Version française
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home
Instrumentations
Composers
New additions
Top 100
Metronome
Staff paper
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free
Sheet Music
0
Digital
Sheet Music
4,504
Sheet Music
Books
34,253
Music
Equipment
28,306
Digital scores
(access after purchase)
Post mailing
Digital sheet music
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Not classified
4504
PIANO & KEYBOARDS
Piano solo
3756
Easy Piano
1392
Piano, Voice
880
Piano, Vocal and Guitar
617
Organ
471
C Instruments
422
1 Piano, 4 hands
162
Piano Accompaniment
111
Piano Trio: piano, violin, cello
34
Piano (band part)
21
Piano Quartet: piano, violin, viola, cello
20
2 Pianos, 4 hands
17
Big Note Piano
14
Accordion
10
Melody line, Piano
7
Harpsichord
6
Organ, Piano (duet)
4
Piano Quintet: piano, 2 violins, viola, cello
4
Organ, Trumpet (duet)
4
Piano Quartet: piano, 2 violins, cello
4
2 Pianos, 8 hands
2
Accordion ensemble
1
All Instruments
1
Keyboard
1
Instrumentations suivantes
Retracter
GUITARS
Ukulele
491
Guitar notes and tablatures
348
Guitar
320
Melody line, (Lyrics) and Chords
177
Bass guitar
64
Lyrics and Chords
53
Guitar (band part)
46
2 Guitars (duet)
24
Mandolin
23
Guitar Ensemble
20
Dulcimer
12
4 Guitars (Quartet)
11
Banjo
10
3 Guitars (trio)
3
Piano, Guitar (duet)
3
Mandolin, Guitar (duet)
1
Electric Bass (band part)
1
Dobro
1
Baritone Ukulele
1
2 Ukuleles
1
2 Dulcimers (duet)
1
Instrumentations suivantes
Retracter
VOICE
Choral SATB
1074
Choral 3-part
483
Choral 2-part
337
Choral TTBB
174
Choral Unison
135
Choral SSAA
110
Voice solo
62
Choral
44
Soprano voice, Piano
40
Vocal duet, Piano
39
Alto voice, Piano
38
Baritone voice, Piano
35
Tenor voice, Piano
32
Vocal duet
20
High voice
13
Medium voice, Piano
7
Choral SSATTB
3
Tenor voice
3
Choral SSAATB
1
Soli, Mixted choir and accompaniment
1
Choral SATBB
1
Choral SSAB, Piano
1
Voice, Guitar
1
Choral SSAATTBB
1
Instrumentations suivantes
Retracter
WOODWIND
Saxophone Quartet: 4 saxophones
358
Flute, Oboe, Clarinet, Bassoon
326
Flute and Piano
273
Flute
237
Clarinet
234
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
224
2 Saxophones (duet)
223
Oboe, Piano (duet)
198
Clarinet Quartet: 4 clarinets
195
2 Flutes (duet)
184
Saxophone (band part)
172
Clarinet and Piano
159
Saxophone Quintet: 5 Saxophones
151
2 Clarinets (duet)
129
Alto Saxophone and Piano
127
Tenor Saxophone and Piano
114
Alto Saxophone
103
Oboe (band part)
85
Soprano Saxophone and Piano
85
3 Saxophones (trio)
83
Tenor Saxophone
74
Flute Quartet: 4 flutes
63
Clarinet Ensemble
62
Oboe
60
Flute, Clarinet (duet)
59
Saxophone ensemble
54
2 Oboes (duet)
49
Baritone Saxophone, Piano
49
Clarinet Quintet: 5 clarinets
47
Clarinet, Violin (duet)
46
Oboe, Bassoon (duet)
43
Saxophone
42
3 Clarinets (trio)
40
Flute ensemble
36
Oboe, Clarinet (duet)
36
Clarinet, Trumpet (duet)
29
Flute, Violin
29
Flute, Oboe (duet)
28
Recorder Ensemble
28
Flute Trio: 3 flutes
27
Recorder
26
Baritone Saxophone
26
Clarinet and Viola
26
Clarinet, Bassoon (duet)
23
Soprano Saxophone
23
Clarinet (band part)
23
Flute, Viola (duet)
21
Bass Clarinet, Piano
21
Descant (Soprano) Recorder
21
Saxophone, Clarinet (duet)
20
Oboe, Violin (duet)
19
Oboe, Cello
19
2 Recorders (duet)
19
Flute, Oboe, Clarinet (trio)
19
Flute, Clarinet and Bassoon.
18
Treble (Alto) Recorder
18
Flute (band part)
17
Clarinet, Cello (duet)
16
Flute, Violoncello
16
Flute, Saxophone (duet)
15
Flute, Trumpet (duet)
14
Oboe, Clarinet, Bassoon (trio)
13
Tenor Recorder
13
Harmonica
11
Recorder Quartet
10
Oboe, Flute
10
Flute and Guitar
10
English horn, Piano
10
Flute Quintet : 5 flutes
9
Flute, Bassoon, and Piano
9
Oboe and viola (duet)
8
Flute, Violin, Piano
8
Flute, Oboe, Bassoon
7
English Horn
7
Clarinet, Double bass (duet)
6
Clarinet, Guitar (duet)
6
Clarinet, Trombone (duet)
6
Clarinet, Tuba
6
Flute, Violin and Violoncello
5
Flute, Trombone (duet)
5
Flute, Clarinet, Piano (trio)
4
Oboe, Trombone (duet)
4
Wind ensemble
4
Clarinet, Harp (duet)
4
2 Clarinets, Piano
4
Flute, Cello, Piano (trio)
4
Flute, harp and violin
3
Oboe, Trumpet (duet)
3
3 Oboes
3
Pennywhistle
3
Oboe, Guitar (duet)
3
Flute, Tuba (duet)
3
2 Saxophones, Piano
3
English Horn, Guitar (duet)
3
Ocarina
3
Recorder, Piano
3
Treble (Alto) Recorder, Piano
3
Clarinette, Viola and Piano (trio)
2
Eb Instruments
2
Piccolo, Piano
2
Flute, Viola and Piano
2
Saxophone and Guitar
2
Flute, Clarinet, Horn and Bassoon (Quartet)
2
Clarinet, Cello, Piano (trio)
2
Oboe, Harp
2
3 Recorders (trio)
2
2 English horns and Pianoforte
2
Descent (Soprano) Recorder, Piano
2
2 Clarinets, Bassoon
1
Flute and Strings Trio
1
Clarinet, Bassoon, Piano (trio)
1
Piccolo
1
Oboe, Violin, Piano
1
Clarinet Quintet: Clarinet, String Quartet
1
Recorder, Guitar (duet)
1
2 Flutes, Piano
1
Flute, Basso continuo
1
5 Recorders
1
Saxophone, Tuba (duet)
1
4 Oboes
1
Flute, Clarinet, Violin (trio)
1
Instrumentations suivantes
Retracter
WOODBRASS
Brass Quintet: 2 trumpets, horn, trombone, tuba
285
Trumpet
209
Trombone
166
Trumpet, Piano
164
Trombone and Piano
146
French Horn and Piano
138
French horn
125
Brass quartet : 2 trumpets, trombone, tuba
125
Tuba
121
Trombone (band part)
117
Trumpet (band part)
93
Brass Quartet: 2 trumpets, horn, trombone
88
Tuba and Piano
79
2 Trombones (duet)
73
2 Trumpets (duet)
70
Brass Quartet
58
Trumpet, Trombone (duet)
53
2 French horns (duet)
40
Brass Quartet: 4 trombones
33
Euphonium, Piano (duet)
26
2 Tubas (duet)
22
French horn (band part)
22
Euphonium
20
Trumpet, Saxophone (duet)
18
Trumpet, Horn (duert)
16
Tuba (band part)
16
Trombone ensemble
12
2 Euphoniums and 2 Tubas
12
Tuba and Organ
11
English horn, Piano
10
Trumpet ensemble
9
Trombone, Tuba (duet)
8
Brass Quartet: 4 horns
8
3 Trombones (trio)
8
Brass Trio
7
Horn, Cello (duet)
7
English Horn
7
Trumpet, Tuba (duet)
6
Brass Quartet: 4 trumpets
6
Horn Ensemble
6
Horn, Tuba (duet)
5
Trumpet, Bassoon (duet)
5
Trumpet, Cello (duet)
5
4 Tubas
5
Bass Trombone and Piano
4
Trombone, Horn (duet)
4
Trombone, Violin (duet)
3
French horn and Basson (duet)
3
Bass Clef Instruments
3
English Horn, Guitar (duet)
3
3 Trumpets (trio)
3
2 Euphoniums (duet)
2
3 French horns (trio)
2
2 Trumpets, Keyboard (piano or organ)
2
Euphonium, Tuba (duet)
2
2 English horns and Pianoforte
2
Bb Instruments
2
Trombone, Organ
1
French Horn and Harp
1
3 Tubas (trio)
1
Trumpet, Trombone, Piano
1
F Instruments
1
Brass Quartet: 2 trumpets, 2 trombones
1
Tuba ensemble
1
Trumpet, Cello, Piano
1
Trumpet, Harp
1
Trumpet, violin (duet)
1
Trumpet, Euphonium (duet)
1
Bass Trombone
1
Instrumentations suivantes
Retracter
STRINGS
String Quartet: 2 violins, viola, cello
1198
Violin
366
Violin and Piano
342
Violin, Cello (duet)
316
String Trio: violin, viola, cello
258
Viola, Piano
197
Cello, Piano
192
Cello
170
Harp
156
2 Violins (duet)
139
Viola
134
String Quintet: 2 violins, viola, cello, bass
131
Violin, Viola (duet)
117
2 Violas (duet)
109
Double bass, Piano (duet)
93
Double Bass
91
2 Cellos (duet)
88
Violin (band part)
52
String Trio: 2 violins, cello
51
Harp and Piano
40
Doublebass (band part)
39
String Trio: 3 violins
34
Viola (band part)
29
Viola, Cello (duet)
23
Cello, String Bass (duet)
23
4 Cellos
22
Piano Trio: Violin, Viola, Piano
21
String Trio: 2 violins, viola
19
2 Double basses (duet)
17
Violin, Bassoon (duet)
14
String Trio: 3 cellos
13
String quartet: 4 violins
12
Viola and Bassoon
12
Flute, Doublebass (duet)
11
String Quartet : 4 violas
10
String Quintet: 2 violins, viola, 2 cellos
8
Violin, Guitar (duet)
8
Cello (band part)
8
Cello, Guitar (duet)
7
String Trio: 3 violas
7
String Quintet: 2 violins, 2 violas, cello
7
Harp, Flute (duet)
5
Violin, Clarinet, Piano (trio)
4
Violin, Tuba (duet)
4
2 Harps (duet)
3
Violin, Cello, Clarinet
2
4 Harps
2
Viola, Guitar (duet)
2
Harp, Violin (duet)
2
Violin ensemble
2
Viola ensemble
2
Harp, Cello (duet)
2
2 Violins, Piano
1
Violin, Trumpet and Piano
1
Violin, Organ
1
Harp, Violin, Violoncello
1
Autoharp
1
3 double basses
1
Viola and Harp
1
Violin, Basso continuo
1
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
Concert band
1111
String Orchestra
467
Orchestra
255
Jazz Ensemble
163
Brass ensemble
140
Handbells
132
Drums
80
Chamber Orchestra
65
Marching band
56
Percussion Ensemble
50
Jazz combo
44
Drum (band part)
30
Xylophone, Piano
18
Marimba
14
Xylophone
14
Percussion (band part)
13
Snare drums
5
Woodwind Quartet: any 4 woodwinds
4
Woodwind Quintet
4
Vibraphone
3
Percussion
3
2 Xylophones
2
Bongos
2
Bodhran
1
Brass Quintet: other combinaisons
1
Piano and Orchestra
1
Conga
1
Instrumentations suivantes
Retracter
OTHERS
Music Theory
10
Musical course - Solfege
8
You've selected:
Sig
Sheetmusic to print
4,504 sheet music found
<
1
26
51
....
4501
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,…
(+)
Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone,Treble Clef Instrument,Trumpet,Ukulele,Vibraphone,Violin,Xylophone - Level 4 - Digital Download SKU: A0.931832 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269045. Published by Dots and Beams (A0.931832). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a treble staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4. Be creative with this one, the possib.
$10.00
9.01 €
#
Nathan Petitpas - Dots and Beams
#
I encourage you to use both
#
Pitch and Rhythm - Treble Clef, Diatonic
#
Dots and Beams
#
SheetMusicPlus
Pitch and Rhythm - Bass Clef, Diatonic (Sight Reading Exercise Book)
Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsich…
(+)
Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - Digital Download SKU: A0.931833 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269061. Published by Dots and Beams (A0.931833). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a bass staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second e.
$10.00
9.01 €
#
Nathan Petitpas - Dots and Beams
#
I encourage you to use both
#
Pitch and Rhythm - Bass Clef, Diatonic
#
Dots and Beams
#
SheetMusicPlus
Signals
6 voices (Soprano, Mezzo-soprano, Countertenor, Tenor, Baritone, Bass) - difficult - Digit…
(+)
6 voices (Soprano, Mezzo-soprano, Countertenor, Tenor, Baritone, Bass) - difficult - Digital Download SKU: S9.Q47177 For 6 voices (SMezCtTBarB). Composed by Joerg Widmann. This edition: Sheet music. Schott Chamber Choir. Downloadable. Duration 18 minutes. Schott Music - Digital #Q47177. Published by Schott Music - Digital (S9.Q47177). Vocalises.Jörg Widmann komponierte die Signale für sechs Stimmen anlässlich der Wittener Tage für neue Kammermusik 2003 ohne die Verwendung eines konkreten Textes. Die einzelnen Stimmen behandeln rein phonetisches Material. Allerdings tritt das quasi theatrale Moment einer fast rituellen Zusammenkunft der sechs Vokalisten hinzu: Zunächst objektive Zeichen, Signale wie Amplituden-, Linienverläufe, Frequenzen, weißes Rauschen werden zu Alarm-, und Sirenensignalen, zu Morsezeichen, Störgeräuschen sowie existenziellen Schreien.
$12.99
11.7 €
#
Joerg Widmann
#
Signals
#
Schott Music - Digital
#
SheetMusicPlus
Pieta Signore (For High Voice and Strings)
String Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.805…
(+)
String Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.805153 Composed by A.Stradella. Arranged by Han-Ki Kim. Baroque,Classical,Instructional,Praise & Worship,Renaissance. Score and parts. 23 pages. Han-Ki Kim #412197. Published by Han-Ki Kim (A0.805153). This music has a mournful mood to pray for forgiveness of sins with a sincere heart. Pieta means have mercy in Italian. Arranged for soprano and string ensemble. Shown Bowing sign of String parts will be very convenient for the player.
$6.90
6.21 €
#
A
#
Pieta Signore
#
Han-Ki Kim
#
SheetMusicPlus
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bas…
(+)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - Digital Download SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
9.01 €
#
Nathan Petitpas - Dots and Beams
#
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters
#
Dots and Beams
#
SheetMusicPlus
Pitch Only - Bass Clef (Sight Reading Exercise Book)
Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,…
(+)
Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Piano,Timpani,Trombone,Tuba,Voice - Level 2 - Digital Download SKU: A0.931838 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313621. Published by Dots and Beams (A0.931838). This book provides its user with a series of notes on a bass staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above and below the staff extend to the space just beyond the fourth ledger line. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls.As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years and still find a valuable way to use them.
$10.00
9.01 €
#
Nathan Petitpas - Dots and Beams
#
Pitch Only - Bass Clef
#
Dots and Beams
#
SheetMusicPlus
Pitch Only - Treble Clef (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,Englis…
(+)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - Digital Download SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00
9.01 €
#
Nathan Petitpas - Dots and Beams
#
Pitch Only - Treble Clef
#
Dots and Beams
#
SheetMusicPlus
Signed, Sealed, Delivered I'm Yours
Small Ensemble Tenor Saxophone,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.74…
(+)
Small Ensemble Tenor Saxophone,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.746203 By Stevie Wonder. By Lee Garrett, Lula Mae Hardaway, Stevie Wonder, and Syreeta Wright. Arranged by Michael Pilley. Pop. Score and parts. 5 pages. Michael Pilley Music #4320061. Published by Michael Pilley Music (A0.746203). This is a 3 Horn arrangement, designed for use with cover bands. Written for Trumpet, Tenor Sax and Trombone, this is a faithful recreation of the Stevie Wonder horns, in the original key.Beautifully laid out in A4 size, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. If you're printing on letter size paper, please fit to page when sending to the printer.More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic
$15.00
13.51 €
#
Stevie Wonder
#
Signed, Sealed, Delivered I'm Yours
#
Michael Pilley Music
#
SheetMusicPlus
Signed, Sealed, Delivered I'm Yours
Bassoon,Cello,Clarinet,Double Bass,Flute,Oboe,Viola,Violin - Level 4 - Digital Download
(+)
Bassoon,Cello,Clarinet,Double Bass,Flute,Oboe,Viola,Violin - Level 4 - Digital Download SKU: A0.1294435 By Stevie Wonder. By Lee Garrett, Lula Mae Hardaway, Stevie Wonder, and Syreeta Wright. Arranged by Jeremy Crosmer. Classical,Funk,Pop,Soul. 34 pages. Jeremy Crosmer #884823. Published by Jeremy Crosmer (A0.1294435). This arrangement is for Classical Duo/Trio with flexible instrumentation, designed to be played as part of outreach initiatives by Classical music organizations.The score for the default ensemble of Violin/Viola/Cello is included, as well as 14 parts: Part 1: Violin / Viola / Flute / Oboe / Clarinet Part 2 (optional): Violin / Viola / Clarinet Part 3: Violin / Viola / Cello / Double Bass / Bassoon / Clarinet Jeremy Crosmer is a cellist in the Detroit Symphony orchestra, as well as a composer and arranger. For more arrangements, visit jeremycrosmer.com To learn more about the Detroit Symphony Orchestra's community engagement work, visit dso.org/community
$12.99
11.7 €
#
Stevie Wonder
#
Signed, Sealed, Delivered I'm Yours
#
Jeremy Crosmer
#
SheetMusicPlus
'Cathedral Windows' (Movements 5 & 6) By Sigfrid Karg-Elert for Clarinet Sextet.
Bass Clarinet - Digital Download SKU: A0.1069924 Composed by Sigfrid Karg-Elert. Ar…
(+)
Bass Clarinet - Digital Download SKU: A0.1069924 Composed by Sigfrid Karg-Elert. Arranged by Stephen Davies. 20th Century,Concert,Standards. Full Performance. Duration 478. Stephen Davies #6038833. Published by Stephen Davies (A0.1069924). FROM THE SUITE 'CATHEDRAL WINDOWS' Movements 5 & 6. I know that the music of Sigfrid Karg-Elert is probably not well known amongst the Woodwind fraternity, however when the notes are extracted from the Organ scores, a completely new light is shed upon the music that he wrote. As with the other pieces by Karg-Elert on this site that I have arranged for Clarinet groups in particular, there seems to be no chord extension barred from the ongoing harmonies, elaborate rhythms on the inner parts and such invention! Maybe with a couple of hearings you will get what I mean! I'm sure that in a generous acoustic, this music would sound glorious.... just like the Organ...only different!!
$1.99
1.79 €
#
Sigfrid Karg-Elert
#
6
#
'Cathedral Windows'
#
Stephen Davies
#
SheetMusicPlus
Scale & Sight-Reading Exercises for Two Violins Part I
Instrumental Duet Instrumental Duet,Violin - Interactive Download SKU: A0.484843 Ar…
(+)
Instrumental Duet Instrumental Duet,Violin - Interactive Download SKU: A0.484843 Arranged by Dr. Vladimir Dyo. This edition: Interactive Download. Classical. Score and parts. 20 pages. Duration 1370. Published by Global Music Partnership Press (A0.484843). Part I contains 20 selected scales re-arranged for two violins from the Art of Playing on the Violin (1751) by F. Geminiani. These compact scales are designed to equip beginner/intermediate violinists with basic scale and sight-reading skills in a creative and efficient manner. It is suggested to practice both violin parts for greater technical variety.
$7.99
7.2 €
#
Scale & Sight-Reading Exercises for Two Violins Part I
#
Global Music Partnership Press
#
SheetMusicPlus
Signore, ascolta! - F Major
Vocal Solo,Voice - Digital Download SKU: A0.856843 Composed by Giacomo Puccini. Arr…
(+)
Vocal Solo,Voice - Digital Download SKU: A0.856843 Composed by Giacomo Puccini. Arranged by Change the Key. Opera,Romantic Period. 3 pages. Change the Key #3100509. Published by Change the Key (A0.856843). Signore, ascolta! from Turandot by Puccini transposed to F Major for voice and piano. Vocal range C - A.
$4.50
4.05 €
#
Giacomo Puccini
#
Signore, ascolta! - F Major
#
Change the Key
#
SheetMusicPlus
Pieta, Signore! Eb Major
Vocal Solo,Voice - Digital Download SKU: A0.1117951 Composed by Alessandro Stradell…
(+)
Vocal Solo,Voice - Digital Download SKU: A0.1117951 Composed by Alessandro Stradella. Arranged by S. Martin. Baroque. 7 pages. Change the Key #719459. Published by Change the Key (A0.1117951). Pieta, Signore! by Alessandro Stradella transposed to Eb Major for voice and piano accompaniment. Vocal range C - F.
$5.00
4.5 €
#
Alessandro Stradella
#
Pieta, Signore! Eb Major
#
Change the Key
#
SheetMusicPlus
Pieta, Signore! C Major
Vocal Solo,Voice - Digital Download SKU: A0.1117952 Composed by Alessandro Stradell…
(+)
Vocal Solo,Voice - Digital Download SKU: A0.1117952 Composed by Alessandro Stradella. Arranged by S. Martin. Baroque. 7 pages. Change the Key #719460. Published by Change the Key (A0.1117952). Pieta, Signore! by Alessandro Stradella transposed to C Major for voice and piano accompaniment. Vocal range A - D.
$5.00
4.5 €
#
Alessandro Stradella
#
Pieta, Signore! C Major
#
Change the Key
#
SheetMusicPlus
Signore, ascolta! - E Major
Vocal Solo,Voice - Digital Download SKU: A0.856841 Composed by Giacomo Puccini. Arr…
(+)
Vocal Solo,Voice - Digital Download SKU: A0.856841 Composed by Giacomo Puccini. Arranged by Change the Key. Opera,Romantic Period. 3 pages. Change the Key #3100505. Published by Change the Key (A0.856841). Signore, asolta! from Turandot by Puccini transposed to E Major for voice and piano. Vocal range B - G#.
$4.50
4.05 €
#
Giacomo Puccini
#
Signore, ascolta! - E Major
#
Change the Key
#
SheetMusicPlus
Hidden in Plain Sight - Spy Chase Music
Large Ensemble Drum Set,Piano Accompaniment,Timpani,Trombone,Trumpet,Viola,Violin - Level …
(+)
Large Ensemble Drum Set,Piano Accompaniment,Timpani,Trombone,Trumpet,Viola,Violin - Level 3 - Digital Download SKU: A0.934470 Composed by Mark Drewett. Film/TV. Score and parts. 10 pages. Mark Drewett #6064107. Published by Mark Drewett (A0.934470). This is a composition for a small orchestra which is designed to sound like a spy chase theme.
$6.99
6.3 €
#
Mark Drewett
#
Hidden in Plain Sight - Spy Chase Music
#
Mark Drewett
#
SheetMusicPlus
Dunque ove tu Signor
Vocal Solo,Voice - Digital Download SKU: A0.791945 Composed by Domenico Mazzocchi. …
(+)
Vocal Solo,Voice - Digital Download SKU: A0.791945 Composed by Domenico Mazzocchi. Arranged by Early Music Scores. Baroque,Classical. 2 pages. Early Music Scores #6866335. Published by Early Music Scores (A0.791945). Tenor voice and continuoCompuntione nel veder Gierusalemme, o rammentarsi la morte di Christo: Dunque ove tu Signor. Composed by Domenico Mazzocchi (1582-1665). From Musiche sacre e morali, Roma, 1640. Edited by Felipe Dias. 2 pages.
$6.99
6.3 €
#
Domenico Mazzocchi
#
Dunque ove tu Signor
#
Early Music Scores
#
SheetMusicPlus
Sigh No More Ladies - fixed media electronic piece
Digital Download SKU: A0.1068331 Composed by Samuel Stokes, William Shakespeare. 20…
(+)
Digital Download SKU: A0.1068331 Composed by Samuel Stokes, William Shakespeare. 20th Century,Contemporary,Dance,New Age,Pop. Full Performance. Duration 193. SamuelStokesMusic.com #6070799. Published by SamuelStokesMusic.com (A0.1068331). This is an arrangement of Sigh No More Ladies from Shakespeare's Much Ado About Nothing set for voice and fixed media. Learn more about Samuel Stokes at https://www.SamuelStokesMusic.com
$1.99
1.79 €
#
Samuel Stokes, William Shakespeare
#
Sigh No More Ladies - fixed media electronic piece
#
SamuelStokesMusic.com
#
SheetMusicPlus
All In One Assignment Book - Assignment Page Section
Small Ensemble - Digital Download SKU: A0.939929 Composed by LeAnn Halvorson and Mu…
(+)
Small Ensemble - Digital Download SKU: A0.939929 Composed by LeAnn Halvorson and Music Perceptions. Contemporary. Score and parts. 58 pages. Music Perceptions #6445729. Published by Music Perceptions (A0.939929). All In One Assignment Book - Assignment Page Section includes: 52 assignment pages with technic assignment chart, lesson report card, and student practice record. A memorization and contest record is included. This book can be used with the All In One Assignment Book -Technic/Dictionary. Using both books together to organize your students saves parents money. The All In One - Technic/Dictionary is a workbook which is kept from year to year as the student progresses. The All In One - Assignment Page book is purchased again when the student needs more assignment pages. Both books may be 3 hole punched and put in a binder to keep students organized. Both of these books together are a no excuse generator.
$4.00
3.6 €
#
LeAnn Halvorson and Music Perceptions
#
All In One Assignment Book - Assignment Page Section
#
Music Perceptions
#
SheetMusicPlus
InSight Lander
Large Ensemble - Level 5 - Digital Download SKU: A0.518244 By GbÄ“rÄ“ Dodoh. …
(+)
Large Ensemble - Level 5 - Digital Download SKU: A0.518244 By Gbērē Dodoh. By Holyone Tombari Dodoh. 20th Century,Baroque,Classical,Film/TV,Romantic Period. Score and parts. 23 pages. Holyone Tombari Dodoh #128963. Published by Holyone Tombari Dodoh (A0.518244). InSight Lander, Courtesy Fanfares no. 14 for the Wind Ensemble. Score and parts included.
$2.10
1.89 €
#
Gbērē Dodoh
#
InSight Lander
#
Holyone Tombari Dodoh
#
SheetMusicPlus
Music Practice Log and Assignment Tracker book
Small Ensemble - Level 3 - Digital Download SKU: A0.701349 Composed by Kevin G. Pac…
(+)
Small Ensemble - Level 3 - Digital Download SKU: A0.701349 Composed by Kevin G. Pace. Instructional. Score and parts. 39 pages. Kevin G. Pace #3057403. Published by Kevin G. Pace (A0.701349). The Music Practice Log and Assignment Tracker is the ideal book for music teachers and students. This book provides a way to track assignments, set goals, log practice time, etc. Enough pages for one year plus of use. Includes several pages of blank music paper at the end of the volume.
$8.95
8.06 €
#
Kevin G
#
Music Practice Log and Assignment Tracker book
#
Kevin G. Pace
#
SheetMusicPlus
Moonlight Sound Design (Downloadable)
3 or 4 soprano voice soli, SATB choir (choir divisi), and piano - Moderately Easy - Digita…
(+)
3 or 4 soprano voice soli, SATB choir (choir divisi), and piano - Moderately Easy - Digital Download SKU: MQ.1.3502-E Composed by Raimonds Tiguls. Advanced/Collegiate; Lee Nelson Choral Series. Secular, Memorial, 21st Century, Creation/Nature. Octavo. 15 pages. Duration 4 minutes, 10 seconds. Galaxy Music Corporation - Digital #1.3502-E. Published by Galaxy Music Corporation - Digital (MQ.1.3502-E). UPC: 600313135026. English.Moonlight Sound Design was commissioned and premiered by the youth choir KamÄ“r conducted by MÄris Sirmais in Riga, Latvia in 2012. In USA, it was performed by the Wartburg Choir conducted by Lee Nelson at the 2017 National Convention of the American Choral Directors Association in Minneapolis, Minnesota. Moonlight Sound Design is dedicated to my father who died by way of an accident. The title of the piece is inspired by the fact that the studio I have is in my father’s country house in an attic room, and the night moon shines directly into it.Moonlight Sound Design is composed for 3 or 4 Soprano Soli, SATB Chorus and Hang* but can be performed with Piano or Guitar accompaniment as well. The piece should not sound sad, but rather ethereal. It is more about longing than sadness. To create a more ethereal mood, the soloists may be staggered throughout the audience, if possible. This will also provide more dimension to the sound. The Bass section should sing the octave E-flat in bars 5–23 and bars 38–56 with a “didgeridoo†effect.*The Hang (pronunced haÅ‹ in German) is a musical instrument created by Felix Rohner and Sabina Schärer in Bern, Switzerland. Its name comes from the Bernese-German word for “hand.†The instrument is constructed from two half-shells of deep-drawn, nitrided steel sheets glued together at the rim, leaving the inside hollow, and creating a distinct “UFO†shape. The top (“Dingâ€) side has a center “note†hammered into it, and seven “tone fields†hammered around the center. -Raimonds TigulsDuration: 4:10.
$2.85
2.57 €
#
Raimonds Tiguls
#
Lee Nelson Choral Series
#
Moonlight Sound Design
#
Galaxy Music Corporation - Digital
#
SheetMusicPlus
Moonlight Sound Design (Downloadable)
3 or 4 soprano soli, SSAA choir (choir divisi), and piano - Medium - Digital Download S…
(+)
3 or 4 soprano soli, SSAA choir (choir divisi), and piano - Medium - Digital Download SKU: MQ.1.3564-E Composed by Raimonds Tiguls. 14 pages. Duration 4 minutes, 10 seconds. Galaxy Music Corporation - Digital #1.3564-E. Published by Galaxy Music Corporation - Digital (MQ.1.3564-E). English.The SATB version of Moonlight Sound Design was commissioned and premiered by the youth choir KamÄ“r conducted by MÄris Sirmais in Riga, Latvia in 2012. In the USA, it was performed by the Wartburg Choir conducted by Lee Nelson at the 2017 National Convention of the American Choral Directors Association in Minneapolis, Minnesota. Moonlight Sound Design is dedicated to my father who died by way of an accident. The title of the piece is inspired by the fact that the studio I have is in my father’s country house in an attic room, and the night moon shines directly into it.Moonlight Sound Design is here arranged for 3 or 4 Soprano Soli, SSAA Chorus and piano accompaniment. It can also be accompanied by Hang* (available as a free download, and adaptable to other instruments such as Guitar or Vibraphone). The piece should not sound sad, but rather ethereal. It is more about longing than sadness. To create a more ethereal mood, the soloists may be staggered throughout the audience, if possible. This will also provide more dimension to the sound. The Alto section should sing the pitches in bars 5–23 and bars 38–56 with a “didgeridoo†effect.*The Hang (pronunced haÅ‹ in German) is a musical instrument created by Felix Rohner and Sabina Schärer in Bern, Switzerland. Its name comes from the Bernese-German word for “hand.†The instrument is constructed from two half-shells of deep-drawn, nitrided steel sheets glued together at the rim, leaving the inside hollow, and creating a distinct “UFO†shape. The top (“Dingâ€) side has a center “note†hammered into it, and seven “tone fields†hammered around the center. -Raimonds TigulsDuration: 4:10.
$2.85
2.57 €
#
Raimonds Tiguls
#
Moonlight Sound Design
#
Galaxy Music Corporation - Digital
#
SheetMusicPlus
Signed, Sealed, Delivered I'm Yours
Cello,Trumpet,Viola,Violin - Level 3 - Digital Download SKU: A0.1414871 By Stevie W…
(+)
Cello,Trumpet,Viola,Violin - Level 3 - Digital Download SKU: A0.1414871 By Stevie Wonder. By Lee Garrett, Lula Mae Hardaway, Stevie Wonder, and Syreeta Wright. Arranged by Kaitlyn Raitz. Classical,Pop,R & B,Soul,Wedding. 19 pages. Fiddlehouse Publishing #996612. Published by Fiddlehouse Publishing (A0.1414871). Signed, Sealed, Delivered (I'm Yours) is a soul song, by American musician Stevie Wonder, released in June 1970. It spent six weeks at number one on the U.S. R&B chart and peaked at number three on the U.S. Pop chart. This unique, high-energy arrangement for string quartet and trumpet will be a favorite at weddings and special events. Published by Fiddlehouse, the Nashville-based string recording studio and publishing house of Kaitlyn Raitz and Ben Plotnick. www.fiddlehousemusic.com
$18.99
17.1 €
#
Stevie Wonder
#
Signed, Sealed, Delivered I'm Yours
#
Fiddlehouse Publishing
#
SheetMusicPlus
Signed, Sealed, Delivered I'm Yours
Small Ensemble Double Bass,Drums,Guitar,Piano - Level 3 - Digital Download SKU: A0.7178…
(+)
Small Ensemble Double Bass,Drums,Guitar,Piano - Level 3 - Digital Download SKU: A0.717811 By Stevie Wonder. By Lee Garrett, Lula Mae Hardaway, Stevie Wonder, and Syreeta Wright. Arranged by Daryl McKenzie. Pop,Soul. Score and parts. 12 pages. Daryl McKenzie #3630349. Published by Daryl McKenzie (A0.717811). Based on the version by Blue (feat. Stevie Wonder) (https://www.youtube.com/watch?v=j7XNBoZa8q4)Vocal (voice part not included), Piano, Keyboards, Guitar, Bass, Drums. Key of Eb major.Stevie Wonder Versions also available on SMP (https://www.sheetmusicplus.com/publishers/daryl-mckenzie-sheet-music/3006128?narrow_by=signed+sealed...)More arrangements by Daryl McKenzie: https://www.sheetmusicplus.com/publishers/daryl-mckenzie/6128
$39.99
36.02 €
#
Stevie Wonder
#
Signed, Sealed, Delivered I'm Yours
#
Daryl McKenzie
#
SheetMusicPlus
<
1
26
51
....
4501
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version
