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Rhythms of One World: String Bass
Sheetmusic to print
15 sheet music found
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1
We Are The World
Large Ensemble Alto Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Drums,Flute,Horn,Piano Ac…
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Large Ensemble Alto Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Drums,Flute,Horn,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet,Viola,Violin,Voice - Level 2 - Digital Download SKU: A0.799218 By USA For Africa. By Lionel Richie and Michael Jackson. Arranged by John Milne. Contemporary. Score and parts. 32 pages. Odd Shoe Music #3505465. Published by Odd Shoe Music (A0.799218). The charity single produced by Quincy Jones which has sold in excess of 10 million copies.A score is provided with the 4 flexible parts as a string quartet.Guitar part has chord diagrams and important rhythms notated. Piano and bass parts are notated but also have chord symbols.The flexible parts are numbered for clarity. Included are 2 violins, viola, cello, flute, clarinet, alto and tenor saxophones,bassoon, 2 trumpets, F horn, Eb horn and trombone.Guide dynamics are shown for important parts but more general dynamics will be dependant on the forces used.Duration - 3m 30s.
$34.99
32.33 €
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USA For Africa
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We Are The World
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Odd Shoe Music
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SheetMusicPlus
DvoÅ™ák: Largo from the New World Symphony for Bass Flute & Piano
Bass Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.549430 Comp…
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Bass Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.549430 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3494193. Published by jmsgu3 (A0.549430). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs.  Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
30.44 €
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Antonin Dvorak
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dynamic control
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DvoÅ™ák: Largo from the New World Symphony for Bass Flute & Piano
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jmsgu3
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SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Quintet - 2 Violins, 1 Viola, 1 Ce
String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813833 Composed…
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String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813833 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533931. Published by Regis Bookshar (A0.813833). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a String Quintet, consisting of 2 Violins, 1 Viola, 1 Violoncello and 1 Double Bass, he has made quite a few other arrangements of this sel.
$15.00
13.86 €
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Antonin Dvorak
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Largo
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Regis Bookshar
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SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Quintet - 3 Violins, 1 Cello, 1 Ba
String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813834 Composed…
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String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813834 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533937. Published by Regis Bookshar (A0.813834). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a String Quintet, consisting of 3 Violins, 1 Violoncello and 1 Double Bass, he has made quite a few other arrangements of this selection which a.
$15.00
13.86 €
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Antonin Dvorak
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Largo
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Regis Bookshar
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SheetMusicPlus
Going Home (Largo – Theme from New World Symphony) for four part cello ensemble or mixed level cel
String Ensemble Cello - Level 3 - Digital Download SKU: A0.812917 Composed by Anton…
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String Ensemble Cello - Level 3 - Digital Download SKU: A0.812917 Composed by Antonin Dvorak. Arranged by Yellow Cello Music. Contemporary,Romantic Period,Sacred. Score and parts. 6 pages. Sheryl Smith #6599853. Published by Sheryl Smith (A0.812917). Largo from the New World Symphony by Dvorak. For quartet or ensemble of mixed level players. Transcribed to C major.Part 1 - all positions, mostly in treble clefPart 2 - bass clef only, some shifting up to fourth position. Tricky harmonies.Part 3 - bass clef, can be played in first position (better shifted up). Tricky harmonies, one tricky triplet passage.Part 4 - bass clef, first position only with extensions. Simple rhythms, simple bowings.
$3.99
3.69 €
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Antonin Dvorak
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Transcribed to C major
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Going Home
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Sheryl Smith
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SheetMusicPlus
Pretty how town for chamber orchestra
Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Oboe,Viola,Violin - Level 4 - Digi…
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Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Oboe,Viola,Violin - Level 4 - Digital Download SKU: A0.575857 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 23 pages. David Warin Solomons #2028845. Published by David Warin Solomons (A0.575857). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$16.00
14.78 €
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David Warin Solomons
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Pretty how town for chamber orchestra
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David Warin Solomons
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SheetMusicPlus
Under The Sea
String Ensemble - Level 2 - Digital Download SKU: A0.1113467 Composed by Alan Menke…
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String Ensemble - Level 2 - Digital Download SKU: A0.1113467 Composed by Alan Menken and Howard Ashman. Arranged by Susie Winkworth winkmusic.co.uk. Broadway,Children,Film/TV,Instructional,Musical/Show,Pop. Score and parts. 45 pages. Winkmusic.co.uk #715403. Published by winkmusic.co.uk (A0.1113467). Under The Sea from Disney's The Little Mermaid - a really fun, upbeat track arranged for mixed level easy/intermediate string ensemble that will put everyone in a great mood! This has all the funky rhythms of the original in a way that's readable, with parts for all levels so that everyone can join in. #Violin 1 - Intermediate. Contains some arpeggio practice, plus off-beat rhythms. Some triplets. #Violin 2 - Early Intermediate. Some arpeggio practice, and supported off-beat rhythms. 1st position only. Includes low 2nd finger. #Violin 3/Viola - Easy. 1st position only, mostly open strings and 1st fingers. No low 2nd fingers. Pizz. and arco. Fairly simple rhythms. #Cello 1 - Intermediate. 1st and 4th positions. Some off-beat rhythms, moving parts and melody. Some triplets. #Cello 2 - Easy. Straightforward rhythms. 1st position only. Pizz. and arco. #Bass - Early Intermediate. Some off-beat rhythms. #Opt. Violin 4 - Open strings only. Simple rhythmic patterns. #Opt. Cello 3 - Open strings only. Simple rhythmic patterns. #Teacher Piano Guide - covers all the key parts just in case you need them! Winkmusic.co.uk produces the highest quality arrangements. Tried and tested at 5* venues and concert halls, only the best make the cut. Previous commissions have appeared on Sunday Times Top 100 Albums of 2016, and are played by Classic FM chart-toppers and at festivals across the world.
$22.00
20.33 €
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Alan Menken and Howard Ashman
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Under The Sea
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winkmusic.co.uk
#
SheetMusicPlus
Andy DeJarlis’ Jig
Bass Guitar,Instrumental Solo,Piano,Violin - Level 1 - Interactive Download SKU: A0.139…
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Bass Guitar,Instrumental Solo,Piano,Violin - Level 1 - Interactive Download SKU: A0.1397045 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M Music. This edition: Interactive Download. Folk,World. Individual part. 5 pages. Duration 48. Heather Mueller Music #6kHG92CM8qcJsLGeLMe9sf. Published by Heather Mueller Music (A0.1397045). Key: D major.Immerse yourself in the captivating world of traditional fiddling with our interactive sheet music for Andy DeJarlis' Jig. This lively jig, steeped in heritage and charm, invites you to discover the rich melodies and rhythms of Celtic music while refining your musical skills and exploring your creativity. Timeless Elegance: Experience the enchanting melodies and spirited rhythms of Andy DeJarlis' Jig, a tune that embodies the essence of traditional fiddling with its vibrant energy and musical allure. Customizable Learning Experience: Enhance your playing with interactive features that enable you to adjust tempo and key, catering to musicians of all levels. Whether you're a novice embarking on your musical journey or an experienced player seeking new challenges, this sheet music provides a tailored learning experience suited to your needs. Versatile Repertoire: Add depth and variety to your musical repertoire with Andy DeJarlis' Jig, a cherished addition to any collection of Celtic fiddle tunes, folk melody compilations, or traditional string instrument anthologies. Skill Development: Hone your bowing technique, finger agility, and musical expression through engaging exercises designed to improve sight-reading, rhythm, and ear training. Dive into scale practice routines, bowing exercises, and performance preparation sessions to elevate your playing to new heights. Join the Tradition: Embark on your musical journey today with Andy DeJarlis' Jig. Get your interactive sheet music now and embrace the timeless tradition of fiddling!
$2.99
2.76 €
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Traditional Fiddle Tunes
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Andy DeJarlis’ Jig
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Heather Mueller Music
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SheetMusicPlus
Vassourinha
Guitar - Level 4 - Digital Download SKU: A0.1366970 By Yo. By Joana Ramos and M Da …
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Guitar - Level 4 - Digital Download SKU: A0.1366970 By Yo. By Joana Ramos and M Da Rocha. Arranged by Rafael Milhomem. Jazz,Latin,Multicultural,Standards,Traditional,World. 24 pages. Milhomusic #951311. Published by Milhomusic (A0.1366970). Vassourinhas - A Superb Arrangement by Rafael MilhomemImmerse yourself in the vibrant beats and contagious energy of the famous Pernambuco frevo with our exceptional arrangement of Vassourinhas. Crafted by the great musician Rafael Milhomem, this arrangement is tailor-made for a plucked string orchestra, featuring three distinct guitar parts (guitar 1, 2, and a simplified third section), Brazilian ten-string guitar, cavaquinho, and bass.Key Features:Expert Composition: Rafael Milhomem, known for his musical prowess, has meticulously crafted this arrangement to capture the essence and excitement of the traditional Pernambuco frevo.Instrumentation: The arrangement is thoughtfully designed for a plucked string orchestra, comprising guitar 1, guitar 2, and a simplified third section for accessibility. Additionally, it features the distinctive sounds of Brazilian ten-string guitar, cavaquinho, and bass, creating a rich and dynamic ensemble.Versatility: Whether you're a seasoned ensemble or an aspiring group of musicians, this arrangement can be adapted for various settings. The inclusion of a simplified third guitar part ensures accessibility for musicians of different skill levels.Adaptable for Guitar Ensemble: Beyond its original orchestral format, this arrangement can be seamlessly adapted for guitar ensemble, allowing guitar enthusiasts to experience the joy of playing the iconic Vassourinhas.Experience the Magic:Bring the carnival spirit of Pernambuco to your ensemble with this extraordinary arrangement. Feel the pulse of the frevo, embrace the lively rhythms, and let Vassourinhas transport you to the heart of Brazilian musical tradition.Don't miss the opportunity to add this superb arrangement to your repertoire. Elevate your performance and captivate your audience with the infectious energy of Vassourinhas brought to life by Rafael Milhomem.
$8.00
7.39 €
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Yo
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Vassourinha
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Milhomusic
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SheetMusicPlus
My Darling Asleep
Bass Guitar,Instrumental Solo,Piano,Violin - Level 3 - Interactive Download SKU: A0.139…
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Bass Guitar,Instrumental Solo,Piano,Violin - Level 3 - Interactive Download SKU: A0.1396947 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M Music. This edition: Interactive Download. Folk,World. Individual part. 5 pages. Duration 48. Heather Mueller Music #2q9ObqCOy08V0Ki2WVoOhZ. Published by Heather Mueller Music (A0.1396947). Key: D major.Discover the enchanting world of traditional fiddling with our interactive sheet music for My Darling Asleep. This delightful jig tune invites you to explore the beauty of Celtic melodies while enhancing your musical skills and creativity. Traditional Elegance: Immerse yourself in the timeless charm of Celtic music with My Darling Asleep, a jig known for its graceful melodies and lively rhythms. Customizable Learning Experience: Elevate your playing with interactive features that allow you to adjust tempo and key, making it suitable for musicians of all levels. From beginners seeking guidance to seasoned players craving new challenges, this sheet music offers a tailored learning experience for everyone. Versatile Repertoire: Expand your repertoire with My Darling Asleep, a cherished addition to any collection of Celtic fiddle tunes, folk melody compilations, or traditional string instrument anthologies. Enhance Your Skills: Hone your bowing technique, finger placement, and musical expression through engaging exercises designed to improve sight-reading, rhythm, and ear training. Whether you're practicing scales, exploring new chord progressions, or delving into music theory discussions, this sheet music provides a comprehensive toolkit for growth. Join the Tradition: Start your musical journey today with My Darling Asleep. Get your interactive sheet music now and experience the joy of traditional fiddling!
$2.99
2.76 €
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Traditional Fiddle Tunes
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My Darling Asleep
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Heather Mueller Music
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SheetMusicPlus
Heavy Metal for Balinese gamelan and chamber ensemble
Small Ensemble Bass Guitar,Violin - Level 4 - Digital Download SKU: A0.1013048 Comp…
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Small Ensemble Bass Guitar,Violin - Level 4 - Digital Download SKU: A0.1013048 Composed by Christine Southworth. Contemporary,World. Score and parts. 76 pages. Airplane Ears Music #5802059. Published by Airplane Ears Music (A0.1013048). HEAVY METAL (2006, 18') for Balinese Gamelan Gong Kebyar, guitar, violin, bass, lyricon, and robotic instruments. Commissioned by the Boston Museum of Science with the support of NEFA and Meet the Composer. Premiered on Wednesday, January 25, 2006 at Cahner's Theater in the Boston Museum of Science as part of Music & The Invasion of Technology, performed by Gamelan Galak Tika, Blake Newman, Erik Nugent, Todd Reynolds, and Eddie Whalen. Heavy Metal represents a new kind of fusion, multi-dimensional, making connections across cultures acoustic and electronic, western and eastern, high and low, human and machine. The piece was written for Gamelan Galak Tika, a Balinese gamelan in residence at MIT that has worked with electric instruments many times in the past, but this is certainly the first time a traditional Balinese gamelan has shared the stage with robotic instruments. In other ways, though, there is something very natural about these combinations: they reflect the way we all experience music in the 21st century. It could also be argued that this is simply an extension of the way music has always progressed and changed, as Chinese shawms morphed into oboes, and exotic middle eastern percussion instruments, like the cymbal and triangle, worked their way into the symphony orchestra. Heavy Metal engages the full force of two ensembles, Galak Tika and Ensemble Robot, as well as a living history of electroacoustic instruments, from the vintage lyricon to the Whirlybot. The sounds implicit in both senses of the title find their way into new combinations of struck bronze and excitable circuitry. Heavy Metal is based on American hard rock music from the late 1970’s through the early 1990s. The idea started as a pun, because the keys of many Balinese gamelan instruments are made of metal, but when I began studying the melodic ideas and rhythms in heavy metal music, I found that they leant themselves very well to gamelan. The problem was that a gamelan has a very specific sound and limited timbral variation, the sounds of hit metal and skin. I feel that the sounds of the gamelan become much more interesting when combined with string sounds. Also, the gamelan uses a pentatonic scale so I am using western instruments and robots to expand the sound universe to a full spectrum. In this piece, the gamelan and the western/robotic instruments play separately – rhythmically they are together, and they are working through the same material at the same time, but the western instruments and robots do not play the 5 notes that the gamelan plays, and more often than not they stay out of that key (a variation of E Major, the gamelan tuning being C#, D#, E, G, and A) altogether. This creates a sense of two harmonic worlds co-existing and cooperating, the West and our technology with Bali and their technology, much more primitive but very powerful nonetheless.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$25.00
23.1 €
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Christine Southworth
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Heavy Metal for Balinese gamelan and chamber ensemble
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Airplane Ears Music
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SheetMusicPlus
Rather Be
Small Ensemble Cello,Double Bass,Piano Accompaniment,Viola,Violin - Level 1 - Digital Down…
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Small Ensemble Cello,Double Bass,Piano Accompaniment,Viola,Violin - Level 1 - Digital Download SKU: A0.847132 By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jack Patterson, James Napier, and Nicole Marshall. Arranged by Susie Winkworth winkmusic.co.uk. Contemporary. Score and parts. 37 pages. Winkmusic.co.uk #4808789. Published by winkmusic.co.uk (A0.847132). Clean Bandit's super-catchy hit Rather Be, arranged for easy string ensemble with optional piano accompaniment. Designed to be flexible, there are several possibilities for using a smaller or expanded group. A perfect track for learning some more interesting rhythms! Note: There are two sets of Easy Violin and Cello parts which are the same in sound, one in 2/4 for extra easy readingViolin 1: intermediate or teacherViolin 2: fairly easy/intermediateViolin 3/Viola: easyEasy Violin: open strings and 1st fingers onlyCello 1: fairly easy (4th position 1st fingers, 1st finger back)Cello 2: easy Easy Cello: easy (open strings and 1st fingers only)Bass: easyPiano accompaniment: fairly easyWinkmusic.co.uk produces the highest quality arrangements. Tried and tested at 5* venues and concert halls, only the best make the cut. Previous commissions have appeared on Sunday Times Top 100 Albums of 2016, and are played by Classic FM chart-toppers and at festivals across the world.
$18.00
16.63 €
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Clean Bandit Feat
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Rather Be
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winkmusic.co.uk
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SheetMusicPlus
Rather Be
Small Ensemble - Level 1 - Digital Download SKU: A0.847136 By Clean Bandit Feat. Je…
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Small Ensemble - Level 1 - Digital Download SKU: A0.847136 By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jack Patterson, James Napier, and Nicole Marshall. Arranged by Susie Winkworth winkmusic.co.uk. Contemporary. Score and parts. 108 pages. Winkmusic.co.uk #4810857. Published by winkmusic.co.uk (A0.847136). Clean Bandit's super-catchy hit Rather Be, arranged for Flexemble - a student or school ensemble. Designed to be flexible, there are several possibilities for using a smaller or expanded group, with something for students of any level to play. As with all Flexemble arrangements, there are also optional Teacher Guide parts. A perfect track for learning some more interesting rhythms, with the energy of the original!Note: There are two sets of Easy Violin and Cello parts which are the same in sound, one in 2/4 for extra easy readingViolin 1: intermediate or teacherViolin 2: fairly easy/intermediateViolin 3/Viola: easyEasy Violin 4: open strings and 1st fingers onlyCello 1: fairly easy (4th position 1st fingers, 1st finger back)Cello 2/Bass: easy Easy Cello 3: easy (open strings and 1st fingers only)Flute 1: intermediate or teacherDescant Recorder 1: intermediate or teacherFlute/Recorder 2: easy (B A G only)Oboe: fairly easyClarinet in Bb 1: fairly easy/intermediateClarinet in Bb 2: easyAlto Sax 1: fairly easyAlto Sax 2: easyTrumpet: fairly easyGuitar (notation): easyGuitar (chords): fairly easyKeyboard: fairly easyPercussion - low drum, shakers, glockenspiel: easyTeacher Guide in CTeacher Guide in BbTeacher Guide in Bass ClefTeacher Guide PianoCore ScoreFull ScoreWinkmusic.co.uk produces the highest quality arrangements. Tried and tested at 5* venues and concert halls, only the best make the cut. Previous commissions have appeared on Sunday Times Top 100 Albums of 2016, and are played by Classic FM chart-toppers and at festivals across the world.
$35.00
32.34 €
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Clean Bandit Feat
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Rather Be
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winkmusic.co.uk
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SheetMusicPlus
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