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Say The Word
Sheetmusic to print
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Bethlehem Angel and The First Noel
Small Ensemble Flute,Piano,Voice - Level 3 - Digital Download SKU: A0.889815 Compos…
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Small Ensemble Flute,Piano,Voice - Level 3 - Digital Download SKU: A0.889815 Composed by Ginny Saltzman (Bethlehem Angel) and The First Noel - Traditional. Christmas. Score and parts. 9 pages. Ginny's House of Music #4362443. Published by Ginny's House of Music (A0.889815). *Bethlehem Angel and The First Noel This is a very beautifully flowing presentation which includes both an original work by this composer entitled Bethlehem Angel and an arrangement of The First Noel. It includes scriptures and lyrics. It was written for flute, guitar, voice, and piano accompaniment on Intermediate Level.  It is based on the scriptures Luke 2: 8-11 --- And there were in the same country shepherds abiding in the field, keeping watch over their flock by night. And, lo, the angel of the Lord came upon them, and the glory of the Lord shone round about them: and they were sore afraid. And the angel said unto them, Fear not: for, behold, I bring you good tidings of great joy, which shall be to all people. For unto you is born this day in the city of David a Saviour, which is Christ the Lord and Matthew 2:1-10 ---- Now when Jesus was born in Bethlehem of Judaea in the days of Herod the king, behold, there came wise men from the east to Jerusalem, Saying, Where is he that is born King of the Jews? for we have seen his star in the east, and are come to worship him. When Herod the king had heard these things, he was troubled, and all Jerusalem with him. And when he had gathered all the chief priests and scribes of the people together, he demanded of them where Christ should be born. And they said unto him, In Bethlehem of Judaea: for thus it is written by the prophet, And thou Bethlehem, in the land of Judea, art not the least among the princes of Judea: for out of thee shall come a Governor, that shall rule my people Israel. Then Herod, when he had privily called the wise men, enquired of them diligently what time the star appeared. And he sent them to Bethlehem, and said, Go and search diligently for the young child; and when ye have found him, bring me word again, that I may come and worship him also. When they had heard the king, they departed; and, lo, the star, which they saw in the east, went before them, till it came and stood over where the young child was. When they saw the star, they rejoiced with exceeding great joy.Â
$4.99
4.54 €
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Ginny Saltzman
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Bethlehem Angel and The First Noel
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Ginny's House of Music
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SheetMusicPlus
Just Say the Word
Piano Accompaniment - Level 1 - Digital Download SKU: A0.1497353 By Dean Turnbow. B…
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Piano Accompaniment - Level 1 - Digital Download SKU: A0.1497353 By Dean Turnbow. By Ronald Dean Turnhow. 21st Century. Accompaniment. Duration 183. Ronald Dean Turnbow #1073766. Published by Ronald Dean Turnbow (A0.1497353). Just say the word, andI will pack up everything.With a suitcase and a dreamwe’ll fly away together .Two tickets to ParisThere’s a place for you and meOn a one way flight to foreverJust say the word .Deep inside there’s a rip tide of emotion.You’re Pulling me inAnd I can’t swim in your ocean.But I can’t fight it anymore Take me .... I’m yoursWe will solve this mysteryPut our names on the marqueeLive like the stars we are meant to be.Just say the Word.All you have to sayAll you have to doReach out to my handAnd I will pull you through.Open up your heartFeel it in your soulHold me in your armsLet me make you whole
$1.99
1.81 €
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Dean Turnbow
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Just Say the Word
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Ronald Dean Turnbow
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SheetMusicPlus
Nothing Compares (Anthem) - Orchestration
Large Ensemble Choir - Level 3 - Digital Download SKU: A0.747194 Composed by Christ…
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Large Ensemble Choir - Level 3 - Digital Download SKU: A0.747194 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 92 pages. Christopher Brown #4601913. Published by Christopher Brown (A0.747194). About the song: This anthem begins by compelling the listener and the performer to consider the parable of the hidden treasure and the pearl. The second verse reflects on David's superlative description of God's Word in Ps. 19. In his letter to the Philippians, Paul speaks of the surpassing worth of knowing Christ when compared to everything else in this life. The lyrics of this song are intended to echo these Truths, encourage the believer, and testify to the incomparable gift of entering into the Kingdom of God, understanding His Word, and being strengthened and set free to do the good works that He prepared in advance for us to do.Can be performed with piano accompaniment only, OR with additional band members (rhythm chart included), OR with full orchestra.Please Note:You can purchase individual copies of the choral score separately on Sheet Music Plus. Performance of this piece requires the purchase of one choral score per singer.Included in your Purchase:Full ScoreChoral Score (SATB with Solo)Piano AccompanimentRhythm ChartDrumsetFlute 1, 2Oboe (opt. Soprano Sax doubles)Clarinet 1, 2Horn 1, 2 (opt. Alto Sax doubles)Trumpet 1, 2Trumpet 3Trombone 1, 2 (opt. Tenor Sax doubles)Trombone 3/ Tuba (opt. Bari Sax doubles)Percussion 1, 2HarpViolin 1, 2ViolaCelloString Bass (opt. Bass Clarinet/ Bassoon doubles)Lyrics:Verse 1Like a treasure in a field,Is the matchless worth of Christ.For the kingdom of heaven, I give my life.Like a pearl of great value,Perfect and pure.I leave it all behind ‘cause of this I’m sure.Chorus 1He called out my name,And broke ev’ry chain,Love so amazing, so divine!He rescued my soul,And made my heart whole,Now I am His and He is mine!I’m taking up my cross,And I count it all as loss.Nothing compares to what I have in the Lord.Verse 2More precious than gold,Is the Word of the Lord.Greater and higher than anything this world affords,It is sweeter than honey,Straight from the comb.My delight is in Jesus, I no longer walk alone.Chorus 2He called out my name,And broke ev’ry chain,Love so amazing, so divine!He rescued my soul,And made my heart whole,Now I am His and He is mine!I’m taking up my crossAnd I count it all as lossNothing compares to what I have in the Lord.Bridge (x2)In the Lord I find strength for every day, In the Lord every fear is washed away.In the Lord hope and peace are here to stay,Whatever comes my way, I will lift my voice and say.Key ChangeChorus 3He called out my name,And broke ev’ry chain,Love so amazing, so divine!He rescued my soul,And made my heart whole,Now I am His and He is mine!I’m taking up my cross,And I count it all as loss.Nothing compares to what I have in the Lord.Nothing compares to what I have in the Lord.Nothing compares to what i have in the Lord.
$49.99
45.52 €
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Christopher R
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Nothing Compares
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Christopher Brown
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SheetMusicPlus
A Place at the Table
(Choral) - Digital Download SKU: H1.8606DP Author Collections. Hymntune, General Wo…
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(Choral) - Digital Download SKU: H1.8606DP Author Collections. Hymntune, General Worship. Hymn Collection. 163 pages. Hope Publishing - Digital #8606DP. Published by Hope Publishing - Digital (H1.8606DP). Shirley Erena Murray.While not much concerned about posterity, I offer this collection for the here and now, as a kind of spiritual autobiography of the years since writing 'Touch the Earth Lightly' (Hope, 2009). The themes will tell you that I have not ceased to centre on peace, partnered with justice, as these related to our own faith journey. But now that I find my life further away from the church and closer to what Jesus is actually pointing to, new elements come into play. Here is one: I have used the words of the hymn 'A Place at the Table' as title for this book, because there are still Christian people not welcome, either at the communion table or at the common table of society. . . . Creating justice and joy means walking into the territory of basic human rights, as Jesus did. It means being aware of our own fragility as well as our planet's, and using technology wisely. . . . Because I live in a highly secular society in Aotearoa/New Zealand, I am conscious of how the stereotypes of Christianity can be cynically dismissed. I long to say that there is so much to understand and embrace in the wisdom, spiritual treasury and survival skills that Jesus has given the world. It is also an interfaith and interactive world I live in, so some of these texts reflect my hope for the 'care and connection making us kin' that seems imperative for our human survival. . . . These hymns - be they attempting the pastoral, the prophetic or the impossible - are my present way to express this for myself, and hopefully, for you. - Shirley Erena Murray
$14.95
13.61 €
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A Place at the Table
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Hope Publishing - Digital
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SheetMusicPlus
Just Say the Word
Alto Saxophone,Baritone Saxophone,Double Bass,Drums,Guitar,Piano,Tenor Saxophone,Trombone,…
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Alto Saxophone,Baritone Saxophone,Double Bass,Drums,Guitar,Piano,Tenor Saxophone,Trombone,Trumpet,Voice - Digital Download SKU: A0.1071595 Composed by Zack Demos. Blues,Jazz. Full Performance. Duration 415. Mute City Music #4978371. Published by Mute City Music (A0.1071595). Theme from The Word AssociationFull version arranged for large Jazz ensembleCopyright © 2013 Mute City Music, LLC (BMI)
$1.99
1.81 €
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Zack Demos
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Just Say the Word
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Mute City Music
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SheetMusicPlus
Hora ha Kulmus (Dance of the quill) for flute, cor anglais and cello
Small Ensemble Cello,English Horn,Flute - Level 4 - Digital Download SKU: A0.576333…
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Small Ensemble Cello,English Horn,Flute - Level 4 - Digital Download SKU: A0.576333 Composed by David Warin Solomons. 20th Century,Contemporary,Jewish. Score and parts. 14 pages. David Warin Solomons #18241. Published by David Warin Solomons (A0.576333). Originally written for oboe, clarinet and bassoon (also available on this site) this version of Hora ha Kulmus (Dance of the quill) - a dance in Hora style - was arranged for the Trio Da Capo. The Arundo Donax is a humble but versatile plant. The writing implement - the reed quill was used in ancient days, before the feather quill, for writing, and is still used in instances where softness, flexibility and humility are required. (Chazal (the sages of the time 200 BCE to 600 CE) say that, to write a Sefer Torah (a handwritten copy of the five first books of the Bible), one must not use a quill from a cedar tree that stands tall and arrogant, rather a quill from a reed which is soft, flexible and humble.) It is also used for the reeds of musical instruments, hence the title of this piece. The word for this reed and for this reed quill pen crosses the boundaries of Semitic and Indo-European: the Latin Calamus, the Greek kalamos, the Arabic qalam, the Hebrew Kulmus, the Swahili kalamu all go back to the Arundo Donax plant and the reed pen from which it is made. The pdf file contains score and parts The recording here is an electronic preview.
$8.00
7.28 €
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David Warin Solomons
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Hora ha Kulmus
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David Warin Solomons
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SheetMusicPlus
Hora Ha Kulmus (Dance of the Quill) for oboe, clarinet and bassoon
Small Ensemble Bassoon,Clarinet,Oboe - Level 4 - Digital Download SKU: A0.576334 Co…
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Small Ensemble Bassoon,Clarinet,Oboe - Level 4 - Digital Download SKU: A0.576334 Composed by David Warin Solomons. 20th Century,Contemporary,Jewish. Score and parts. 12 pages. David Warin Solomons #18243. Published by David Warin Solomons (A0.576334). A dance (in Hora style) for oboe, clarinet and bassoon The Arundo Donax is a humble but versatile plant. The writing implement - the reed quill was used in ancient days, before the feather quill, for writing, and is still used in instances where softness, flexibility and humility are required. (Chazal (the sages of the time 200 BCE to 600 CE) say that, to write a Sefer Torah (a handwritten copy of the five first books of the Bible), one must not use a quill from a cedar tree that stands tall and arrogant, rather a quill from a reed which is soft, flexible and humble.) It is also used for the reeds of musical instruments, hence the title of this piece. The word for this reed and for this reed quill pen crosses the boundaries of Semitic and Indo-European: the Latin Calamus, the Greek kalamos, the Arabic qalam, the Hebrew Kulmus, the Swahili kalamu all go back to the Arundo Donax plant and the reed pen from which it is made. The pdf file contains score and parts The recording here is an electronic preview A version is also available on this site for flute, cor anglais and cello.
$8.00
7.28 €
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David Warin Solomons
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Hora Ha Kulmus
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David Warin Solomons
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SheetMusicPlus
The Spirit of the Lord
Organ,Voice - Level 3 - Digital Download SKU: A0.1406751 By Cathy Lundeen, Vocal / …
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Organ,Voice - Level 3 - Digital Download SKU: A0.1406751 By Cathy Lundeen, Vocal / Dr. Sheri Masiakowski, Organ. By Sr. Theophane Hytrek OSF. Arranged by Dr. Sheri Masiakowski. 20th Century,Religious,Sacred. Full Performance. Duration 160. School Sisters of St. Francis #989486. Published by School Sisters of St. Francis (A0.1406751). “The Spirit of the Lord† Sr. Theophane Hytrek OSFCathy Lundeen is currently a choir member and cantor at St. Luke Congregation in Brookfield, Wisconsin under the direction of Shawn Rochon. She is also a member of the School Sisters of St. Francis Chapel Singers directed by Sr. Bernadette Luecker OSF, as well as a member and coordinator of the Gaudete Chorale, directed by Brian McLinden.Cathy credits her vocal “training†and love of music ministry first and foremost to her sisters Laura Monteen, a retired Director of Liturgy and Music for the Gary Diocese, Indiana and Nancy Johnson, currently a cantor and choir member at St. John Neumann Parish in Homewood, Illinois, as well as liturgical music mentors Sister Mary Jane Wagner, OSF, Sister Bernadette Luecker, OSF, Brian McLinden, Shawn Rochon, Fr. Kenneth Augustine, Fr. Charles Conley,  Ann Owen and Bill Erickson. TEXT:The Spirit of the Lord is upon us. Send your Spirit upon us in this time and place, the Spirit who gives us comfort, the Spirit who brings light to our eyes, the Spirit who helps us say yes to your summoning Word.Bless us, Father, as you have done before, with the gift of your Spirit that he may stir new life within us.Blest are you in ev'rything that your Spirit makes new, now and for all ages to come.The source of this text is unknown. Though appropriate for Pentecost there is no direct connection to the scripture readings or sacramentary prayers for that Feast. The composition was written in the early years succeeding Vatican II (October 11, 1962 – December 8, 1965), a time of creative freedom. The language is period specific to that time, yet the music is universal.We invite you to browse other creative works by the School Sisters of St. Francis on our website:  https://www.sssf.org/SSSF/Our-Global-Impact/United-States/Music-Ministry/Catalog-of-Music.htm  Further information about our offerings is available from Dr. Sheri Masiakowski, curator of the Heritage Music Collection, at smasiakowski@sssf.org.
$1.99
1.81 €
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Cathy Lundeen, Vocal / Dr
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The Spirit of the Lord
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School Sisters of St. Francis
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SheetMusicPlus
Now the Dove Flies
Small Ensemble Flute,Piano,Voice - Level 3 - Digital Download SKU: A0.1008082 Compo…
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Small Ensemble Flute,Piano,Voice - Level 3 - Digital Download SKU: A0.1008082 Composed by Connie Pwll Walck Tyler. Contemporary,Sacred. Score and parts. 14 pages. Connie Tyler #4607671. Published by Connie Tyler (A0.1008082). This piece, for soprano and alto duet with piano and flute, speaks of the persistence of the dove, the peace maker, faced with war, famine, poverty, etc. It was written when the United States went to war with Afghanistan and Representative Barbara Lee stood up and was the lone voice against war. Although the piece is secular, the use of the symbol of the dove would work well in religious services.The piece involves a two against three rhythm which suggests the difficulties the dove faces flying for peace against the overwhelming odds of war. The .mp3 file is computer generated with choral oohs for the voices. The words are:Now the dove flies, sails the war-torn skies,feels the wind rip through her wings.Tossed and turned now, cries of war howl,tear-ing through her, and she still sings. Sings to march-ers on crowd-ed streetssing-ing songs of love and songs of peace.Tips her wings to those who dare stand tall,speak re-sound-ing no's in hal-lowed halls. They say that that sin means to miss the mark.I have so man-y times aimed in the dark.We fail in lit-tle ways, be-tray our friends.It was-n't planned that way.Dis-trac-tion leads to e-vil ends. The sha-dow fear clouds our at-ten-tion.Mind falls a-stray in-to dis-sen-sion. Ig-no rance can twist the dartand then it falls far from the mark. Na-tions, too, a-stray our free-doms bend‘til some have bombed away all chance at friends. We see glo-ry mag-ni-fied.Shout our prais-es to the to the skies.Build our mon-u-ments to our wars,for-get-ting the needs of of weak and poor. And still the dove flies while the earth criespol-lu-ted with more de-bris of war.Child-ren sick now, soldiers cry foul!Dove is weep-ing and yet she hums. Hums to child-ren who diede-spite moth-ers' deep cries.Sings to young who march to war,de-spite fa-thers' out-raged roars.Wings o-ver fa-mine and drought,pol-lu-ted wa-ter, pol-lu-ted ground.Folds us un-der her down-y breast.Warms us in her gen tle nest. Yes, the dove flies. Sails the wa- torn skies.Feels the wind rip through her wings.Tossed and turned now cries of war howltear-ing through her and yet,and yet she sings. For more information or possible revisions contact Connie Pwll Walck Tyler at connie@deephum.com. You can also find out more about her work at www.deephum.com. The words are:
$8.00
7.28 €
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Connie Pwll Walck Tyler
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Now the Dove Flies
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Connie Tyler
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SheetMusicPlus
25B. I Hear the Voice of Jesus Say (THIRD MODE MELODY)
Carillon,Instrumental Solo - Level 3 - Digital Download SKU: A0.823892 Composed by …
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Carillon,Instrumental Solo - Level 3 - Digital Download SKU: A0.823892 Composed by Thomas Tallis (c. 1505–1585). Arranged by Richard Giszczak. Easter,Praise & Worship,Renaissance,Sacred. Individual part. 5 pages. Singing Winds Music Company #6692251. Published by Singing Winds Music Company (A0.823892). This arrangement is set for 25-Bell (or larger) Carillon (C,D,E...d1), however it may also be played on piano, organ, or electronic keyboard or adapted to other instruments. It is comprised of a short introduction, a full statement of the theme, and 4 variations.The hymn tune name is THIRD MODE MELODY. The words I Heard the Voice of Jesus Say are appropriate for funerals. The words To Mock Your Reign, O Dearest Lord are associated with Lent.
$2.00
1.82 €
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Thomas Tallis
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25B. I Hear the Voice of Jesus Say
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Singing Winds Music Company
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SheetMusicPlus
The First Nowell the Angel Did Say (THE FIRST NOWELL)
Carillon,Instrumental Solo - Level 3 - Digital Download SKU: A0.823597 Composed by …
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Carillon,Instrumental Solo - Level 3 - Digital Download SKU: A0.823597 Composed by Traditional English Melody. Arranged by Richard Giszczak. Christmas,Praise & Worship,Sacred. Individual part. 2 pages. Singing Winds Music Company #4756125. Published by Singing Winds Music Company (A0.823597). This arrangement is set for Carillon, however it may also be played on piano, organ, or electronic keyboard or adapted to other instruments. It is comprised of a short introduction, a full statement of the theme, 2 variations, and a D.S al Fine. The hymn tune name is THE FIRST NOWELL. It was published in 1833. The words The First Nowell the Angel Did Say are associated with Christmas.
$2.00
1.82 €
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Traditional English Melody
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The First Nowell the Angel Did Say
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Singing Winds Music Company
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SheetMusicPlus
The Daedalus and Icarus Journey
Instrumental Duet Guitar,Instrumental Duet,Voice - Digital Download SKU: A0.942097 …
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Instrumental Duet Guitar,Instrumental Duet,Voice - Digital Download SKU: A0.942097 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Romantic Period,World. Score and parts. 11 pages. Silver Sickle Publications #6104711. Published by Silver Sickle Publications (A0.942097). This guitar and vocal work were originally set on the Robert Frost poem ‘Stopping by Woods on a Snowy Evening’, and was written for a lecture series at Boston University given by Lukas Foss entitled ‘Words on Music. Some years later I set out to publish the work and found that the estate of the late R. Frost frowned upon this particular practice and after a second failed attempt to get permission to publish the work, I decided to write my own verse for this composition (my first actually) and use a subject familiar to me, the story of Daedalus and Icarus Journey to freedom.After his arrival in Crete, Daedalus found that Minos would not let him leave. He subsequently obtained wax and feathers and fashioned wings for himself and his son Icarus. With these they succeeded in flying away, but Icarus, flying too near to the sun, melted his wings, fell into the sea near Crete, and drowned; Daedalus escaped to Italy only to fall into the hands of the local King Kokalos who drowned him in hot water. The Daedalus and Icarus JourneyEscape from here is what I’ll doI have a plan I thought it throughThe waves beneath us deadly wildI’ll fly up high, it’s just the sky That was a dreadful thing to sayTo fly so high, you can’t survive.Your wings, your soul and frozen smile,The sun will burn and you will die. The Death you seek I am sure you’ll get,He’s there for you he won’t forget.He will be fast and kind with you,If He survived why not you too? It’s time to go the sky gets blueMy mind will be so close to youYou cannot scare me I have to try,The time is right, let’s say goodbye. Text by Apostolos Paraskevas
$8.99
8.19 €
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Apostolos Paraskevas
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The Daedalus and Icarus Journey
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Silver Sickle Publications
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SheetMusicPlus
Saw You Never, in the Twilight (CHARTRES)
Carillon,Instrumental Solo - Level 3 - Digital Download SKU: A0.823572 Composed by …
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Carillon,Instrumental Solo - Level 3 - Digital Download SKU: A0.823572 Composed by 15th Century French Melody. Arranged by Richard Giszczak. Christmas. Individual part. 2 pages. Singing Winds Music Company #4727517. Published by Singing Winds Music Company (A0.823572). This arrangement is set for Carillon, however it may also be played on piano, organ, or electronic keyboard or adapted to other instruments. It is comprised of a short introduction, 3 variations, and a full statement of the theme.The hymn tune name is CHARTRES. The words Say You Never, in the Twilight are associated with Christmas / Epiphany. It is also used with the words Little Children, Wake and Listen as a children's Christmas song.
$2.00
1.82 €
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15th Century French Melody
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Saw You Never, in the Twilight
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Singing Winds Music Company
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SheetMusicPlus
The Trombonist's Toolkit Method book
Bass Trombone,Tenor Trombone,Trombone Solo - Level 4 - Digital Download SKU: A0.810966
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Bass Trombone,Tenor Trombone,Trombone Solo - Level 4 - Digital Download SKU: A0.810966 Composed by Brink, Philip. Instructional,Standards. Individual part. 134 pages. Gordon Cherry #4286489. Published by Gordon Cherry (A0.810966). Philip Brink has spent his entire career building the knowledge to assemble this major book on the pedagogy of the Trombone. Below are his words to describe what the book entails. Trombonist’s Toolkit was conceived as exactly that: a resource for troubleshooting one’s playing, for working out problems, for advancing one’s playing skills. It is NOT a method in the traditional sense – no weekly lessons, no planned schedule for arriving at a certain point after a year, two years, etc. The player [you, the reader] can search the topic list for specific problems in need of solution. Most of the topics are organized by general subject areas: air, embouchure, range building, etc. The source for most of what I write is my own personal experience as student, teacher, freelancer and orchestral performer. I owe a great debt of gratitude to teachers, mentors, colleagues and students past and present, for listening to my playing, trying out my concepts, putting up with my questions and so forth. Some of those people are present, some are far away, and sadly, some are no longer living. To all of them I say Thank you, and I hope those of you who read this can recognize what you told me! A word about the organization of the book: most of the concepts requiring practice and/or a physical approach are written out in a special manner; explanatory text is interspersed with exercises detailing a gradual approach to the topic at hand. The appendix contains a number of exercises all together, most of which were developed for my class at Mahidol University College of Music in Thailand. Philip Brink - 2019
$35.00
31.87 €
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Brink, Philip
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The Trombonist's Toolkit Method book
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Gordon Cherry
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SheetMusicPlus
"The Sea of Sunset" - for Soprano, Trombone, Double Bass and Piano [Performance Score]
Small Ensemble Double Bass,High Voice,Piano,Trombone - Level 4 - Digital Download SKU: …
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Small Ensemble Double Bass,High Voice,Piano,Trombone - Level 4 - Digital Download SKU: A0.976037 Composed by Lior Navok. 20th Century,Contemporary. Score and parts. 18 pages. Lior Navok Music #4719307. Published by Lior Navok Music (A0.976037). THE SEA OF SUNSETfor Soprano, Trombone, Double Bass and Piano (1997) DURATION: 8 Minutes POEM BY: Emily Dickinson PROGRAM NOTES: The composer writes about his work: The poems of Emily Dickinson are very unique work of art. Most of her poems are full with detailed descriptions, transferring the poems to a medium of picture, carefully painted and calculated. Yet, it is quiet amazing that these poems came from the hand of a woman who lived secluded life, in her hometown Amherst, Massachusetts. A clue may be finds in one of Dickinson's saying: To shut our eyes is to travel. As I approached Dickinson's poems (which are close to 2000), I found that most of them, even the short ones, are built into a large space. Each poem needs its development time and cannot be rushed or squeezed to a regular song form. In The Sea of Sunset, I have let the words, the nature description, and the lazy mood of the poem take me to the picture medium. Adding the murmur of the sea, and the whisper of the wind, I tried to get as close as possible to the picture I saw through the poem. INFO: Item: Full Score Edition: 2nd Edition Copyright: Lior Navok Publisher: Lior Navok Music Pages: 18 Ink: Black & White Paper Size: Folio (Europe) / Legal (USA) Remarks: All performers read from score.
$18.00
16.39 €
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Lior Navok
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"The Sea of Sunset" - for Soprano, Trombone, Double Bass and Piano [Performance Score]
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Lior Navok Music
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SheetMusicPlus
Three words too many for alto and guitar
Small Ensemble Guitar,Low Voice - Level 3 - Digital Download SKU: A0.576041 Compose…
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Small Ensemble Guitar,Low Voice - Level 3 - Digital Download SKU: A0.576041 Composed by David Warin Solomons. 20th Century,Contemporary,Standards. Score and parts. 8 pages. David Warin Solomons #2030189. Published by David Warin Solomons (A0.576041). Three words too many (say it in words and you cheat, you cheat the indefinable). This was originally a song, which I wrote back in my tender years, (sound sample performed by the composer) but it also works equally well as an instrumental piece. I have therefore provided versions on this site for guitar with: voice flute alto saxophone French horn English horn (cor anglais) clarinet oboe violin. After a gentle introductory major chord arpeggio, the tension of the piece comes into play from the third bar where the melody line holds and repeats an augmented 4th suspension above the guitar. This note then returns as the arpeggio chords change underneath to reveal it as a minor third of a chord related by three degrees of separation from the original - C major to E flat minor. The harmonies and melody continue to sway in their relations in a curious and yet logical progression. I have provided score and parts and also a separate version of the guitar part which provides chord names and fretboard symbols; this would make it useful for educational purposes.
$7.00
6.37 €
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David Warin Solomons
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Three words too many for alto and guitar
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David Warin Solomons
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SheetMusicPlus
Three words too many for horn and guitar
Instrumental Duet Guitar,Horn,Instrumental Duet - Level 2 - Digital Download SKU: A0.57…
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Instrumental Duet Guitar,Horn,Instrumental Duet - Level 2 - Digital Download SKU: A0.575958 Composed by David Warin Solomons. 20th Century,Contemporary,Instructional,Standards. Score and parts. 9 pages. David Warin Solomons #431497. Published by David Warin Solomons (A0.575958). Three words too many (say it in words and you cheat, you cheat the indefinable). This was originally a song, which I wrote back in my tender years (also available on this site for alto and guitar), but it also works equally well as an instrumental piece. I have therefore also provided versions on this site for guitar with: flute alto saxophone French horn English horn (cor anglais) clarinet oboe violin. After a gentle introductory major chord arpeggio, the tension of the piece comes into play from the third bar where the melody line holds and repeats an augmented 4th suspension above the guitar. This note then returns as the arpeggio chords change underneath to reveal it as a minor third of a chord related by three degrees of separation from the original - C major to E flat minor. The harmonies and melody continue to sway in their relations in a curious and yet logical progression. I have provided score and parts and also a separate version of the guitar part which provides chord names and fretboard symbols; this would make it useful for educational purposes. The sound sample is an electronic preview.
$7.00
6.37 €
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David Warin Solomons
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Three words too many for horn and guitar
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David Warin Solomons
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SheetMusicPlus
Portals of Catedral de Orihuela.
Small Ensemble Cello,Double Bass,Saxophone,Viola,Violin - Level 5 - Digital Download SK…
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Small Ensemble Cello,Double Bass,Saxophone,Viola,Violin - Level 5 - Digital Download SKU: A0.938331 Composed by Dr Anthony Costandius. Christian,Contemporary,Sacred. Score and parts. 72 pages. Anthony Costandius Music #14899. Published by Anthony Costandius Music (A0.938331). A piece for solo Alto Saxophone and String Orchestra. The church was made a cathedral in 1564 when the city was granted its bishopric. The cathedral was built on the site of the Aljama Mosque in the first third of the 14th century. The name of this structure, El Salvador Cathedral, literally means the Cathedral of the Transfiguration. The cathedral has three portals: the Puerta de las Cardenas (Portal of the Chains, 14th century) is in Islamic style, the Puerta de Loreto (mid-15th century) is Gothic, and Puerta de la Anunciación (Portal of the Annunciation, built in 1588 by Juan Inglés), which has a Renaissance-style triumphal arch-shape. Part 1: Introitis. The saxophone mimics a chant based on the metre of the Introitis: Rorate, caeli, desuper, et nubes pluant iustum: aperiatur terra, et germinet Salvatorem (Bedew us, heavens, from above; ye clouds, rain down the Just One. Let the earth be opened up, and produce the Saviour. The intervals 1 (tonic), 5 (dominant), 6 (super-dominant) and 4 (subdominant), based on the year 1564 referred to in the section above, are used as the basis for the harmony progression for the string section. Part 2: Puerta de las Cardenas Acts 12:3–19 says that Peter was put into prison by King Herod, but the night before his trial an angel appeared to him, and told him to leave. Peter's chains fell off, and he followed the angel out of prison, thinking it was a vision (verse 9). The prison doors opened of their own accord, and the angel led Peter into the city. The visit from the angel, release from the chains and the prison, as well as the journey into the city is expressed against the background of the Islamic design of the portal, hence the referral to Arabian rhythms and scales in the music. Part 3: Puerta de Loreto The Puerta de Loreto is of gothic design. Loreto refers to the Italian city of Loreto in the province of Ancona. It is said that the holy house where the Mother Mary lived in Nazareth was translated miraculously to Loreto on December 19, 1294 - more than 700 years ago. The house did not go straight to Loreto, but in the year 1291 it was miraculously transported from Nazareth to the town of Tersatto in Dalmatia (Croatia). The local population, filled with astonishment, did not know how to explain its sudden appearance. Their Bishop, who was gravely ill, now appeared in their midst cured. He had prayed to the Virgin Mary that he might be strong enough to see the prodigy for himself, and the Mother of God appeared to him, surrounded by Angels, saying: My son, you have called for me, and here I am. I came to give you succor and to reveal to you the mystery [of the translation of the Holy House] you desire to know. The holy dwelling is the very house where I was born and raised. It was there that I received the good news brought by the Archangel Gabriel and I conceived the Divine Infant by the operation of the Holy Ghost. It was there that the Word was made flesh... For you to bear witness to all that I am telling you now, you will suddenly be cured and return to full health after the long illness you have borne, so that through you all will believe in this miracle. Part 4: Puerta de la Anunciación The Annunciation is the Christian celebration of the announcement by the angel Gabriel to the Virgin Mary that she would conceive and become the mother of Jesus, the Son of God, marking his Incarnation. Gabriel told Mary to name her son Jesus, meaning Saviour. Part 5: Exit The work ends with a re-interpretation of the first section, the Introitis. This is to bind the work together, but also to again reflect on the text, as stated: Rorate, caeli, desuper, et nubes pluant iustum: a periatur terra, et germinet Salvatorem, and to comtemplate how that gives meaning to the being, essence and history of the Catedral de Orihuela.
$10.00
9.11 €
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Dr Anthony Costandius
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Portals of Catedral de Orihuela.
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Anthony Costandius Music
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SheetMusicPlus
Tristan und Isolde
3 (3. auch Picc.) · 2 · Engl. Hr. · 2 · Bassklar. · 3 - 4 · 3 · 3 …
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3 (3. auch Picc.) · 2 · Engl. Hr. · 2 · Bassklar. · 3 - 4 · 3 · 3 · 1 - P. S. (Trgl. · Bck.) - Hfe. - Str. Auf der Bühne: Engl. Hr. · 6 Hr. · 3 Trp. · 3 Pos. - Digital Download SKU: S9.Q17773 Handlung in drei Aufzügen. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 270' 0. Schott Music - Digital #Q17773. Published by Schott Music - Digital (S9.Q17773). German.An important addition to the newly produced orchestral materials by Schott Music is the fi rst publication of vocal scores of Richard Wagner’s ten great operas in every important version. For the first time, we are able to offer theatres and interested opera-lovers vocal scores as urtext editions conceived following uniform editorial criteria: * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. * The publisher has secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages (German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. TRISTAN UND ISOLDE Performance directions by the singer Ludwig Schnorr von Carolsfeld are incorporated in the vocal score from the Complete Edition’s Tristan und Isolde volume. He entered these directions into his own copy of the Tristan part which he used at the 1865 Munich premiere. Richard Wagner was deeply impressed by his interpretation of the title role. For the first time in a vocal score of Tristan und Isolde all cuts are incorporated—with the corresponding transitional bars—which Wagner himself made, and approved, in two cases, were actually declared by him to be final. These cuts strikingly document Wagner’s struggle with the final form of the work. For the first time in a single edition all of Wagner’s own suggestions for ossias are found; ossias which evolved from performances under his own direction. Egon Voss writes about this in his foreword to the vocal score: “Such ‘pointers’, as you might say, were current practice in the 19th century which Wagner, as the example shows, did not evade. He was enough of a practical man of the theatre to know that a badly sung top note is worse than doing without it. Wagner even tolerated the transposition of lengthier passages because he was less concerned with the letter of the score than with theatrical effectiveness. [...] The present vocal score goes beyond the Complete Edition [...] in that the ossias mentioned above are indicated in the vocal part itself, in small notes. They concern principally the role of Tristan, but also those of Isolde, Brangäne and Kurwenal. They rest in part on the Tristan edition within the Complete Edition but for the greater part go back to a source which could not be consulted for the Complete Edition because it was not yet accessible. This relates to a vocal score from the estate of the composer Peter Cornelius who was engaged by Wagner as repetiteur at the Vienna rehearsals in 1861-63. That the ossia bars go back to Wagner can be taken as certain, since in some places they are notated in his own hand.†(Egon Voss, quoted from the foreword to the vocal score) The transpositions mentioned by Egon Voss—two by Hans von Bülow for the revival of the work which he conducted in Munich in 1869 and the third suggested by Wagner himself in 1861—are printed in the appendix to the vocal score. The ossias, transpositions, and cuts are available for practical use in the theatre and in rehearsal. The cuts are also incorporated into the orchestral materials for Tristan und Isolde. This is also the case with ossias which affect the orchestral parts.2013 marks Wagner’s bicentenary, making the year largely focused on his music, particularly the dramatic works. An important addition to the newly produced orchestral materials by Schott Music. The score corresponds to the performance materials from the Complete Edition. Schott Music have secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. For the first time, this work is available to theatres and interested opera-lovers as urtext editions. For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. The forewords are given in three languages (German, English, and French). Other vocal scores available: Der fliegende Holländer (1841) Der fliegende Holländer (1842-80) Tannhäuser Lohengrin Das Rheingold Die Walküre Siegfried Götterdämmerung Die Meistersinger von Nürnberg Parsifal.
$47.99
43.7 €
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Richard Wagner
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Tristan und Isolde
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Schott Music - Digital
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SheetMusicPlus
Let Us Love One Another
2-part (any combination of voices) SKU: LO.S5781 Composed by Arnold B. Sherman. Cho…
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2-part (any combination of voices) SKU: LO.S5781 Composed by Arnold B. Sherman. Choral. Sacred Anthem. Octavo. Sacred Music Press #S5781. Published by Sacred Music Press (LO.S5781). UPC: 000308015522.A quietly expressive and richly elegant choral setting by Robert C. Lauof a familiar tune sung in many Christians churches, and whose title says all that need be said in five simple words.
$2.75
2.5 €
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Arnold B
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Let Us Love One Another
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Sacred Music Press
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SheetMusicPlus
Say It Somehow
Clarinet,Piano and Keyboard,Vocal - Level 5 - Interactive Download SKU: A0.1303756 …
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Clarinet,Piano and Keyboard,Vocal - Level 5 - Interactive Download SKU: A0.1303756 Composed by Adam Guettel. Arranged by Dylan T Jackson. This edition: Interactive Download. Hip-Hop,Jazz,Musical/Show. Score. 9 pages. Duration 266. Dylan T Jackson #5IOmDcxqe7EvFbyTha9crk. Published by Dylan T Jackson (A0.1303756). Key: C major.Imagine Guettel's rich, flowing melody and words are placed in a smoky speakeasy in Manhattan, a quarter past 1 am...This arrangement of Say It Somehow from the hit Broadway show The Light In The Piazza is sure to bring pleasant surprises to the ears of those who love the show. Not only does it provide a jazzy twist, but also a scat section at the end, for those moments when words aren't enough. Perfect for a Valentine's Day Concert
$5.99
5.45 €
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Adam Guettel
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Say It Somehow
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Dylan T Jackson
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SheetMusicPlus
I Wanna Make With The Happy Times
Piano and voice; ukulele, banjo, guitar - Digital Download SKU: LV.22028 Composed b…
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Piano and voice; ukulele, banjo, guitar - Digital Download SKU: LV.22028 Composed by Frank Loesser & Gertrude Niesen. Portraits, Leisure, Entertainment, Happiness, Contentment, Wealth. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.22028). I Wanna Make With The Happy Times. [biography on back cover of Earl Carrol]. Words and Music by Frank Loesser and Gertrude Niesen. Published 1940 by Paramount Music Corporation, 1619 Broadway in New York. Composition of strophic with refrain with piano and voice; ukulele, banjo, guitar instrumentation. Subject headings for this piece include Portraits, Leisure, Entertainment, Happiness, Contentment, Wealth. First line reads Hoorah! Hooray! I don't really know which to say.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.45 €
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Frank Loesser & Gertrude Niesen
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I Wanna Make With The Happy Times
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
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