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You've selected:
Sam Beam
Sheetmusic to print
46 sheet music found
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1
26
Freedom Hangs Like Heaven
Choral Choir,Choral (SAA) - Level 3 - Digital Download SKU: A0.1348888 By Iron & Wi…
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Choral Choir,Choral (SAA) - Level 3 - Digital Download SKU: A0.1348888 By Iron & Wine. By Sam Beam. Arranged by Jake Alexander. A Cappella,Christmas,Country,Folk,Praise & Worship. 8 pages. Jake Alexander #933621. Published by Jake Alexander (A0.1348888). A three-part, unaccompanied, upper voice choir arrangement of one of Iron & Wine's finest songs. Approximately 2'45 in length. Also available in SAT on this site.My name is Jake Alexander - I’m a composer, arranger and choir leader based in London. I create accessible arrangements that play to the strengths of community choirs. If you would like to offer any feedback, or just want to say hi, please get in touch at jake@jakealexander.org. Also, feel free to get in touch if you would like to be sent rehearsal tracks - these are available for most of my scores. Happy singing!jakealexander.org
$1.99
1.82 €
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Iron & Wine
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Wine's finest songs
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Freedom Hangs Like Heaven
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Jake Alexander
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SheetMusicPlus
Flightless Bird, American Mouth (wedding Version)
Small Ensemble - Digital Download SKU: A0.769031 By Iron & Wine. By Sam Beam. Arran…
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Small Ensemble - Digital Download SKU: A0.769031 By Iron & Wine. By Sam Beam. Arranged by Diane M. McGahee. Contemporary. Score and parts. 4 pages. Diane M. McGahee #5715003. Published by Diane M. McGahee (A0.769031).
$4.99
4.56 €
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Iron & Wine
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Flightless Bird, American Mouth
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Diane M. McGahee
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SheetMusicPlus
Pretty how town for chamber orchestra
Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Oboe,Viola,Violin - Level 4 - Digi…
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Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Oboe,Viola,Violin - Level 4 - Digital Download SKU: A0.575857 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 23 pages. David Warin Solomons #2028845. Published by David Warin Solomons (A0.575857). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$16.00
14.63 €
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David Warin Solomons
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Pretty how town for chamber orchestra
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David Warin Solomons
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SheetMusicPlus
We Are Climbing Jacob's Ladder - mixed quartet 1 - brass and clarinet
Small Ensemble Clarinet,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.845258 Co…
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Small Ensemble Clarinet,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.845258 Composed by Anon. Arranged by Phil Beaman. Concert,Folk,Instructional,Sacred,Spiritual. Score and parts. 6 pages. Phil Beaman #6501827. Published by Phil Beaman (A0.845258). This easy Instrumental Quartet arrangement of the old folk/spiritual draws its power and effectiveness from its pared down simplicity. It is reharmonized from other traditional versions and kept in strophic form. Every measure has the same rhythm - a quarter note followed by a dotted half note. Most of the time the pair of notes is the same pitch. There is plenty of time to figure out your next new note. There are no extra markings, just basic notes with a few accidentals. The beauty comes from the harmonic chords, so strive to listen for a good balance in your ensemble.This piece can be played majestic or meditative, depending on your mood and event needs. Simple, beautiful, and flexible; just what every musician needs in their repertoire. Great for classroom work as a first ensemble piece and the first small recital piece. Range - Part 1 is 1 octave; Parts 2, 3, 4 is only a fifth2 page score, 1 page @ part0:50 - 1:15 minutes with repeat
$4.99
4.56 €
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Anon
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We Are Climbing Jacob's Ladder - mixed quartet 1 - brass and clarinet
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Phil Beaman
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SheetMusicPlus
Gavotte-Noskowski-mixed quartet
Small Ensemble Clarinet,Soprano Saxophone,Trombone,Trumpet - Level 4 - Digital Download
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Small Ensemble Clarinet,Soprano Saxophone,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.845261 Composed by Z Noskowski. Arranged by Phil Beaman. Baroque,Classical,Romantic Period. Score and parts. 14 pages. Phil Beaman #6505981. Published by Phil Beaman (A0.845261). Zygmunt Noskowski was the great Polish composition professor. He is best known for his symphonic works, but also wrote many piano pieces based on dances. I have taken his piano Gavotte and freely arranged it for Instrumental Quartet. Â This brisk piece is lively with a busy texture. I have crafted 4 independent lines that are each of equal importance and the focus quickly shifts from one part to the other. The lines rhythmically weave together, answering each other. The real interest in the piece is the constantly changing and contrasting dynamics and articulation. Often every beat of the bar has a different articulation, and the individual parts rarely have the same articulation at the same time. (i.e., One part might be slurred while another part is playing staccato and yet another is accented.) This complexity of texture creates energy and excitement. A great piece to spice up any concert with a fun smile. Â This composition is a fusion of multiple eras; originally written during the Romantic period, but with many Classical elements and a Baroque form and style, to which I add some Contemporary touches. Â Notes and rhythms are Intermediate, but adding all of the markings at this pace makes it Advanced Intermediate.6 page score, 2 page parts2:10 minutes
$9.75
8.91 €
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Z Noskowski
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Gavotte-Noskowski-mixed quartet
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Phil Beaman
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SheetMusicPlus
We Are Climbing Jacob's Ladder - mixed quartet 1 - brass and sax
Small Ensemble Alto Saxophone,Tenor Saxophone,Trumpet,Tuba - Level 1 - Digital Download
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Small Ensemble Alto Saxophone,Tenor Saxophone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.845257 Composed by Anon. Arranged by Phil Beaman. Concert,Folk,Instructional,Sacred,Spiritual. Score and parts. 6 pages. Phil Beaman #6501817. Published by Phil Beaman (A0.845257). This easy Instrumental Quartet arrangement of the old folk/spiritual draws its power and effectiveness from its pared down simplicity. It is reharmonized from other traditional versions and kept in strophic form. Every measure has the same rhythm - a quarter note followed by a dotted half note. Most of the time the pair of notes is the same pitch. There is plenty of time to figure out your next new note. There are no extra markings, just basic notes with a few accidentals. The beauty comes from the harmonic chords, so strive to listen for a good balance in your ensemble.This piece can be played majestic or meditative, depending on your mood and event needs. Simple, beautiful, and flexible; just what every musician needs in their repertoire. Great for classroom work as a first ensemble piece and the first small recital piece. Range - Part 1 is 1 octave; Parts 2, 3, 4 is only a fifth2 page score, 1 page @ part0:50 - 1:15 minutes with repeat
$4.99
4.56 €
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Anon
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We Are Climbing Jacob's Ladder - mixed quartet 1 - brass and sax
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Phil Beaman
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SheetMusicPlus
We Are Climbing Jacob's Ladder - woodwind quartet 3
Woodwind Ensemble,Woodwind Quartet Bass Clarinet,Flute,Oboe - Level 1 - Digital Download
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Woodwind Ensemble,Woodwind Quartet Bass Clarinet,Flute,Oboe - Level 1 - Digital Download SKU: A0.845259 Composed by Anon. Arranged by Phil Beaman. Folk,Instructional,Sacred,Spiritual. 6 pages. Phil Beaman #6501829. Published by Phil Beaman (A0.845259). This easy Instrumental Quartet arrangement of the old folk/spiritual draws its power and effectiveness from its pared down simplicity. It is reharmonized from other traditional versions and kept in strophic form. Every measure has the same rhythm - a quarter note followed by a dotted half note. Most of the time the pair of notes is the same pitch. There is plenty of time to figure out your next new note. There are no extra markings, just basic notes with a few accidentals. The beauty comes from the harmonic chords, so strive to listen for a good balance in your ensemble.This piece can be played majestic or meditative, depending on your mood and event needs. Simple, beautiful, and flexible; just what every musician needs in their repertoire. Great for classroom work as a first ensemble piece and the first small recital piece. Range - Part 1 is 1 octave; Parts 2, 3, 4 is only a fifth2 page score, 1 page @ part0:50 - 1:15 minutes with repeat
$4.99
4.56 €
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Anon
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We Are Climbing Jacob's Ladder - woodwind quartet 3
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Phil Beaman
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SheetMusicPlus
We Are Climbing Jacob's Ladder - woodwind quartet 2
Woodwind Ensemble,Woodwind Quartet Bass Clarinet,Oboe - Level 1 - Digital Download SKU:…
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Woodwind Ensemble,Woodwind Quartet Bass Clarinet,Oboe - Level 1 - Digital Download SKU: A0.845255 Composed by Anon. Arranged by Phil Beaman. Folk,Instructional,Sacred,Spiritual. 6 pages. Phil Beaman #6501403. Published by Phil Beaman (A0.845255). This easy Instrumental Quartet arrangement of the old folk/spiritual draws its power and effectiveness from its pared down simplicity. It is reharmonized from other traditional versions and kept in strophic form. Every measure has the same rhythm - a quarter note followed by a dotted half note. Most of the time the pair of notes is the same pitch. There is plenty of time to figure out your next new note. There are no extra markings, just basic notes with a few accidentals. The beauty comes from the harmonic chords, so strive to listen for a good balance in your ensemble.This piece can be played majestic or meditative, depending on your mood and event needs. Simple, beautiful, and flexible; just what every musician needs in their repertoire. Great for classroom work as a first ensemble piece and the first small recital piece. Range - Part 1 is 1 octave; Parts 2, 3, 4 is only a fifth2 page score, 1 page @ part0:50 - 1:15 minutes with repeat
$4.99
4.56 €
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Anon
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We Are Climbing Jacob's Ladder - woodwind quartet 2
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Phil Beaman
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SheetMusicPlus
We Are Climbing Jacob's Ladder - woodwind quartet 1
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Oboe - Level 1 - Digital Download S…
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Oboe - Level 1 - Digital Download SKU: A0.845254 Composed by Anon. Arranged by Phil Beaman. Concert,Folk,Instructional,Sacred,Spiritual. 6 pages. Phil Beaman #6501399. Published by Phil Beaman (A0.845254). This easy Instrumental Quartet arrangement of the old folk/spiritual draws its power and effectiveness from its pared down simplicity. It is reharmonized from other traditional versions and kept in strophic form. Every measure has the same rhythm - a quarter note followed by a dotted half note. Most of the time the pair of notes is the same pitch. There is plenty of time to figure out your next new note. There are no extra markings, just basic notes with a few accidentals. The beauty comes from the harmonic chords, so strive to listen for a good balance in your ensemble.This piece can be played majestic or meditative, depending on your mood and event needs. Simple, beautiful, and flexible; just what every musician needs in their repertoire. Great for classroom work as a first ensemble piece and the first small recital piece. Range - Part 1 is 1 octave; Parts 2, 3, 4 is only a fifth2 page score, 1 page @ part0:50 - 1:15 minutes with repeat
$4.99
4.56 €
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Anon
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We Are Climbing Jacob's Ladder - woodwind quartet 1
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Phil Beaman
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SheetMusicPlus
The Poet's Pen for Tenor, Oboe and Piano
Small Ensemble High Voice,Oboe,Piano Accompaniment - Level 5 - Digital Download SKU: A0…
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Small Ensemble High Voice,Oboe,Piano Accompaniment - Level 5 - Digital Download SKU: A0.981218 Composed by Judith Cloud. Contemporary,Standards. Score and parts. 17 pages. Judith Cloud #6689693. Published by Judith Cloud (A0.981218). Composer’s Notes In my parents' library there was an assortment of very old books that I used to leaf through while home for holidays. One of these, The Ladies' Wreath, was of special interest. The inscription inside the front cover read To Miss Sophia Venable by her friend William M. Duphuy, April 25, 1850. Within the collection of romantic short stories and poems was The Poet's Pen from the Greek didactic poet Menecrates. Here was something very different from the overly sentimental offerings in most of the volume. I imagined the solitary lady reading this would feel most exhilarated and even empowered. Ideas for setting the poem came almost immediately, with the oboe as a key figure. Having experimented with a choral setting, I settled on tenor, oboe and piano and in 1989 the piece was completed. I revised The Poet’s Pen in 2016. The Poet's Pen I was a useless reed; no cluster hungMy brow with purple grapes; no blossom flungThe coronet of crimson on my stem;No apple blushed upon me, nor (the gemof flowers) the violet strewed the yellow heathAround my feet; nor jessamine's sweet wreathRobed me in silver: day and night I pinedOn the lone moor, and shivered in the wind.At length a poet found me. From my sideHe smoothed the pale and withered leaves, and dyedMy lips in Helicon. From that high hour,I spoke! my words were flame and living power!All the wide wonders of the earth were mine;Far as the surges roll, or sunbeams's shine;Deep as earth's bosom hides the emerald;High as the hills with thunder-clouds are palled;And there was sweetness round me, that the dewHad never wet so sweet on violets blue.To me the mighty scepter was a wand;The roar of nations pealed at my command.To me the dungeon, sword, and scourge were vain,I smote the smiter, and I broke the chain;Or, towering o'er them all, without a plumeI pierced the purple air, the tempest's gloom,Till blazed th'Olympian glories on my eye,Stars, temples, thrones and gods--infinity. Menecrates of Ephesus (330-270 BC)
$15.00
13.71 €
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Judith Cloud
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The Poet's Pen for Tenor, Oboe and Piano
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Judith Cloud
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SheetMusicPlus
Mysterious Moment for oboe and string trio
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 …
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Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
7.31 €
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David Warin Solomons
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Mysterious Moment for oboe and string trio
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David Warin Solomons
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SheetMusicPlus
Ave Maria - low voice and cello
Low Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1147705 Composed by Phil …
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Low Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1147705 Composed by Phil Beaman. 20th Century,Multicultural,New Age,Sacred,World. 2 pages. Phil Beaman #747924. Published by Phil Beaman (A0.1147705). The current media call this style of music Spiritual Minimalism. This particular composition utilizes the centering 'ah' of Buddhism, the meditative resting periods of Zen, the plainchant of Christianity, the minimalism of New Age, and more. The lyrics quote only the first 3 phrases of the traditional Ave Maria text. These 6 words are in common across most usages regardless of region or religion or purpose and impart a broader blessing. These 6 words are interspersed throughout the piece with the Ave (Hail) high in the range for celebration, Gratia (Grace) mid-range for acceptance, and Dominus (God) low in the range for humility. The vocal range of the song is thus quite large - a full two octaves. The High version goes from a B flat below the Treble Staff to an A flat above the Treble Staff. The Low version (a third lower) goes from a low G to a high F. The accompaniment is a circling minimalist 2 chord ostinato for the entire piece. Whether for personal meditation or public performance, this piece will relax, focus, and recharge all who perform it and hear it. 2 pages, 3:45 minutes attached is a live recording of the High voice version with piano accompaniment; cello plays exactly the same part as the minimalist piano but the cello will give it a warmer sound than the piano.
$4.99
4.56 €
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Phil Beaman
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Ave Maria - low voice and cello
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Phil Beaman
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SheetMusicPlus
Praeludium - Reger- Bb Clarinet duet
Instrumental Duet B-Flat Clarinet,Instrumental Duet - Level 4 - Digital Download SKU: A…
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Instrumental Duet B-Flat Clarinet,Instrumental Duet - Level 4 - Digital Download SKU: A0.1076592 Composed by Max Reger. Arranged by Phil Beaman. 20th Century,Standards. Score and parts. 11 pages. Phil Beaman #680727. Published by Phil Beaman (A0.1076592). The Praeludium from Suite No 3 in A minor is originally for unaccompanied Cello solo by Max Reger (1873-1916, written 1914). For this unaccompanied duet arrangement the melody was creatively deconstructed into two parts that continuously interact as if each instrument is finishing the other's thoughts. The harmonies are inspired by the original double stops. The arrangement remains stylistically faithful to Reger's use of constantly shifting dynamics and ever-present expression marks. This 4 1/2 minute work is a worthy challenge for a serious concert or recital. A new approach to this Masterwork of the repertoire. A live performance will be considerably freer and more expressive than the temporary MIDI recording attached. Range - same note range for both parts which is a wide 2 1/2 octaves. 5 page score, 3 pages each part.
$6.99
6.39 €
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Max Reger
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Praeludium - Reger- Bb Clarinet duet
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Phil Beaman
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SheetMusicPlus
Praeludium - Reger- Bass Flute duet
Instrumental Duet Bass Flute,Instrumental Duet - Level 4 - Digital Download SKU: A0.107…
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Instrumental Duet Bass Flute,Instrumental Duet - Level 4 - Digital Download SKU: A0.1076731 Composed by Max Reger. Arranged by Phil Beaman. 20th Century,Standards. Score and parts. 11 pages. Phil Beaman #680823. Published by Phil Beaman (A0.1076731). The Praeludium from Suite No 3 in A minor is originally for unaccompanied Cello solo by Max Reger (1873-1916, written 1914). For this unaccompanied duet arrangement the melody was creatively deconstructed into two parts that continuously interact as if each instrument is finishing the other's thoughts. The harmonies are inspired by the original double stops. The arrangement remains stylistically faithful to Reger's use of constantly shifting dynamics and ever-present expression marks. This 4 1/2 minute work is a worthy challenge for a serious concert or recital. A new approach to this Masterwork of the repertoire. A live performance will be considerably freer and more expressive than the temporary MIDI recording attached. Range - same note range for both parts which is a wide 2 1/2 octaves. 5 page score, 3 pages each part.
$6.99
6.39 €
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Max Reger
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Praeludium - Reger- Bass Flute duet
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Phil Beaman
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SheetMusicPlus
Praeludium - Reger- Alto Clarinet duet
Instrumental Duet E-Flat Clarinet,Instrumental Duet - Level 4 - Digital Download SKU: A…
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Instrumental Duet E-Flat Clarinet,Instrumental Duet - Level 4 - Digital Download SKU: A0.1076594 Composed by Max Reger. Arranged by Phil Beaman. 20th Century,Standards. Score and parts. 11 pages. Phil Beaman #680729. Published by Phil Beaman (A0.1076594). The Praeludium from Suite No 3 in A minor is originally for unaccompanied Cello solo by Max Reger (1873-1916, written 1914). For this unaccompanied duet arrangement the melody was creatively deconstructed into two parts that continuously interact as if each instrument is finishing the other's thoughts. The harmonies are inspired by the original double stops. The arrangement remains stylistically faithful to Reger's use of constantly shifting dynamics and ever-present expression marks. This 4 1/2 minute work is a worthy challenge for a serious concert or recital. A new approach to this Masterwork of the repertoire. A live performance will be considerably freer and more expressive than the temporary MIDI recording attached. Range - same note range for both parts which is a wide 2 1/2 octaves. 5 page score, 3 pages each part.
$6.99
6.39 €
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Max Reger
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Praeludium - Reger- Alto Clarinet duet
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Phil Beaman
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SheetMusicPlus
Praeludium - Reger- Alto Flute duet
Instrumental Duet Alto Flute,Instrumental Duet - Level 4 - Digital Download SKU: A0.107…
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Instrumental Duet Alto Flute,Instrumental Duet - Level 4 - Digital Download SKU: A0.1076729 Composed by Max Reger. Arranged by Phil Beaman. 20th Century,Standards. Score and parts. 11 pages. Phil Beaman #680820. Published by Phil Beaman (A0.1076729). The Praeludium from Suite No 3 in A minor is originally for unaccompanied Cello solo by Max Reger (1873-1916, written 1914). For this unaccompanied duet arrangement the melody was creatively deconstructed into two parts that continuously interact as if each instrument is finishing the other's thoughts. The harmonies are inspired by the original double stops. The arrangement remains stylistically faithful to Reger's use of constantly shifting dynamics and ever-present expression marks. This 4 1/2 minute work is a worthy challenge for a serious concert or recital. A new approach to this Masterwork of the repertoire. A live performance will be considerably freer and more expressive than the temporary MIDI recording attached. Range - same note range for both parts which is a wide 2 1/2 octaves. 5 page score, 3 pages each part.
$6.99
6.39 €
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Max Reger
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Praeludium - Reger- Alto Flute duet
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Phil Beaman
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SheetMusicPlus
Ave Maria - alto flute-cello duet
Instrumental Duet Alto Flute,Cello,Instrumental Duet - Level 3 - Digital Download SKU: …
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Instrumental Duet Alto Flute,Cello,Instrumental Duet - Level 3 - Digital Download SKU: A0.1140429 Composed by Phil Beaman. 20th Century,New Age,Spiritual. Score and parts. 4 pages. Phil Beaman #740680. Published by Phil Beaman (A0.1140429). This duet is a Meditation for Alto Flute and Cello. The current media call this style of music Spiritual Minimalism. This particular composition utilizes the centering 'ah' of Buddhism, the meditative resting periods of Zen, the plainchant of Christianity, the minimalism of New Age, and more. My inspiration for the melodic line is the 3 main words in the traditional Ave Maria text; Ave (Hail) higher in the staff for celebration, Gratia (Grace) mid-staff for acceptance, and Dominus (God) low in the staff for humility. The melodic range for Flute is thus quite large - a full two octaves, from Db above the staff to Eb on the bottom line. The cello accompaniment is the same in every bar of the entire piece; a circling minimalist 2 chord broken triad ostinato. Whether for personal meditation or public performance, this piece will relax, focus, and recharge all who perform it and hear it. 2 pages; 3:00 minutes (presented in a condensed single staff score with the Cello part notated in the introduction then the score switches to the Flute part with instructions for the Cello to repeat that measure for the remainder of the song. 2 copies provided in download.).
$3.99
3.65 €
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Phil Beaman
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Ave Maria - alto flute-cello duet
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Phil Beaman
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SheetMusicPlus
Can't Help Falling In Love
Instrumental Duet,Piano Baritone Horn TC/Euphonium,Piano - Level 3 - Digital Download S…
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Instrumental Duet,Piano Baritone Horn TC/Euphonium,Piano - Level 3 - Digital Download SKU: A0.845292 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Phil Beaman. Film/TV,Pop,Rock,Wedding. Score and part. 5 pages. Phil Beaman #6681717. Published by Phil Beaman (A0.845292). Can't Help Falling In Love was made famous by Elvis Presley on his album and film Blue Hawaii. My arrangement takes it from a 60's pop song to a gentle jazz ballad. It is totally reharmonized and has a fresh new feel. The melody is the same, except it has a new Time Signature. The song was originally in 6/8 but I have set it in 1/2 in order to get the pulse and phrasing I want. (Yes, 1 minim/half note per bar.) The original accompaniment was broken arpeggios, but now it is all about the rich new blocked chords. With repeats and a D.S. I have covered all 4 verses and bridges. Enjoy a fresh take on this forever classic. Great for weddings and nostalgic concerts. solo range 10th solo part, Early Intermediate; piano part, Intermediateavailable for several different instrument solos3 pages score, 1 page part (solo part in both clefs)2:00 minutes
$5.99
5.48 €
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Elvis Presley
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Can't Help Falling In Love
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Phil Beaman
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SheetMusicPlus
Can't Help Falling In Love
Small Ensemble Marimba - Level 3 - Digital Download SKU: A0.845300 By Elvis Presley…
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Small Ensemble Marimba - Level 3 - Digital Download SKU: A0.845300 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Phil Beaman. Film/TV,Pop,Rock,Wedding. Score and parts. 6 pages. Phil Beaman #6690329. Published by Phil Beaman (A0.845300). Can't Help Falling In Love was made famous by Elvis Presley on his album and film Blue Hawaii. My arrangement takes it from a 60's pop song to a gentle jazz ballad. It is totally reharmonized and has a fresh new feel. The melody is the same, except it has a new Time Signature. The song was originally in 6/8 but I have set it in 1/2 in order to get the pulse and phrasing I want. (Yes, 1 minim/half note per bar.) The original accompaniment was broken arpeggios, but now it is all about the rich new blocked chords. With repeats and a D.S. I have covered all 4 verses and bridges. Enjoy a fresh take on this forever classic. Great for nostalgia concerts. 3 pages score, 1 page parts; all parts in Treble ClefPart I -- single note melodyPart II -- countermelody or 2 note chordsPart III -- up to 4 note chords
$12.99
11.88 €
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Elvis Presley
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Can't Help Falling In Love
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Phil Beaman
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SheetMusicPlus
Can't Help Falling In Love
Woodwind Ensemble Bass Clarinet - Level 2 - Digital Download SKU: A0.845304 By Elvi…
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Woodwind Ensemble Bass Clarinet - Level 2 - Digital Download SKU: A0.845304 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Phil Beaman. Film/TV,Pop,Rock,Wedding. 13 pages. Phil Beaman #6713829. Published by Phil Beaman (A0.845304). Can't Help Falling In Love was made famous by Elvis Presley on his album and film Blue Hawaii. My arrangement takes it from a 60's pop song to a gentle jazz ballad. It is totally reharmonized and has a fresh new feel. The melody is the same, except it has a new Time Signature. The song was originally in 6/8 but I have set it in 1/2 in order to get the pulse and phrasing I want. (Yes, 1 minim/half note per bar.) The original accompaniment was broken arpeggios, but now it is all about the rich new blocked chords. With repeats and a D.S. I have covered all 4 verses and bridges. Enjoy a fresh take on this forever classic. Great for weddings and nostalgic concerts.
$12.99
11.88 €
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Elvis Presley
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Can't Help Falling In Love
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Phil Beaman
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SheetMusicPlus
Can't Help Falling In Love
Small Ensemble B-Flat Clarinet,Trombone - Level 2 - Digital Download SKU: A0.845307…
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Small Ensemble B-Flat Clarinet,Trombone - Level 2 - Digital Download SKU: A0.845307 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Phil Beaman. Film/TV,Pop,Rock,Wedding. Score and parts. 13 pages. Phil Beaman #6718217. Published by Phil Beaman (A0.845307). Can't Help Falling In Love was made famous by Elvis Presley on his album and film Blue Hawaii. My arrangement takes it from a 60's pop song to a gentle jazz ballad. It is totally reharmonized and has a fresh new feel. The melody is the same, except it has a new Time Signature. The song was originally in 6/8 but I have set it in 1/2 in order to get the pulse and phrasing I want. (Yes, 1 minim/half note per bar.) The original accompaniment was broken arpeggios, but now it is all about the rich new blocked chords. With repeats and a D.S. I have covered all 4 verses and bridges. Enjoy a fresh take on this forever classic. Great for weddings and nostalgic concerts. available for several different instrument combinationsClarinet 1,2,3; Trombone 1,2,3instrument part ranges - 10th 7 pages score, 1 page parts2:00 minutes
$12.99
11.88 €
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Elvis Presley
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Can't Help Falling In Love
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Phil Beaman
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SheetMusicPlus
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