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Prelude No. I
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Chopin, Prelude no. 15 in Db major for five bassoons and contrabassoon
Small Ensemble Contrabassoon - Level 4 - Digital Download SKU: A0.1026220 Composed …
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Small Ensemble Contrabassoon - Level 4 - Digital Download SKU: A0.1026220 Composed by Frederic Chopin. Arranged by Gillian Horn. Romantic Period,World. Score and parts. 19 pages. G. Horn #5997939. Published by G. Horn (A0.1026220). Chopin, Prelude in Db major Raindrop Op. 28, no. 15arr. for five bassoons and contrabassoon by Gillian HornKnown as the Raindrop prelude, this is one of the 24 Chopin preludes composed in 1838. Originally for solo piano, this prelude is the longest of the set and is noted for its repeating Aâ™, which appears throughout the piece and sounds like raindrops to many listeners.After a tranquil opening in Db major, we transition into the C# minor middle section where the music intensifies as we pass from dream to nightmare (this is where we feature the rich low tones of the contrabassoon). The nightmare dispels as suddenly as it arrived, and we return back to peace and harmony once more.I get much joy from writing arrangements of great works that we wind players don't always get to perform. I hope you enjoy my brand new arrangement for five bassoons and contrabassoon!Duration approx. 5 minutes
$18.99
17.51 €
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Frederic Chopin
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Chopin, Prelude no. 15 in Db major for five bassoons and contrabassoon
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G. Horn
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SheetMusicPlus
Chopin Prelude No.6
Brass Ensemble Euphonium,Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1017073…
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Brass Ensemble Euphonium,Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1017073 Composed by Frederic Chopin. Arranged by Eoin Buchanan. Romantic Period. Score and parts. 8 pages. 7plc Music #6079117. Published by 7plc Music (A0.1017073). Why this Prelude? On entering music college 45 years ago I was faced with having to learn the piano and not even knowing where middle C was situated...eek! Two years later I performed this Prelude.In this arrangement the left hand theme is taken by the Bass Tuba with the Tenor Tuba interlinking for some of the higher notes and to reinforce the pathos of the falling phrases towards the end of the piece. The right hand swaps around between horns and flugelhorn with high range of the horn being used to accentuated the minor feeling of the piece. Perhaps one performance note might be that players of the supporting instruments need to be very careful not to use too much hard tonguing!
$12.50
11.52 €
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Frederic Chopin
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Chopin Prelude No.6
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7plc Music
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SheetMusicPlus
Sacred Prelude No. 12 for Trumpet, Organ, and Orchestra
Large Ensemble Cello,Flute,Oboe,Organ,Piano,Timpani,Trombone,Trumpet,Tuba,Viola,Violin - L…
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Large Ensemble Cello,Flute,Oboe,Organ,Piano,Timpani,Trombone,Trumpet,Tuba,Viola,Violin - Level 3 - Digital Download SKU: A0.573180 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Graduation,Sacred,Wedding. Score and parts. 33 pages. James M Stevens Music ASCAP #4986461. Published by James M Stevens Music ASCAP (A0.573180). This is an original composition for Solo Trumpet, Organ, and Orchestra premiered at A Welch College Christmas concert on December 6, 2019. The recording is of the Trumpet and Organ version. Parts in include: Flute I & II, Oboe, Trumpet I & II, Trombone, Tuba, Timpani, Piano (optional), Organ, Violins I & II, Viola, Cello. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.
$29.95
27.61 €
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James Michael Stevens
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II, Oboe, Trumpet I &
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Sacred Prelude No. 12 for Trumpet, Organ, and Orchestra
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James M Stevens Music ASCAP
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SheetMusicPlus
Debussy: "Minstrels" from Preludes Book I No.12 for Low Brass Quintet (4 Trombones, Bass trombones o
Brass Ensemble Trombone,Tuba - Level 4 - Digital Download SKU: A0.892057 Composed b…
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Brass Ensemble Trombone,Tuba - Level 4 - Digital Download SKU: A0.892057 Composed by Claude Debussy. Arranged by Artkstar BrassMusic. 20th Century. Score and parts. 19 pages. ASANO Takashi #4785409. Published by ASANO Takashi (A0.892057). Minstrels is the one of the popular pieces in the Book I of Preludes for solo piano, written by Debussy in 1910.Arranged for Low Brass (Trombone) Quintet.Instrumentaion: 4 Tenor Trombones, Bass Trombone or TubaDuration: 2.5 minutesLevel: intermediate - Advanced
$15.00
13.83 €
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Claude Debussy
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Debussy: "Minstrels" from Preludes Book I No.12 for Low Brass Quintet
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ASANO Takashi
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SheetMusicPlus
Debussy: Piano Preludes Bk.2 No.5 "Bruyères" - symphonic wind dectet
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.13666…
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1366668 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century. 17 pages. RayThompsonMusic #950991. Published by RayThompsonMusic (A0.1366668). Debussy: Piano Preludes Bk.2 No.5 Bruyères (Heather) - symphonic wind dectetArranged double wind quintet/bassDebussy's Préludes are 24 pieces for solo piano, divided into two books of 12 preludes each. Unlike some notable collections of preludes from prior times, such as Chopin's Op. 28 preludes, or the preludes from Johann Sebastian Bach's The Well-Tempered Clavier, Debussy's do not follow a strict pattern of tonal centres.This is from the 2nd Book.I have arranged all of these preludes from both books:Book 1Danseuses de DelphesVoilesLes sons et le parfums…..Des pas sur le neige La fille aux cheveux de linLa Cathédral engloutieMinstrelsBk.2BruyèresGeneral LevineHommage à S.Pickwick EsqCanopeAs if by magic, we are transported to heather covered V it shows that this shepherd is a distant cousin of ‘la fille heathland with a piece much reminiscent of la Fille aux cheveux de lin’. The same calm, the same purityaux Cheveux de Lin from book one. Nature and innocence demand a spontaneous and laidback approach to those delicate and poetic riffs to match the colour and aroma of fragrant purple shrubs. Birds may be heard calling, accompanied by the distant refrain of a shepherd’s flute in this harmonious and homogeneous prelude — an admirable contrast to numbers IV and VI.In direct connection with this prelude, Marguerite Long mentions a Debussy souvenir pairing the scent of sea mist and coastal pines, and if she is correct this would take us to Arcachon in south west France. It is possible that the young composer first went there in 1880 with the baroness Nadejda Von Meck and later in 1904 when he stayed with the uncle of Emma Bardac (neÌe Moyse), his future bride.The pastoral and familiar poetry of a woodland scene where the earth’s pervasive scent mingles with the subdued display of patches in purple.— CortotA peaceful melody on a shepherd's pipe, resonating on the silent moorland. With its Celtic pentatonic structureand the same diatonic transparency, time-signature and tempo provide a clear link.— Harry Halbreich
$14.95
13.78 €
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Claude Debussy
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Debussy: Piano Preludes Bk.2 No.5 "Bruyères" - symphonic wind dectet
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RayThompsonMusic
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SheetMusicPlus
Mozart-Bach Prelude and Fugue I from K.404a (arranged for woodwind quintet)
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute - Level 3 - Digital…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute - Level 3 - Digital Download SKU: A0.1408729 Composed by W.A. Mozart, J.S. Bach. Arranged by Daniel Kaplan. 19th Century,Baroque,Chamber,Classical. 30 pages. Daniel Kaplan #991327. Published by Daniel Kaplan (A0.1408729). Arrangement by Daniel Kaplan for woodwind quintet of Mozart's Prelude and Fugue No. 1 from his Six Preludes and Fugues for String Trio, K.404a. This is an original prelude by Mozart plus his arrangement of the Fugue in D minor by J.S. Bach, BWV 853 (from Book 1 of the Well Tempered Clavier). Mozart wrote this to play at the Sunday musicales of Baron van Swieten in Vienna, who insisted that all participants perform music of Bach or Handel. Kaplan is engaged in a project to make classics from other genres available to woodwind players and has also arranged several other great works for this ensemble. The woodwind quintet is especially well suited for contrapuntal music since the distinctive tone colors of the wind instruments bring out the contrapuntal lines and make them clearer to the listener.Note that all six preludes and all six fugues from this work are also available as a single purchase on this website. This first Prelude and Fugue is being made available here for those who would rather buy one prelude and fugue at a time.
$4.95
4.56 €
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W
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Mozart-Bach Prelude and Fugue I from K.404a
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Daniel Kaplan
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SheetMusicPlus
Debussy: Piano Preludes Bk.1 No.10 "La Cathédral engloutie" - symphonic wind
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 5 - Digital Download
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.553821 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century,Concert. Score and parts. 24 pages. RayThompsonMusic #4801954. Published by RayThompsonMusic (A0.553821). La Cathédrale engloutie (The Submerged Cathedral) is a prelude written by the French composer Claude Debussy for solo piano. It was published in 1910 as the tenth prelude in Debussy’s first of two volumes of twelve piano preludes each. It is characteristic of Debussy in its form, harmony, and content.Arranged double wind quintet.Debussy indicates a meter of 6/4=3/2 on his piano original. His own recording plays all the quarter notes/crotchets in the 6/4 passages at exactly the same length as the half notes/minims in the 3/2 passages.I have done the same in this arrangement.In other words the beat/pulse remains the same throuhout the piece.
$14.95
13.78 €
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Claude Debussy
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Debussy: Piano Preludes Bk.1 No.10 "La Cathédral engloutie" - symphonic wind
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RayThompsonMusic
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SheetMusicPlus
Suite No. 1
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Sco…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95
10.09 €
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Prélude from Cello Suite No. 1, - duet: instruments in Eb and Bb
Small Ensemble Alto Saxophone,Euphonium,Tenor Saxophone - Level 3 - Digital Download SK…
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Small Ensemble Alto Saxophone,Euphonium,Tenor Saxophone - Level 3 - Digital Download SKU: A0.835868 Composed by Johann Sebastian Bach. Arranged by Paul Burnell. Baroque. Score and parts. 9 pages. Paul Burnell #6343385. Published by Paul Burnell (A0.835868). Prélude from Cello Suite No. 1 (Cello Suite No. 1 in G Major, BWV 1007: I. Prélude) Johann Sebastian Bach, arranged by Paul Burnell for duet - instrument in Eb, instrument in Bb.Duration 2:20Part 1 in Eb (Alto Clarinet, Alto Saxophone, Tenor Horn)Part 2 in Bb (Bass Clarinet, Tenor Saxophone, Euphonium)The arrangement may be suitable for other instruments with the same transpositions.Score shows parts transposed.The key of the original piece is transposed.Programme note:Johann Sebastian Bach wrote the six Cello Suites for unaccompanied cello probably during the period 1717–23. Each of the suites begins with a prelude. The prelude in the first suite is the best-known movement from the entire set of suites.
$1.99
1.83 €
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Johann Sebastian Bach
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Prélude from Cello Suite No. 1, - duet: instruments in Eb and Bb
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Paul Burnell
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SheetMusicPlus
Prelude in E Minor Op. 28, No. 4
String Ensemble Cello,Double Bass,Viola,Violin - Level 1 - Digital Download SKU: A0.121…
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String Ensemble Cello,Double Bass,Viola,Violin - Level 1 - Digital Download SKU: A0.1217865 By Frederic Chopin. By Frederic Chopin. Arranged by Jakson Kreuz. 19th Century,Chamber,Children,Classical,Romantic Period. 7 pages. Jakson Kreuz #814381. Published by Jakson Kreuz (A0.1217865). PRELUDE IN E MINOR Op. 28, No. 4F. CHOPINSTRING ENSEMBLE - Score and partsViolin I, Violin II, Viola, Cello and Bass.
$2.99
2.76 €
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Frederic Chopin
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Prelude in E Minor Op. 28, No. 4
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Jakson Kreuz
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SheetMusicPlus
Prelude and Fugue I from Well Tempered Clavier
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute - Level 3 - Digital…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute - Level 3 - Digital Download SKU: A0.1413631 Composed by Johann Sebastian Bach. Arranged by Daniel Kaplan. Baroque,Chamber,Classical. 25 pages. Daniel Kaplan #995417. Published by Daniel Kaplan (A0.1413631). Arrangement by Daniel Kaplan for woodwind quintet of Bach's famous Prelude and Fugue No. 1 from Book 1 of The Well Tempered Clavier. Kaplan is engaged in a project to make classics from other genres available to woodwind players and has also arranged several other great works for this ensemble, including many of his favorites from The Well Tempered Clavier. The woodwind quintet is especially well suited for contrapuntal music since the distinctive tone colors of the wind instruments bring out the contrapuntal lines and make them clearer to the listener.
$4.95
4.56 €
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Johann Sebastian Bach
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Prelude and Fugue I from Well Tempered Clavier
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Daniel Kaplan
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SheetMusicPlus
Lord of All Our Days (Funeral Hymn) Backup Track (No Vocals)
Piano Accompaniment - Level 2 - Digital Download SKU: A0.1477614 By Stacey Plays Hy…
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Piano Accompaniment - Level 2 - Digital Download SKU: A0.1477614 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred. Accompaniment. Duration 235. Anastace #1054994. Published by Anastace (A0.1477614). As of this publishing, over 140,000 people have found my one video collection of funeral hymns on YouTube, not including separate postings of each individual song. Because of this it's been on my mind for a long time to write a funeral song, but it was somehow just never the right time until just a few weeks ago when this one came pouring out in 5 minutes flat [which does not happen often, I can assure you!]. The culmination of years of playing for funerals, a bachelor degree in theology and sacred music, and many more years of writing and playing music through good times and also times full of grief, Lord of All Our Days is my very best and heartfelt attempt to serve those who are also dealing with the absolute heartache of loss, be it the acute, fresh grieving of just losing someone or the flashbacks that come time and time again, years and even decades later.This song carefully and tenderly handles the true earth-shaking grief that it is to lose someone you love, while holding out a strong hope of the life to come for those who trust God. I had a very difficult time recording it without being moved to tears over and over, and I pray it will reach many in need of comfort, being of service to anyone who is looking for a Christian, Biblical funeral hymn for a memorial service or a celebration of life service. Also available, by searching Stacey Plays Hymns and the song title on this site, is an accompaniment track with the full backup vocals as well as the following sheet music versions:Piano Vocal in Bb Minor to match the original recording [vocal range: Bb3-Bb4]Piano Vocal in C Major for easier playing and a better congregational vocal rangeLead Sheet for piano or guitar in C Major - best key for singing without a capoLead Sheet in G minor for piano or guitar [play capo 3 or more to match the original key]For other formats including large print, a different key to match a soloist's preferred range, or piano solo for a matching prelude or postlude, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one funeral or memorial service with under 1000 people, with proper attribution and credit in all printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$3.00
2.77 €
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Stacey Plays Hymns
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Lord of All Our Days
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Anastace
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SheetMusicPlus
Peer Gynt Suite No. 1 - I. Morning Mood
Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bassoon,Contra Alto Clar…
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Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bassoon,Contra Alto Clarinet,Flute,Oboe,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1371363 Composed by Edvard Grieg. Arranged by Andrew Jacobi. Classical. 46 pages. Andrew Jacobi #955580. Published by Andrew Jacobi (A0.1371363). Peer Gynt Suite No. 1 is a four-movement work pulled from Edvard Greig’s incidental music to Henrik Ibsen’s 1867 play also titled Peer Gynt.  The original music was composed in 1875 with select movements from the play being pulled into its own suite and published in 1888.  The opening movement to Suite No. 1originated in the prelude to Act IV of the play where it depicted the rising sun.Edvard Grieg was a Norwegian composer and pianist and was considered one of the leading composers from the Romantic Era. His integration of Norwegian folk music into his music helped to develop a national identity for Norway and much of his music remains as standard repertoire today.About the Arrangement:This arrangement of Morning Mood is written for a full woodwind choir, but features a few possible substitutions.  Both oboe parts may be substituted as need to fill in voices.  Oboe 1 features a substitute part for either soprano saxophone or clarinet and is necessary to perform the piece without significant holes.  It is preferred that soprano sax be used in order to get the change in timbre, but clarinet can be effectively used.  The oboe 2 part can be substituted for alto saxophone.  All of the important bassoon parts are doubled in other parts and this arrangement can be played without a bassoon.List of partsFlute 1Flute 2Oboe 1 (Soprano Sax or Clarinet)Oboe 2 (Alto Sax)Bassoon 1Bassoon 2Clarinet 1Clarinet 2Clarinet 3Bass ClarinetContra Alto/Bass ClarinetAlto Sax 1Alto Sax 2Tenor SaxBari Sax.
$30.00
27.66 €
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Edvard Grieg
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Peer Gynt Suite No. 1 - I. Morning Mood
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Andrew Jacobi
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SheetMusicPlus
Carmen Suite 1. Prelude
Woodwind Ensemble - Level 3 - Digital Download SKU: A0.996089 Composed by Georges B…
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Woodwind Ensemble - Level 3 - Digital Download SKU: A0.996089 Composed by Georges Bizet. Arranged by Erik Cole. Romantic Period. 9 pages. Erik Cole #4792215. Published by Erik Cole (A0.996089). A double reed transcription of the Prelude from Carmen Suite No. 1. This was challenging to transcribe because of the tremolos in the strings. Since tremolos are impossible and sustained notes lose the dramatic effect, I settled on adding at least one trill to each of the chords. The effect works as long as the chords fade into the background and let the melody be the focus.
$3.25
3 €
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Georges Bizet
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Carmen Suite 1. Prelude
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Erik Cole
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SheetMusicPlus
Romance No. 2 for Tenor Recorder and Violin
Instrumental Duet,Tenor Recorder,Violin - Level 3 - Digital Download SKU: A0.1401039
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Instrumental Duet,Tenor Recorder,Violin - Level 3 - Digital Download SKU: A0.1401039 Composed by Dorothy van Joolen Barth. Chamber,Classical,Contemporary,Wedding. 2 pages. Dorothy van Joolen Barth #984239. Published by Dorothy van Joolen Barth (A0.1401039). I composed Romance No. 2 for Tenor Recorder and Violin as a birthday gift for my husband. The recorder part could also be played on alto recorder (if you don't mind playing the low f sharps), flute, or another C instrument that has a contrasting timbre to the violin. This is an unusual duet combination which I hope will be enjoyed as a recital/repertory piece or perhaps as prelude music before a wedding ceremony.
$3.99
3.68 €
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Dorothy van Joolen Barth
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Romance No. 2 for Tenor Recorder and Violin
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Dorothy van Joolen Barth
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SheetMusicPlus
Romance No. 1 for Tenor Recorder and Violin
Instrumental Duet Instrumental Duet - Level 3 - Digital Download SKU: A0.785044 Com…
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Instrumental Duet Instrumental Duet - Level 3 - Digital Download SKU: A0.785044 Composed by Dorothy van Joolen Barth. Contemporary,Holiday,Standards,Wedding. Score and parts. 5 pages. Dorothy van Joolen Barth #4356619. Published by Dorothy van Joolen Barth (A0.785044). I composed Romance No. 1 for Tenor Recorder and Violin as a birthday gift for my husband. It incorporates the first two letters of his first and last names in the melodic motif (B-E-B-A) in various guises. Although specifically written for tenor recorder and violin, the recorder part could also be played on flute or another C instrument that has a contrasting timbre to the violin. This is an unusual duet combination which I hope will be enjoyed as a recital/repertory piece or perhaps as prelude music before a wedding ceremony.
$8.99
8.29 €
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Dorothy van Joolen Barth
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Romance No. 1 for Tenor Recorder and Violin
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Dorothy van Joolen Barth
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SheetMusicPlus
BOISMORTIER SUITE IN G MAJOR OPUS 11 No. 6 BP 282
Small Ensemble Clarinet,Flute,Oboe,Trumpet,Violin - Level 2 - Digital Download SKU: A0.…
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Small Ensemble Clarinet,Flute,Oboe,Trumpet,Violin - Level 2 - Digital Download SKU: A0.811780 Composed by Josepg Bodin De Boismortier (1689 - 1755). Arranged by Edited & arranged by Pat Spence. Baroque,Concert,Graduation,Standards. Score and parts. 16 pages. Piper Publications #6285081. Published by Piper Publications (A0.811780). This Suite is the last of a set of six first published by Boivin in Paris in 1727 for two musettes (bagpipes). This arrangement is for pairs of flutes or oboes or violins or two different instruments. It is also suitable for a pair of clarinets or trumpets. The five movements, Prelude, Rondeau. Passacaille, Boureé, Brunette & a pair of Menuets are suitable for players of early intermediate standard and above.The original edition used the ‘violin clef’ which placed the g above middle c on the bottom line of the stave instead of the line above as is usual today. The notation has been modernised for ease of reading. All edits have been indicated using dashed lines or parentheses ( ). No dynamics are marked in the original edition since bagpipes do not usually have means of volume control. The dynamics I have added (in parentheses) are suggestions only. The Suite would have been bought and played by flute, oboe and violin players as well as bagpipers. Boismortier wrote and published a substantial number of chamber works aimed at amateur players which were very popular and made him a very wealthy man.
$10.00
9.22 €
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Josepg Bodin De Boismortier
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BOISMORTIER SUITE IN G MAJOR OPUS 11 No. 6 BP 282
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Piper Publications
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SheetMusicPlus
English Suite No. 3 in G minor BWV 808
Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.810797 Composed by Bac…
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Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.810797 Composed by Bach, J. S. Arranged by Burgstahler, Albert. Baroque. Score and parts. 61 pages. Gordon Cherry #3080005. Published by Gordon Cherry (A0.810797). The English Suites are an early set of six suites written for harpsichord around 1718-1720. The name English have come from a claim that these works may have been composed for an English nobleman. This very imaginative arrangement for Trombone Quartet by Mr. Burgstahler is appropriate for advanced performers and is in eight movements: Prelude, Allemande, Courante, Sarabande, Sarabande embellished (added by the arranger), Gavotte I, Gavotte II and Gigue. This arrangement can be played in its entirety or even just a few of the movements, still with much satisfaction for the performers.
$30.00
27.66 €
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Bach, J
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English Suite No. 3 in G minor BWV 808
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Gordon Cherry
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SheetMusicPlus
Debussy: Piano Preludes Bk.2 No.10 "Canope" - wind dectet
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.13639…
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1363966 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century,Classical. 19 pages. RayThompsonMusic #948289. Published by RayThompsonMusic (A0.1363966). Claude Debussy: Piano Preludes Bk.2 No.10 Canope arranged wind dectet/bassDebussy's Préludes are 24 pieces for solo piano, divided into two books of 12 preludes each. Unlike some notable collections of preludes from prior times, such as Chopin's Op. 28 preludes, or the preludes from Johann Sebastian Bach's The Well-Tempered Clavier, Debussy's do not follow a strict pattern of tonal centres.One of Debussy’s most mysterious and enigmatic pieces, is also one of his most prophetic. The entire piece unfolds in a hieratic, strangely distant atmosphere, engendering a sensation of infinite solitude reinforced by a cadence that is not an ending — we remain suspended in the void. Once again, Debussy has fused space and time.— Harry HalbreichThe meditative and gentle lines of this piece have the nobility and the stately form of the antique funerary urn* which serves as a symbol. * A Canopic Jar: used in sets of four by the ancient Egyptians as containers for the internal organs of embalmed bodies.I have arranged all of these preludes from both books:Book 1Danseuses de DelphesVoilesLes sons et le parfums…..Des pas sur le neige La fille aux cheveux de linLa Cathédral engloutieMinstrelsBk.2BruyèresGeneral LevineHommage à S.Pickwick EsqCanope
$9.95
9.17 €
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Claude Debussy
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Debussy: Piano Preludes Bk.2 No.10 "Canope" - wind dectet
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RayThompsonMusic
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SheetMusicPlus
Chopin: Étude No.3 in E "Tristesse" Op.10 No.3 - wind quintet
Woodwind Ensemble,Woodwind Quintet Clarinet,English Horn,Flute,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Clarinet,English Horn,Flute,Oboe - Level 3 - Digital Download SKU: A0.1473315 Composed by Frederic Chopin. Arranged by Ray Thompson. 19th Century,Romantic Period,Wedding. 10 pages. RayThompsonMusic #1051126. Published by RayThompsonMusic (A0.1473315). Étude Op. 10, No. 3, in E major, is a study for solo piano composed by Frédéric Chopin in 1832. It was first published in 1833 in France,Germany,and England as the third piece of his Études Op. 10. This is a slow cantabile study for polyphonic and expressive legato playing. In fact, Chopin himself believed the melody of the piece to be the most beautiful one he ever composed. It became famous through numerous popular arrangements.Although this étude is sometimes identified by the names Tristesse (Sadness) or Farewell (L'Adieu), neither is a name given by Chopin, but rather his critics.Arranged wind quintet.I have transposed it from E major to F major to aid the players.It is NOT the complete study, rather it is of the opening theme, a small selection from the development and the reprise of the theme.The melody is taken mainly the the oboe and flute, the clarinet takes the broken arpeggios, the bassoon the bass line, and the horn adds sustaining notes.Check out my other Chopin arrangements of some of his Preludes (including Raindrop) and of Nocturne No.2.
$17.95
16.55 €
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Frederic Chopin
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Chopin: Étude No.3 in E "Tristesse" Op.10 No.3 - wind quintet
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RayThompsonMusic
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SheetMusicPlus
Scriabin 24 Preludes Op 11, No 15
Cello,Double Bass,Harp,Horn,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.123…
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Cello,Double Bass,Harp,Horn,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.1235491 Composed by Alexander Scriabin. Arranged by David Freitas. 19th Century,Classical,Romantic Period. 5 pages. David F. #831005. Published by David F. (A0.1235491). The etudes created by Scriabin are by far the most underrated piano compositions. The combination of sounds from these etudes can only be done by a genius. This arrangement is a rework of one his etudes bringing a new level of music to the world. I created an ensemble piece composed for a harp, quintet of strings (1&2 violin, viola, cello and double bass), piano and two french horns.
$10.00
9.22 €
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Alexander Scriabin
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Scriabin 24 Preludes Op 11, No 15
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David F.
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SheetMusicPlus
Scriabin 7 Preludes Op. 17, No. 3
Cello,Double Bass,Harp,Horn,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.123…
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Cello,Double Bass,Harp,Horn,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.1235530 Composed by Alexander Scriabin. Arranged by David Freitas. 19th Century,Classical,Romantic Period. 14 pages. David F. #831044. Published by David F. (A0.1235530). The etudes created by Scriabin are by far the most underrated piano compositions. The combination of sounds from these etudes can only be done by a genius. This arrangement is a rework of one his etudes bringing a new level of music to the world. I created an ensemble piece composed for a harp, quintet of strings (1&2 violin, viola, cello and double bass), piano and two french horns.
$15.00
13.83 €
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Alexander Scriabin
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Scriabin 7 Preludes Op. 17, No. 3
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David F.
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SheetMusicPlus
78 Duets for Flute and Clarinet - Volume 2 - Nos. 56 To 78
Advanced Clarinet, Flute, Woodwind Ensemble, Woodwind Duet - Difficulty: medium SKU: HL…
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Advanced Clarinet, Flute, Woodwind Ensemble, Woodwind Duet - Difficulty: medium SKU: HL.4471050 Advanced. Edited by H. Voxman. Ensemble Collection. Baroque and Classical Period. Flute/clarinet duet book. 72 pages. Rubank Publications #RUBL197. Published by Rubank Publications (HL.4471050). ISBN 9781423445425. UPC: 073999710502. 9x12 inches. Edited by H. Voxman.A wonderful compilation of duets from Rubank, the two volumes presented here supplement musical development and provide a rich experience for growing musicians. Duet playing is often a student's first form of ensemble experience - technique, tone quality, intonation and balance are introduced as students do one of the things they enjoy most - making music with a friend. And duet playing leads easily and naturally to competent performance in larger ensembles. (Vol. I – Easy to Medium, Vol. 2 – Advanced).
Song List
: Giguetta Baracarolle In Canon Bourree Air - from 'Second French Suite' Gigue - from 'Second French Suite' Bourree II - from 'First English Suite' Rigaudon La Joyeuse Arietta Duo No.7 Six Little Preludes No.6 Rondino Andante Duo No.2, K.424 Little Prelude No.12 Divertissement No.2 Duo No.6, Op.19 Duo No.1, Op.46 Little Prelude No.5 Duo No.4 Night Piece Duo No.1 Andante And Menuetto
$11.99
11.05 €
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78 Duets for Flute and Clarinet - Volume 2 - Nos. 56 To 78
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Rubank Publications
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SheetMusicPlus
Satie: Parade - Final & Suite au Prélude de rideau rouge - wind dectet
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.13350…
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1335055 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 22 pages. RayThompsonMusic #920917. Published by RayThompsonMusic (A0.1335055). Satie: Parade - Final & Suite au Prélude de rideau rougeArranged wind dectet/bass (double wind quintet)The concluding music for Erik Satie's Ballet Parade.Other movements from Parade are available.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of milk bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showI have omitted the  percussion in my arrangement of the finale.The premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Arranged wind dectet/bass (double wind quintet).
$14.95
13.78 €
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Erik Satie
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Satie: Parade - Final & Suite au Prélude de rideau rouge - wind dectet
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RayThompsonMusic
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SheetMusicPlus
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