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Say So
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176
Hard To Say I'm Sorry
Guitar - Level 3 - Digital Download SKU: A0.1369697 By Chicago. By David Babyface F…
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Guitar - Level 3 - Digital Download SKU: A0.1369697 By Chicago. By David Babyface Foster and Peter Cetera. Arranged by Derek Hasted. Pop,Rock. 21 pages. Derek Hasted #954061. Published by Derek Hasted (A0.1369697). HARD TO SAY I'M SORRY (Chicago)- GUITAR QUARTET/large ensembleFor Classical or Acoustic GuitarDerek Hasted writes This power ballad makes a wonderful concert item for a Guitar Quartet or large ensemble - it has a big sound for surprisingly little difficulty.My quartet has parts that increase slightly in complexity from bass to tune, so there’s something for everyone here. The bass line is supplied in both treble and bass clefs, and the two parts are identical, so for a large ensemble, you can have one or the other or both in your performance.Everything is comfortable to play, and my transcription is based closely on the official video from Chicago. I have changed the key very slightly so that the deep bass notes fit on the guitar’s bottom strings and the tune is placed comfortably on the neck. There are no page turns in the part score.The music rises and falls as the song progresses, making the dynamics happen almost automatically. But there are plenty of opportunities in the phrasing to make this piece  absolutely magical.The breathtaking key-change of the original is included!I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99
4.58 €
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Chicago
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Hard To Say I'm Sorry
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Derek Hasted
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SheetMusicPlus
Say You Love Me
Guitar Ensemble Guitar - Level 4 - Digital Download SKU: A0.797762 By Fleetwood Mac…
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Guitar Ensemble Guitar - Level 4 - Digital Download SKU: A0.797762 By Fleetwood Mac. By Christine Mcvie. Arranged by Derek Hasted. Pop,Rock. Score and parts. 31 pages. Derek Hasted #5205403. Published by Derek Hasted (A0.797762). SAY YOU LOVE ME (Fleetwood Mac) - FOUR GUITARS/LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This is a real crowd-pleaser that will suit any informal concert.My arrangement of 'Say You Love Me' is faithful to the Fleetwood Mac original in both the key and the number of sections that it contains. The piece closes with a final chord instead of a long fade out, but it's a big piece with a big sound and it runs for nearly four minutes at the recommended tempo.There are two bass parts in this edition - one in treble clef and one in bass clef...The arrangement works well with 4 guitars, but a larger ensemble will find it easy to get much more drive and power! In a large ensemble, the syncopated rhythms need to be tight and accurate if they are to provide a compelling rhythmic support to the tune.It’s worth mentioning that the name Fleetwood Mac derives from the group’s founder, Mick Fleetwood and John McVie (Mac), their bass player. Why tell you that? Because the Guitar 4 part is a close representation to the original bass line played by John McVie, and what a fantastic bass line it is! The two bass parts (treble clef and bass clef) are identical and between them, they suit guitar, contrabass guitar, electric bass or double bass. For a fuller sound in a large ensemble, one can place a guitar or two alongside a bass instrument.The standard across the parts varies from intermediate to advanced intermediate, so it's great for an ensemble of mixed abilities.I hope you enjoy this piece!
$4.99
4.58 €
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Fleetwood Mac
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Say You Love Me
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Derek Hasted
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SheetMusicPlus
What Will We Say?
Cello,Piano,Steel Pan,Violin - Level 4 - Digital Download SKU: A0.1095566 Composed …
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Cello,Piano,Steel Pan,Violin - Level 4 - Digital Download SKU: A0.1095566 Composed by Aaron Gage. 20th Century,Chamber,Contemporary. 38 pages. Aaron Gage #699558. Published by Aaron Gage (A0.1095566). At the time this piece was conceived, the world had fallen into chaos. We were in the midst of a vast economic crisis leaving millions in poverty, racism had once again found its foothold in the foreground of US culture, climate change had decimated the west coast in flames while southern coastal cities were being bombarded with floods from storms. We have also been forced to see the ugliness of domestic terrorists establishing themselves in the hopes of hurting their fellow citizens. However, these issues pale in comparison to the utter devastation we have faced from COVID-19. As I write this note, we are just shy of nearly a quarter of a million people having senselessly died from COVID-19. The utter failure we’ve had in leadership and lack of empathy from our fellow citizens have caused countless families to now have empty seats at their table. There was no need for this. Hundreds of thousands of men, women, and children have died from means that could have been completely preventable. When I was asked to write this piece, I wanted to come up with a simple concept as an elegy to those lost to the virus. A simple question arose; What will we say? 50 years from now, how will we answer to those younger generations while we collectively sat by and did nothing to help each other? How are we going to excuse letting the rot that has sunk in go unpunished? How do we defend the indefensible? This question haunts me. The music you will hear channels my answer to that question. There is no true resolution. There is no happy ending. When we have finally moved on past this pandemic, we are still left in the wake of hundreds of thousands of dead citizens. One day it will hit us all how many lives we really lost. So I ask this; while you listen, reflect on every individual who suffered at the hands that did not act. Allow yourself to absorb the true gravity of what we have experienced. Give those victims a few minutes of your time. When the time comes for you to be asked, what will you say?
$19.99
18.36 €
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Aaron Gage
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What Will We Say?
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Aaron Gage
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SheetMusicPlus
You Say
Piano and Keyboard,Vocal,Voice - Interactive Download SKU: A0.482472 Composed by J.…
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Piano and Keyboard,Vocal,Voice - Interactive Download SKU: A0.482472 Composed by J. Randolph Hall. This edition: Interactive Download. Classical. Score. 4 pages. Duration 40. Published by J. Randolph Hall (A0.482472). My Music Composition prof gave us a poem to set to music. I didn't really agree with Ms. Norton in these verses, and our prof had a thing for German expressionism so, I didn't mind being frequently dissonant.
$3.00
2.75 €
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J
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You Say
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J. Randolph Hall
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SheetMusicPlus
When You Say Nothing At All
Brass Ensemble Euphonium,Tuba - Level 3 - Digital Download SKU: A0.759001 By Keith …
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Brass Ensemble Euphonium,Tuba - Level 3 - Digital Download SKU: A0.759001 By Keith Whitley. By Don Schlitz and Paul Overstreet. Arranged by Tim Olt. Country. Score and parts. 9 pages. Olt Music #3447083. Published by Olt Music (A0.759001). Having been a great fan of Alison Krauss I could not resist this arrangement! The goal is to capture the pure, angelic quality of her voice on our instruments. Everyone gets a shot at the melody so time to put on your most lyric timbre!
$15.00
13.77 €
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Keith Whitley
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When You Say Nothing At All
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Olt Music
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SheetMusicPlus
If You Will So Will I
Small Ensemble - Level 3 - Interactive Download SKU: A0.1134309 Composed by Chetwyn…
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Small Ensemble - Level 3 - Interactive Download SKU: A0.1134309 Composed by Chetwynd Seal & Peter T Wright. This edition: Interactive Download. Pop. Score and parts. 47 pages. Duration 150. Chetwynd Seal #4fFLVQo82eQYm5IVTyYVfn. Published by Chetwynd Seal (A0.1134309). Key: E major.They say love never dies? This was written for a girl band being sponsored by Edwin Starr. The band decided not to continue after he died. I've turned it into a slightly heavier version than the original. Distortion guitar 1 has a tab. A 2nd distortion guitar and electric bass also added. Melody line and chord boxes provided.
$2.99
2.75 €
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Chetwynd Seal & Peter T Wright
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If You Will So Will I
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Chetwynd Seal
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SheetMusicPlus
God Is So Good - for beginning handbells - 2 octaves (G4 - G6)
Instrumental Duet,Piano Handbell,Instrumental Duet,Piano - Level 1 - Digital Download S…
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Instrumental Duet,Piano Handbell,Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.767658 Composed by Anonymous. Arranged by c.e. walz. Children,Sacred. 4 pages. C.E. Walz #4364546. Published by C.E. Walz (A0.767658). Maestro says, I've never heard anything so simple sound so good, and God is good! In fact, my brand new handchime choir played this in church after only three practice sessions. The beauty is that the handbells/chimes play only chordal accompaniment to a flute or piano melody. There is so much flexibility in this piece. Our choir performed it with handchimes and flute. You can use any C instrument for the melody, even piano. I've also included a full piano accompaniment. The audio sample is a computer-generated handbell and piano combo. This piece will give your beginners confidence to tackle harder music and give them a feeling of pride to be able to participate in worship in such a musical way. Four pages total (p.1 = handbells/chimes; p.2 = flute or C instrument melody; pp. 3-4 = piano accompaniment and melody). Key of C, no key changes. Tempo is set by director dependent upon the ability of your players. Handbell part is for beginning players. Flute part is early intermediate. Piano part is early intermediate. Performance time: 50 seconds.
$2.00
1.84 €
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Anonymous
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p
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God Is So Good - for beginning handbells - 2 octaves
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C.E. Walz
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SheetMusicPlus
I’m Gonna Sing When the Spirit Says Sing for 8-note Bells and Boomwhackers® (with Color Coded Notes)
Small Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Multi-Percussion,Orff Instrument,R…
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Small Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Multi-Percussion,Orff Instrument,Recorder,Ukulele,Voice,Xylophone - Level 3 - Digital Download SKU: A0.565149 By Sharon Wilson. By Spiritual. Arranged by Sharon Wilson. Children,Folk,Instructional,Sacred,Spiritual. Score and parts. 9 pages. Sharon Wilson #3497141. Published by Sharon Wilson (A0.565149). This sheet music is notated for handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate 1-staff score for each instrument. This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. Handbells sold by Rhythm Band or KidsPlay also use this same color scheme (other brands may use different color schemes). Using color coded notes helps beginning musicians learn to read standard sheet music notation. This set of scores is also available (separate purchase) in black and white which will print clearer if you do not have access to a color printer.Notes used for each instrument are as follows: Bells – D E G A B C* where C* is high C, one octave above middle C  Boomwhackers® – C D E G A B C*Though this sheet music is notated for Handbells and Boomwhackers®, this arrangement is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel.Only filled noteheads (quarter and eighth notes) are used so the notes are easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. Lyrics and chord names are provided as well to aid in the learning and teaching of this song. The staves are shown without sharps or flats for simplicity since even though this song is actually written in the key of G major, no sharps or flats are used.The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two notes. For beginners, it is best to assign one note to each person. Instrument assignment suggestions are provided on the last page for 7 or 13 players.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®* form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Permission is granted to make up to 10 copies of each score. For more than 10 copies, please purchase additional sets.TThis arrangement is one of the 10 songs included in the collection Ten Traditional Spirituals for 8-Note Bells and Boomwhackers®.Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
5.5 €
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Sharon Wilson
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I’m Gonna Sing When the Spirit Says Sing for 8-note Bells and Boomwhackers®
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Sharon Wilson
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SheetMusicPlus
I'm Gonna Sing When the Spirit Says Sing for 8-note Bells and Boomwhackers® (Black and White Notes)
Bells,Boomwhackers,Handbell,Multi-Percussion,Orff Instrument,Recorder,Ukulele,Voice,Xyloph…
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Bells,Boomwhackers,Handbell,Multi-Percussion,Orff Instrument,Recorder,Ukulele,Voice,Xylophone - Level 1 - Digital Download SKU: A0.565148 By Sharon Wilson. By African-American Spiritual and Traditional Spiritual. Arranged by Sharon Wilson. Children,Folk,Instructional,Sacred,Spiritual. 9 pages. Sharon Wilson #3497139. Published by Sharon Wilson (A0.565148). This sheet music is notated for handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate 1-staff score for each instrument. This set of scores uses black and white noteheads. This same set of scores is available (sold separately) with color coded noteheads which may make it easier for beginning players if you have access to a color printer.Notes used for each instrument are as follows: Bells ~ D E G A B C* where C* is high C, one octave above middle C  Boomwhackers® ~ C D E G A B C*Though this sheet music is notated for Handbells and Boomwhackers®, this arrangement is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel.Only filled noteheads (quarter and eighth notes) are used so the notes are easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. Lyrics and chord names are provided as well to aid in the learning and teaching of this song. The staves are shown without sharps or flats for simplicity since even though this song is actually written in the key of G major, no sharps or flats are used.The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two notes. For beginners, it is best to assign one note to each person. Instrument assignment suggestions are provided on the last page for 7 or 13 players.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®* form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Permission is granted to make up to 10 copies of each score. For more than 10 copies, please purchase additional sets.This arrangement is one of the 10 songs included in the collection Ten Traditional Spirituals for 8-Note Bells and Boomwhackers®.Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission. Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
5.5 €
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Sharon Wilson
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I'm Gonna Sing When the Spirit Says Sing for 8-note Bells and Boomwhackers®
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Sharon Wilson
#
SheetMusicPlus
Sad Songs (Say So Much)
Digital Download SKU: HX.326340 By Elton John. Pop,Rock. ChordBuddy. 2 pages. Publi…
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Digital Download SKU: HX.326340 By Elton John. Pop,Rock. ChordBuddy. 2 pages. Published by Hal Leonard - Digital (HX.326340).
$2.99
2.75 €
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Elton John
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Sad Songs
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Hal Leonard - Digital
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SheetMusicPlus
Sad Songs (Say So Much)
ChordBuddy Ukulele - Digital Download SKU: HX.500465 By Elton John. This edition: s…
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ChordBuddy Ukulele - Digital Download SKU: HX.500465 By Elton John. This edition: scorch. Pop,Rock,Standards. Score. 3 pages. Published by Hal Leonard - Digital (HX.500465).
$2.99
2.75 €
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Elton John
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Sad Songs
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Hal Leonard - Digital
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SheetMusicPlus
Say It Ain't So
Digital Download SKU: HX.472843 By Weezer. Alternative,Pop,Rock. Bass. 3 pages. Pub…
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Digital Download SKU: HX.472843 By Weezer. Alternative,Pop,Rock. Bass. 3 pages. Published by Hal Leonard - Digital (HX.472843).
$2.99
2.75 €
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Weezer
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Say It Ain't So
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Hal Leonard - Digital
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SheetMusicPlus
Say It Ain't So
Digital Download SKU: HX.326907 By Weezer. Alternative,Pop,Rock. Guitar Ensemble. 2…
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Digital Download SKU: HX.326907 By Weezer. Alternative,Pop,Rock. Guitar Ensemble. 2 pages. Published by Hal Leonard - Digital (HX.326907).
$3.99
3.66 €
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Weezer
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Say It Ain't So
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Hal Leonard - Digital
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SheetMusicPlus
Only Fools Rush In
Choral Choir,Choral,SAT Chorus - Level 2 - Digital Download SKU: A0.1421993 By Elvi…
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Choral Choir,Choral,SAT Chorus - Level 2 - Digital Download SKU: A0.1421993 By Elvis Presley. By Elvis Presley and Otis Blackwell. Arranged by Julia Daintree. 20th Century,Contemporary,Pop,Wedding. 2 pages. Julia Daintree #1003331. Published by Julia Daintree (A0.1421993). 'I Can't Help Falling in Love with You''Wise Men Say'So many titles for this one!Flexible arrangement SSA, SAT, SABSchool Choirs, Youth Choirs, Community Choirs, Gospel ChoirsOh my goodness - they loved this. It was our term's highlight and sounded so, so beautiful. Consider dropping to a whisper after the line 'some things were meant to be' then building slightly to the end.Very moving and extremely beautiful.Enjoy.
$1.99
1.83 €
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Elvis Presley
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Only Fools Rush In
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Julia Daintree
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SheetMusicPlus
Say So - Alto Saxophone Duet by Thomas Englmann - Instrumental Duet
Performed by: Thomas Englmann: Say So - Alto Saxophone Duet Digital Sheetmusic - instantly…
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Performed by: Thomas Englmann: Say So - Alto Saxophone Duet Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Duet, instruments: Alto Saxophone 1;Alto Saxophone 2; 5 pages -- Hip Hop~~Contemporary R & B
$4.99
4.58 €
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Thomas Englmann
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Alto Saxophone Duet by Thomas Englmann
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Musicnotes
Minuet For Margaret. (Flute, Violin and Piano Arrangement)
Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 5 - Digital Download …
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.1298596 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Classical. 32 pages. Geraldine (Denny) Green at Oakmountmusic #888475. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1298596). ALL PURCHASES COME WITH SCORE AND PARTSWhen I was a young child and I would ask my mother for something she would often, in the midst of all her busy jobs, say to me, “Oh, give me a minuet!â€, meaning jokingly a minute, of course, before she could tend to my wishes.  This meant that I grew up believing that a minuet and a minute meant the same thing and could be equally interchanged. You can then imagine my amazement and amusement at around 13/14 years of age when I discovered through my music studies that a minuet was in fact a type of musical form and dance! Therefore, it went without saying that at some point in my music writing life I just HAD to write my Mum a minuet! So, here is the minuet she so often unwittingly asked me for throughout our lives! She attended the premiere of the Flute, violin and piano arrangement in Bolton, UK, and was highly amused (and not a little chuffed) by the story behind the piece!Naturally, the piece is dedicated to my mother, Margaret (Pearl) Denny, and was finally written in June 2015 for Gary Woolf and the Banda Di Musica in Germany.Its duration is about 7/8 minutes long and it is intended for junior strings. Violins 1 and 2 are of moderate difficulty, while the Violin 3/violas, cellos/basses are simpler.There is a violin solo throughout (moderate difficulty), to be played by the Leader, but is not a concerto-style solo, but rather one that weaves in and out of the texture throughout the piece.The piece is in a minuet and Trio style and is light, tuneful and fun. There are 3 arrangements available:No.1 – School Arrangement: Violins 1, 2 and 3, Cellos 1 and 2No.2 – Standard Arrangement: Violins 1 and 2, violas, cellos, Double bassesNo.3 – Violin, flute and piano.  This arrangement is of a more advanced standard than the string orchestra arrangements and would suit players of approximately grade 7 upwards.Â
$21.00
19.28 €
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Geraldine
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Minuet For Margaret.
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Geraldine
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SheetMusicPlus
Six Songs of Everett Maxwell for Baritone Voice and Piano
Instrumental Duet Instrumental Duet,Medium Voice - Level 3 - Digital Download SKU: A0.8…
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Instrumental Duet Instrumental Duet,Medium Voice - Level 3 - Digital Download SKU: A0.836719 Composed by Brian Joyce. Arranged by Brian Joyce. Contemporary. Score and parts. 18 pages. Brian Joyce #6567925. Published by Brian Joyce (A0.836719). Even very well-versed singers can be forgiven if they have never heard of Everett Maxwell (1858-1940). He was simply one of millions in the vast American workingclass, one who was known to jot down a poem or two now and then.Here we have six examples of his work, poems which he wrote for his childhood sweetheart whom he waited fifty years to marry. Maxwell’s great grandson asked me to set these poems to music saying, the poems illuminate a picture of life in the American midwest during the late nineteenth and early twentieth centuries. His poetry serves as a lens through which we can view his . . . youthful romantic view of nineteenth-century prairie life.Since the poems are so imbued with nostalgia and 19th century romanticism, I endeavored to set them with an equally strong sense of the classic art song tradition.Curiously, these songs feel longer than they actually are. There are many pieces about which one could say the same thing with less charity, but in this case it’s a good thing: the poems are quite short (the longest is only twelve lines, the shortest only four!)The entire cycle lasts just under 12 minutes. The audio sample includes most of one song (A June Night) and all of a second (Have You Found a Place?). These are enough to give you a sense of the whole cycle.
$6.95
6.38 €
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Brian Joyce
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Six Songs of Everett Maxwell for Baritone Voice and Piano
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Brian Joyce
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SheetMusicPlus
The 'Rectile Dysfunctioning Blues
Digital Download SKU: A0.1072010 Composed by Jim Ivy. Arranged by Jim Ivy. Contempo…
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Digital Download SKU: A0.1072010 Composed by Jim Ivy. Arranged by Jim Ivy. Contemporary,Country. Full Performance. Duration 97. Jim Ivy #5214027. Published by Jim Ivy (A0.1072010). You've heard the Men's Clinic ads on the radio. This one is just for fun!A fellow named EdWas havin’ trouble in the bedTill he turned on his radio.The announcer saidAre you having trouble in bed?There is a place you can go!Oh, the doctor’s thereSpecialize in men’s care,They’ve got the cure you can use!Just go on inYou’ll leave with a grinAnd a stiffer… constitution!---------------------------------------If the women in your lifeAre giving you strifeYou just can’t keep it up no more.Say you’re out on a date andShe says, Oh, please stay late!Do you just hang your head at the door?Now you can walk right in,You’ll leave with a grin‘Cause of your new stiffer… constitution!So if your problems halfwayBetween your head and your toesYou got the ‘rectile Dysfunctioning Blues’.
$1.99
1.83 €
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Jim Ivy
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The 'Rectile Dysfunctioning Blues
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Jim Ivy
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SheetMusicPlus
VALS FRÅN DREFVIKEN
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068894 Composed by Lars Ek…
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Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068894 Composed by Lars Ek. Folk,World. Full Performance. Duration 225. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921499. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068894). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
1.83 €
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Lars Ek
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VALS FRÅN DREFVIKEN
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
#
SheetMusicPlus
LÄTTA FINGRAR
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068893 Composed by Lars Ek…
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Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068893 Composed by Lars Ek. Folk,World. Full Performance. Duration 154. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921497. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068893). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
1.83 €
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Lars Ek
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LÄTTA FINGRAR
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
#
SheetMusicPlus
FORNUDDSVALSEN
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068890 Composed by Lars Ek…
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Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068890 Composed by Lars Ek. Folk,World. Full Performance. Duration 259. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921479. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068890). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
1.83 €
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Lars Ek
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FORNUDDSVALSEN
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
#
SheetMusicPlus
LOVELY THOUGHTS
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068892 Composed by Lars Ek…
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Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068892 Composed by Lars Ek. Folk,World. Full Performance. Duration 233. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921495. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068892). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
1.83 €
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Lars Ek
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LOVELY THOUGHTS
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
#
SheetMusicPlus
SNÖKÄNGAN
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068889 Composed by Lars Ek…
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Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068889 Composed by Lars Ek. Folk,World. Full Performance. Duration 206. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921477. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068889). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
1.83 €
#
Lars Ek
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SNÖKÄNGAN
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
#
SheetMusicPlus
Epilogue
B-Flat Clarinet,Medium Voice,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1…
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B-Flat Clarinet,Medium Voice,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1264319 Composed by Ali Hanna, Madison Julius Cawein, and Mark Twain. 21st Century,Contemporary. 6 pages. Ali Hanna #857172. Published by Ali Hanna (A0.1264319). I wrote this piece as an epilogue (pun definitely intended) to a traumatic religious event that took place in February 2023. I won't go into details so I don't risk triggering anyone, but let's just say it was a lot. This is also the first piece I've written where the text isn't my own because my composition professor at the time challenged me to do so.The text of the first half of the piece comes from Mark Twain's poem Warm Summer Sun. It's intended to be an acceptance of the fact that the singer isn't the same person they once were. As the poem repeats, the singer begins to say goodbye to their old self and lay them to rest.The text of the second half of the piece comes from Madison Julius Cawein's poem Take Heart. I see this part as someone in the singer's life giving them hope to keep on living, and who that entity is can be interpreted in a number of ways. For me, it was the friends and professors around me that helped me keep going. I didn't talk to many people about what happened, but just seeing everyone's faces every day taught me that if they can continue living their lives, then so can I.I ended up adding the clarinet part after a moment of inspiration during my trip to the ICA ClarinetFest 2023 in Denver, Colorado. Voice and clarinet are my two passions, so I thought I would use Epilogue to put them together. This piece has yet to be premiered in its current form, but I hope to someday. If you would like to premiere it, please email me at alisonhanna29@gmail.com.
$10.00
9.18 €
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Ali Hanna, Madison Julius Cawein, and Mark Twain
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Epilogue
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Ali Hanna
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SheetMusicPlus
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