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1201
Pitch Only - Bass Clef (Sight Reading Exercise Book)
Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,…
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Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Piano,Timpani,Trombone,Tuba,Voice - Level 2 - Digital Download SKU: A0.931838 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313621. Published by Dots and Beams (A0.931838). This book provides its user with a series of notes on a bass staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above and below the staff extend to the space just beyond the fourth ledger line. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls.As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years and still find a valuable way to use them.
$10.00
9.06 €
#
Nathan Petitpas - Dots and Beams
#
Pitch Only - Bass Clef
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Dots and Beams
#
SheetMusicPlus
Pitch Only - Treble Clef (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,Englis…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - Digital Download SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00
9.06 €
#
Nathan Petitpas - Dots and Beams
#
Pitch Only - Treble Clef
#
Dots and Beams
#
SheetMusicPlus
The Time Machine (Excerpts), an Accompanied Reading
Small Ensemble Cello,Flute,Guitar,Handbell,Multi-Percussion,Piano,Viola,Violin - Level 3 -…
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Small Ensemble Cello,Flute,Guitar,Handbell,Multi-Percussion,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.835782 Composed by Paul Burnell. Contemporary. Score and parts. 88 pages. Paul Burnell #3222659. Published by Paul Burnell (A0.835782). Composed 2017. One of a series of fourteen accompaniments to texts published between the years 1886 and 1899. Duration 30:00 For narrator and ensemble Text from the novella by H.G. Wells (1866 - 1946) published in 1895 The subtitles for each of the six movements are: Part 1 - the Model Part 2 - the Journey Part 3 - the Eloi Part 4 - the Morlocks Part 5 - the Eclipse Part 6 - the Ghost 'The Time Machine' is a science fiction novel by Herbert George Wells, published in 1895. H. G. Wells is commonly credited with the popularisation of the concept of time travel - using a vehicle that allows an operator to travel intentionally and selectively backwards or forwards in time. Ensemble instrumentation: Keyboard(s) - accordion, organ, glass harmonica, vibraphone, piano, toy piano, etc. Flute or tenor/bass recorder Violin or viola or violincello. Wine glass 1 tuned to Bb Wine glass 2 tuned to C - ideally a minor seventh below wine glass 1 Handbells, three players using bows and beaters: Voice or guitar (acoustic, electric or bass guitar) Percussion - Suspended cymbal, low drum(s), whirly tube(s), ‘found’ resonant instruments, plastic bag(s), singing bowl, guiro(s) There is no overall score. Performers (except percussion) play from a series of graphic scores. The percussion parts are written in more traditional notation. It is not necessary for the ensemble to contain all the instruments. If all instruments are available then the ensemble may vary the instrumentation, or omit instruments, for each of the movements, or within movements. The dynamic balance between players should be sympathetic to the forces available. This may mean, for example, that an accordion is muted or sited away from the other players. Effects such as reverberation or distortion may be applied to the instrumental sounds. Variety of expression is encouraged. The narrator’s text readings must each have a duration of under five minutes.For each of the six movements the ensemble begins playing one minute after the speaker. It is allowed for the movements to be performed as single pieces, and without the narration.
$7.95
7.2 €
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Paul Burnell
#
The Time Machine
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Paul Burnell
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SheetMusicPlus
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,…
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Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone,Treble Clef Instrument,Trumpet,Ukulele,Vibraphone,Violin,Xylophone - Level 4 - Digital Download SKU: A0.931832 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269045. Published by Dots and Beams (A0.931832). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a treble staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4. Be creative with this one, the possib.
$10.00
9.06 €
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Nathan Petitpas - Dots and Beams
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I encourage you to use both
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Pitch and Rhythm - Treble Clef, Diatonic
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Dots and Beams
#
SheetMusicPlus
Pitch and Rhythm - Bass Clef, Diatonic (Sight Reading Exercise Book)
Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsich…
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Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - Digital Download SKU: A0.931833 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269061. Published by Dots and Beams (A0.931833). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a bass staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second e.
$10.00
9.06 €
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Nathan Petitpas - Dots and Beams
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I encourage you to use both
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Pitch and Rhythm - Bass Clef, Diatonic
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Dots and Beams
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SheetMusicPlus
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bas…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - Digital Download SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
9.06 €
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Nathan Petitpas - Dots and Beams
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Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters
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Dots and Beams
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SheetMusicPlus
Violin Sight-Reading 1
Violin - very easy - Digital Download SKU: S9.Q19484 A fresh approach. This …
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Violin - very easy - Digital Download SKU: S9.Q19484 A fresh approach. This edition: Sheet music. Schott Sight-Reading Series. Downloadable. Op. 1. Schott Music - Digital #Q19484. Published by Schott Music - Digital (S9.Q19484). English • French • German.Violin Sight-Reading 1 aims to establish good practice and provide an early introduction to the essential skill of sight-reading. The emphasis is on providing idiomatic tunes and structures rather than sterile sight-reading exercises. Each section begins with several solo examples, beginning with open strings (pizzicato and arco) and concludes with duets and accompanied pieces, allowing the student to gain experience of sight-reading within the context of ensemble playing.
$13.99
12.67 €
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Violin Sight-Reading 1
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Schott Music - Digital
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SheetMusicPlus
Recorder Sight-Reading 1
Recorder - very easy to easy - Digital Download SKU: S9.Q19491 A fresh approach
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Recorder - very easy to easy - Digital Download SKU: S9.Q19491 A fresh approach. This edition: Sheet music. Schott Sight-Reading Series. Downloadable. Op. 1. Schott Music - Digital #Q19491. Published by Schott Music - Digital (S9.Q19491). English • French • German.An approach which includes sight-reading in daily practising at an early stage. Instead of dry exercises, these editions focus on the use of idiomatic melodies. This is how sight-reading is meant to be - FUN!
$15.99
14.49 €
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Recorder Sight-Reading 1
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Schott Music - Digital
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SheetMusicPlus
Saxophone Sight-Reading 2
Saxophone - intermediate - Digital Download SKU: S9.Q19502 A fresh approach.…
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Saxophone - intermediate - Digital Download SKU: S9.Q19502 A fresh approach. This edition: Sheet music. Schott Sight-Reading Series. Downloadable. Op. 2. Schott Music - Digital #Q19502. Published by Schott Music - Digital (S9.Q19502). English • French • German.This collection of original tunes presents 122 carefully graded sight-reading pieces and exercises in a range of musical styles. Taking an approach based on self-learning, the five sections of the book focus on developing different key technical skills as well as introducing the student to a plethora of musical terms. Each section of the book contains solos, as well as saxophone duets and pieces with piano accompaniment for practising ensemble sight-reading. Suitable for students of grades 3 to 6.Ce recueil de mélodies originales présente 122 pièces et exercices de différents styles, soigneusement classés par ordre de difficulté, dans le but d’encourager la lecture à vue. Les cinq chapitres de l’édition se consacrent au développement de différentes techniques-clés.
$15.99
14.49 €
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Saxophone Sight-Reading 2
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Schott Music - Digital
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SheetMusicPlus
Rounds for Sight-Reading
Choral Choir - Level 3 - Digital Download SKU: A0.1114974 Composed by Traditional. …
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Choral Choir - Level 3 - Digital Download SKU: A0.1114974 Composed by Traditional. Arranged by Glenda E. Franklin. A Cappella,Contest,Festival,Instructional. Octavo. 64 pages. Glenda E. Franklin Publications #716804. Published by Glenda E. Franklin Publications (A0.1114974). 30 Rounds for Sight-Reading use, JUST FOR FUN! Categories include Easy Peasy, A Little More Difficult, Backwards & Forwards, Put Them Together, and Minor, Anyone? All rounds included are either 2, 3, or 4-Part voicing. A nice change of pace to ordinary sight-reading exercises.
$25.00
22.65 €
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Traditional
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Rounds for Sight-Reading
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Glenda E. Franklin Publications
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SheetMusicPlus
Music Reading for Beginners. Bass Clef
Level 1 - Digital Download SKU: A0.1399809 Composed by Alejandro MartÃnez Mondra…
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Level 1 - Digital Download SKU: A0.1399809 Composed by Alejandro MartÃnez Mondragón. Instructional. Educational Method. 11 pages. Alejandro MartÃnez Mondragón #983061. Published by Alejandro MartÃnez Mondragón (A0.1399809). This course serves as an essential foundation for learning to read notes in the bass clef, catering to individuals with little to no prior musical knowledge.With a total of 40 lessons dedicated to each clef, our program offers a structured and progressive approach to note reading. Each lesson builds upon the previous one, gradually increasing in difficulty to ensure a smooth learning curve for students.
$4.99
4.52 €
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Alejandro MartÃnez Mondragón
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Music Reading for Beginners. Bass Clef
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Alejandro MartÃnez Mondragón
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SheetMusicPlus
Music Reading for Beginners. Treble Clef
Level 1 - Digital Download SKU: A0.1399802 Composed by Alejandro MartÃnez Mondra…
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Level 1 - Digital Download SKU: A0.1399802 Composed by Alejandro MartÃnez Mondragón. Instructional. Educational Method. 11 pages. Alejandro MartÃnez Mondragón #983054. Published by Alejandro MartÃnez Mondragón (A0.1399802). This course serves as an essential foundation for learning to read notes in the treble clef, catering to individuals with little to no prior musical knowledge.With a total of 40 lessons dedicated to each clef, our program offers a structured and progressive approach to note reading. Each lesson builds upon the previous one, gradually increasing in difficulty to ensure a smooth learning curve for students.
$4.99
4.52 €
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Alejandro MartÃnez Mondragón
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Music Reading for Beginners. Treble Clef
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Alejandro MartÃnez Mondragón
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SheetMusicPlus
I Died for Beauty, an Accompanied Reading
Instrumental Duet C Instrument,Instrumental Duet,Voice - Digital Download SKU: A0.83577…
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Instrumental Duet C Instrument,Instrumental Duet,Voice - Digital Download SKU: A0.835777 Composed by Paul Burnell. Contemporary. Score and parts. 7 pages. Paul Burnell #3222615. Published by Paul Burnell (A0.835777). Composed 2015. One of a series of fourteen accompaniments to texts published between 1896 – 1899 'I Died for Beauty' was included in the posthumous collection 'Poems' by the American poet Emily Dickinson, published in 1890. Duration 3:00 approx.Two or more players or singers and narrator. Instruments in C and singers may read from the score. Parts are available for transposing instruments and viola. Play/hum in softest octave, instruments muted if possible and others sited away 'off-stage'. Each player starts and continues independently at their own slow tempo. All to have started by the time the first player reaches bar 9 (*) Each may choose any of the slur or paused note options ad lib. The narrator starts reading either before or after the players/singers have started and may leave substantial gaps between the verses. It is also acceptable for the narrator to end after the players/singers have finished playing. At the end, two players - who have finished before the others - slowly rustle plastic bags, or similar, and continue doing this for at least twenty-five seconds after the others have finished playing. If suitable amplification is available the narrator may whisper the text. An electronic echo effect may be added to the instruments. The piece may be performed without narrator.
$1.99
1.8 €
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Paul Burnell
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I Died for Beauty, an Accompanied Reading
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Paul Burnell
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SheetMusicPlus
The C Seed: Early Reading on the Grand Staff
Small Ensemble Instrumental Solo - Level 1 - Digital Download SKU: A0.836152 Compos…
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Small Ensemble Instrumental Solo - Level 1 - Digital Download SKU: A0.836152 Composed by Edna J. Bloom. Children,Instructional. Individual part. 3 pages. Bloom Musicnotes #3574159. Published by Bloom Musicnotes (A0.836152). The C Seed: Early Reading on the Grand Staff begins on the C above the treble staff (two ledger lines). Students encounter repeated and step-wise notes as the seed falls two octaves down to middle C. The first phrase is repeated in the middle C range after which the seed falls two more octaves to C below the bass staff. The pitches then skip from C to C to describe the seed's transformation into a plant. Storytelling text suggests the action. Young students will enjoy pantomiming the seed's movements as the piece is modeled. The text and notes on the staff reinforce landmark C's, steps and skips, and pitch direction.  .
$1.99
1.8 €
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Edna J
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The C Seed: Early Reading on the Grand Staff
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Bloom Musicnotes
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SheetMusicPlus
The C Leaf: Early Reading on the Grand Staff
Small Ensemble Handbell,Orff Instrument,Piano - Level 1 - Digital Download SKU: A0.8361…
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Small Ensemble Handbell,Orff Instrument,Piano - Level 1 - Digital Download SKU: A0.836160 Composed by Edna J. Bloom. Children,Instructional. Score and parts. 3 pages. Bloom Musicnotes #3628427. Published by Bloom Musicnotes (A0.836160). The C Leaf: Early Reading on the Grand Staff begins on the C above the treble staff (two ledger lines). Students encounter repeated and step-wise notes as the leaf falls two octaves down to middle C. The first phrase is repeated in the middle C range after which leaves continue to fall two more octaves to C below the bass staff. The pitches then skip from C to C to describe the leaves accumulating into a pile. Storytelling text suggests the action. Young students will enjoy pantomiming the leaf's journey as the piece is played. .
$2.50
2.26 €
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Edna J
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The C Leaf: Early Reading on the Grand Staff
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Bloom Musicnotes
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SheetMusicPlus
Reading: Matthew 21:12-14
Small Ensemble - Digital Download SKU: A0.942910 Composed by Rick Lee James. Arrang…
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Small Ensemble - Digital Download SKU: A0.942910 Composed by Rick Lee James. Arranged by Rick Lee James. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 1 pages. Voices In My Head Productions LLC #3904247. Published by Voices In My Head Productions LLC (A0.942910). Reading: Matthew 21:12-14 - From Rick Lee James album Thunder.
$3.99
3.61 €
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Rick Lee James
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Reading: Matthew 21:12-14
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Voices In My Head Productions LLC
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SheetMusicPlus
Scale & Sight-Reading Exercises for Two Violins Part I
Instrumental Duet Instrumental Duet,Violin - Interactive Download SKU: A0.484843 Ar…
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Instrumental Duet Instrumental Duet,Violin - Interactive Download SKU: A0.484843 Arranged by Dr. Vladimir Dyo. This edition: Interactive Download. Classical. Score and parts. 20 pages. Duration 1370. Published by Global Music Partnership Press (A0.484843). Part I contains 20 selected scales re-arranged for two violins from the Art of Playing on the Violin (1751) by F. Geminiani. These compact scales are designed to equip beginner/intermediate violinists with basic scale and sight-reading skills in a creative and efficient manner. It is suggested to practice both violin parts for greater technical variety.
$7.99
7.24 €
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Scale & Sight-Reading Exercises for Two Violins Part I
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Global Music Partnership Press
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SheetMusicPlus
EQUALE DORIAN 4 Trombones plus one optional big brass, or any 4 or 5 brass instruments reading bass
Small Ensemble Bass Clef Instrument,Trombone,Tuba - Digital Download SKU: A0.903791…
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Small Ensemble Bass Clef Instrument,Trombone,Tuba - Digital Download SKU: A0.903791 Composed by Alan Edgar. Concert,Contemporary. Score and parts. 2 pages. Alan Edgar Ted Moon #6569687. Published by Alan Edgar Ted Moon (A0.903791). 4 Trombones plus one optional big brass, or any 4 or 5 brass instruments reading bass clef in C. Very short, very slow, very easy (but top part goes to G above the staff). Suitable for funeral procession or religious service, memorial, solemn occasion, concert.
$5.00
4.53 €
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Alan Edgar
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EQUALE DORIAN 4 Trombones plus one optional big brass, or any 4 or 5 brass instruments reading bass
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Alan Edgar Ted Moon
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SheetMusicPlus
Note Reading Exercise No 2 - Very Easy, treble clef
Large Ensemble Alto Recorder,Alto Saxophone,Baritone Saxophone,Clarinet,English Horn,Flute…
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Large Ensemble Alto Recorder,Alto Saxophone,Baritone Saxophone,Clarinet,English Horn,Flute,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Saxophone,Violin,Voice - Level 1 - Digital Download SKU: A0.877732 Composed by Brandyn Metzko. Instructional. Score and parts. 1 pages. Brandon Joseph Metzko #6411681. Published by Brandon Joseph Metzko (A0.877732). Note Reading Exercise No 2 - Very Easy, treble clef. Notes middle C, D, E, F, and G.
$1.99
1.8 €
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Brandyn Metzko
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Note Reading Exercise No 2 - Very Easy, treble clef
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Brandon Joseph Metzko
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SheetMusicPlus
Note Reading Exercise No 1 - Very Easy, treble clef
Large Ensemble Alto Recorder,Alto Saxophone,Baritone Saxophone,Clarinet,English Horn,Oboe,…
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Large Ensemble Alto Recorder,Alto Saxophone,Baritone Saxophone,Clarinet,English Horn,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Saxophone,Violin - Level 1 - Digital Download SKU: A0.877731 Composed by Brandyn Metzko. Instructional. Score and parts. 1 pages. Brandon Joseph Metzko #6411679. Published by Brandon Joseph Metzko (A0.877731). Note Reading Exercise No 1 - Very Easy, treble clef.
$1.99
1.8 €
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Brandyn Metzko
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Note Reading Exercise No 1 - Very Easy, treble clef
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Brandon Joseph Metzko
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SheetMusicPlus
Level 8 : 13. Sight Reading Exercises
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
1.99 €
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TomSolfège
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Tomplay
John Reading: O Come, All Ye Faithful instantly for voice or other instruments & piano
This is an exclusive transcription for voice or other instruments & piano of EASY skil…
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This is an exclusive transcription for voice or other instruments & piano of EASY skill level from the original composition by John Reading. This title is available as instant sheet music download. Contents: Oh Come, All Ye Faithful, christmas carol, christmas song,video accompaniment,accompaniment video,piano accompaniment,piano accompaniment video, / christmas,winter,spiritual,holiday,christian,inspirational,traditional,hymn,sacred,advent,carol,festival
$3.99
3.61 €
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John Reading
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Virtualsheetmusic
Nevermore, a Poem reading to music
Alto Voice,Electronic Keyboard,Organ - Level 1 - Digital Download SKU: A0.1388621 B…
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Alto Voice,Electronic Keyboard,Organ - Level 1 - Digital Download SKU: A0.1388621 By Rachel Lawson. By Rachel Lawson. 21st Century,Contemporary. Full Performance. Duration 63. Rachel Lawson #972124. Published by Rachel Lawson (A0.1388621). The music is my song Nevermore base on the poem.
$3.00
2.72 €
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Rachel Lawson
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Nevermore, a Poem reading to music
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Rachel Lawson
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SheetMusicPlus
The Piano-Organ, an Accompanied Reading
Recorder - Level 4 - Digital Download SKU: A0.835741 Composed by Paul Burnell, Joha…
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Recorder - Level 4 - Digital Download SKU: A0.835741 Composed by Paul Burnell, Johann Strauss II. Arranged by Paul Burnell. Contemporary. Recorder Ensemble. 11 pages. Paul Burnell #511029. Published by Paul Burnell (A0.835741). Composed 2015. One of a series of fourteen accompaniments to texts published between 1886-1899. Duration 2:10 approx. For recorder quartet - sopranino, soprano, alto, tenor - and narrator. Text: 'The Piano-Organ' by Amy Levy (1861 - 1889). The piece may be performed without narrator. Programme note: Amy Levy was a British essayist, poet, and novelist. 'The 'Piano-Organ' was included in her poetry collection 'A London Plane-Tree and Other Verse’ published in 1889, the year of her death. The accompaniment is an distorted version of part of 'An Der Elbe' by Johann Strauss II - published in 1898 one year before his death.
$1.99
1.8 €
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Paul Burnell, Johann Strauss II
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The Piano-Organ, an Accompanied Reading
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Paul Burnell
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SheetMusicPlus
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