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Prelude to Act 1 from
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1
Bizet Prelude to Act 1 from Carmen, for piano trio, PB301
Composed by Georges Bizet (1838-1875). Arranged by H. Gibson. For Piano, Violin, Cello, Pi…
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Composed by Georges Bizet (1838-1875). Arranged by H. Gibson. For Piano, Violin, Cello, Piano Trio, Bizet Prelude to Act 1 from Carmen, for piano trio, PB301, Sheet music for piano trio published by FC MUSIC., Set of piano score and parts(Vn,Vc)., About
$14.00
12.91 €
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Georges Bizet
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Bizet Prelude to Act 1 from Carmen, for piano trio, PB301
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SheetMusicPlus
Peer Gynt Suite No. 1 - I. Morning Mood
Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bassoon,Contra Alto Clar…
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Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bassoon,Contra Alto Clarinet,Flute,Oboe,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1371363 Composed by Edvard Grieg. Arranged by Andrew Jacobi. Classical. 46 pages. Andrew Jacobi #955580. Published by Andrew Jacobi (A0.1371363). Peer Gynt Suite No. 1 is a four-movement work pulled from Edvard Greig’s incidental music to Henrik Ibsen’s 1867 play also titled Peer Gynt.  The original music was composed in 1875 with select movements from the play being pulled into its own suite and published in 1888.  The opening movement to Suite No. 1originated in the prelude to Act IV of the play where it depicted the rising sun.Edvard Grieg was a Norwegian composer and pianist and was considered one of the leading composers from the Romantic Era. His integration of Norwegian folk music into his music helped to develop a national identity for Norway and much of his music remains as standard repertoire today.About the Arrangement:This arrangement of Morning Mood is written for a full woodwind choir, but features a few possible substitutions.  Both oboe parts may be substituted as need to fill in voices.  Oboe 1 features a substitute part for either soprano saxophone or clarinet and is necessary to perform the piece without significant holes.  It is preferred that soprano sax be used in order to get the change in timbre, but clarinet can be effectively used.  The oboe 2 part can be substituted for alto saxophone.  All of the important bassoon parts are doubled in other parts and this arrangement can be played without a bassoon.List of partsFlute 1Flute 2Oboe 1 (Soprano Sax or Clarinet)Oboe 2 (Alto Sax)Bassoon 1Bassoon 2Clarinet 1Clarinet 2Clarinet 3Bass ClarinetContra Alto/Bass ClarinetAlto Sax 1Alto Sax 2Tenor SaxBari Sax.
$30.00
27.66 €
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Edvard Grieg
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Peer Gynt Suite No. 1 - I. Morning Mood
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Andrew Jacobi
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SheetMusicPlus
Debussy: Two Piano Preludes from Book 1 - Nos.VI Des pas sur la neige/XII Minstrels - symphonic wind
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.55360…
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.553608 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century. 34 pages. RayThompsonMusic #3227059. Published by RayThompsonMusic (A0.553608). Two Piano Preludes from Book 1 - Nos.VI Des pas sur la neige/XII Minstrels Two preludes from Bk 1 arranged symphonic winds: double wind quintet  with contra bass and opt. trumpet and trombone.No 6 Des pas sur la neige (Footsteps in the Snow)The piece is one of four Debussy preludes in both books whose title origins are unknown. It has been suggested that the inspiration for the title could have stemmed from a painting depicting a snowy landscape. This was an extremely popular backdrop among Impressionist artist like Claude Monet or Alfred Sisley; the latter painted Snow at Louveciennes.No 12 Minstrels This is the final prelude of Book One.  Debussy delivers a surprising and humorous gem that is a tribute to the performing minstrel groups which started to appear in Europe around 1900. The music of the minstrels included many contemporary jazz elements such as ragtime and blues, rhythms which were incorporated into the music of quite a few fascinated European composers. This prelude cleverly captures the frenzy of the quick-change minstrel act and their rhythmic excitement, opening with a banjo-like theme supported by uncharacteristically blatant dominant to tonic pedals in G Major. We also hear a brief sentimental song and a recurrent drum theme before the prelude comes to a satisfying close with a hymn- like plagal cadence.
$17.95
16.55 €
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Claude Debussy
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Debussy: Two Piano Preludes from Book 1 - Nos.VI Des pas sur la neige/XII Minstrels - symphonic wind
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RayThompsonMusic
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SheetMusicPlus
Shepherd's Song from Tristan & Isolde for Unaccompanied Bass Trombone
Bass Trombone,Instrumental Solo - Level 5 - Digital Download SKU: A0.810784 Compose…
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Bass Trombone,Instrumental Solo - Level 5 - Digital Download SKU: A0.810784 Composed by Richard Wagner. Arranged by Sauer, Ralph. Opera,Romantic Period. Individual part. 3 pages. Gordon Cherry #3025585. Published by Gordon Cherry (A0.810784). Shepherd's Song is heard in the prelude to the Finale, Act 3 of Wagner's great opera, Tristan & Isolde. It is a bleak and doleful lament played mostly unaccompanied by a shepherd boy keeping watch for Isolde's ship to arrive. The melody is later heard throughout scene 1. Ralph Sauer, has done a beautiful job in arranging this music (originally played offstage on the English Horn) for Bass Trombone It is about 2 1/2 minutes in length and appropriate for advanced performers.
$5.00
4.61 €
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Richard Wagner
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Isolde
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Shepherd's Song from Tristan & Isolde for Unaccompanied Bass Trombone
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Gordon Cherry
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SheetMusicPlus
Suite No. 1
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Sco…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95
10.09 €
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Fanfare Prelude to Libusa Overture for Brass Band
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.817135 Composed by Bedrich Smetana. Arranged by Charles Decker. Contest,Festival,Multicultural,Opera,Romantic Period,World. Brass Band. 47 pages. Charles Decker Music Press #3594099. Published by Charles Decker Music Press (A0.817135). Originally for orchestral brass, now scored for traditional British Brass Band instrumentation, this elegant and powerful fanfare served as the prelude to Smetana's 1881 opera Libusa. It can be a feature as well for the brass section of a concert band using the included set of alternate parts for standard wind band brass instruments (B-flat cornet for soprano cornet in E-flat, F horns for E-flat alto horns, and all low brass parts in bass clef) in substitution for British Brass Band instrumentation. The audio file is an actual brass ensemble performance and not a computer playback of the score.See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. For more brass quintet editions by Charles Decker use these links to Kendor Music and Cherry Classics Music for listings of arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$23.95
22.08 €
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Bedrich Smetana
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Fanfare Prelude to Libusa Overture for Brass Band
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Charles Decker Music Press
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SheetMusicPlus
Prelude and Fugue XVI from The Well Tempered Clavier Book 1 (arranged for woodwind quintet)
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute - Level 3 - Digital…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute - Level 3 - Digital Download SKU: A0.1418981 Composed by Johann Sebastian Bach. Arranged by Daniel Kaplan. Baroque,Chamber,Classical. 20 pages. Daniel Kaplan #1000428. Published by Daniel Kaplan (A0.1418981). Arrangement by Daniel Kaplan for woodwind quintet of Bach's Prelude and Fugue No. 16  in G minor from Book 1 of The Well Tempered Clavier. Kaplan fondly recalls interesting his young son in classical music by asking him to play the trills of this prelude while Kaplan played the rest of the notes in an impromptu, piano-three-hands arrangement. The fugue was analyzed in Kaplan's college counterpoint class as a quintessential example, exhibiting many of the standard fugal techniques in Bach's practice. Kaplan is engaged in a project to make classics from other genres available to woodwind players and has arranged several other great works for this ensemble, including many of his favorites from The Well Tempered Clavier (also available on this website). The woodwind quintet is especially well suited for contrapuntal music since the distinctive tone colors of the wind instruments bring out the contrapuntal lines and make them clearer to the listener.
$4.95
4.56 €
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Johann Sebastian Bach
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Prelude and Fugue XVI from The Well Tempered Clavier Book 1
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Daniel Kaplan
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SheetMusicPlus
Bach BWV847 - Prelude in C Minor. Brass band arrangement.
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.864945 Composed by Johann Sebastian Bach. Arranged by Rhodri Tomos. Baroque. Brass Band. 43 pages. RT Music Ltd #2181. Published by RT Music Ltd (A0.864945). This is the first brass band arrangement ever (I think!) of not the best known but perhaps underplayed J.S.Bach Prelude in C minor from The Well-tempered Clavier collection. The original composition is transcribed to various instruments in the band with some additions here and there by the arranger, to deepen the musical impact with the various colours possible with a brass band.
$24.99
23.04 €
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Johann Sebastian Bach
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Bach BWV847 - Prelude in C Minor. Brass band arrangement.
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RT Music Ltd
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SheetMusicPlus
Prelude To Aire
Small Ensemble - Level 5 - Digital Download SKU: A0.747896 By Chicago. By Danny Ser…
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Small Ensemble - Level 5 - Digital Download SKU: A0.747896 By Chicago. By Danny Seraphine. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 69 pages. Patrick Sheehan #4968671. Published by Patrick Sheehan (A0.747896). INSTRUMENTATION: Flute, Moog Synthesizer, Bass, Bongo Drums, Conga Drums, Tom-Toms, Cabasa, Triangle, Guiro, Cuica, Drumset Full score for rock band and set of parts included. All parts transcribed by ear from the original recording from Chicago VII released in 1974. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$25.00
23.05 €
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Chicago
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Prelude To Aire
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Patrick Sheehan
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SheetMusicPlus
Music for Three, Volume 1 Score 50199
Small Ensemble - Level 5 - Digital Download SKU: A0.720843 Composed by Various. Arr…
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Small Ensemble - Level 5 - Digital Download SKU: A0.720843 Composed by Various. Arranged by Daniel Kelley. Baroque,Classical,Instructional,Romantic Period,Wedding. Score and parts. 83 pages. Last Resort Music Publishing #329230. Published by Last Resort Music Publishing (A0.720843). Music for Three, Volume 1 - Score (Part 1-3 in Score Form in C) Baroque, Classical & Romantic Favorites Includes works by Bach, Beethoven, Handel, Mouret, Pachelbel, Wagner and more! An incredible collection of 35 arrangements for strings, woodwinds and piano – these mix and match trios allow the performer to pick the instrumentation. A versatile must-have for any musician, Music for Three is perfect for weddings, recitals, concerts, and any chamber music gatherings. Parts are available separately or may be purchased for specific instrumentation. The keyboard/guitar part encompasses parts 2 & 3. Therefore, the arrangements could be played as a piano trio, or an entire trio can play with a pianist - as long as Part 1 is being played! Includes 35 arrangements. Table of Contents Air on the G String from Suite #3 in D Major (Bach) Arioso from Cantata #156 (Bach) Ave Maria adapted by Charles Gounod from WTC (Bach) Prelude #1 (Bach) Gigue from Suite #3 in D Major (Bach) Jesu, Joy of Man's Desiring from Cantata #147 (Bach) Sheep May Safely Graze from Cantata #208 (Bach) Minuet in G (Beethoven) Trumpet Voluntary (Clarke) Gavotte (Gossec) Allegro from Sonata in F Major, Op. 1 #11 (Handel) Largo from Xerxes (Handel) Sarabande from Suite #4 in D minor for piano, 2nd set (Handel) Air, Allegro, Andante, Bourree, Finale from Water Music Suite (Handel) Presto from String Quartet in F Major, Op. 74, #2 (Haydn) Waltz from Waves of the Danube, #1 (Ivanovici) Elegie from Incidental Music to Les Erinnyes (Massenet) Rondeau from Sinfonies de Fanfares (Mouret) Allegro, Menuetto, Romanza, Rondo from Eine Kleine Nachtmusik, String Quartet in G Major, K. 525 (Mozart) Canon (Pachelbel) Adagio from Octet in F Major, Op. 166 (Schubert) Andante from String Quartet in A minor, Op. 29 Rosamunde (Schubert) Moment Musical from Op. 94, #3 (Schubert) Traumerei from Kinderscenen, Op. 15, #7 (Schumann) Presto from Sonatina in F Major (Telemann) Allegro, Adagio, Finale from Concerto Grosso in D Minor, Op. 3, #11 (Vivaldi) Bridal Chorus from Act III of Lohengrin (Wagner) Available Parts 50111 Part 1 Flute or Oboe or Violin 50113 Part 1 Clarinet in Bb 50121 Part 2 Flute or Oboe or Violin 50122 Part 2 Viola 50123 Part 2 Clarinet in Bb 50131 Part 3 Cello or Bassoon 50140 Keyboard or Guitar 50199 Score Published by lastresortmusic.com.
$39.95
36.83 €
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Various
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Music for Three, Volume 1 Score 50199
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Last Resort Music Publishing
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SheetMusicPlus
Prelude & Fugue No.4 in C# Minor from The Well-Tempered Clavier Book 1 by J.S.Bach for Saxophone Qui
Small Ensemble - Level 4 - Digital Download SKU: A0.891940 Composed by Johann Sebas…
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Small Ensemble - Level 4 - Digital Download SKU: A0.891940 Composed by Johann Sebastian Bach. Arranged by Stephen Davies. Baroque,Standards. Score and parts. 28 pages. Stephen Davies #5370255. Published by Stephen Davies (A0.891940). The original key of C# Minor has been altered to get the best out of the Saxophones range, and is scored for 2 Alto Saxes, 2 Tenor Saxes & Baritone Sax. Programme Notes: THE PRELUDE The solemn and expressive character of the melody line is somewhat reminiscent of much of Bach's passion music, and weaves between the players with utmost ease. The Preludes most prominent melodic feature is the octave leap heard on all parts throughout the music, which leads to a satisfying conclusion. THE FUGUE Coming in at a whopping 115 bars, this is one of Bach's longest and most complex fugues. With three themes woven through together in five voices as only Bach can, this fugue offers a competent group of instrumentalists many technical and interpretive challenges! Also available here in Clarinet Quintet & Wind Quintet Flavours!
$14.99
13.82 €
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Johann Sebastian Bach
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Baritone Sax
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Prelude & Fugue No.4 in C# Minor from The Well-Tempered Clavier Book 1 by J.S.Bach for Saxophone Qui
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Stephen Davies
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SheetMusicPlus
Prelude In E Minor, Op. 28, No. 4
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 1 - Digital Download SKU…
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 1 - Digital Download SKU: A0.1436125 Composed by Frederic Chopin. Arranged by Jhavilah. 19th Century,Classical,Lent,Romantic Period,Soul. 4 pages. Jhavilah #1016277. Published by Jhavilah (A0.1436125). Frédéric Chopin's Prelude Op. 28, No. 4, is a masterpiece of brevity and emotional depth. Often referred to as the Suffocation Prelude, it is a short yet intensely expressive piece, reflecting Chopin's unparalleled ability to convey profound emotions in a compact form.Composed in 1839, this prelude is written in E minor and features a slow, mournful melody over a repetitive left-hand accompaniment. The piece begins with a simple, descending chromatic pattern in the right hand, which is then echoed by the left hand. This pattern repeats throughout the piece, creating a sense of relentless, suffocating despair.Despite its brevity, Chopin's Prelude Op. 28, No. 4, is rich in emotion and musical depth. The melancholic melody, combined with the hypnotic accompaniment, creates a hauntingly beautiful piece that leaves a lasting impression on the listener. It is a testament to Chopin's genius that he was able to evoke such intense emotion in just over two minutes of music.The piece is often interpreted as a reflection of Chopin's own struggles with illness and mortality, as well as his experiences of exile from his native Poland. Whatever the inspiration behind it, Prelude Op. 28, No. 4, remains one of Chopin's most beloved and enduring works, continuing to captivate and move audiences more than 180 years after it was written.
$5.99
5.52 €
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Frederic Chopin
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Prelude In E Minor, Op. 28, No. 4
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Jhavilah
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SheetMusicPlus
Bizet: A Carmen Medley - symphonic wind
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 5 - Digital Download
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.553782 Composed by Georges Bizet. Arranged by Ray Thompson. Concert,Opera,Romantic Period,Standards,Wedding. Score and parts. 70 pages. RayThompsonMusic #4354987. Published by RayThompsonMusic (A0.553782). A Medley of pieces from Bizet's Carmen Suites 1 and 2, arranged symphonic wind (double wind quintet) and bass.The Carmen Suites are two suites of orchestral music drawn from the music of Georges Bizet's 1875 opera Carmen and compiled posthumously by his friend Ernest Guiraud. They adhere very closely to Bizet's orchestration.This medley includes the following pieces:Prélude – Act I, prelude (fate motive)Aragonaise – Interlude (entr'acte) before act 4Habanera: Act 1, aria (Carmen) – L'amour est un oiseau rebelleSéguedille – Act 1, Carmen: Près des remparts de SévilleLes Toréadors – Theme from prelude to act 1 and Procession of the Toreadors from act 4: Les voici! voici la quadrille des Toreros!
$19.95
18.39 €
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Georges Bizet
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Bizet: A Carmen Medley - symphonic wind
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RayThompsonMusic
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SheetMusicPlus
Bach-Gounod: Ave Maria for Baritone Horn & Piano
Baritone Horn TC/Euphonium,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0…
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Baritone Horn TC/Euphonium,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.552852 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and individual part. 11 pages. Jmsgu3 #3491315. Published by jmsgu3 (A0.552852). Schwencke There are two popular versions of the Bach-Gounod Ave Maria to consider. Firstly, we have the version that exactly follows the harmonic scheme set forth by J. S. Bach in his Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Secondly, we have the arrangement introduced by the Choirmaster Christian Friedrich Gottlieb Schwencke in 1783 that introduces a controversial added measure designed to intensify the harmony in measure 27. Both versions employ the melody that Charles Gounod provided as an overlay to the Bach harmony. In either case, the convenient 1st & 2nd endings provide options for extended performance. The duration with the repeat runs about 4:50. This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Baritone Horn & Piano, S0.661783. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.38 €
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Bach-Gounod
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Bach-Gounod: Ave Maria for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Händel's Opera pieces for string trio formations - Voice 3 for Cello
String Ensemble,String Trio - Level 2 - Digital Download SKU: A0.998998 Composed by…
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String Ensemble,String Trio - Level 2 - Digital Download SKU: A0.998998 Composed by G.F.Händel / Georg Friedrich Haendel. Arranged by Antonio TudurÃ. Baroque,Instructional,Standards. Score and parts. 16 pages. Antonio Tuduri #5310905. Published by Antonio Tuduri (A0.998998). Händel's Opera pieces - Voice 3 for CelloFirst of all, I apologize for my english language mistakes !!The repertoire included in Händel's Opera pieces is the culmination of a process of searching for musical material in Händel's opera repertoire, which can be used at the same time, outside of its original compositional context, exclusively exalting its beauty as well as the genius of the its composer Georg Friedrich Handel.The conditions that all the pieces of the volume had to fulfill were the following:- To have a short duration to be used as teaching material in subjects of baroque technique and chamber music, collective subjects or even chamber orchestra subjects.- They can be interpreted in trio chamber formations in the following combinations:Voice 1 Violin, flute, oboe or clarinet.Voice 2 Violin, viola, flute, oboe or clarinet.Voice3 Violin, viola, cello, bassoon, flute, oboe or clarinet. They are of limited technical complexity in order to allow the performers to participate and at the same time enjoy listening the polyphony and counterpoint of Handel's compositional style.This collection of 27 pieces have been mostly selected from Handel's vast opera production (44 operas or so depending on the criteria to be considered as operas or oratories) and the most beautiful (but not famous), adapted to three-voice trio formations.The pieces included are the following1. L’ultimo ballo (Alceste)2. Menuet (Almira )3. Final Gavotte of act I (Arianna in Creta)4. Overture Mussette (Alcina)5. Overture Andante (Berenice)6. Gavotte7. Symphony of act III (Xerxes)8. Il primo ballo (Alceste )9. 3d movement of overtura (Arianna in Creta)10. 3d movement overture (Ottone Re di Germania)11. Menuet I of organ concerto HWV 308 .12. Menuet II of òrgan concerto HWV 30813. Final Chorus (Lucio Cornelio Silla)14. Final Chorus ( Siroe Re di Persia)15. Overture menuet (Alcina)16. Menuet I of organ concerto HWV 310 17. Duetto Il vostro maggio (Rinaldo)18. Overture menuet of acte I (Arminio)19. Act II Symphony (Arminio)20. Act III Symphony (Deidamia)21. Act I Symphony (Giustino).22. Passacaglia.23. Menuet from Tamerlano24. Scene 3 prelude (Agrippina)25. Act I Symphony (Xerxes)26. Overture 3d movement (Faramondo).27. Scene 3 act II (Teseo - Arianna in Creta)
$2.99
2.76 €
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G
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Händel's Opera pieces for string trio formations - Voice 3 for Cello
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Antonio Tuduri
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SheetMusicPlus
Händel's Opera pieces for string trio formations - Full Score - Director/teacher
String Ensemble,String Trio - Level 2 - Digital Download SKU: A0.998991 Composed by…
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String Ensemble,String Trio - Level 2 - Digital Download SKU: A0.998991 Composed by G.F.Händel / G.F.Haendel. Arranged by Antonio TudurÃ. Baroque,Instructional,Standards. Score and parts. 44 pages. Antonio Tuduri #5310839. Published by Antonio Tuduri (A0.998991). Händel's Opera pieces - Director teacher scoreThis score include the full score with the five parts grouped in 3 voicesFirst of all, I apologize for my english language mistakes !!The repertoire included in Händel's Opera pieces is the culmination of a process of searching for musical material in Händel's opera repertoire, which can be used at the same time, outside of its original compositional context, exclusively exalting its beauty as well as the genius of the its composer Georg Friedrich Handel.The conditions that all the pieces of the volume had to fulfill were the following:- To have a short duration to be used as teaching material in subjects of baroque technique and chamber music, collective subjects or even chamber orchestra subjects.- They can be interpreted in trio chamber formations in the following combinations:Voice 1 Violin, flute, oboe or clarinet.Voice 2 Violin, viola, flute, oboe or clarinet.Voice3 Violin, viola, cello, bassoon, flute, oboe or clarinet. They are of limited technical complexity in order to allow the performers to participate and at the same time enjoy listening the polyphony and counterpoint of Handel's compositional style.This collection of 27 pieces have been mostly selected from Handel's vast opera production (44 operas or so depending on the criteria to be considered as operas or oratories) and the most beautiful (but not famous), adapted to three-voice trio formations.The pieces included are the following1. L’ultimo ballo (Alceste)2. Menuet (Almira )3. Final Gavotte of act I (Arianna in Creta)4. Overture Mussette (Alcina)5. Overture Andante (Berenice)6. Gavotte7. Symphony of act III (Xerxes)8. Il primo ballo (Alceste )9. 3d movement of overtura (Arianna in Creta)10. 3d movement overture (Ottone Re di Germania)11. Menuet I of organ concerto HWV 308 .12. Menuet II of òrgan concerto HWV 30813. Final Chorus (Lucio Cornelio Silla)14. Final Chorus ( Siroe Re di Persia)15. Overture menuet (Alcina)16. Menuet I of organ concerto HWV 310 17. Duetto Il vostro maggio (Rinaldo)18. Overture menuet of acte I (Arminio)19. Act II Symphony (Arminio)20. Act III Symphony (Deidamia)21. Act I Symphony (Giustino).22. Passacaglia.23. Menuet from Tamerlano24. Scene 3 prelude (Agrippina)25. Act I Symphony (Xerxes)26. Overture 3d movement (Faramondo).27. Scene 3 act II (Teseo - Arianna in Creta)
$9.99
9.21 €
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G
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Händel's Opera pieces for string trio formations - Full Score - Director/teacher
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Antonio Tuduri
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SheetMusicPlus
Rubank Treasures for French Horn
French Horn, Horn - Grade 2-4 SKU: HL.121442 Book with Online Audio (stream or d…
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French Horn, Horn - Grade 2-4 SKU: HL.121442 Book with Online Audio (stream or download). Edited by Himie Voxman. Rubank Book/Audio Products. Classical, Contest, Festival. Softcover Media Online. 24 pages. Published by Rubank Publications (HL.121442). ISBN 9781480352506. UPC: 884088923129. 9x12 inches.Available for the first time: easy to advanced solo works from the Rubank archives with online performance and accompaniment recordings, printable piano accompaniments, and PLAYBACK+ audio tools. This new collection of 15 Rubank solos includes many that have long been unavailable. All are suitable for contest and festival performance (grades 2-4). Purchase includes exceptional performance tracks (recorded by pro players), accompaniment tracks for practice, and PDF piano accompaniments for use at contest. Includes: Air Gai (Berlioz) • Alleluja from Exsultate, Jubilate, K. 165 (Mozart) • American Patrol (Meacham) • Andante Cantabile (Tartini) • Après un Rêve (Faurè) • Ballade (Shchyolokov) • Heroica (DeLamater) • In the Hall of the Mountain King from Peer Gynt (Grieg) • Pavane pour une Infante Défunte (Ravel) • Prelude and Fanfaronade (Koepke) • Serenade (Gounod) • Starling (VanderCook) • Serenade, Op. 22 No. 1 (Böhme) • Toreador's Song from Carmen (Bizet) • Where'er You Walk (Handel).
Song List
: Alleluja Andante Cantabile Where'er You Walk In The Hall Of The Mountain King Ballade Starling American Patrol Toreador's Song Pavane pour une Infante Defunte Air Gai Apres un Reve (After A Dream) Heroica Prelude And Fanfaronade Serenade Op. 22, No. 1 Serenade (Sing, Smile, Slumber)
$17.99
16.59 €
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Rubank Treasures for French Horn
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Rubank Publications
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SheetMusicPlus
Gli Uccelli
Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 5 - Digital Download SKU: A0.68…
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Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 5 - Digital Download SKU: A0.683078 Composed by Ottorino Respighi. Arranged by John Gibson. 20th Century. 44 pages. JB Linear #291796. Published by JB Linear (A0.683078). Ottorino Respighi composed Gil Uccelli (THE BIRDS) for small orchestra in 1931. This version for large FLUTE CHOIR is set by John Gibson. This is the PRELUDE ONLY. Respighi did not attempt to exactlly use bird sounds - with the exception of the cuckoo of course. He took music from the 17th century having to do wiith birds and re-set them as modern pieces. This would be for an advanced flute choir. The parts are piccolo, flute 1-4, alto 1 and 2, bass 1 and 2, and contrabass.
$18.99
17.51 €
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Ottorino Respighi
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Gli Uccelli
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JB Linear
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SheetMusicPlus
Gli Uccelli
Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 5 - Digital D…
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Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 5 - Digital Download SKU: A0.676752 Composed by Ottorino Respighi. Arranged by John Gibson. Classical,Contemporary. 48 pages. JB Linear #285675. Published by JB Linear (A0.676752). Ottorino Respighi composed Gil Uccelli (THE BIRDS) for small orchestra in 1931. This version for LARGE CLARINET CHOIR is set by John Gibson. This is the PRELUDE ONLY. Respighi did not attempt to exactlly use bird sounds - with the exception of the cuckoo of course. He took music from the 17th century and re-set them as modern pieces. This would be for an advanced clarinet choir. The parts are Eb clarinet, Bb clarinet 1-4, alto clarinet 1, alto clarinet 2, bass clarinet 1, bass clarinet 2, contrabass and contralto. If there are no alto clarinets, parts for alternate 5th Bb and 6th Bb are provided as alternates.
$18.00
16.59 €
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Ottorino Respighi
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Gli Uccelli
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JB Linear
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SheetMusicPlus
Bach-Gounod: Ave Maria for String Trio
String Trio - Level 3 - Digital Download SKU: A0.552111 Composed by Bach-Gounod. Ar…
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String Trio - Level 3 - Digital Download SKU: A0.552111 Composed by Bach-Gounod. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. 10 pages. Jmsgu3 #6120335. Published by jmsgu3 (A0.552111). SchwenckeThere are two popular versions of the Bach-Gounod Ave Maria to consider. Firstly, we have the version that exactly follows the harmonic scheme set forth by J. S. Bach in his Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Secondly, we have the arrangement introduced by the Choirmaster Christian Friedrich Gottlieb Schwencke in 1783 that introduces a controversial added measure designed to intensify the harmony in measure 27. Both versions employ the melody that Charles Gounod provided as an overlay to the Bach harmony. In either case, the convenient 1st & 2nd endings provide options for extended performance. The duration with the repeat runs about 4:50.  This version features the Schwencke measure (ms 27). Ave MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.Bach OverviewJohann Sebastian Bach was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. Bach HistoryBach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Bach StyleIt seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Bach Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$42.95
39.6 €
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Bach-Gounod
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Bach-Gounod: Ave Maria for String Trio
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria for Piano Quintet
Piano Quintet,String Ensemble Piano - Level 3 - Digital Download SKU: A0.552076 Com…
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Piano Quintet,String Ensemble Piano - Level 3 - Digital Download SKU: A0.552076 Composed by Bach-Gounod. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Score and parts. 18 pages. Jmsgu3 #6113189. Published by jmsgu3 (A0.552076). There are two popular versions of the Bach-Gounod Ave Maria to consider. Firstly, we have the version that exactly follows the harmonic scheme set forth by J. S. Bach in his Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Secondly, we have the arrangement introduced by the Choirmaster Christian Friedrich Gottlieb Schwencke in 1783 that introduces a controversial added measure designed to intensify the harmony in measure 27. Both versions employ the melody that Charles Gounod provided as an overlay to the Bach harmony. In either case, the convenient 1st & 2nd endings provide options for extended performance. The duration with the repeat runs about 4:50. This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke.
$47.95
44.21 €
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Bach-Gounod
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Bach-Gounod: Ave Maria for Piano Quintet
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jmsgu3
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SheetMusicPlus
Father, Forgive Them
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 3 - Digital Download SKU: A0.9…
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 3 - Digital Download SKU: A0.943024 Composed by Lewis A. Kocher. Christian,Easter,Sacred. Score and parts. 3 pages. Lewis A. Kocher #4410815. Published by Lewis A. Kocher (A0.943024). I wrote this piece at the request of a pastor friend of mine who was lamenting the fact that there were too few hymns concerning the subject of forgiveness.At little more than 1 ½ minutes long, this song could work perfectly for a short prelude or postlude during Good Friday, Easter, or at any service during the year.An advantage to this piece is its flexibility in performance and thus in its performance length. As a slow ballad it is of course longer than the 1:40 shown above. And as fast Praise music, it will probably be closer to 1:30 depending upon the performance. And this flexibility is also its beauty: It can suit a variety of moods from reflective to enthusiastic.Wishing you God’s blessing always!
$3.99
3.68 €
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Lewis A
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Father, Forgive Them
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Lewis A. Kocher
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SheetMusicPlus
Nocturne in Bb minor (Vesper Procession)
Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.966750
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Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.966750 Composed by Dillon Ekle. 20th Century,Christian,Easter,Sacred. Score and parts. 9 pages. Dillon Ekle #3068399. Published by Dillon Ekle (A0.966750). This original composition takes its inspiration from Vespers, an evening service of prayer. The piece begins with a brooding bass rhythm, which underlies much of the composition, as melodies depict images of the evening sun's procession toward the horizon. At the moment of the sun's setting, a grand hymn emerges, the emotional high point of the journey as the fires of creation illuminates the world in God's glory, before cooling into a final reprise of the initial melody as the darkness of night settles in.While not an actual setting of the text, the original hymn-like melody in this piece is inspired by the ancient prayer called Phos Hilaron (O Gladsome Light), one of the earliest Christian hymns.This piece, written for piano duet (1-piano, 4-hands), is appropriate for concerts, or as a prelude or other instrumental moment in a church service, especially evening services. While it is not specific to any season, the mood is also appropriate for services in Advent, Lent, Holy Week, or other times of reflection.Melodies move throughout the range of the piano and across both players. Both parts are of similar difficulty, and neither part is more featured than the other; a musical performance will require a strong sense of ensemble.An audio preview accompanied by images and the Phos Hilaron text which inspired part of this piece can be found here: https://www.youtube.com/watch?v=NK0NAl15juUThe PDF file is formatted to be printed double-sided. Once printed and bound, odd numbered pages (including the cover page) should be on the right (where the primo player sits), and even numbered pages should be on the left (where the secondo player sits). Alternatively, if two pianos are being used, the file can be printed single-sided and the parts separated out; the primo player will have the odd numbered pages, and the secondo player will have the even numbered pages.
$4.99
4.6 €
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Dillon Ekle
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Nocturne in Bb minor
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Dillon Ekle
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SheetMusicPlus
Joy In The Journey
Small Ensemble Cello,Medium Voice - Level 3 - Digital Download SKU: A0.1503292 By M…
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Small Ensemble Cello,Medium Voice - Level 3 - Digital Download SKU: A0.1503292 By Michael Card. By Michael Card. Arranged by Dina H. L. Slechta. Christian,Pop,Praise & Worship,Sacred,Wedding. 35 pages. Dina H. L. Slechta #1078777. Published by Dina H. L. Slechta (A0.1503292). Joy in the Journey by Michael Card, arranged here in C Major by ArrangeMe.com arranger, Dina H. L. Slechta, is flexible for Three-Part Mixed Level Cello Choir, or Two Cellists with Mezzo-Soprano Vocalist, or Two-Part Mixed Level Cello Choir with Mezzo-Soprano Vocalist. The Mezzo-Soprano Vocalist Part covers a range from G3 to D5. The Cello parts are leveled to allow for players of mixed levels to play together. The Cello 1 part is playable by Suzuki Volume 6 Level or above cellists, reading treble and bass clefs. The Cello 1 part is melody except at the beginning and at the end. If using a Vocal Soloist, one may want to leave out all but the beginning and end of the Cello 1 part, or could even leave out all of the Cello 1 part. The Cello 2 part is playable by Suzuki Volume 3 Level or above cellists, reading bass clef. The Cello 3 part is playable by nearing the end of Suzuki Volume 1 Level or above cellists, reading bass clef, providing practice in reading in 3/4, slurs, ties, counting rests, and playing lower notes.Joy in the Journey is a lovely piece to play as a Wedding Prelude. It can also be used during a Wedding Ceremony, especially with a vocalist. It also makes a great Musical Offering during a regular church service. The approximate playing time is three minutes.1-Score, 4-Cello 1, 4-Cello 2, 4-Cello 3, 1-Mezzo-Soprano Vocalist - altogether 35 pages.Three-Part Mixed Level Cello Trio to 12 Person Mixed Level Cello Choir, or Two Cellists with Mezzo-Soprano Vocalist, or Two-Part Mixed Level Cello Choir with Mezzo-Soprano Vocalist.
$19.99
18.43 €
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Michael Card
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Joy In The Journey
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Dina H. L. Slechta
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SheetMusicPlus
Rock of Ages with Hiding in Thee
Small Ensemble Flute,Piano - Level 3 - Digital Download SKU: A0.818333 By Stephen R…
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Small Ensemble Flute,Piano - Level 3 - Digital Download SKU: A0.818333 By Stephen R Dalrymple. By Thomas Hastings, Augustus M Toplady, Ira D Sankey, William O Cushing. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. Score and part. 51 pages. Stephen R Dalrymple #6091833. Published by Stephen R Dalrymple (A0.818333). Rock of Ages hymn arrangement for flute and piano by Stephen R Dalrymple transcribed for solo clarinet, trumpet, euphonium/trombone, violin, and cello   Rock of Ages (text by Augustus M Toplady 1776, tune by Thomas Hastings 1830) Hiding in Thee (text by William O Cushing 1876, tune by Ira D. Sankey 1877)   To describe might, power, security, protection – the images we think of are exploding bombs, a nuclear arsenal, security systems. None of these existed in the ancient world. The image of a rock, its density, its hardness, its inability to be shaken, actually, that is a universal metaphor. And so we find it often in the Bible.   Moses struck the rock to produce water. Paul tells us that rock was Christ. [Ex 17, 1 Cor 10] Moses was hidden in the cleft of a rock to watch the presence and glory of God pass by. [Ex 33] David often alluded to the rock as a fortress in the Psalms. [Ps 18] And the picture of Christ as the cornerstone is another favorite theme. [Mt 21, I Pt 2] Several of our hymns use (and mix) these metaphors to speak of the Rock, a place of refuge, a place of safety, a place of redemption.   Suitable for preludes, offertories, concerts, personal meditation.   Includes pdf of 14 score choices ♫ Full Score for flute and piano letter size ♫ Flute, Oboe, Clarinet, Trumpet, Euphonium (or trombone), Violin, and Cello solo parts, ♫ Full Score for flute and small page format for performing from a 10 inch tablet and ♫ the same solo parts for 10 inch tablet. tablet (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)
$4.50
4.15 €
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Stephen R Dalrymple
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Rock of Ages with Hiding in Thee
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Stephen R Dalrymple
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SheetMusicPlus
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