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Simple Creature
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1
All Creatures Of Our God and King
Guitar - Level 1 - Digital Download SKU: A0.1405478 By David Crowder Band and Mr. B…
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Guitar - Level 1 - Digital Download SKU: A0.1405478 By David Crowder Band and Mr. Bean. By William H. Draper. Arranged by Michael Arell. 19th Century,Christian,Folk,Religious,Sacred. Chords/Lyrics. 1 pages. Michael Arell #988533. Published by Michael Arell (A0.1405478). Now you can confidently lead the singing of this hymn even when you don't have much time to prepare it. The harmonic structure has been kept simple so as to be approachable to most players.
$3.49
3.26 €
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David Crowder Band and Mr
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All Creatures Of Our God and King
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Michael Arell
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SheetMusicPlus
Solage: Le basile for Brass Quartet
Brass Quartet Cornet,Horn,Trombone - Level 2 - Digital Download SKU: A0.1266016 Com…
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Brass Quartet Cornet,Horn,Trombone - Level 2 - Digital Download SKU: A0.1266016 Composed by Solage, Late 14th Century. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #858750. Published by jmsgu3 (A0.1266016). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.
$32.95
30.78 €
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Solage, Late 14th Century
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Solage: Le basile for Brass Quartet
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jmsgu3
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SheetMusicPlus
Solage: Le basile for Double Reed Quartet
Woodwind Ensemble Bassoon,Double Reed Quartet,English Horn - Level 2 - Digital Download
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Woodwind Ensemble Bassoon,Double Reed Quartet,English Horn - Level 2 - Digital Download SKU: A0.1266448 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Holiday. 8 pages. Jmsgu3 #859185. Published by jmsgu3 (A0.1266448). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
$32.95
30.78 €
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Solage
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Solage: Le basile for Double Reed Quartet
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jmsgu3
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SheetMusicPlus
Leaving Footprints for flute+piano
Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1449306 Composed by Adrien…
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Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1449306 Composed by Adrienne Inglis (ASCAP). 21st Century,Chamber,Classical,Lent,Sacred. Score and part. 4 pages. Adrienne Inglis (ASCAP) #1029069. Published by Adrienne Inglis (ASCAP) (A0.1449306). Suitable for a contemplative occasion, Lent, prayer vigil, memorial, communion, or remembranceVery playable on organ instead of pianoLeaving Footprints (2024) for flute and piano (or organ)Duration — 2:15Difficulty — intermediate/advancedThe contemplative nature of this 5/4 chorale makes me think of the simple physical act of leaving footprints in the mud or snow on a quiet walk, but also of the impact we humans have on each other and on the earth. May we tread lightly and lovingly on our home, the earth, and care gently for our fellow humans and other creatures.
$4.99
4.66 €
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Adrienne Inglis
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Leaving Footprints for flute+piano
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Adrienne Inglis
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SheetMusicPlus
Monster Music Journal by Pearl and Eddie Lewis
Small Ensemble - Level 1 - Digital Download SKU: A0.750321 Composed by Pearl Lewis,…
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Small Ensemble - Level 1 - Digital Download SKU: A0.750321 Composed by Pearl Lewis, Eddie Lewis. Children. Score and parts. 53 pages. Tiger Music #4829773. Published by Tiger Music (A0.750321). The MONSTER MUSIC JOURNAL is a wild and whacky, monster-infested space for you to fill with music compositions, transcriptions of your favorite songs, music theory exercises, and other monstrous things that mean something to you (or your music instructor). The MONSTER MUSIC JOURNAL is a musical playground. The generously spaced staff lines make writing musical notes easy for beginners (or for those who like to live life BIG - and let's be honest: who doesn't like to live life really BIG). Plus, there is plenty of boxed-off writing space for non-musical notes, so you can include song lyrics, love letters, homework assignments, thoughts, poems, or questions to ask your teacher. Hey, there is even space for you to scribble or to doodle your own family of monsters. The MONSTER MUSIC JOURNAL is heavily illustrated with line art monster characters that will tickle the imagination of kids and adults. Every turn of the page presents you with new monsters. Naturally, they are all trying to look grim, but rest assured - they are all very docile. And because the illustrations in the book are simple line art, you are free to add color to the manuscript or note pages. This is a music journal and not a coloring book, but there is no shortage of things (well, creatures actually) that you can color, if you so wish. Created by the musician and illustrator husband-and-wife team, Eddie Lewis and Pearl Lewis, this music journal has many uses. Let it turn dull, repetitive music theory exercises into an adventure at every turn of the page. Suggest the illustrations as prompts for improvised music. Gift it to your teacher or your student or your musician buddy. Or use the journal to introduce young musicians to composition and transcription. Music homework just got a MAJOR upgrade on the fun scale.
$9.99
9.33 €
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Pearl Lewis, Eddie Lewis
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Monster Music Journal by Pearl and Eddie Lewis
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Tiger Music
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SheetMusicPlus
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