background vocal lines have been very tastefully and subtly arranged for the horns supporting the vocal and building the performance energy. The drums are key in this arrangement and are fully written out. The guitar part includes the palm mute falls from the recording and a full piano and bass part come highly detailed allowing for a truly authentic delivery. Also we have provided three alternate horn parts in case your showband only has 3 horns ( alto sax/flute, 1 flugel, 1 trombone) instead of 5 horns as in the 9 piece version (1 alto/flute & 1 tenor sax, 2 flugel horns & 1 trombone) in addition to the full rhythm section ( piano, guitar, bass & drums) to ensure you have the maximum support for either scenario. All parts are highly detailed and fully written out for a total of 67 pages including the full score for reference.  Great detail has been put into this chart to exceed your performers and audience's expectations to deliver a superior performance experience!
$74.99
68.87 €
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Bruno Mars, Anderson
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Leave The Door Open
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Major Score Publishing
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SheetMusicPlus
Anna's Song -MP3 Accompaniment track
Level 2 - Digital Download SKU: A0.1110614 By Deborah Johnson. By Deborah Johnson. …
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Level 2 - Digital Download SKU: A0.1110614 By Deborah Johnson. By Deborah Johnson. Christian,Christmas,Contemporary,Holiday,Praise & Worship. Accompaniment. Duration 293. Deborah Johnson #712916. Published by Deborah Johnson (A0.1110614). Annas Song is a captivating contemporary inspirational piece written by Deborah Johnson. It features a solo vocalist, a chorus, and a string ensemble, resulting in a harmonious and emotionally resonant composition. This enchanting piece can be found on the album Merry Christmas Too, which is a collection of holiday-themed music. This MP3 accompaniment track is in the higher key of Bb-B only.The sheet music of the song is in 2 different keys for low and high versions:Â Bb-B (high), spanning from B below middle C to high B, and G-Ab (low) spanning from G below middle C to high G. These ranges allow for a wide vocal expression, making it suitable for various singers. Annas Song carries a powerful message, drawing inspiration from the biblical account found in Luke 2:36-38. It serves as a reminder that we are never beyond the reach of God's redemption, and He can work His miraculous ways in our lives, no matter how long we may have waited. This message of hope and redemption makes the song particularly meaningful for church and worship celebrations, where it can be used to inspire and uplift congregations. The arrangement of Annas Song includes a full score, encompassing the piano, chorus, strings, and rhythm parts, making it comprehensive and adaptable for different musical settings. Additionally, it provides separate vocal lead sheets, chorus parts, and string parts, allowing for flexibility in performance and accommodating a range of musical talents. Annas Song is a beautiful and spiritually moving composition that combines a contemporary sound with a profound message of redemption. Deborah Johnson's arrangement offers a versatile musical experience suitable for church and worship gatherings, helping to create a spiritually uplifting atmosphere for all who listen. The sheet music is also available for download. Full song download on Spotify: https://open.spotify.com/track/4l5svO76D7GLwaxPSA7gOF More information here: https://djworksmusic.com/annas-song/ https://djworksmusic.com/products/ for physical albums & info. Twitter: @DJWorksMusic; Instagram: Deborah_johnsonmusic Like our Facebook page: https://www.facebook.com/deborah.johnson For updates and weekly articles: https://goalsforyourlife.com/newsletter Anna's Song is written and arranged by Deborah Johnson and included on the full album called Merry Christmas Too. DEBORAH JOHNSON, is a National Recording Artist, Composer, Speaker and published Author. She has recorded over a dozen albums, written 3 original musicals and has appeared on many stages around the country and world. She has also appeared with the headliner piano/vocal duo Double Grande. Also the author of multiple books, her music has been up for multiple Grammy Awards. Production, Music and Lyrics by Deborah Johnson. Keyboards: Deborah Johnson and Tom Keene; Bass Guitar: David Coy; Drums: Dave Spurr; Guitars: John Hunt; Flute: John Reilly; Strings: Living Strings. Recorded at: Tor-Wood-Lea Recording Studios, Engineered by Tom Keene. Bass/Strings Recorded at: A to Z Studios, Engineered by Tim Jaquette. Mixed at: ETC Studio A, Tim Jaquette; Album Mastering: Bernie Grundman.
$8.99
8.26 €
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Deborah Johnson
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info
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Anna's Song -MP3 Accompaniment track
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Deborah Johnson
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SheetMusicPlus
Praying
Mixed Percussion,Strings Bass Clarinet,Double Bass,Drum Set,Drums,Electric Bass Guitar,Flu…
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Mixed Percussion,Strings Bass Clarinet,Double Bass,Drum Set,Drums,Electric Bass Guitar,Flute,Harp,Horn,Medium Voice,Medium-High Voice,Medium-Low Voice,Oboe,Percussion,Piano,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1153279 By Kesha. By Andrew Joslyn, Ben Abraham, Kesha Sebert, and Ryan Lewis. Arranged by Rebecca Dale. Classical,Historic,Praise & Worship,Religious,Spiritual. 10 pages. Amphibia Cultural Legacy #753527. Published by Amphibia Cultural Legacy (A0.1153279). Amphibia Cultural Legacy has released a remixed version of Kesha's hit song, Praying is the beautiful epic cover remixed with additional instruments. The new version features powerful and dramatic instrumentation that adds another layer of emotion to an already emotional experience. This rendition will surely touch listeners in a way they never thought possible.Adding new instruments elevates the song's intensity and gives it a grander feel than before. From the opening notes, you can feel the power behind each instrument as it creates a wall of sound that envelops you. The vocals are just as strong as ever, but now they are accompanied by soaring strings and thundering percussion that leave no doubt about the emotional impact this song can have on its listeners. Overall, Amphibia Cultural Legacy has taken an already emotionally charged song, making it even more powerful.
$40.00
36.74 €
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Kesha
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Praying
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Amphibia Cultural Legacy
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SheetMusicPlus
In the Locked Room
1(pic).1(ca).1.1-1.1.0.0-perc(crot, s.d, b.d, high metal block, high and med wdbl)-hp-str …
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1(pic).1(ca).1.1-1.1.0.0-perc(crot, s.d, b.d, high metal block, high and med wdbl)-hp-str - Digital Download SKU: S9.Q23800 Opera in 1 act. Composed by Huw Watkins. This edition: vocal/piano score. Downloadable, Piano reduction. Duration 45 minutes. Schott Music - Digital #Q23800. Published by Schott Music - Digital (S9.Q23800). English.Taking Thomas Hardy’s short story as its starting point, we are transported to the present for a contemporary take on the novella which explores the power the mind can have over that person’s actions. A closed door sparks an obsession so strong that the boundaries between reality and fantasy begin to blur. Ella and her high-finance husband Stephen rent a room in a holiday home on the coast, owned by Susan. Ella discovers that a locked room in the house is rented by a poet - Ben Pascoe - whose work holds a deep fascination for her. The room is held for Pascoe, though he visits rarely. Ella's obsession with Pascoe grows in parallel with the progress of Stephen's biggest City deal. She begins by imagining the poet's voice as she reads his work, but this quickly grows to fantasised encounters with Pascoe in his locked room. Stephen returns from the City and makes love to Ella, but it is not him she wishes for. We see the real Pascoe only once, with Susan. As Stephen's financial dreams are realised and Ella's fantasy consumes her, she learns of Pascoe's death. Despite her changed circumstances, Ella chooses to stay in her new world.Wenn wir den Ausgangspunkt von Thomas Hardy Geschichte betrachten, fühlen wir uns in die Gegenwart, zu einem heutigen Blick auf die Novelle transportiert. Diese Sicht verdeutlicht, welche Macht der menschliche Geist über die Handlungen einer Person hat. Eine verschlossene Tür kann eine Obsession so entzünden, dass Realität und Fantasie zu verschwimmen beginnen.
$40.99
37.65 €
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Huw Watkins
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In the Locked Room
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Schott Music - Digital
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SheetMusicPlus
In the Locked Room
1(pic).1(ca).1.1-1.1.0.0-perc(crot, s.d, b.d, high metal block, high and med wdbl)-hp-str …
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1(pic).1(ca).1.1-1.1.0.0-perc(crot, s.d, b.d, high metal block, high and med wdbl)-hp-str - Digital Download SKU: S9.Q23450 Opera in 1 act. Composed by Huw Watkins. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 45 minutes. Schott Music - Digital #Q23450. Published by Schott Music - Digital (S9.Q23450). English.Taking Thomas Hardy’s short story as its starting point, we are transported to the present for a contemporary take on the novella which explores the power the mind can have over that person’s actions. A closed door sparks an obsession so strong that the boundaries between reality and fantasy begin to blur. Ella and her high-finance husband Stephen rent a room in a holiday home on the coast, owned by Susan. Ella discovers that a locked room in the house is rented by a poet - Ben Pascoe - whose work holds a deep fascination for her. The room is held for Pascoe, though he visits rarely. Ella's obsession with Pascoe grows in parallel with the progress of Stephen's biggest City deal. She begins by imagining the poet's voice as she reads his work, but this quickly grows to fantasised encounters with Pascoe in his locked room. Stephen returns from the City and makes love to Ella, but it is not him she wishes for. We see the real Pascoe only once, with Susan. As Stephen's financial dreams are realised and Ella's fantasy consumes her, she learns of Pascoe's death. Despite her changed circumstances, Ella chooses to stay in her new world.Wenn wir den Ausgangspunkt von Thomas Hardy Geschichte betrachten, fühlen wir uns in die Gegenwart, zu einem heutigen Blick auf die Novelle transportiert. Diese Sicht verdeutlicht, welche Macht der menschliche Geist über die Handlungen einer Person hat. Eine verschlossene Tür kann eine Obsession so entzünden, dass Realität und Fantasie zu verschwimmen beginnen.
$53.99
49.59 €
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Huw Watkins
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In the Locked Room
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Schott Music - Digital
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SheetMusicPlus
Philadelphia Morning
Brass Quintet Bass Trombone,Horn,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1472…
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Brass Quintet Bass Trombone,Horn,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1472617 Composed by Bill Conti. Arranged by Mary Clark. Classical,Film/TV. 11 pages. Second Wind Music #1050268. Published by Second Wind Music (A0.1472617). “Philadelphia Morning” is a powerfully expressive composition that sets the tone for a scene early in the movie Rocky when the main character has just found out the he will get to fight the world champion boxer and sets out for a training run in the gritty city streets of Philadelphia at 4 a.m. on a dark, cold, dreary winter day. (click here to see a clip of this scene from the movie) This beautifully written piece is penetrating and pensive in describing the battle within, the solitude of it, the impossibility at hand, and generally, the struggle involved in pushing oneself. There is a powerful but subtle orchestration here; the sound of a kind of musical undertow — an undertow that is pulling our hero down, as if giving him leaden legs, or of running in quicksand. But there is also a twinkle of possibility. At the end, the [music] trails off and there is uncertainty in the air.” [From: Jack Doyle, “Philadelphia Morning: 1976-1977,” PopHistoryDig.com, March 25, 2015.]This brass quintet arrangement of Philadelphia Morning would work well as a short concert piece that showcases the expressive qualities of the French horn as well as that of the whole ensemble. This piece has a quiet, pensive, somewhat moody tempermanent. While this arrangement is not technically challenging (other than the range for the horn part noted below), the lean scoring and soft dynamics requires the ensemble to pay close attention to balance and play as one in style, tone quality, and expressiveness. Phrases passing from one player to another need to flow as if being played on a piano. The expressive opening eight-bar horn solo, which is a direct transcription from the movie score, is mostly unaccompanied and ranges up to a high b-flat so a strong, confident horn player is needed – but they will surely enjoy playing this elegantly written passage. (The film soundtrack recording features Vincent DeRosa on horn.) The bass trombone part can be played on a tuba.
$12.99
11.93 €
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Bill Conti
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Philadelphia Morning
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Second Wind Music
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SheetMusicPlus
Heartbreaker
String Ensemble Cello - Level 4 - Digital Download SKU: A0.1250783 By Pat Benatar. …
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String Ensemble Cello - Level 4 - Digital Download SKU: A0.1250783 By Pat Benatar. By Cliff Wade and Geoff Gill. Arranged by Sarah Cellobat Chaffee. Contemporary,Film/TV,Pop,Rock,Video Game. 27 pages. Sarah Cellobat Chaffee #845047. Published by Sarah Cellobat Chaffee (A0.1250783). *INSTRUMENTATION: 4 CELLOS*Heartbreaker, one of the most iconic songs in female rock history, was released by Pat Benatar as a single from her debut album in 1978. Originally released by an English singer named Jenny Darren, Benatar's cover proved to be her breakthrough song; it topped the Billboard charts for nearly 5 weeks and was ultimately named one of VH1's 100 best hard rock songs of all time. It has since been featured in video games, movies, TV shows, movies, and has generally become a staple of pop culture -- and now you can rock out on it with your cello buddies! This Cellobat arrangement for cello quartet is just as hard-hitting as the original, with epic vocal lines, powerful harmonies, a driving rock beat, and even a fun guitar solo. I guarantee your group will have a blast! Rated advanced-intermediate for tenor/treble clef and basic thumb position in some of the parts; this will be learnable for students and easily sightreadable for professionals.Why choose Cellobat Charts arrangements? For any musician who knows what they're doing, the answer is easy: just listen to them. Every freelance musician has thrown hard-earned money away on questionable, error-filled charts by unknown arrangers from weird corners of the Internet. But watch out -- inferior arrangements not only make gigs less enjoyable to play, but they also make your group sound bad to your client and audience, no matter how great your players really are. That's why Cellobat Charts is here: to provide students and working string players alike with high-quality versions of highly requested music. My arrangements are guaranteed to be energetic, fun to play, and enjoyable to listen to, whether or not you're familiar with the original songs. Hear the difference for yourself! Full videos of many Cellobat Charts arrangements are available on YouTube so you know exactly what you're getting. Click Watch near the item details at the top of the page for full video of Heartbreaker. Crowd pleasing guaranteed.Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$16.99
15.6 €
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Pat Benatar
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Heartbreaker
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Sarah Cellobat Chaffee
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SheetMusicPlus
Nobody Love a Fairy When She's Forty - in C major (soprano key)
Voice Duet Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.779671 Composed b…
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Voice Duet Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.779671 Composed by Arthur Le Clerq. Arranged by Kim Kirkman. Broadway,Contemporary,Musical/Show,Traditional. Score. 4 pages. Kim Kirkman #6697501. Published by Kim Kirkman (A0.779671). This is a wonderful old comedy song.This is in C major - the high key for sopranosI have put in the first verse that Tessie sings, plus the spoken part. I have changed some of the words of the spoken part to update them.I have then constructed a third verse from other verses that Le Clerq wrote. To sing it exactly like Tessie please repeat first verse.Words:Verse:For years a fairy queen I've bin', For years I foiled the demon king.But alas, I'm getting on, The years have flown somehow,And I feel that Fairy Snowdrop isn't wanted now.Chorus One:Nobody loves a fairy when she's forty.Nobody loves a fairy when she's old.She may still have her magic power, But that is not enough,They like their bit of magic from a younger bit of fluff.When once your silver star has lost its glitter,And your tinsel looks like rust instead of gold.Your fairy days are ending when your wand has started bending.Noone loves a fairy when she's old.Spoken:T'was I who found the magic wand, I will not tell you where.T'was I who found young Tinkerbell, her head was full of airI’ve been a fairy of the flowers, and fairy daffodils,I’ve been a fairy of the wind, and suffer from it still!In certain covered valley hills I go down to the glenBeen loved by all the children and run after by the men. Huh!Noone could touch me at me splits, me splits were all the rage,Until the night woodman left his chopper on the stage, what a mess!Verse 2:Nobody loves a fairy when she's forty.Nobody loves a fairy when she's old.As far as I can see they try to push you off the map,When once your wand has withered and your wings refuse to flap.When you have lost your little fairy dimples,And the mothholes in your dress let in the cold,It seems that they would sooner listen to a blinkin' crooner,Noone loves a fai-y when she's old!
$1.99
1.83 €
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Arthur Le Clerq
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Nobody Love a Fairy When She's Forty - in C major
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Kim Kirkman
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SheetMusicPlus
Solage: Le basile for Brass Quartet
Brass Quartet Cornet,Horn,Trombone - Level 2 - Digital Download SKU: A0.1266016 Com…
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Brass Quartet Cornet,Horn,Trombone - Level 2 - Digital Download SKU: A0.1266016 Composed by Solage, Late 14th Century. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #858750. Published by jmsgu3 (A0.1266016). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.
$32.95
30.26 €
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Solage, Late 14th Century
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Solage: Le basile for Brass Quartet
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jmsgu3
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SheetMusicPlus
Solage: Le basile for Double Reed Quartet
Woodwind Ensemble Bassoon,Double Reed Quartet,English Horn - Level 2 - Digital Download
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Woodwind Ensemble Bassoon,Double Reed Quartet,English Horn - Level 2 - Digital Download SKU: A0.1266448 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Holiday. 8 pages. Jmsgu3 #859185. Published by jmsgu3 (A0.1266448). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
$32.95
30.26 €
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Solage
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Solage: Le basile for Double Reed Quartet
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jmsgu3
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SheetMusicPlus
Elsa's Procession to the Cathedral
Trumpet Ensemble Flugelhorn,Trumpet - Level 4 - Digital Download SKU: A0.1269552 By…
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Trumpet Ensemble Flugelhorn,Trumpet - Level 4 - Digital Download SKU: A0.1269552 By Richard Wagner. By Richard Wagner. Arranged by Caleb James. Chamber,Contest,Festival,Romantic Period,Standards. 17 pages. Caleb James #862099. Published by Caleb James (A0.1269552). Elsa's Procession to the Cathedral is an iconic and stirring composition by the renowned German composer Richard Wagner, taken from his opera Lohengrin. This trumpet choir arrangement has been thoughtfully adapted for high school-level musicians, making it accessible for young players while retaining the grandeur and emotional depth of the original piece.Arranged specifically for three trumpets and six flugelhorns, this rendition of Elsa's Procession showcases the beauty and power of the trumpet family. The arrangement features ten trumpet parts, allowing for a diverse group of players to come together and create a harmonious and majestic performance.This arrangement is ideal for high school trumpet ensembles looking to explore classical and romantic repertoire while honing their ensemble playing skills. It offers an excellent opportunity for young musicians to work on dynamics, articulation, and phrasing, as well as to understand the emotional nuances within the music.
$9.99
9.18 €
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Richard Wagner
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Elsa's Procession to the Cathedral
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Caleb James
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SheetMusicPlus
A Breath of Life
Oboe, basson, violin, viola, double bass - Digital Download SKU: IZ.BCMW164 Compose…
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Oboe, basson, violin, viola, double bass - Digital Download SKU: IZ.BCMW164 Composed by Chun-Wai Wong. BCMCC (Bassoon Chamber Music Composition Competition). Score and Parts. 77 pages. Imagine Music - Digital #BCMW164. Published by Imagine Music - Digital (IZ.BCMW164). 9 x 12 in inches.What is life for? Wealth? Power? Happiness? Are you really feeling happy with your pursuits? Or would you just go ontirelessly? Do you really feel happy when chasing after those things?And what will you get by the end of your life?I have seen everything that is done under the sun, and behold, all is vanity and a striving after wind. (Ecclesiastes 1:14)The piece is inspired by the book of Ecclesiastes from the Bible. Musically, it is inspired by a traditional Japanese theatricalperformance Kabuki. It is purely musical theatre: the piece unfolds with the wheezing of hollowness of work and life, andit is followed by a wild dance of chase -- a chase after fame and fortune in hopes of getting rid of the depression. Yet, thestruggle only brings fleeting pleasure and pressing anxiety to chase after another goal. Feeling exhausted, one realizes thatwhat one has done are all meaningless: the hollowness never goes away. Only after a hoarse cry does one start to realize themeaning of life, a meaning that transcends all materialistic goals; and only after understanding the reason to live can one take abreath of life.There are references to traditional Japanese instrumental writings, including the sound of Shamisen imitated by pizzicato instrings, drum imitated by pizzicato chords and beating of strings on fingerboard, Japanese flute imitated by the high oboe. Theshifting focus between different musical layers represents the movement of the imaginary dancer who moves forward andbackward on the stage unceasingly.ABreath of Life was commissioned by the Hong Kong Composers' Guild.
$24.00
22.04 €
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Chun-Wai Wong
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A Breath of Life
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Imagine Music - Digital
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SheetMusicPlus
Frederick Frahm: Spaces of Night for voice and organ
Small Ensemble High Voice,Medium Voice,Organ - Level 5 - Digital Download SKU: A0.53355…
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Small Ensemble High Voice,Medium Voice,Organ - Level 5 - Digital Download SKU: A0.533559 Composed by Frederick Frahm. Concert,Contemporary,Folk. Score and parts. 26 pages. Musik Fabrik Music Publishing #3020003. Published by Musik Fabrik Music Publishing (A0.533559). This is the composer's transcription of the original version for voice, organ and strings. Composer's note:On 31 October 1517, Dr. Martin Luther, according to church custom,posted a document presenting 95 theses intended for scholarly debateon the door of the Castle Church of Wittenberg. As a teacher, theologian,and a pastor he found much to be concerned with in the conduct of hismother, the Church. His intent was to begin a conversation over honestgrievances and to persuade those who would lead to take a path moreconsistent with the teachings they espoused.Spaces of Night takes its impetus from this desire to speak truth to power.It's music, with no small sympathy towards the tonal language and dialectof the classic American liturgical tradition, is at times parody and at othertimes anti-parody. It's libretto, while created 100 years ago by a celebratedAmerican author, speaks in our present age to an empire that has lost its way.Its voice is not one of despair and rage,but hope for and commitment to the future of the gathered community.If I should cast off this tattered coat,And go free into the mighty sky;If I should find nothing thereBut a vast blue,Echoless, ignorant —What then?
$19.95
18.32 €
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Frederick Frahm
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Frederick Frahm: Spaces of Night for voice and organ
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Musik Fabrik Music Publishing
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SheetMusicPlus
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