Download Digital Sheet Music of Remember Me This Way

27 sheet music found

Please Try to Remember Me (Holy Thursday) - vocal trio, cello and piano

Small Ensemble Alto Voice,Cello,Piano,Soprano voice - Level 2 - Digital Download SKU: A…(+)

$5.50 5.03 € #Connie Boss #Please Try to Remember Me #Connie Boss #SheetMusicPlus

Acoustic Guitar,Alto Voice,Cello,Choir,Double Bass,Soprano voice,Viola,Violin - Level 2 - …(+)

$24.99 22.86 € #Kristen Anderson-Lopez and Robert Lopez #Remember Me #Cantus Youth Choirs Publishing #SheetMusicPlus

Someone To Remember Me

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…(+)

$45.00 41.17 € #Russell Watson #Someone To Remember Me #Paul Cooper #SheetMusicPlus

Daddy You've Been a Mother To Me

Piano and voice; ukulele - Digital Download SKU: LV.8953 Composed by Fred Fisher. P…(+)

$5.99 5.48 € #Fred Fisher #Daddy You've Been a Mother To Me #Johns Hopkins University Sheridan Libraries #SheetMusicPlus

Won't You Take Care of Me

Rhythm Section 2-Part Chorus,Voice - Level 5 - Digital Download SKU: A0.1426660 By …(+)

$6.90 6.31 € #Holiyo #Won't You Take Care of Me #Holyone Tombari Dodoh #SheetMusicPlus

Poem For Carlita (viola part - vln, vla, cel)

String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861805 Composed by…(+)

$4.50 4.12 € #Mark Oâ€™Connor

Originally released on Appalachian Journey featuring Mark Oâ€™Connor, Yo-Yo Ma and Edgar Meyer, Sony Classical

Poem for Carlita can be heard on Mark O'Connor's Crossing Bridges OMAC Records

#Mark O'Connor #therefore there is no return #Poem For Carlita #Mark O'Connor Musik International #SheetMusicPlus

Poem For Carlita (violin part - vln, vla, cel)

String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861803 Composed by…(+)

String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861803 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 11 pages. Mark O'Connor Musik International #6202181. Published by Mark O'Connor Musik International (A0.861803). Poem For Carlita (violin part â€“ vln, vla, cel) MO142BViolin Part (score and parts available)Music by Mark Oâ€™Connor7 pages - 8:30 minutes in length Poem For Carlita In contemporary vocal music, there is a form called a story song. It is an odd form in that it does not contain any departure from the central idea; therefore there is no return. The story has a beginning and ending but uses subtle variation to push the idea along its way. .. much the way loving relationships evolve. The equivalent of the story song in classical music is a Poem, and this is what I have called this piece. An inspiration I used for my musical poem was the ocean and itâ€™s repetition of waves as they fall in to the shoreline. I grew up near the ocean and remember how the sounds of the relentless waves used to calm me. While it was the repetitive sound of the sea that moved me as a child, today, I observed that each wave was not the same but in fact slightly different. I was amazed that it seemed that no two waves looked or sounded the same to me. This natural occurrence seemed to mirror my love for wife Carla. Each day was just something a tiny bit different. It was very natural to make these kinds of life experience connections. Bridges that joined nature, love and art. The poem begins slowly and inquisitively and builds through in intensity with loud and mightily passionate moments of emotion before the music comes down peacefully and reflectively, until the last statement played by the violin signifies that the sea is calm once again. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 1998 Composed By Mark Oâ€™ConnorOriginally released on Appalachian Journey featuring Mark Oâ€™Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalPoem for Carlita can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridges Catalogue Number MO142BCopyright Â© 1998 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50 4.12 € #Mark Oâ€™Connor
Originally released on Appalachian Journey featuring Mark Oâ€™Connor, Yo-Yo Ma and Edgar Meyer, Sony Classical
Poem for Carlita can be heard on Mark O'Connor's Crossing Bridges OMAC Records
#Mark O'Connor #therefore there is no return #Poem For Carlita #Mark O'Connor Musik International #SheetMusicPlus

Poem For Carlita (cello part - vln, vla, cel)

String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861806 Composed by…(+)

String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861806 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 10 pages. Mark O'Connor Musik International #6202205. Published by Mark O'Connor Musik International (A0.861806). Poem For Carlita (cello â€“ vln, vla, cel) MO142DCello Part (score and parts available)Music by Mark Oâ€™Connor15 pages - 8:30 minutes in length Poem For Carlita In contemporary vocal music, there is a form called a story song. It is an odd form in that it does not contain any departure from the central idea; therefore there is no return. The story has a beginning and ending but uses subtle variation to push the idea along its way. .. much the way loving relationships evolve. The equivalent of the story song in classical music is a Poem, and this is what I have called this piece. An inspiration I used for my musical poem was the ocean and itâ€™s repetition of waves as they fall in to the shoreline. I grew up near the ocean and remember how the sounds of the relentless waves used to calm me. While it was the repetitive sound of the sea that moved me as a child, today, I observed that each wave was not the same but in fact slightly different. I was amazed that it seemed that no two waves looked or sounded the same to me. This natural occurrence seemed to mirror my love for wife Carla. Each day was just something a tiny bit different. It was very natural to make these kinds of life experience connections. Bridges that joined nature, love and art. The poem begins slowly and inquisitively and builds through in intensity with loud and mightily passionate moments of emotion before the music comes down peacefully and reflectively, until the last statement played by the violin signifies that the sea is calm once again. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 1998 Composed By Mark Oâ€™ConnorOriginally released on Appalachian Journey featuring Mark Oâ€™Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalPoem for Carlita can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridges Catalogue Number MO142DCopyright Â© 1998 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50 4.12 € #Mark Oâ€™Connor
Originally released on Appalachian Journey featuring Mark Oâ€™Connor, Yo-Yo Ma and Edgar Meyer, Sony Classical
Poem for Carlita can be heard on Mark O'Connor's Crossing Bridges OMAC Records
#Mark O'Connor #therefore there is no return #Poem For Carlita #Mark O'Connor Musik International #SheetMusicPlus

Lent and Easter Strings book 1 - Strings and Piano

Small Ensemble Cello,Guitar,Piano Accompaniment,Viola,Violin - Level 2 - Digital Download …(+)

Small Ensemble Cello,Guitar,Piano Accompaniment,Viola,Violin - Level 2 - Digital Download SKU: A0.801607 Composed by Connie Boss. Christian,Easter,Sacred. Score and parts. 68 pages. Connie Boss #6259277. Published by Connie Boss (A0.801607). This book has Lent and Easter hymns in it for strings and piano that each have their own set of parts attached at the end of each song. Mostly violin and cello - there is one that includes the viola. Some of these songs are original and some are familiar songs that have been arranged in some way by me. Songs are suitable for Ash Wednesday, Lent, Holy Thursday - Last Supper - Washing of the Feet, Good Friday and Easter. cdboss@cvalley.net (you will be able to also purchase it in book form from Amazon if desired) See book content below: You can also find this book with vocals. There is also a strings book 2 available. You can hear Were You There in the video attached.Lent and Easter SongsTable of Contents Ash WednesdayMake a clean heart in me o GodLentLord who throughout these forty daysI heard the voice of Jesus sayHoly ThursdayPlease try to remember meGood FridayThe hammer and the nailWere you thereEasterIt was a Glorious DayJesus Christ was raised on highChrist arose
$8.00 7.32 € #Connie Boss #Lent and Easter Strings book 1 - Strings and Piano #Connie Boss #SheetMusicPlus

Tears from My Eyes: Reflection and Contemplation (For Flute Choir)

Alto Flute,Bass Flute - Digital Download SKU: A0.1070239 Composed by Tito Abeleda. …(+)

Alto Flute,Bass Flute - Digital Download SKU: A0.1070239 Composed by Tito Abeleda. Concert,Contemporary,New Age. Full Performance. Duration 486. Visionary Quest Records #4718101. Published by Visionary Quest Records (A0.1070239). FLUTE CHOIR: Piccolo, E Flat Flute Solo, E Flat Flute 1-2, Flute 1-3, Alto Flute 1-2, Bass Flute 1-2 Compose by Tito Abeleda (1964 - ) Music score plus parts = 72 pages digital download. Duration: 8:26In 2019 I composed a three-movement piece titled Tear from My Eyes. Tears from My Eyes: Reflection and Contemplation is the second movement to this piece. The first movement is Tears from My Eyes: Remember Your Feelings for full orchestra. The third movement is Tears from My Eyes: Mourning in the Rain for clarinet choir. The entire piece is dedicated to my father and mother. This movement was written for flute choir comprised of piccolo, E flat flutes, flutes, alto flutes, and bass flutes. It is tranquil and meditative to allow one to reflect and contemplate. For me this piece meant reflecting and contemplating in a positive way what my parents have meant to me and all that they have done to support my dreams throughout my life. I wrote these songs to express musically the depth of my gratitude and love for them.
$2.99 2.74 € #Tito Abeleda #Tears from My Eyes: Reflection and Contemplation #Visionary Quest Records #SheetMusicPlus

Lullaby and Fugue (Score and Parts)

Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.942945 Composed by …(+)

Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.942945 Composed by Aris Antoniades. Contemporary,World. Score and parts. 26 pages. Aris Antoniades #3914539. Published by Aris Antoniades (A0.942945). Lullaby & Fugue, composed by Aris Antoniades.This piece was commissioned by the Sforzando Composers' Collective for the New Asia Chamber Music Society of New York, and was premiered on August 4th, 2017 at the Riverside Church in NYC.When I was presented with the challenge of composing a work combining traditional Chinese instruments with conventional Western instruments, I was quite intrigued: merging different sound-worlds has always been a strong compositional interest of mine. I am fascinated by folk music and, being born and raised on the Mediterranean island of Cyprus, much of my music is greatly influenced by my Greek cultural heritage. This piece is no different: Iâ€™ve attempted to use the enchanting sound of the Chinese Dulcimer in a way that reminds me of my own home.Lullaby and Fugue is a work inspired by the magical art of story telling. I still remember many of the bedtime stories my grandparents used to tell me when I was young. Their stories were not just entertaining, but also didactic: I follow many of their teachings to this very day, and I believe that these stories have played a vital role in shaping my character. The Lullaby portrays the soothing aspect of a bedtime story, whilst the Fugue represents the hidden, â€˜cerebralâ€™ aspect. I would like to thank my friends at the Sforzando Composers Collective for this great opportunity and all of the performers for their time and dedication. Additionally, I would like to thank my mentor, Dr. J. Mark Stambaugh for helping me discover the true magic of counterpoint, back in college. Finally, I would like to dedicate this piece to the greatest storytellers in the world: my grandparents George, Panayiota, Anthis and Persoulla.Estimated performance time: ca. 4' 45''Instrumentation:Chinese DulcimerPianoViolinVioloncelloContact the composer: https://www.arisantoniades.com or aris.antoniades@gmail.com
$25.00 22.87 € #Aris Antoniades #Lullaby and Fugue #Aris Antoniades #SheetMusicPlus

Once upon a time...

Clarinet, viola, piano - difficult - Digital Download SKU: S9.Q42473 Five pieces…(+)

Clarinet, viola, piano - difficult - Digital Download SKU: S9.Q42473 Five pieces in fairy-tale style for clarinet, viola and piano. Composed by Joerg Widmann. This edition: score and parts. Narrative - fairy tale - fairy tales - Robert Schumann - depth psychology. 5 StÃ¼cke im MÃ¤rchenton fÃ¼r Klarinette, Viola und Klavier. Downloadable, Score and parts. Duration 29 minutes. Schott Music - Digital #Q42473. Published by Schott Music - Digital (S9.Q42473). As far back as I can remember, I have always been fascinated with fairy tales: with their archetypal characters and set phrases like â€˜Once upon a time â€¦â€™ and â€˜â€¦ they all lived happily ever afterâ€™. Fairy tales were however also a source of unrest for me as a seismograph of mankindâ€™s underlying primal fears and desires. So as a performer and composer I have always felt that Robert Schumannâ€™s MÃ¤rchenerzÃ¤hlungen [Fairy Tales] (scored for the same instrumentation as my own composition) was a disjointed, complex contemporary work â€“ despite the innocence and naivety of its initial appearance. I therefore do not intend my own Es war einmal â€¦ [Once upon a time â€¦] to be a mere sentimental, nostalgic flight into the distant past, but as a naive and fantastical alternative concept to our genuine world with all its upheavals. JÃ¶rg Widmann.
$46.99 42.99 € #Joerg Widmann #Once upon a time... #Schott Music - Digital #SheetMusicPlus

Waltz of the Roses (Think of My Love As A Rose), for High Voice Piano, Theme from The Snow Queen, A

High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.730413 Composed by James…(+)

High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.730413 Composed by James Nathaniel Holland. Contemporary,Holiday,Wedding. 8 pages. James Nathaniel Holland #3369761. Published by James Nathaniel Holland (A0.730413). A beautiful, sentimental slow waltz from the Pas de Deux of the ballet, The Snow Queen by American composer James Nathaniel Holland. Â Here arranged for high voice (key of C), piano, and with guitar chords. Intermediate level. Perfect for Valentine's Day, Wedding Father Daughter Waltz, or anytime of the year! Orchestral accompaniment sold separately.Beautiful and bright as the Red Rose;With only one hope: 'You'll remember me.'Know that I'll always love you,And that this love will not fade.Fresh, so sweet, the fragrance,Of those happy times, wonderful, sublime, we once shared.If I should dare, say you still care!Think of my love as a Rose.(Brief music interlude)I wish you nothing but gladness,And a life filled with Joy!Seasons may come;Years, they may go,Love can survive,Through Winter's snow.And so this love will for you,Think of my love as a Rose.As Seasons fly; Years, as they go,Think of my love as a Rose!J.N. Holland (Duration: 6 minutes)YouTube Video Presentation: Â https://youtu.be/9dgnKajSsE8Facebook page: Â https://www.facebook.com/jamesnathanielholland/.
$4.95 4.53 € #James Nathaniel Holland #Waltz of the Roses #James Nathaniel Holland #SheetMusicPlus

Sunday

Choral Piano and Keyboard,Ukulele,Voice (4-Part) - Level 3 - Interactive Download SKU: …(+)

Choral Piano and Keyboard,Ukulele,Voice (4-Part) - Level 3 - Interactive Download SKU: A0.1033592 By Ukelele Ike (Cliff Edwards). Arranged by Jim Ivy. This edition: Interactive Download. Musical/Show,Standards. Octavo. Duration 133. Jim Ivy #bLtl7pcHmOevED0xqdd2w. Published by Jim Ivy (A0.1033592). Key: C major.Am I the only one here who remembers Saturday morning at the movies? No one had air conditioning or TV sets when I was a boy. The only way to cool off during those long, hot Alabama summers was to either jump in the creek for a swim, or go into town to the movie theater! On Saturday mornings we would pedal our bikes into town, where for a dime, we could spend half the day in refrigerated air comfort. There was always a double feature on Saturday and between the two movies, there was newsreel about the important events of the day, the weekly installment of the serial, one or two cartoons, and always a bouncing ball sing-a-long! Here is an arrangement that reminds me very much of those Saturday mornings. I had to figure out some new things (at least new to me) but I'm rather pleased with the way it turned out. It reminds me very much of those Saturday mornings long ago!
$2.99 2.74 € #Ukelele Ike #Sunday #Jim Ivy #SheetMusicPlus

Three Painters (parts)

Small Ensemble B-Flat Clarinet,Bassoon,Oboe,Tenor Saxophone - Level 4 - Digital Download (+)

Small Ensemble B-Flat Clarinet,Bassoon,Oboe,Tenor Saxophone - Level 4 - Digital Download SKU: A0.799463 Composed by Drake Mabry. Contemporary. Score and parts. 48 pages. Drake Mabry #1989265. Published by Drake Mabry (A0.799463). Three Painters was a 2008 commission from the Conservatory of Music in Chalons, France. Each of the three movements is inspired by some of my favorite painters, in this case Yves Klein, Zao Wou-ki and Jackson Pollock for the first, second and third movements respectively. I first saw Yves Klein work on a visit to Balbao, Spain during an exhibit of his art at the Guggenheim Museum. There was a kind of giant sandbox filled with his famous blue pigment. The lighting created timbral shadows which varied depending on where the viewer stood. It was difficult to leave. I first saw Zao Wou-ki's paintings during an exhibit in Paris around 2000 â€“ I don't remember where. The abstract shape and colors fascinated me and each work seemed to explore a different emotional perspective. And they were simply beautiful. In 1967 I began my music studies in New York and within a few months of arriving went to the Museum of Modern Art at W. 53rd street. On the way there I crossed paths with Moondog on the street near the museum dressed in his Viking outfit. From my first visit, the two artists I remember most vividly were Jackson Pollock and Alexander Calder. Jackson Pollock's art washed over my senses and I stared at One: Number 31 1950 for what seemed to be hours. And Calder's mobiles danced in slow motion and also captivated me. Someday I will write a work to pay homage to him. Three Painters depicts what I see in the works of these artists as sound over time. The first movement (Yves Klein) explores the subtle changing orchestrational timbres on the pitch 'F'. The second movement (Zao Wou-ki) uses the instruments without their reeds and/or mouthpieces resulting in waves of air sounds washing over the senses. The Third movement (Jackson Pollock) is a jazz-like romp which transfers his vibrant visual energy to a full blown big band style played by the ensemble. The duration is 12 minutes.
$9.99 9.14 € #Drake Mabry #Three Painters #Drake Mabry #SheetMusicPlus

Three Painters (score)

Small Ensemble B-Flat Clarinet,Bassoon,Oboe,Tenor Saxophone - Level 4 - Digital Download (+)

Small Ensemble B-Flat Clarinet,Bassoon,Oboe,Tenor Saxophone - Level 4 - Digital Download SKU: A0.799462 Composed by Drake Mabry. Contemporary. Score and parts. 24 pages. Drake Mabry #1989261. Published by Drake Mabry (A0.799462). Three Painters was a 2008 commission from the Conservatory of Music in Chalons, France. Each of the three movements is inspired by some of my favorite painters, in this case Yves Klein, Zao Wou-ki and Jackson Pollock for the first, second and third movements respectively. I first saw Yves Klein work on a visit to Balbao, Spain during an exhibit of his art at the Guggenheim Museum. There was a kind of giant sandbox filled with his famous blue pigment. The lighting created timbral shadows which varied depending on where the viewer stood. It was difficult to leave. I first saw Zao Wou-ki's paintings during an exhibit in Paris around 2000 â€“ I don't remember where. The abstract shape and colors fascinated me and each work seemed to explore a different emotional perspective. And they were simply beautiful. In 1967 I began my music studies in New York and within a few months of arriving went to the Museum of Modern Art at W. 53rd street. On the way there I crossed paths with Moondog on the street near the museum dressed in his Viking outfit. From my first visit, the two artists I remember most vividly were Jackson Pollock and Alexander Calder. Jackson Pollock's art washed over my senses and I stared at One: Number 31 1950 for what seemed to be hours. And Calder's mobiles danced in slow motion and also captivated me. Someday I will write a work to pay homage to him. Three Painters depicts what I see in the works of these artists as sound over time. The first movement (Yves Klein) explores the subtle changing orchestrational timbres on the pitch 'F'. The second movement (Zao Wou-ki) uses the instruments without their reeds and/or mouthpieces resulting in waves of air sounds washing over the senses. The Third movement (Jackson Pollock) is a jazz-like romp which transfers his vibrant visual energy to a full-blown big band style played by the ensemble. The duration is 12 minutes.Three Painters was premiered by an ensemble conducted by Philippe Cambreling at the Auditorium, CRR de Chalon sur SaÃ´ne, France on March 22, 2009.
$9.99 9.14 € #Drake Mabry #Three Painters #Drake Mabry #SheetMusicPlus

Playing with Scales

Guitar - Level 2 - Digital Download SKU: A0.1314698 Composed by Richard Hirsch. Ins…(+)

Guitar - Level 2 - Digital Download SKU: A0.1314698 Composed by Richard Hirsch. Instructional. Educational Exercises. 8 pages. Richard Hirsch #903442. Published by Richard Hirsch (A0.1314698). Many amateur guitarists and beginning students of guitar are â€˜stuck in the first positionâ€™. The rest of the fretboard is â€˜terra incognitaâ€™. They donâ€™t know where the notes are and they donâ€™t know how to get to them and use them in playing melodies. To help remedy this situation, I offer a collection of scales and exercises I have developed over the years that have helped me master the fretboard of the guitar and that I have used to warm up my left and right hands before practicing or playing proper pieces.Â Guitarists afraid to move up the fretboard miss out on all the tonal nuances that the guitar has to offer. They also often have undeveloped left hand technique with a little finger that flies around helplessly and uselessly. These scales and exercises will, if played regularly, put the little finger to good use and guide the left hand to orient to the fretboard properly, staying close to the fretboard with fingers that move as little and as efficiently as possible. They are also relaxing and fun to play around with. I read somewhere a while back that medical science had found that pianists were less likely to develop brain diseases. The scientists attributed this to the many hours pianists spend playing scales, as this is like a gentle brain massage. So scales are not only good warm up exercises for the fingers but also good warm-ups for the brain.The scale exercises written here in the keys of G and C should be played in different keys in higher positions on the fretboard. Students can try to see just how far up the neck they can go to reach the highest notes. After a while, what seemed challenging and strange will start to feel comfortable and familiar. Donâ€™t hesitate to develop new variants of the scales when you grow tired of playing them as I propose here. Have fun playing and playing with the scales!The exercises often start in one position and move toward other higher or lower positions on the fretboard. When moving from one position to another, follow the suggested fingerings to utilise what is called a lead finger to move the hand to the next position. This will make the movement smooth and not interrupt the flow of the scale. In the end all movement should look and feel seamless and effortless.I have chosen scales in major keys I think are particularly good to play on the guitar. To practice a scale in a minor key, start the exercise in the related major key from the fundamental of the minor key, for example, to play an E minor scale start the G major exercise on an E and play from there. This is one way of creating new variants of these scales. Another way to vary the exercises is to play the scales in different time signatures or rhythms.I believe these exercises are particularly helpful for amateur guitarists who play in ensembles of different kinds, duos, trios, quartets, where the guitarist often only has one melodic line to play. Such melodies often sound much better played in higher positions where the guitar can be made to sing, rather than in the first position where the same tones, especially on open strings, often sound rather dull. From my own experience, I find that when I play a melody in a higher position using all the fingers of the left hand, the melody not only sounds better, the fingers remember the melody better.Â
$4.99 4.57 € #Richard Hirsch #Playing with Scales #Richard Hirsch #SheetMusicPlus

Suite No. 1 for Flute, Violx and Harp - Minuet and Duo

Small Ensemble Flute,Harp,Viola,Violin - Level 3 - Digital Download SKU: A0.987749 …(+)

Small Ensemble Flute,Harp,Viola,Violin - Level 3 - Digital Download SKU: A0.987749 Composed by Dana Taylor. Contemporary. Score and parts. 20 pages. Dana Taylor Music #3053973. Published by Dana Taylor Music (A0.987749). This is the third of three movements: Dance, Tango and Minuet and Duo. They are each about 2 and a half minutes long.So they would make a very enjoyable interlude in your concert, or a challenging and rewarding project for an unusual trio.They are intended for advanced high school or college level musicians, or the equivalent community orchestra members.The Minuet is a classical waltz. The Duo refers to a trio minus one instrument.. (The mp3 uses viola. I have an mp3 with violin. Ask me at Dana@danataylormusic.com) Check out my other works here at SMP, and my website, DanaTaylorMusic.com.Performance Notes:1. Choose either violin or viola, but not both.The piece was written for Flute, Violin and Harp players. However, they didn't play it and I like thelower viola voice better anyway. So take your choice. But remember, Balance Is Everything.2. All three movements are dances. They should sound like it.Even better, they should be played for dancers.(Let me know if you have balanced one or more dancers with three musicians on the same stage.I would love to see a video.)2017 Chamber Music Contest Entry - Original
$15.00 13.72 € #Dana Taylor #Suite No. 1 for Flute, Violx and Harp - Minuet and Duo #Dana Taylor Music #SheetMusicPlus

Suite No. 1 for Flute, Violx and Harp - Dance

Small Ensemble Flute,Harp,Viola,Violin - Level 3 - Digital Download SKU: A0.987750 …(+)

Small Ensemble Flute,Harp,Viola,Violin - Level 3 - Digital Download SKU: A0.987750 Composed by Dana Taylor. Contemporary. Score and parts. 23 pages. Dana Taylor Music #3053149. Published by Dana Taylor Music (A0.987750). This is the first of three movements: Dance, Tango and Minuet and Duo. They are each about 2 and a half minutes long.So they would make a very enjoyable interlude in your concert, or a challenging and rewarding project for an unusual trio.They are intended for advanced high school or college level musicians, or the equivalent community orchestra members.The Dance is in 6/8 time, with a light bounce. There are hints of jazz throughout. (The mp3 uses viola. I have an mp3 with violin. Ask me at Dana@danataylormusic.com) Check out my other works here at SMP, and my website, DanaTaylorMusic.com.Performance Notes:1. Choose either violin or viola, but not both.The piece was written for Flute, Violin and Harp players. However, they didn't play it and I like thelower viola voice better anyway. So take your choice. But remember, Balance Is Everything.2. All three movements are dances. They should sound like it.Even better, they should be played for dancers.(Let me know if you have balanced one or more dancers with three musicians on the same stage.I would love to see a video.2017 Chamber Music Contest Entry - Original
$15.00 13.72 € #Dana Taylor #Suite No. 1 for Flute, Violx and Harp - Dance #Dana Taylor Music #SheetMusicPlus

Suite No. 1 for Flute, Violx and Harp - Tango

Small Ensemble Flute,Harp,Viola,Violin - Level 3 - Digital Download SKU: A0.987751 …(+)

Small Ensemble Flute,Harp,Viola,Violin - Level 3 - Digital Download SKU: A0.987751 Composed by Dana Taylor. Contemporary. Score and parts. 22 pages. Dana Taylor Music #3053465. Published by Dana Taylor Music (A0.987751). This is the second of three movements: Dance, Tango and Minuet and Duo. They are each about 2 and a half minutes long.So they would make a very enjoyable interlude in your concert, or a challenging and rewarding project for an unusual trio.They are intended for advanced high school or college level musicians, or the equivalent community orchestra members.The Tango is a medium tempo, minor tango. (The mp3 uses viola. I have an mp3 with violin. Ask me at Dana@danataylormusic.com)Check out my other works here at SMP, and my website, DanaTaylorMusic.com.Performance Notes:1. Choose either violin or viola, but not both.The piece was written for Flute, Violin and Harp players. However, they didn't play it and I like thelower viola voice better anyway. So take your choice. But remember, Balance Is Everything.2. All three movements are dances. They should sound like it.Even better, they should be played for dancers.(Let me know if you have balanced one or more dancers with three musicians on the same stage.I would love to see a video.)2017 Chamber Music Contest Entry - Original
$15.00 13.72 € #Dana Taylor #Suite No. 1 for Flute, Violx and Harp - Tango #Dana Taylor Music #SheetMusicPlus

Nature's Dream

Alto Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1022081 Composed by Bill…(+)

Alto Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1022081 Composed by Bill Taylor and Jaye Alison Moscariello, lyrics and Bill Taylor music. Contemporary,Jazz,Sacred. 7 pages. William R Taylor #6475263. Published by William R Taylor (A0.1022081). Natureâ€™s Dream (Â©2012) â€“ Piano, Vocal, Flute, Soprano Sax, Upright Bass. The first several bars came to me in a 2011 vivid dream in which Paul McCandless was playing soaring soprano sax melodies and Jaye Alison Moscariello was singing lyrics I did not remember from the dream. It was originally in D with some Dad-related chord progressions. This version is in A to better fit the alto voice. After writing 3 verses of rather convoluted lyrics about healing the planet, Jaye helped pare it down to one powerful verse that could be a world anthem. George and Paul play solos during the instrumental break. We think this would make a great national, or international, anthem. This is our planet, the one that we all share Let us remember that all life breathes the air Our world is sacred, its future in our trust And it continues after bodies turn to dust Shall we continue to think we own the beasts? Or know the truth that all of us share the feast? Grow for each other and for the creatures too Plant life and fungi nourish the whole zoo Lessons weâ€™ve learned from species that have passed Transform our ways or we may not last Take time to learn what ancestors teach us Honor the spirit residing in that which feeds us Act for the future of seven generations And together we can share in this dance of life Act for the future of seven generations Act for the welfare of seven generations
$3.99 3.65 € #Bill Taylor and Jaye Alison Moscariello, lyrics and Bill Taylor music #Nature's Dream #William R Taylor #SheetMusicPlus

Non mi porti a Funkytown? (Disco & Pavane)

Cello,Clarinet,Piano,Violin - Level 3 - Digital Download SKU: A0.1381033 Composed b…(+)

Cello,Clarinet,Piano,Violin - Level 3 - Digital Download SKU: A0.1381033 Composed by Jason V. Barabba. 21st Century,Chamber,Classical,Contemporary,Disco. 48 pages. Barabba Music #965749. Published by Barabba Music (A0.1381033). Itâ€™s difficult to know what to say about this piece. It will probably always be an aberration when considered as part of my larger body of works. My challenge when writing this piece was to incorporate two different dance styles, and I immediately decided it was time to face the disco music of my childhood. Yes, I had the Bee Gees on LP when I was a kid.â€¦and ABBAâ€¦but I left them out of this piece.Obviously, this is meant to be fun. There are direct (if not always obvious) quotations to the following songs:Â Â Â Â Â Â Â Anita Wardâ€™s â€œRing My Bellâ€Â Â Â Â Â Â Â â€œNight Feverâ€ by the Bee GeesÂ Â Â Â Â Â Â Gloria Gaynorâ€™s â€œI Will Surviveâ€ (Just had to be included)Â Â Â Â Â Â Â Lipps Incâ€™s â€œFunktownâ€Â Â Â Â Â Â Â and â€œBoogie Nightsâ€ from HeatwaveThe ancient dance form known as the pavane is, weirdly enough, the perfect pairing with the discoâ€¦in that their rhythmic structures easily go together, allowing me to spread the disco material around throughout the piece. In fact, the references to â€œI Will Surviveâ€ are in the slower pavane section, not the disco.The piece is basic A-B-A form (Disco-Pavane-Disco) with a fadeout endingâ€¦because in all my research I donâ€™t remember finding a single disco piece that didnâ€™t have a fadeout ending. It just wasnâ€™t done. Please have some fun listening to this piece, because I had a great time writing it. Itâ€™s unlike anything Iâ€™ve ever written..pdf contains a complete set of score and parts. There are also versions with Flute and Oboe in place of the clarinet available. For more information visit www.jasonbarabba.com.
$45.60 41.72 € #Jason V #Non mi porti a Funkytown? #Barabba Music #SheetMusicPlus

Non mi porti a Funkytown? (Disco & Pavane)

Cello,Oboe,Piano,Violin - Level 3 - Digital Download SKU: A0.1381048 Composed by Ja…(+)

Cello,Oboe,Piano,Violin - Level 3 - Digital Download SKU: A0.1381048 Composed by Jason V. Barabba. 21st Century,Chamber,Classical,Contemporary,Disco. 48 pages. Barabba Music #965763. Published by Barabba Music (A0.1381048). Itâ€™s difficult to know what to say about this piece. It will probably always be an aberration when considered as part of my larger body of works. My challenge when writing this piece was to incorporate two different dance styles, and I immediately decided it was time to face the disco music of my childhood. Yes, I had the Bee Gees on LP when I was a kid.â€¦and ABBAâ€¦but I left them out of this piece.Obviously, this is meant to be fun. There are direct (if not always obvious) quotations to the following songs:Â Â Â Â Â Â Â Anita Wardâ€™s â€œRing My Bellâ€Â Â Â Â Â Â Â â€œNight Feverâ€ by the Bee GeesÂ Â Â Â Â Â Â Gloria Gaynorâ€™s â€œI Will Surviveâ€ (Just had to be included)Â Â Â Â Â Â Â Lipps Incâ€™s â€œFunktownâ€Â Â Â Â Â Â Â and â€œBoogie Nightsâ€ from HeatwaveThe ancient dance form known as the pavane is, weirdly enough, the perfect pairing with the discoâ€¦in that their rhythmic structures easily go together, allowing me to spread the disco material around throughout the piece. In fact, the references to â€œI Will Surviveâ€ are in the slower pavane section, not the disco.The piece is basic A-B-A form (Disco-Pavane-Disco) with a fadeout endingâ€¦because in all my research I donâ€™t remember finding a single disco piece that didnâ€™t have a fadeout ending. It just wasnâ€™t done. Please have some fun listening to this piece, because I had a great time writing it. Itâ€™s unlike anything Iâ€™ve ever written..pdf contains a complete set of score and parts. There are also versions with clarinet and flute in place of the oboe available. For more information visit www.jasonbarabba.com.
$45.60 41.72 € #Jason V #Non mi porti a Funkytown? #Barabba Music #SheetMusicPlus

Non mi porti a Funkytown? (Disco & Pavane)

Cello,Flute,Piano,Violin - Level 3 - Digital Download SKU: A0.1381044 Composed by J…(+)

Cello,Flute,Piano,Violin - Level 3 - Digital Download SKU: A0.1381044 Composed by Jason V. Barabba. 20th Century,Chamber,Classical,Contemporary,Disco. 48 pages. Barabba Music #965759. Published by Barabba Music (A0.1381044). Itâ€™s difficult to know what to say about this piece. It will probably always be an aberration when considered as part of my larger body of works. My challenge when writing this piece was to incorporate two different dance styles, and I immediately decided it was time to face the disco music of my childhood. Yes, I had the Bee Gees on LP when I was a kid.â€¦and ABBAâ€¦but I left them out of this piece.Obviously, this is meant to be fun. There are direct (if not always obvious) quotations to the following songs:Â Â Â Â Â Â Â Anita Wardâ€™s â€œRing My Bellâ€Â Â Â Â Â Â Â â€œNight Feverâ€ by the Bee GeesÂ Â Â Â Â Â Â Gloria Gaynorâ€™s â€œI Will Surviveâ€ (Just had to be included)Â Â Â Â Â Â Â Lipps Incâ€™s â€œFunktownâ€Â Â Â Â Â Â Â and â€œBoogie Nightsâ€ from HeatwaveThe ancient dance form known as the pavane is, weirdly enough, the perfect pairing with the discoâ€¦in that their rhythmic structures easily go together, allowing me to spread the disco material around throughout the piece. In fact, the references to â€œI Will Surviveâ€ are in the slower pavane section, not the disco.The piece is basic A-B-A form (Disco-Pavane-Disco) with a fadeout endingâ€¦because in all my research I donâ€™t remember finding a single disco piece that didnâ€™t have a fadeout ending. It just wasnâ€™t done. Please have some fun listening to this piece, because I had a great time writing it. Itâ€™s unlike anything Iâ€™ve ever written..pdf contains a complete set of score and parts. There are also versions with clarinet and oboe in place of the flute available. For more information visit www.jasonbarabba.com.
$45.60 41.72 € #Jason V #Non mi porti a Funkytown? #Barabba Music #SheetMusicPlus

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