Download Digital Sheet Music of Richard W

Digital Download SKU: S9.Q25917 Vocal Score based on the Richard Wagner Complete…(+)

Richard W

So Amazing- Tenor Sax

Instrumental Duet Instrumental Duet,Tenor Saxophone - Level 4 - Digital Download SKU: A…(+)

Instrumental Duet Instrumental Duet,Tenor Saxophone - Level 4 - Digital Download SKU: A0.885369 Composed by Richard W. Young. Christian,Film/TV,Jazz,Pop. Score and parts. 2 pages. Richard Young #2021917. Published by Richard Young (A0.885369). Title: So AmazingÂ- Tenor Saxophone by Richard Wellington Wan Young. So Amazing is a mix between Smooth Jazz and House or Club music. The melody really grooves. The bridge takes it up a notch and really sets the stage for an incredible solo as demonstrated by the audio demo. Get your groove on because this tune will set the house on fire. mp3 demo available.
$6.95 6.38 € #Richard W #So Amazing- Tenor Sax #Richard Young #SheetMusicPlus

#Richard W

A New Song- Soprano Sax

Instrumental Duet Instrumental Duet,Soprano Saxophone - Level 4 - Digital Download SKU:…(+)

Instrumental Duet Instrumental Duet,Soprano Saxophone - Level 4 - Digital Download SKU: A0.885372 Composed by Richard W. Young. Christian,Gospel,Jazz,Pop,Spiritual. Score and parts. 2 pages. Richard Young #2021929. Published by Richard Young (A0.885372). Title: A New SongÂ- Soprano Saxophone by Richard Wellington Wan Young. A New Song is a mix between Jazz, Funk, Gospel, and Pop music. Each verse is settled in a tight funk groove and is built upon 16th note patterns. The melody during the chorus sections soars. The solo section provides and opportunity to really let go and improvise using the Concert C blues scale or Concert C Melodic minor scale. This tune is sure to brighten the day and lift spirits! mp3 demo available.
$6.95 6.38 € #Richard W #A New Song- Soprano Sax #Richard Young #SheetMusicPlus

The Father's Love

Instrumental Duet Instrumental Duet,Tenor Saxophone - Level 5 - Digital Download SKU: A…(+)

Instrumental Duet Instrumental Duet,Tenor Saxophone - Level 5 - Digital Download SKU: A0.885390 Composed by Richard W. Young. Blues,Film/TV,Gospel,Jazz,Pop. Score and parts. 2 pages. Richard Young #2033557. Published by Richard Young (A0.885390). This is a very soulful Smooth Jazz/ R&B instrumental featuring tenor sax. It is lush with backup vocals and other instrumentation. This song is utterly inspirational.
$8.99 8.26 € #Richard W #The Father's Love #Richard Young #SheetMusicPlus

So Amazing- Alto Sax

Composed by Richard W. Young. Contemporary Christian, Jazz, Movies, TV, Pop. Lead Sheet, S…(+)

Composed by Richard W. Young. Contemporary Christian, Jazz, Movies, TV, Pop. Lead Sheet, Solo Part. 2 pages. Published by Futureside Productions- Ascap (S0.16441). - Lead Sheet,Solo Part - Contemporary Christian,Jazz,Movies,TV,Pop - Futureside Productions- Ascap
$6.95 6.38 € #Richard W #So Amazing- Alto Sax #Futureside Productions- Ascap #SheetMusicPlus

Rejoice in the Lord Always (Downloadable)

Medium to high voice and keyboard - Medium - Digital Download SKU: MQ.40-600-1E Com…(+)

Medium to high voice and keyboard - Medium - Digital Download SKU: MQ.40-600-1E Composed by Richard W. Gieseke. Wedding. 4 pages. MorningStar Music Publishers - Digital Sheet Music #40-600-1E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.40-600-1E). English. Philippians 4:4-5.The first volume of a multi-volume set that features music appropriate for the various seasons of the church year. All volumes are arranged for medium to high voice and keyboard in order to be as accessible as possible. This General volume can be used throughout the church year, but is especially appropriate during Summer when the choir is away and an anthem is needed.
$5.00 4.59 € #Richard W #Rejoice in the Lord Always #MorningStar Music Publishers - Digital Sheet Music #SheetMusicPlus

Digital Download SKU: S9.Q25917 Vocal Score based on the Richard Wagner Complete Edition edited by Wolfgang M. Wagner. Composed by Richard Wagner. This edition: vocal/piano score. ErstverÃ¶ffentlichung - Oper - Theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q25917. Published by Schott Music - Digital (S9.Q25917). German â€¢ French.An important addition to Schott's newly published orchestral material is the first publication of piano scores for the ten major operas by Richard Wagner in all major versions. For the first time, we offer the stages and interested opera lovers piano scores as urtext editions that were designed according to uniform editorial criteria.â€¢The score is aligned with the performance material of the Complete Edition. â€¢All piano scores have study numbers and continuous measure numbers for rehearsal and study practice. â€¢The editors are renowned musicologists from the circles of those working on the Richard Wagner Complete Edition who contribute detailed information on the respective editions to the critical prefaces.â€¢The prefaces are printed in three languages (German, English, French). â€¢The uniform appealing cover design with reproductions of paintings from the Wagner era emphasizes the serial character of the edition.TANNHÃ„USERFor the Richard Wagner Complete Edition, the editors Egon Voss, Peter Jost and Reinhard Strohm as well as Cristina UrchueguÃa have researched and presented TannhÃ¤user's genesis and history of more than thirty years, which also took about thirty years of scientific work, on 2,959 pages in eight volumes. With the present piano score, the findings gathered therein shall now also to be made accessible for the musical practice. (Wolfgang M. Wagner, quoted from the foreword to the new TannhÃ¤user piano score)The piano score unites for the first time all four stages of the work (the score as of 1845, the score as of 1860, the Paris version as of 1861/62 with the complete French text of this version, and the Vienna version as of 1875) in a single excerpt for rehearsal and study practice, thus allowing the comparison of the versions, without sacrificing practicability.All variants are printed one after the other in the chronological sequence of the action on the stage, so that each of them can be explored in their context of action by simply turning over the pages. Only two variants rejected before the Paris premiere were printed separately in the appendix. A fascinating insight into Richard Wagner's thinking in terms of stage practice and into his very precise ideas of tonal balance, scenic details and role-conception are made possible by the quotations printed in key passages from his work On the Performance of TannhÃ¤user, published in 1852.For example, soon after the world premiere, Wagner suggested the deletion of bars in the orchestral part in the 4th scene of Act I, reasoning that [â€¦] due to the tremendous woodenness and self-consciousness of our usual supernumeraries, the impression of overwhelming liveliness, which was intended by me and which was to imply a heightening of the mood led up to by the liveliest manifestations of life, was not achieved. (piano reduction, p. 221)In the big ensemble scene at the end of Act II, Wagner puts in a comment at a certain passage, referring to the conductor and his great responsibility for tonal balance:The exclamations 'Ach, erbarm' dich mein!' require such a piercing emphasis that he [the performer of Tannhauser] as a mere, well-trained singer is not enough; it is but the highest dramatic art that has to provide him the energy of pain and desperation for an expression that must seem to break forth from the most gruesome depths of an awfully woeful heart, like a cry for salvation. The conductor has to ensure that the implied success is made possible for the principal singer by the most discrete accompaniment of the other singers as well as of the orchestra. (piano reduction, p. 367)3 (3. auch Picc.) Â· 2 Â· 2 Â· Bassklar. [nicht in Pariser F.] Â· 2 - 2 Ventilhr. Â· 2 Waldhr. Â· 3 Ventiltrp. Â· 3 Â· 1 [Pariser F.: OphiclÃ©Ã¯de] - P. S. (Trgl. Â· Beck. Â· Tamb. Â· gr. Tr. Â· Tamt. [Pariser F.] Â· Kast. [Pariser/Wiener F.) (2-3 Spieler) - Str. Auf dem Theater: 2 Picc. [P/W: 1] Â· 4 Fl. [P/W: 2] Â· 4 Ob. [P/W: 2] Â· Engl. Hr. Â· 6 Klar. [P/W: 3] Â· 4 Fg. [P: 2, W: 0] - 12 Wald-Hr. Â· 12 Trp. [P: 9] Â· 4 Pos. [P/W: 4 Hr.] - Trgl. Â· Beck. Â· Tamb. Â· Kast. [nur in P] - Hfe. [in P/W].

#Richard Wagner

Bridal Chorus from "Lohengrin"

Bassoon,Cello,Flute - Level 4 - Digital Download SKU: A0.1426528 Composed by Richar…(+)

Bassoon,Cello,Flute - Level 4 - Digital Download SKU: A0.1426528 Composed by Richard Wagner. Arranged by J.W. Carter. 19th Century,Chamber,March,Romantic Period,Wedding. 4 pages. J.W. Carter #1007228. Published by J.W. Carter (A0.1426528). Wagner's famous wedding march from his opera, Lohengrin arranged for 2 Flutes and Cello (Bassoon). Perfect for your next London Trio wedding gig.
$9.95 9.14 € #Richard Wagner #Bridal Chorus from "Lohengrin" #J.W. Carter #SheetMusicPlus

Fanny Hünerwadel – Sonntagsfrühe for piano, voice and flute

Small Ensemble Flute,Piano,Voice - Level 5 - Digital Download SKU: A0.1073271 By He…(+)

Small Ensemble Flute,Piano,Voice - Level 5 - Digital Download SKU: A0.1073271 By Helene Schulthess. By Fanny HÃ¼nerwadel (1826 â€“ 1854). Arranged by Helene Schulthess. Classical,Romantic Period. Score and parts. 24 pages. Helene Schulthess #677536. Published by Helene Schulthess (A0.1073271). The composer Fanny HÃ¼nerwadel (1826 in Lenzburg - 1854 in Rome) came from a long-established family of the town of Lenzburg. She was the eldest child of the doctor Johann Friedrich HÃ¼nerwadel and Regula Speerli, who were both enthusiastic music lovers. After first being taught by her mother, HÃ¼nerwadel learned to play the piano in Lenzburg with Philipp Tietz, Joseph Breitenbach, and Ludwig Kurz and belonged to the local singing society. From 1846 she studied piano, singing, music theory and composition with Hans NÃ¤geli and with Wagner's friend Alexander MÃ¼ller in Zurich. During her time in Zurich she made the acquaintance of Johann W. Kalliwoda, Richard Wagner, Ferdinand Huber, Franz Liszt, Franz Abt, Wilhelm Baumgartner and Henri Vieuxtemps. In 1852, she played Johann Nepomuk Hummel's Rondo brillant in a subscription concert of the Zurich General Music Society, which became the current Zurich Tonhalle Orchestra. For further studies, she traveled to Florence and Rome in 1853. In Florence she took singing lessons with Romani. In Rome in 1853 she was the guest of the artistic families Corrodi and Imhof and took lessons with the singing teacher Parisotti. HÃ¼nerwadel died of typhoid fever in Rome on April 27, 1854, and was buried there on April 30. Six of HÃ¼nerwadels seven preserved piano songs were published posthumously (in 1854). Her great-nephew was the composer, painter, and publicist Peter Mieg (1906-1990) Source: Wikipedia.
$20.00 18.37 € #Helene Schulthess #Fanny Hünerwadel – Sonntagsfrühe for piano, voice and flute #Helene Schulthess #SheetMusicPlus