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Say Amen
SheetMusicPlus
Sheetmusic to print
20 sheet music found
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1
Say Amen (Saturday Night)
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Pop music
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Panic! At the Disco
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Addison Horner
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Say Amen
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Addison Horner
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SheetMusicPlus
Choral Alto Voice,Soprano voice - Level 3 - Interactive Download SKU: A0.480843 By Panic! At the Disco. By Andrew Greene, Brendon Urie, Brian Profilio, D...
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Choral Alto Voice,Soprano voice - Level 3 - Interactive Download SKU: A0.480843 By Panic! At the Disco. By Andrew Greene, Brendon Urie, Brian Profilio, Daniel Foder Jr., Imad Roy El Amine, Jacob S. Sinclair, Jared Tankel, Lauren Pritchard, Michael Deller, Nathan Abshire, Samuel Hollander, Suzanne Shinn, Thomas Brenneck, Tobias Wincorn, and Tom Peyton. Arranged by Addison Horner. This edition: Interactive Download. Pop. Octavo. Duration 177. Addison Horner #6BRCERgZxA5taIuv2ndmx. Published by Addison Horner (A0.480843). Key: A major.Enjoy this SSAA + Solo arrangement of Panic! at the Disco’s hit song “Say Amen (Saturday Night)â€! Please feel free to edit this arrangement to fit your group’s style and sound. This arrangement features two-part splits in the Soprano 2 and Alto 1 parts, as well as brief two- and three-part splits in the Soprano 1 part. If you're looking for custom arrangements, contact me at thehashtagmusician@gmail.com.
$4.99
Say Amen, Somebody
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Sacred music
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Nick Page
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Say Amen, Somebody
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Chorister's Guild - Digital
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SheetMusicPlus
Three-part chorus - Digital Download SKU: C7.CGA1332 Composed by Nick Page. General. Select Voices. Sacred Anthem. Octavo. 12 pages. Chorister's Guild - ...
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Three-part chorus - Digital Download SKU: C7.CGA1332 Composed by Nick Page. General. Select Voices. Sacred Anthem. Octavo. 12 pages. Chorister's Guild - Digital #CGA1332. Published by Chorister's Guild - Digital (C7.CGA1332). UPC: 749193018507.Composer Nick Page described how throughout his life he felt that he was often discouraged to express his faith. His Say Amen, Somebody is an effort to encourage others to proclaim their faith - an important and necessary part of our walk with God. The piece uses languages from other countries to explain that although we come from different places, we are united by our love of God.
$2.10
Say What?
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Say What?
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Hope Publishing - Digital
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SheetMusicPlus
Reproducible Score-Digital Version - Digital Download SKU: H1.9171DP Choral score. 76 pages. Hope Publishing - Digital #9171DP. Published by Hope Publish...
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Reproducible Score-Digital Version - Digital Download SKU: H1.9171DP Choral score. 76 pages. Hope Publishing - Digital #9171DP. Published by Hope Publishing - Digital (H1.9171DP). Allen Pote.A Musical for Young Voices - The Story of the Tower of Babel Leading to Pentecost In Genesis 11 and Acts 2 we read about two events where languages helped fulfill God's purpose. When the people of Babel built the tower, they were led by the human spirit and ended up in confusion, scattered over the earth, speaking different languages. At Pentecost, people from many nations, speaking different languages, were led by the Holy Spirit; and even in their diversity, they were united. This 35-minute musical for young voices (Unison w/opt. Two-Part) links together these Old Testament and New Testament stories with songs, humor and heart. The message is, if we follow the Great Commandments - ?loving God and loving our neighbors, no matter how different from us they are or what language they speak - we will surely be filled with the Holy Spirit. A score with piano accompaniment and a singers edition without the piano part are both included for the one price. You may make as many copies as you require for use by your choir. Separate audio MP3s and instrumental parts are available, and there is a video of the debut performance on the Hope YouTube channel.
Song List
: Love Your Neighbor The Journey Everybody Think! Building a Tower Say What? The Festival of Harvest Haida Hallelujah Pentecost Scene Breathe On Me, Breath Of God Spirit Of God Go Make Disciples
$99.95
The Old Testament Fast Forward
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Allen Pote
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The Old Testament Fast Forward
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Hope Publishing - Digital
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SheetMusicPlus
Prev Pack (PDF Score & MP3) - Digital Download SKU: H1.8506DP Composed by Allen Pote. General Worship, Children. Preview Pack - Score & Listening CD. 89 ...
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Prev Pack (PDF Score & MP3) - Digital Download SKU: H1.8506DP Composed by Allen Pote. General Worship, Children. Preview Pack - Score & Listening CD. 89 pages. Hope Publishing - Digital #8506DP. Published by Hope Publishing - Digital (H1.8506DP). Tom S. Long.Here is the latest musical for young voices from Tom Long and Allen Pote. This amusing 45-minute attempt to present the Old Testament begins with a promise to cover the entire history in ten minutes. Needless to say, they don't get all the way through - even after revising their estimate to twenty, then thirty, then forty minutes - but there's plenty of humor and moving moments as the kids encounter the lessons and eternal truths found within the stories of Adam & Eve, Noah, Moses, David and many more. Entertaining moments and meaningful content are thoughtfully balanced. Set and costume requirements are minimal, and the mostly unison vocal lines are accessible for most children's and youth choirs. Order a Preview Pack today! DIRECTOR'S COPY
$17.95
I Say A Little Prayer
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Diana King
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Wesley G
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I Say A Little Prayer
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Wesley Moura
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SheetMusicPlus
C Trumpet,Cello,Drums,Flute,Piano,Violin - Digital Download SKU: A0.1150277 By Diana King. By Burt Bacharach and Hal David. Arranged by Wesley G. Moura. ...
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C Trumpet,Cello,Drums,Flute,Piano,Violin - Digital Download SKU: A0.1150277 By Diana King. By Burt Bacharach and Hal David. Arranged by Wesley G. Moura. Early Music,Film/TV,Pop,Religious,Wedding. 15 pages. Wesley Moura #750444. Published by Wesley Moura (A0.1150277). I Say a Little Prayer é uma canção escrita pelos compositores Burt Bacharach e Hal David para Dionne Warwick em 1967, originalmente pico no número quatro na parada de singles pop Billboard Hot 100 dos EUA em dezembro de 1967. A canção possui gravações de artistas como o elenco de Glee, Aretha Franklin e Diana King. A canção ficou famosa por fazer parte da trilha sonora do filme O Casamento do Meu Melhor Amigo no ano de 1997, na versão de Diana King. Arranjo feito para Seguinte formação: Flute Violino Violoncello Trumpet in C Piano Drum Set.
$53.00
Lamentation from Invictus: A Passion (Downloadable)
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Howard Goodall
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Lamentation from Invictus: A P
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Soprano voice solo, SATB choir, and piano - Easy - Digital Download SKU: MQ.56-0106-E Composed by Howard Goodall. Holy Week, Lent, Triduum/Three Days, Te...
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Soprano voice solo, SATB choir, and piano - Easy - Digital Download SKU: MQ.56-0106-E Composed by Howard Goodall. Holy Week, Lent, Triduum/Three Days, Tenebrae. Score. 17 pages. Duration 6 minutes, 47 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0106-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0106-E). English, Latin.Invictus: A Passion addresses one of the world’s most powerful stories through the lens of the modern world. The texts, written or inspired by women, describe not only human suffering and persecution but also the human capacity for love and humility in the face of tyranny. Composer Howard Goodall is uniquely suited to bring these texts to life with music of emotional clarity and sweeping force. This movement, scored for soprano solo, SATB choir and piano, expresses the unimaginable pain felt by a mother seeing her child torn away from her at a slave auction. To this harrowing account are appended the words of William Wilberforce, spoken in the House of Commons on 18th April 1791, “You may choose to look the other way but you can never say again that you did not know.†Duration 6:47.
$3.35
Infinitamente
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Lila Horovitz
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Lila Horovitz
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Infinitamente
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Lila Horovitz
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SheetMusicPlus
Instrumental Duet,Piano Double Bass,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.1293387 By Lila Horovitz. By Lila Horovitz. Arranged by ...
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Instrumental Duet,Piano Double Bass,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.1293387 By Lila Horovitz. By Lila Horovitz. Arranged by Lila Horovitz. 21st Century,Chamber,Classical,Jazz,Multicultural,World. 11 pages. Lila Horovitz #883917. Published by Lila Horovitz (A0.1293387). Piece for Double bass and piano in modern tango style. The famous Gary Karr played it and he said: “I loved the originality of her music and the special way in which she uses the doublebass. It adds a special dimension to the many faceted personalities of our instrument. She is a clever composer and I like the fact that her music is so accessible for all audiences. Needless to say, Lila, I wish you continued success and I look forward to more of your splendid output.â€Gary Karr.
$12.00
Let All the People Say Amen!
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Allen Pote
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Let All the People Say Amen!
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Hope Publishing - Digital
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SheetMusicPlus
Brass instruments - Digital Download SKU: H1.AP646BDP Composed by Allen Pote. General Worship, Adoration & Praise, Sacred. Brass Parts. 4 pages. Hope Pub...
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Brass instruments - Digital Download SKU: H1.AP646BDP Composed by Allen Pote. General Worship, Adoration & Praise, Sacred. Brass Parts. 4 pages. Hope Publishing - Digital #AP646BDP. Published by Hope Publishing - Digital (H1.AP646BDP). Original anthem Choral Piece by Allen Pote.
$34.95
Suite No. 1
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Le...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95
Band Of Brothers (tv Ser - Incidental Music)
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Michael Arnold Kamen
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P
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Band Of Brothers
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Pete Strohm Music
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SheetMusicPlus
Trombone - Level 5 - Digital Download SKU: A0.1243669 Composed by Michael Arnold Kamen. Arranged by P. F. Strohm. 20th Century,21st Century,Contemporary,...
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Trombone - Level 5 - Digital Download SKU: A0.1243669 Composed by Michael Arnold Kamen. Arranged by P. F. Strohm. 20th Century,21st Century,Contemporary,Contest,Festival,Film/TV. 100 pages. Pete Strohm Music #838634. Published by Pete Strohm Music (A0.1243669). Fantasia on Themes from Band of Brothers, is a concert work for trombone choir, derived from Michael Kamen's brilliant cues for the 2001 HBO series Band of Brothers. American composer P. F. Strohm has explored and developed cues from the original score, creating a beautiful, compelling work for trombone choirs and their audiences. The result is a memorable and moving musical essay on the nature of war, in five movements entitled Despair, Relief, Valor, Grief, and Hope. The work is both challenging and rewarding, with an Advanced level of difficulty. Performance time 19:30. Member, ASCAP.
$25.00
What You Don't Know About Women
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Contemporary
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Cy Coleman
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W
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What You Don't Know About Wome
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Diamond S Music
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SheetMusicPlus
Large Ensemble Double Bass,Drums,Guitar,High Voice,Low Voice,Piano Accompaniment - Level 5 - Digital Download SKU: A0.790077 Composed by Cy Coleman. Arra...
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Large Ensemble Double Bass,Drums,Guitar,High Voice,Low Voice,Piano Accompaniment - Level 5 - Digital Download SKU: A0.790077 Composed by Cy Coleman. Arranged by W. Brent Sawyer. Contemporary. Score and parts. 16 pages. Diamond S Music #3561473. Published by Diamond S Music (A0.790077). WHAT YOU DON’T KNOW ABOUT WOMEN from the musical CITY OF ANGELS. MALE VOCAL DUET in the KEY of F with 17 piece Band accompaniment. This is the RHYTHM PACK - includes PIANO/VOCAL, GUITAR, BASS, DRUMS PARTS.) Scored for: Reed 1 (Flute, Bb Clarinet, Alto Sax), Reed 2 (Bb Clarinet, Alto Sax), Reed 3 (Bb Clarinet, Tenor Sax), Reed 4 (Bass Clarinet, Bari Sax), Bb Trumpet 1 & 2, Horn in F, Bass Trombone, Piano, Synth, Violin 1 & 2, Cello, Acoustic Guitar, Double bass, Drum Set, Percussion. This is an exuberant jazzy song from the 1989 Broadway musical City Of Angels with music by the great Cy Coleman and Lyrics by David Zippel. This song, in a very jazzy style, was originally is a fun lament of two women about their men who won’t listen to them. This version is sung by men and causes the meaning to be slightly shifted so that the men say how they don’t understand the women and how they do the things mentioned in the song - Only the pronouns have been flipped from the original. This is in the style of the original Broadway arrangement and in the original Broadway key. This arrangement can also be purchased with just the RHYTHM PACK that contains the Piano/Vocal, Guitar, Bass, Drums Parts or just the PIANO/VOCAL part if you don’t need the full orchestration. This arrangement is also available in the original FEMALE version. Other similar arrangements from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$19.99
What You Don't Know About Women
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Contemporary
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Cy Coleman
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W
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PARTS.
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What You Don't Know About Wome
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Diamond S Music
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Cello,Clarinet,Double Bass,Drums,Flute,Guitar,High Voice,Horn,Low Voice,Multi-Percussion,Piano Accompaniment,Te...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Cello,Clarinet,Double Bass,Drums,Flute,Guitar,High Voice,Horn,Low Voice,Multi-Percussion,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet,Violin - Level 5 - Digital Download SKU: A0.790076 Composed by Cy Coleman. Arranged by W. Brent Sawyer. Contemporary. Score and parts. 57 pages. Diamond S Music #3561467. Published by Diamond S Music (A0.790076). WHAT YOU DON’T KNOW ABOUT WOMEN from the musical CITY OF ANGELS. MALE VOCAL DUET in the KEY of F with 17 piece Band accompaniment. FULL SCORE & PARTS. Scored for: Reed 1 (Flute, Bb Clarinet, Alto Sax), Reed 2 (Bb Clarinet, Alto Sax), Reed 3 (Bb Clarinet, Tenor Sax), Reed 4 (Bass Clarinet, Bari Sax), Bb Trumpet 1 & 2, Horn in F, Bass Trombone, Piano, Synth, Violin 1 & 2, Cello, Acoustic Guitar, Double bass, Drum Set, Percussion. This is an exuberant jazzy song from the 1989 Broadway musical City Of Angels with music by the great Cy Coleman and Lyrics by David Zippel. This song, in a very jazzy style, was originally is a fun lament of two women about their men who won’t listen to them. This version is sung by men and causes the meaning to be slightly shifted so that the men say how they don’t understand the women and how they do the things mentioned in the song - Only the pronouns have been flipped from the original. This is in the style of the original Broadway arrangement and in the original Broadway key. This arrangement can also be purchased with just the RHYTHM PACK that contains the Piano/Vocal, Guitar, Bass, Drums Parts or just the PIANO/VOCAL part if you don’t need the full orchestration. This arrangement is also available in the original FEMALE version. Other similar arrangements from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$49.99
Wynwood Walls
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Stephen Goss
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Wynwood Walls
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar and string quartet - Advanced - Digital Download SKU: ZY.DO-1526 Composed by Stephen Goss. Score and parts. 120 pages. Les Editions Doberman-Yppan...
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Guitar and string quartet - Advanced - Digital Download SKU: ZY.DO-1526 Composed by Stephen Goss. Score and parts. 120 pages. Les Editions Doberman-Yppan (digital) #DO 1526. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1526). Wynwood Walls draws on 9 artworks which lend their titles to the 9 connected sections of the quintet. The music reflects and amplifies my own subjective responses to the artworks.The movements are organised in pairs, circling out from a still centre – No Woman, No Cry. The title for this centrepiece comes from Chris Ofili’s moving portrait of Doreen Lawrence, the mother of a teenager murdered in an unprovoked racist attack. As well as this specific reference, the artist intended the painting to be read as a universal portrayal of melancholy, solace, and grief. The two segments flanking No Woman, No Cry complete the central triptych. Edward Hopper’s Nighthawks explores loneliness and isolation, while Grayson Perry’s #Lamentation is a meditation on remembrance and the transience of life. In contrast to the rest of Wynwood Walls, the music here is dark and introspective.I want my time with you is a giant neon sign designed by Tracey Emin for St. Pancras Station, London. Selfie with Sunflowers is an essay written by Julian Barnes about our over-familiarisation with Van Gogh’s iconic sunflower paintings. The music is sentimental, bordering on schmaltz and kitsch. Sunflower Seeds and Infinity Room are a pair of moto perpetuo scherzos inspired by the minimalist installations of Ai Weiwei and Yayoi Kusama respectively. The opening section, Bathers at Asnières, suggests Seurat’s iconic painting, while the finale, Seurat’s Bathers, evokes Howard Hodgkin’s reworking of the Seurat using a blaze of vivid colours.The title of the quintet is borrowed from the Wynwood art district of Miami – an area characterised by the hundreds of colourful street murals which decorate the walls of old warehouses in the neighbourhood. In performance, the artworks can be projected onto a screen behind the ensemble.Wynwood Walls s'appuient sur 9 œuvres d'art dont les titres prêtent leurs noms aux 9 sections connectées du quintette. La musique reflète et amplifie mes propres réponses subjectives aux œuvres d'art.Les mouvements sont organisés par paires, émergeant d'un centre immobile - No Woman, No Cry. Le titre de cette pièce maîtresse provient du portrait émouvant de Chris Ofili de Doreen Lawrence, la mère d'un adolescent assassiné lors d'une attaque raciste gratuite. En plus de cette référence spécifique, l'artiste a voulu que le tableau soit perçu comme une représentation universelle de la mélancolie, du réconfort et du chagrin. Les deux segments flanquant No Woman, No Cry complètent le triptyque central. Nighthawks d'Edward Hopper explore la solitude et l'isolement, tandis que #Lamentation de Grayson Perry est une méditation sur le souvenir et la fugacité de la vie. Contrairement au reste des Wynwood Walls, la musique ici est sombre et introspective.I want my time with you est un immense panneau néon conçu par Tracey Emin pour la gare de St. Pancras, à Londres. Selfie with Sunflowers est un essai écrit par Julian Barnes sur notre sur-familiarisation avec les peintures emblématiques de tournesols de Van Gogh. La musique est sentimentale, frôlant le kitsch et le sentimentalisme. Sunflower Seeds et Infinity Room sont une paire de scherzos moto perpetuo inspirés des installations minimalistes d'Ai Weiwei et de Yayoi Kusama respectivement. La section d'ouverture, Bathers at Asnières, suggère le tableau emblématique de Seurat, tandis que le finale, Seurat’s Bathers, évoque la réinterprétation de Seurat par Howard Hodgkin en utilisant une explosion de couleurs vives.Le titre du quintette est emprunté au quartier artistique de Wynwood à Miami - une zone caractérisée par les centaines de fresques murales colorées qui ornent les murs des vieux entrepôts du quartier. En performance, les œuvres d'art peuvent être projetées sur un écran derrière l'ensemble.
$33.95
The Spirit of the Lord
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Cathy Lundeen, Vocal / Dr
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Dr
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The Spirit of the Lord
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School Sisters of St. Francis
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SheetMusicPlus
Organ,Voice - Level 3 - Digital Download SKU: A0.1406751 By Cathy Lundeen, Vocal / Dr. Sheri Masiakowski, Organ. By Sr. Theophane Hytrek OSF. Arranged by...
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Organ,Voice - Level 3 - Digital Download SKU: A0.1406751 By Cathy Lundeen, Vocal / Dr. Sheri Masiakowski, Organ. By Sr. Theophane Hytrek OSF. Arranged by Dr. Sheri Masiakowski. 20th Century,Religious,Sacred. Full Performance. Duration 160. School Sisters of St. Francis #989486. Published by School Sisters of St. Francis (A0.1406751). “The Spirit of the Lord† Sr. Theophane Hytrek OSFCathy Lundeen is currently a choir member and cantor at St. Luke Congregation in Brookfield, Wisconsin under the direction of Shawn Rochon. She is also a member of the School Sisters of St. Francis Chapel Singers directed by Sr. Bernadette Luecker OSF, as well as a member and coordinator of the Gaudete Chorale, directed by Brian McLinden.Cathy credits her vocal “training†and love of music ministry first and foremost to her sisters Laura Monteen, a retired Director of Liturgy and Music for the Gary Diocese, Indiana and Nancy Johnson, currently a cantor and choir member at St. John Neumann Parish in Homewood, Illinois, as well as liturgical music mentors Sister Mary Jane Wagner, OSF, Sister Bernadette Luecker, OSF, Brian McLinden, Shawn Rochon, Fr. Kenneth Augustine, Fr. Charles Conley,  Ann Owen and Bill Erickson. TEXT:The Spirit of the Lord is upon us. Send your Spirit upon us in this time and place, the Spirit who gives us comfort, the Spirit who brings light to our eyes, the Spirit who helps us say yes to your summoning Word.Bless us, Father, as you have done before, with the gift of your Spirit that he may stir new life within us.Blest are you in ev'rything that your Spirit makes new, now and for all ages to come.The source of this text is unknown. Though appropriate for Pentecost there is no direct connection to the scripture readings or sacramentary prayers for that Feast. The composition was written in the early years succeeding Vatican II (October 11, 1962 – December 8, 1965), a time of creative freedom. The language is period specific to that time, yet the music is universal.We invite you to browse other creative works by the School Sisters of St. Francis on our website:  https://www.sssf.org/SSSF/Our-Global-Impact/United-States/Music-Ministry/Catalog-of-Music.htm  Further information about our offerings is available from Dr. Sheri Masiakowski, curator of the Heritage Music Collection, at smasiakowski@sssf.org.
$1.99
Impressions
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Thomas Breadon Jr
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Impressions
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Imagine Music - Digital
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SheetMusicPlus
Oboe & bassoon - Digital Download SKU: IZ.IMS1613 Composed by Thomas Breadon Jr. Score and Parts. 34 pages. Imagine Music - Digital #IMS1613. Published b...
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Oboe & bassoon - Digital Download SKU: IZ.IMS1613 Composed by Thomas Breadon Jr. Score and Parts. 34 pages. Imagine Music - Digital #IMS1613. Published by Imagine Music - Digital (IZ.IMS1613). 9 x 12 in inches.My intention in writing Impressions was to present to both the audience and the performers short and simple character pieces, each leaving very contrasting mental images of people, places, or ideas. To achieve this, I not only used very different stylistic qualities in each movement, but different compositional techniques, and varying degrees of tonality and prescriptive score markings (such as articulations, tempos, and dynamics). This makes every movement as unique to interpret and understand as say, a person you would pass on the street. Further, some of the movements allow for a myriad of interpretations within themselves due to the lack of prescriptive markings, the written encouragement of Ornamentations, and the use of improvisation. I encourage performer and listener alike to explore the innumerable interpretive possibilities available.
$12.00
Till Death Do Us Part
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Contemporary
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Apostolos Paraskevas
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Till Death Do Us Part
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Silver Sickle Publications
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SheetMusicPlus
Small Ensemble Drum Set,Flute,Hand Percussion - Level 4 - Digital Download SKU: A0.942066 Composed by Apostolos Paraskevas. 20th Century,Contemporary. Sc...
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Small Ensemble Drum Set,Flute,Hand Percussion - Level 4 - Digital Download SKU: A0.942066 Composed by Apostolos Paraskevas. 20th Century,Contemporary. Score and parts. 9 pages. Silver Sickle Publications #4755273. Published by Silver Sickle Publications (A0.942066). The last words of a dying soldier, his last 5 minutes. A lament full of love, of beautiful memories and theeminent shadow of Death. His simple melody unfolds through variations of agony and ecstasy. The endcomes closer and closer as his heart beat ascends and descends until with its last beat says ...I love you...Lamentations are a eulogy to love not to death and we lament because we love life. Death needs life toexist but not vice versa.
$8.99
Jesus Amigo
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Antonio Ramirez
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Antonio Ramirez
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Jesus Amigo
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Hope Ram
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SheetMusicPlus
Choral Choir,Choral,SAT Chorus - Level 3 - Digital Download SKU: A0.1508632 By Antonio Ramirez. By Marcelo de Maria y Campos. Arranged by Antonio Ramirez...
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Choral Choir,Choral,SAT Chorus - Level 3 - Digital Download SKU: A0.1508632 By Antonio Ramirez. By Marcelo de Maria y Campos. Arranged by Antonio Ramirez. Christian,Praise & Worship,Sacred,Spiritual. 8 pages. Hope Ram #1083896. Published by Hope Ram (A0.1508632). Arreglo para coros con partes para solista, dueto soprano/alto, trio soprano/alto/tenor, y coro.Acordes incluidos para acompanamiento de piano/teclado. Para misas y celebraciones cristianas.Ideal para coros de Iglesia, y coros de escuelas secundarias, preparatorias y universidades.Tiempo de practica: 2 horas. Preferentemente divididas en 2 sesiones.Sugerencias para ensayos: - Selecciona solista, dueto y trio primero. - Aprender cada voz por separado. Asegurate que cada nota es cantada correctamente para asi el ensamble es mas facil de juntar. - Las armonias son clave para que esta pieza pueda crear el objetivo de sensibilizacion para ambos coro y publico. - Despues de que cada parte este dominada, continua con sopranos y altos juntos, y luego tenor y bajos juntos. - Termina practica con todas las voces al mismo tiempo. - Practica con la solista, el dueto y el trio por separado. - Acomoda a los integrantes del coro en forma de media luna. En la primera fila, sopranos, luego altos, tenores y bajos. Luego una segunda fila de las misma forma. Y asi sucesivamente. Las sopranos tienen que estar viendo a los bajos de frente. De esta manera, todos los integrantes pueden escuchar y disfrutar de la armonia. Duracion de la pieza: 3:27 a velocidad 110 (4/4). Cualquier pregunta o peticion para algun otro arreglo, por favor no dudes en contactarme a mi email: al42609@hotmail.comChoral Arrangement with soloist, soprano/alto duet, soprano/alto/tenor trio, and choral.Chords provided for piano/keyboard accompaniment.For Christian services.Ideal for Church choirs and middle/high school, and college choirs.Practice time: 2 hours. Preferably 2 1-hour practices.Performance practice suggestions: - Select soloist, duet, and trio first. - Learn each part separately. Make sure all notes are sung correctly so it's easier to practice ensemble. - Harmonies are key to make this hymn uplifting for both performers and audience. - Continue learning sopranos and altos together, and then tenor and basses together. - Finish with all parts together. - Practice soloist, duet, and trio separately. - Arrange choir in a half moon with sopranos, altos, tenor and basses in the first line. Then second line the same way. Sopranos should be facing basses. This way, everybody can listen and enjoy the harmony.Duration of work: 3:27 at tempo 110 (4/4).Any question or arrangement request, please don't hesitate to contact me at email: al42609@hotmail.com.
$2.99
Allegories for Flute, Euphonium, and Piano
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Sy Brandon
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Allegories for Flute, Euphoniu
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Sy Brandon
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SheetMusicPlus
Euphonium,Flute,Piano - Level 5 - Digital Download SKU: A0.1141957 Composed by Sy Brandon. 20th Century,Chamber,Children,Classical. 65 pages. Sy Brandon ...
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Euphonium,Flute,Piano - Level 5 - Digital Download SKU: A0.1141957 Composed by Sy Brandon. 20th Century,Chamber,Children,Classical. 65 pages. Sy Brandon #742334. Published by Sy Brandon (A0.1141957). “Allegories†is a five-movement composition based upon Aesop’s Fables. It was commissioned by and dedicated to Frank Meredith. The first movement “The Trumpeter Taken Captive†is a fable about how one’s actions affect the outcome. The trumpeter, who incites others to do battle, is as guilty as those who slay the enemy. The euphonium represents the trumpeter by playing battle tunes. Then the ensemble plays capture music, begging music, fatal music representing the slaying of the trumpeter (euphonium), and finally music representing the moral of the story. “The Boy Who Cried Wolf†is the basis for the second movement. The allegory is that nobody believes a liar. The flute plays a shepherd’s tune to represent the bored shepherd boy. The ensemble plays excited music three times as the boy cries wolf, the first two times just to amuse himself. After the third time when nobody responds to his cries, the flute plays a lament to end the movement. The third movement reflects the story of “The Goose That Laid The Golden Egg.†A golden euphonium melody accompanied by rich harmony represents the golden eggs laid by the goose. The ensemble then plays greedy music that is followed by a minor key lament as the farmer has killed his rich source of income because of his greed. A sweet dancing flute solo begins movement four appropriately named “The Fisherman and His Flute.†This short fable has the allegory of “timing is everything.†The poor fisherman expected the fish to jump out of the sea in response to his flute playing to no avail. When the ensemble plays a similar tune, it represents his success when he uses his net. The fisherman says “you bloody fish, when I played the flute you wouldn’t dance, but as soon I stopped, you started up.†The race between the “Tortoise and the Hare†is the subject of the last movement. The plodding euphonium represents the tortoise and the fast and agile flute represents the hare. The flute takes a nap in the middle of the movement and by the time the flute wakes up, it is too late to catch up with the slow and steady tortoise. The race is not always to the swift.
$14.99
Allegories for Flute, Euphonium, and Percussion
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Sy Brandon
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Allegories for Flute, Euphoniu
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Sy Brandon
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SheetMusicPlus
Euphonium,Flute,Percussion - Level 5 - Digital Download SKU: A0.1141962 Composed by Sy Brandon. 20th Century,Chamber,Children,Classical. 63 pages. Sy Bra...
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Euphonium,Flute,Percussion - Level 5 - Digital Download SKU: A0.1141962 Composed by Sy Brandon. 20th Century,Chamber,Children,Classical. 63 pages. Sy Brandon #742339. Published by Sy Brandon (A0.1141962). “Allegories†is a five-movement composition based upon Aesop’s Fables. It was commissioned by and dedicated to Frank Meredith. The first movement “The Trumpeter Taken Captive†is a fable about how one’s actions affect the outcome. The trumpeter, who incites others to do battle, is as guilty as those who slay the enemy. The euphonium represents the trumpeter by playing battle tunes. Then the ensemble plays capture music, begging music, fatal music representing the slaying of the trumpeter (euphonium), and finally music representing the moral of the story. “The Boy Who Cried Wolf†is the basis for the second movement. The allegory is that nobody believes a liar. The flute plays a shepherd’s tune to represent the bored shepherd boy. The ensemble plays excited music three times as the boy cries wolf, the first two times just to amuse himself. After the third time when nobody responds to his cries, the flute plays a lament to end the movement. The third movement reflects the story of “The Goose That Laid The Golden Egg.†A golden euphonium melody accompanied by rich harmony represents the golden eggs laid by the goose. The ensemble then plays greedy music that is followed by a minor key lament as the farmer has killed his rich source of income because of his greed. A sweet dancing flute solo begins movement four appropriately named “The Fisherman and His Flute.†This short fable has the allegory of “timing is everything.†The poor fisherman expected the fish to jump out of the sea in response to his flute playing to no avail. When the ensemble plays a similar tune, it represents his success when he uses his net. The fisherman says “you bloody fish, when I played the flute you wouldn’t dance, but as soon I stopped, you started up.†The race between the “Tortoise and the Hare†is the subject of the last movement. The plodding euphonium represents the tortoise and the fast and agile flute represents the hare. The flute takes a nap in the middle of the movement and by the time the flute wakes up, it is too late to catch up with the slow and steady tortoise. The race is not always to the swift.
$14.99
Four Favorite Hymns from the Movie - "Stars In My Crown"
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Sacred music
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John R
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Ginny Saltzman
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Four Favorite Hymns from the M
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Ginny's House of Music
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SheetMusicPlus
Instrumental Duet,Piano B-Flat Clarinet,Flute,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.1180477 Composed by John R. Sweeny, Robert Low...
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Instrumental Duet,Piano B-Flat Clarinet,Flute,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.1180477 Composed by John R. Sweeny, Robert Lowery, Robert Robinson, John Wyeth. Arranged by Ginny Saltzman. 19th Century,Christian,Praise & Worship,Religious. 12 pages. Ginny's House of Music #780380. Published by Ginny's House of Music (A0.1180477). These are the 4 hymns in the colorized movie Stars in My Crown.(1) Will There Be Any Stars in My Crown? - An old favorite simplified hymn arrangement on Late Elementary-Early Intermediate Level, in the Key of G, with lyrics and Guitar chords included. From the scriptures Daniel 12:3 And they that be wise shall shine as the brightness of the firmament; and they that turn many to righteousness as the stars for ever and ever. 1 Peter 5:4 And when the chief Shepherd shall appear, ye shall receive a crown of glory that fadeth not away. 1 Thessalonians 2:19-20 For what is our hope, or joy, or crown of rejoicing? Are not even ye in the presence of our Lord Jesus Christ at his coming? For ye are our glory and joy.(2) Shall We Gather At The River? - An old favorite hymn with simplified Early Intermediate Level Piano Accompaniment, Lyrics, and Guitar chords. Very special arrangement with duet notation using the Violin and Flute. From the scriptures Revelation 22: 1 And he shewed me a pure river of water of life, clear as crystal, proceeding out of the throne of God and of the Lamb. 2 In the midst of the street of it, and on either side of the river, was there the tree of life, which bare twelve manner of fruits, and yielded her fruit every month: and the leaves of the tree were for the healing of the nations.(3) Beulah Land - An old favorite hymn with simplified Late Elementary - Early Intermediate Level Piano Accompaniment, Lyrics, in the Key of G. From the scriptures Deuteronomy 8: 7 For the Lord thy God bringeth thee into a good land, a land of brooks of water, of fountains and depths that spring out of valleys and hills; 8 A land of wheat, and barley, and vines, and fig trees, and pomegranates; a land of oil olive, and honey; 9 A land wherein thou shalt eat bread without scarceness, thou shalt not lack any thing in it; a land whose stones are iron, and out of whose hills thou mayest dig brass. 10 ¶ When thou hast eaten and art full, then thou shalt bless the Lord thy God for the good land which he hath given thee. Isaiah 33:17 Thine eyes shall see the king in his beauty: they shall behold the land that is very far off.(4) Come Thou Fount of Every Blessing - An old favorite hymn in the Key of C, with simplified Early Intermediate Level Piano Accompaniment, Lyrics, and additional melody with the Bb Clarinet. From the scriptures 1 Corinthians 15:10 But by the grace of God I am what I am: and his grace which was bestowed upon me was not in vain; but I laboured more abundantly than they all: yet not I, but the grace of God which was with me.1 Samuel 7 :12 Then Samuel took a stone, and set it between Mizpeh and Shen, and called the name of it Eben-ezer, saying, Hitherto hath the Lord helped us.
$7.99
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