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Rag Encore
Sheetmusic to print
61 sheet music found
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Scott Joplin. Weeping Willow Rag. Ragtime. Honky-tonk. Concert. Performance. Encore. Flute and Piano
Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 4 - Digital Download SKU:…
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.1411185 By Jean-Pierre Rampal. By Scott Joplin. Arranged by Glenn Martin. 20th Century,Chamber,Classical,Holiday,Ragtime. 8 pages. Cornelius edition #993444. Published by Cornelius edition (A0.1411185). Scott Joplin 1868 – 1917 was an American composer and pianist and dubbed the King of Ragtime He composed more than 40 ragtime pieces, a ragtime ballet and two operas. One of his first and most popular pieces, the Maple Leaf Rag, became the genre's first and most influential hit. Joplin considered ragtime to be a form of classical music to be played in concert venues and largely distanced himself from the performance style of honky-tonk music mostly played in saloons.Weeping Willow is a 1903 classic piano ragtime composition by Joplin and it was one of Joplin's simpler and less well known ragtime scores. It was written during a transitional period in his life, and one of the few pieces that Joplin recorded as a piano roll in a 1916 recording session.This Edition for Flute and Piano would make a useful repertoire addition or ideal for encores, competions and classroom study.Duration: 3.22.
$3.99
3.68 €
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Jean-Pierre Rampal
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Scott Joplin. Weeping Willow Rag. Ragtime. Honky-tonk. Concert. Performance. Encore. Flute and Piano
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Cornelius edition
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SheetMusicPlus
Pineapple Rag (String Quartet): Three Violins and Cello
String Quartet, Violin 1, Violin 2, Violin 3, Cello - Advanced Intermediate - Digita…
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String Quartet, Violin 1, Violin 2, Violin 3, Cello - Advanced Intermediate - Digital Download Composed by Scott Joplin (1868-1917). Arranged by John A. Dempsey. Jazz, Ragtime, Movies, Fourth of July, Recital. Score, Set of Parts. 23 pages. Published by John A. Dempsey
Scott Joplin's effervescent, rollicking "Pineapple Rag" is arranged here as a string quartet for three violins and cello. Recommended for concerts, recitals and other multiple venues; especially popular as an encore! 19 pages of music (that includes the score and separate two-page pullout parts for each instrument). Key: C major / modulates to G major.
$11.99
11.05 €
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Scott Joplin (1868-1917)
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Pineapple Rag
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John A. Dempsey
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SheetMusicPlus
Pineapple Rag (Trio for Clarinet, Violin and Piano)
Clarinet,Piano,Trumpet - Level 4 - Digital Download SKU: A0.1452065 Composed by Sco…
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Clarinet,Piano,Trumpet - Level 4 - Digital Download SKU: A0.1452065 Composed by Scott Joplin. Arranged by John A. Dempsey. Film/TV,Holiday,Jazz,Patriotic,Ragtime. 19 pages. John A. Dempsey #1031382. Published by John A. Dempsey (A0.1452065). Scott Joplin's effervescent, rollicking Pineapple Rag is arranged here as a ragtime trio for Bb clarinet, Bb trumpet and piano. Recommended for concerts, recitals and other multiple venues; especially popular as an encore! Featured in the movie THE STING and the TV series WESTWORLD. 15 pages of music (that includes separate two-page parts for clarinet and trumpet). Concert Key: C major / modulates to F major.
$11.99
11.05 €
#
Scott Joplin
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Pineapple Rag
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John A. Dempsey
#
SheetMusicPlus
Pineapple Rag (Trio for Flute, Violin and Piano)
Small Ensemble Flute,Piano,Violin - Level 4 - Digital Download SKU: A0.524421 Compo…
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Small Ensemble Flute,Piano,Violin - Level 4 - Digital Download SKU: A0.524421 Composed by Scott Joplin. Arranged by John A. Dempsey. Film/TV,Holiday,Patriotic,Ragtime,Standards. Score and parts. 19 pages. John A. Dempsey #5730741. Published by John A. Dempsey (A0.524421). Scott Joplin's effervescent, rollicking Pineapple Rag is arranged here as a ragtime trio for flute, violin and piano. Â Recommended for concerts, recitals and other multiple venues; especially popular as an encore! Â Featured in the movie THE STING and the TV series WESTWORLD. Â 15 pages of music (that includes separate two-page parts for flute and violin). Â Key: D major / modulates to G major.
$11.99
11.05 €
#
Scott Joplin
#
Pineapple Rag
#
John A. Dempsey
#
SheetMusicPlus
Pineapple Rag (Brass Trio for Two Trumpets and Trombone)
Brass Ensemble Trombone,Trumpet - Level 4 - Digital Download SKU: A0.524512 Compose…
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Brass Ensemble Trombone,Trumpet - Level 4 - Digital Download SKU: A0.524512 Composed by Scott Joplin. Arranged by John A. Dempsey. Film/TV,Holiday,Patriotic,Ragtime,Standards. Score and parts. 18 pages. John A. Dempsey #5866987. Published by John A. Dempsey (A0.524512). Scott Joplin's effervescent, rollicking Pineapple Rag is arranged here as a ragtime brass trio for two Bb trumpets and trombone. Â Recommended for concerts, recitals and other multiple venues; especially popular as an encore! Â Featured in the movie THE STING and the TV series WESTWORLD. Â 15 pages of music (that includes the score and separate two-page parts for trumpet 1, trumpet 2 and trombone). Â Concert Key: Bb major / modulates to Eb major.
$9.99
9.21 €
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Scott Joplin
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Pineapple Rag
#
John A. Dempsey
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SheetMusicPlus
Pineapple Rag (Woodwind Quartet): Clarinet, Alto Sax, Tenor Sax and Baritone Sax
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Clarinet,Tenor Saxoph…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Clarinet,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1452730 Composed by Scott Joplin. Arranged by John A. Dempsey. Film/TV,Holiday,Jazz,Patriotic,Ragtime. 22 pages. John A. Dempsey #1032008. Published by John A. Dempsey (A0.1452730). Scott Joplin's effervescent, rollicking Pineapple Rag is arranged here as a woodwind quartet for Bb clarinet, alto sax, tenor sax and baritone sax. Recommended for concerts, recitals and other multiple venues; especially popular as an encore! Featured in the movie THE STING and the TV series WESTWORLD. 18 pages of music (that includes the score and separate two-page parts for each woodwind instrument). Concert Key: F major.
$12.99
11.98 €
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Scott Joplin
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Pineapple Rag
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John A. Dempsey
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SheetMusicPlus
Pineapple Rag (Horn in F Trio)
Brass Ensemble Horn - Level 4 - Digital Download SKU: A0.524531 Composed by Scott J…
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Brass Ensemble Horn - Level 4 - Digital Download SKU: A0.524531 Composed by Scott Joplin. Arranged by John A. Dempsey. Film/TV,Holiday,Patriotic,Ragtime,Standards. Score and parts. 18 pages. John A. Dempsey #5955123. Published by John A. Dempsey (A0.524531). Scott Joplin's effervescent, rollicking Pineapple Rag is arranged here as a brass trio for French horn. Â Recommended for concerts, recitals and other multiple venues; especially popular as an encore! Â Featured in the movie THE STING and the TV series WESTWORLD. Â Concert Key: Bb major / modulates to Eb major. Â Horn Key: F major / modulates to Bb major. Â 14 pages of music (that includes the score and separate two-page parts for horn 1, horn 2 and horn 3).
$9.99
9.21 €
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Scott Joplin
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Pineapple Rag
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John A. Dempsey
#
SheetMusicPlus
Pineapple Rag (Brass Quartet): Three Trumpets and Trombone
Brass Ensemble Trombone,Trumpet - Level 4 - Digital Download SKU: A0.524919 Compose…
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Brass Ensemble Trombone,Trumpet - Level 4 - Digital Download SKU: A0.524919 Composed by Scott Joplin. Arranged by John A. Dempsey. Film/TV,Holiday,Patriotic,Ragtime,Standards. Score and parts. 22 pages. John A. Dempsey #6477865. Published by John A. Dempsey (A0.524919). Scott Joplin's effervescent, rollicking Pineapple Rag is arranged here as a brass quartet for three Bb trumpets and trombone. Â Recommended for concerts, recitals and other multiple venues; especially popular as an encore! Â Featured in the movie THE STING and the TV series WESTWORLD. Â 18 pages of music (that includes the score and separate two-page parts for trumpet 1, trumpet 2, trumpet 3 and trombone). Â Concert Key: Bb major / modulates to Eb major. Â Trumpet Key: C major / modulates to F major. Â Trombone Key: Bb major / modulates to Eb major.
$12.99
11.98 €
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Scott Joplin
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Pineapple Rag
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John A. Dempsey
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SheetMusicPlus
Encore Rag
Brass Ensemble Euphonium,Tuba - Level 4 - Digital Download SKU: A0.759171 Composed …
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Brass Ensemble Euphonium,Tuba - Level 4 - Digital Download SKU: A0.759171 Composed by Tad Fischer. Arranged by Tim Olt. Jazz. Score and parts. 15 pages. Olt Music #5541497. Published by Olt Music (A0.759171). This is a cute little rag from one of the lesser known composers at the turn of the 20th century.
$10.00
9.22 €
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Tad Fischer
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Encore Rag
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Olt Music
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SheetMusicPlus
Temptation Rag, by Henry Lodge (1909), - Flute & String Trio
Small Ensemble,Strings Flute - Level 4 - Digital Download SKU: A0.973677 Composed b…
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Small Ensemble,Strings Flute - Level 4 - Digital Download SKU: A0.973677 Composed by Henry Lodge. Arranged by J.W. Carter. Contemporary,Wedding. Score and parts. 13 pages. J.W. Carter #5030319. Published by J.W. Carter (A0.973677). Henry Lodge's exciting, virtuoso rag, Temptation Rag arranged for classical Flute Quartet (Flute & String Trio).Suitable as an encore or for casual engagements.Medium difficulty, fun.
$7.95
7.33 €
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Henry Lodge
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String Trio)
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Temptation Rag, by Henry Lodge
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J.W. Carter
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SheetMusicPlus
The Bolo Rag, by Albert Gumble (1908) - Flute & String Trio
Small Ensemble,Strings Flute - Level 4 - Digital Download SKU: A0.973686 Composed b…
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Small Ensemble,Strings Flute - Level 4 - Digital Download SKU: A0.973686 Composed by Albert Gumble. Arranged by J.W. Carter. Contemporary,Wedding. Score and parts. 12 pages. J.W. Carter #5044365. Published by J.W. Carter (A0.973686). Albert Gumble's beautiful and stately rag arranged for Flute & String Trio. Features a brilliante Trio section and a quiet, ritardando ending.Suitable as a concert encore or for casual engagements.
$7.95
7.33 €
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Albert Gumble
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String Trio.
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The Bolo Rag, by Albert Gumble
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J.W. Carter
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SheetMusicPlus
Oh, You Devil (Rag), by Ford T. Dabney, (1909), - Flute & String Trio
Small Ensemble Flute - Level 4 - Digital Download SKU: A0.973722 Composed by Ford T…
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Small Ensemble Flute - Level 4 - Digital Download SKU: A0.973722 Composed by Ford T. Dabney. Arranged by J.W. Carter. Standards,Wedding. Score and parts. 18 pages. J.W. Carter #5372243. Published by J.W. Carter (A0.973722). Ford T. Dabney's lighthearted rag, Oh, You Devil arranged for flute & string Trio. Features a 1st strain based on Carl Bohm's popular parlor piece, The Fountain and a scherzo-like Trio section.Suitable for recital, encore or casual engagement.
$7.95
7.33 €
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Ford T
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string Trio
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Oh, You Devil
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J.W. Carter
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SheetMusicPlus
Ragtime "Ice-Cream"
String Orchestra - Level 3 - Digital Download SKU: A0.1514149 Composed by E. Grades…
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String Orchestra - Level 3 - Digital Download SKU: A0.1514149 Composed by E. Gradesky. Arranged by Lark. 20th Century,Chamber,Classical,Comedy,Ragtime. 7 pages. Lark #1088614. Published by Lark (A0.1514149). A ragtime style piece for string orchestra, intermidiate level. Great for working on style, dynamics, and articulations. Could be used as an nice finishing touch to a performance or as an encore. All instruments get to play some melody and some accompaniment, promoting the sense of ensemble and musicianship.
$25.00
23.05 €
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E
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Ragtime "Ice-Cream"
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Lark
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SheetMusicPlus
Ma Ragtime Baby, Two Step (1898), by Fred S. Stone, - Flute & String Trio
Small Ensemble,Strings Flute - Level 4 - Digital Download SKU: A0.973698 Composed b…
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Small Ensemble,Strings Flute - Level 4 - Digital Download SKU: A0.973698 Composed by Fred S. Stone. Arranged by J.W. Carter. Folk,Standards,Wedding. Score and parts. 11 pages. J.W. Carter #5289643. Published by J.W. Carter (A0.973698). Fred S. Stone's jaunty cakewalk-ragtime hybrid arranged for flute & string trio. The third strain features viola solo.Suitable as an encore, recital piece or casual engagements.Medium difficulty. Fun.
$7.95
7.33 €
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Fred S
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string trio
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Ma Ragtime Baby, Two Step
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J.W. Carter
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SheetMusicPlus
Madrigal Pavane / Timburibá
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. A…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95
7.33 €
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Francisco Braga
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Madrigal Pavane / Timburibá
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Les Productions d'OZ - Digital
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SheetMusicPlus
A Breeze from Alabama, March & Two-Step, by Scott Joplin, (1902) - Flute & String Trio
Small Ensemble,Strings Flute - Level 4 - Digital Download SKU: A0.973684 Composed b…
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Small Ensemble,Strings Flute - Level 4 - Digital Download SKU: A0.973684 Composed by Scott Joplin. Arranged by J.W. Carter. Contemporary. Score and parts. 11 pages. J.W. Carter #5044403. Published by J.W. Carter (A0.973684). Joplin's lovely cakewalk/rag hybrid arranged for flute & string trio. Features a delicate Trio section.Suitable as a concert encore, recital piece or for casual engagements.Medium difficulty. Fun!
$7.95
7.33 €
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Scott Joplin
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string trio
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A Breeze from Alabama, March & Two-Step, by Scott Joplin,
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J.W. Carter
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SheetMusicPlus
Jingle Bells
Small Ensemble Cello,Clarinet,Piano Accompaniment,Violin - Level 4 - Digital Download S…
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Small Ensemble Cello,Clarinet,Piano Accompaniment,Violin - Level 4 - Digital Download SKU: A0.914806 Composed by James Lord Pierpont. Arranged by Lynn Hutchinson. Christmas,Contemporary. Score and parts. 29 pages. Lynn Hutchinson Music #4823237. Published by Lynn Hutchinson Music (A0.914806). Sailor, hooligan, and future uncle to J.P Morgan, composer James Piermont originally intended Jingle Bells for Thanksgiving - a time when folks might be prone to gathering, imbibing and drag-racing sleighs. This arrangement is a tip of the hat to this Maestro of Mischief with ramshackle musical moments and a few surprises. Great as an encore or moment of levity in an otherwise serious performance.
$17.99
16.59 €
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James Lord Pierpont
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Jingle Bells
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Lynn Hutchinson Music
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SheetMusicPlus
Handel: Largo from Xerxes for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549387 Co…
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549387 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and individual part. 9 pages. Jmsgu3 #3492327. Published by jmsgu3 (A0.549387). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
30.38 €
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George Frideric Handel
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Handel: Largo from Xerxes for Oboe d'Amore & Piano
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jmsgu3
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SheetMusicPlus
Suite No. 1
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Sco…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95
10.09 €
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Tuttifäntchen
1 (auch Picc.) · 1 · 1 · 1 - 1 · 1 · 0 · 0 - P. S. (Tamb. · kl. Tr. …
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1 (auch Picc.) · 1 · 1 · 1 - 1 · 1 · 0 · 0 - P. S. (Tamb. · kl. Tr. · gr. Tr. m. Beck. · Glsp.) (1 Spieler) - Str. small orchestra - intermediate - Digital Download SKU: S9.Q1119 Suite. Composed by Paul Hindemith. This edition: score. Concertino. Downloadable, Score. Duration 20 minutes. Schott Music - Digital #Q1119. Published by Schott Music - Digital (S9.Q1119). This suite has been taken from the music of the Christmas tale of the same name. The instrumentation can be easily realized with four woodwind instruments, two brass instruments, timpani and strings. The „Tanz der Holzpuppen“, a foxtrot, is suitable as encore showing the humorous musician Hindemith who, in 1920, wrote to the Schott publishing house with a wink: „Can you also make use of foxtrots, Bos-tons, rags and other kitsch? Whenever I cannot think of decent music, I write such stuff.“.
$27.99
25.8 €
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Paul Hindemith
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Tuttifäntchen
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Schott Music - Digital
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SheetMusicPlus
Scarborough Fair arr. for two violins, cello and piano
Level 2 - Digital Download SKU: A0.1473773 Composed by Traditional. Arranged by Col…
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Level 2 - Digital Download SKU: A0.1473773 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Historic,Traditional. 20 pages. Colin Kirkpatrick Publications #1051492. Published by Colin Kirkpatrick Publications (A0.1473773). This is one of the most popular and best-loved folksongs of all time, made famous by Simon and Garfunkel, Bob Dylan and many others. The song is in the Dorian mode and thought to have originated over four hundred years ago. Scarborough (SKAH-buh-ruh) is an English coastal town in the county of Yorkshire. It was occupied by the Romans during the fourth and fifth centuries but today has become the largest holiday resort on the Yorkshire coast with a thriving fishing industry. There are many different versions of the lyrics and by the end of the 19th century, dozens of variants existed. The repeated chorus of “parsley, sage, rosemary and thyme” is significant. In olden times, these herbs had medicinal purposes. In addition, parsley was associated with comfort, sage with strength, rosemary with love and thyme with courage. The song takes the form of a melancholy dialogue between two individuals who were once lovers but now live separate lives. Each of them asks the listener to pass on a message to the other. The young man requests impossible tasks from his former lover, saying that if she can perform them, he will take her back. In return, she requests equally impossible things of him, saying she will perform her tasks when he performs his. The fact that all the tasks are impossible seems to imply that neither of them have any intention of becoming reunited. This arrangement stays well within the instrumental ranges and attempts to reflect the melancholy feeling of the lyrics. This arrangement would make a splendid encore piece for a recital.
$11.99
11.05 €
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Traditional
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Scarborough Fair arr. for two violins, cello and piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
Scarborough Fair arr. for violin, cello and piano
Piano Trio - Level 2 - Digital Download SKU: A0.1474945 Composed by Traditional. Ar…
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Piano Trio - Level 2 - Digital Download SKU: A0.1474945 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Historic,Traditional. 17 pages. Colin Kirkpatrick Publications #1052537. Published by Colin Kirkpatrick Publications (A0.1474945). This is one of the most popular and best-loved folksongs of all time, made famous by Simon and Garfunkel, Bob Dylan and many others. The song is in the Dorian mode and thought to have originated over four hundred years ago. Scarborough (SKAH-buh-ruh) is an English coastal town in the county of Yorkshire. It was occupied by the Romans during the fourth and fifth centuries but today has become the largest holiday resort on the Yorkshire coast with a thriving fishing industry. There are many different versions of the lyrics and by the end of the 19th century, dozens of variants existed. The repeated chorus of “parsley, sage, rosemary and thyme” is significant. In olden times, these herbs had medicinal purposes. In addition, parsley was associated with comfort, sage with strength, rosemary with love and thyme with courage. The song takes the form of a melancholy dialogue between two individuals who were once lovers but now live separate lives. Each of them asks the listener to pass on a message to the other. The young man requests impossible tasks from his former lover, saying that if she can perform them, he will take her back. In return, she requests equally impossible things of him, saying she will perform her tasks when he performs his. The fact that all the tasks are impossible seems to imply that neither of them have any intention of becoming reunited. This arrangement stays well within the instrumental ranges and attempts to reflect the melancholy feeling of the lyrics. The violin top note is E6 (the E above the treble staff) and the cello top note is G4 (the G above the bass staff). This arrangement would make a splendid encore piece for a recital.
$11.99
11.05 €
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Traditional
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Scarborough Fair arr. for violin, cello and piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
Scarborough Fair arr. for flute, clarinet, bassoon and piano
Level 2 - Digital Download SKU: A0.1444898 Composed by Traditional. Arranged by Col…
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Level 2 - Digital Download SKU: A0.1444898 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Folk,Historic,Irish,Multicultural,World. 20 pages. Colin Kirkpatrick Publications #1024766. Published by Colin Kirkpatrick Publications (A0.1444898). This is one of the most popular and best-loved folksongs of all time, made famous by Simon and Garfunkel, Bob Dylan and many others. The song is in the Dorian mode and thought to have originated over four hundred years ago. Scarborough (SKAH-buh-ruh) is an English coastal town in the county of Yorkshire. It was occupied by the Romans during the fourth and fifth centuries but today has become the largest holiday resort on the Yorkshire coast with a thriving fishing industry. There are many different versions of the lyrics and by the end of the 19th century, dozens of variants existed. The repeated chorus of “parsley, sage, rosemary and thyme” is significant. In olden times, these herbs had medicinal purposes. In addition, parsley was associated with comfort, sage with strength, rosemary with love and thyme with courage. The song takes the form of a melancholy dialogue between two individuals who were once lovers but now live separate lives. Each of them asks the listener to pass on a message to the other. The young man requests impossible tasks from his former lover, saying that if she can perform them, he will take her back. In return, she requests equally impossible things of him, saying she will perform her tasks when he performs his. The fact that all the tasks are impossible seems to imply that neither of them have any intention of becoming reunited. This arrangement for woodwind instruments and piano stays well within the instrumental ranges and attempts to reflect the melancholy feeling of the lyrics. The clarinet part avoids awkward movement around the break. This arrangement would make a splendid encore piece for a recital.
$11.99
11.05 €
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Traditional
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Scarborough Fair arr. for flute, clarinet, bassoon and piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
Midnight Hollow Capers (orig. Coon Hollow Capers), by Frank R. Gillis (1899), - Flute & S
Small Ensemble,Strings Flute - Level 4 - Digital Download SKU: A0.973679 Composed b…
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Small Ensemble,Strings Flute - Level 4 - Digital Download SKU: A0.973679 Composed by Frank R. Gillis. Arranged by J.W. Carter. Contemporary,Wedding. Score and parts. 12 pages. J.W. Carter #5030323. Published by J.W. Carter (A0.973679). Frank R. Gillis' Coon Hollow Capers given here as the PC Midnight Hollow Capers, a wonderful piece from the pre-ragtime, cakewalk era with a first strain in minor, and a viola solo second strain, arranged for classical Flute Quartet (Flute & String trio)..Suitable as an encore of for casual engagement use.Medium difficulty, fun.
$7.95
7.33 €
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Frank R
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String trio)
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Midnight Hollow Capers
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J.W. Carter
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SheetMusicPlus
March (from "The Nutcracker Suite") (F) (Violin Octet)
String Ensemble Violin - Level 4 - Digital Download SKU: A0.813891 Composed by Pete…
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String Ensemble Violin - Level 4 - Digital Download SKU: A0.813891 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Christmas,Concert,Instructional,Romantic Period,Standards. Score and parts. 43 pages. Regis Bookshar #6612695. Published by Regis Bookshar (A0.813891). Violin Octet - Advanced/Intermediate - Digital Download. This marvelous arrangement of the March from Peter Ilyich Tchaikovsky's extremely popular, The Nutcracker Suite, would be a fabulous addition to any music library and could be performed for concerts and recitals but would be most appropriate during the Holiday season. This selection has been arranged to keep all of the intensity and excitement of the original composition and is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (43 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.The Nutcracker is an 1892 two-act ballet with a score by Peter Ilyich Tchaikovsky. It has enjoyed enormous popularity since the late 1960's and is performed by countless ballet companies, primarily during the Christmas season, especially in North America. Tchaikovsky's score has become one of his most famous compositions. Some critics have called it astonishingly rich in detailed inspiration and from beginning to end, beautiful, melodious, original and characteristic. The ballet's first complete performance outside Russia took place in England in 1934. The first complete United States performance was on December 24, 1944, by the San Francisco Ballet. It was such an enormous success that the San Francisco Ballet has presented The Nutcracker every Christmas Eve and throughout the winter season, debuting new productions in 1944, 1954, 1967 and 2004. In Salt Lake City, it has been performed every year since 1963. The New York City Ballet gave its first annual performance in 1954. In addition to annual live stagings of the work, many productions have also been televised or released on home video.The Nutcracker continues to be one of Tchaikovsky's most popular compositions and contains some of his most memorable works. Tchaikovsky made a selection of eight of the numbers from the ballet before the ballet's December 1892 premiere, forming The Nutcracker Suite, Op. 71a, and is intended for concert performance. The suite was first performed, under the composer's direction, on March 19, 1892. The suite became instantly popular with almost every number encored at its premiere.Regis Bookshar thought that it would be wonderful if other instrumentalists could also have the opportunity to play some of these wonderful compositions, originally scored for a full orchestra, and has arranged two of the selections, the popular March and the Russian Dance for a wide variety of instrumental ensembles. So, in addition to this version of the March for a Violin Octet, he has made quite a few other arrangements of this selection for various Quintets and Octets and are readily available. If you should decide to purchase this arrangement of the March, I would highly encourage you to also consider purchasing the arrangement of the Russian Dance as well. Scheduling the March followed by the Russian Dance would be a very satisfying addition to any concert or recital. Please take the time to look for other versions of these compositions. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of the March from Tchaikovsky's marvelous holiday favorite, The Nutcracker Suite, will continue to entertain both performers and audiences alike for years to come.
$32.00
29.5 €
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Peter Ilyich Tchaikovsky
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March
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Regis Bookshar
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SheetMusicPlus
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