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You've selected:
Sky's the Limit
Sheetmusic to print
5 sheet music found
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The Sky's the Limit - Downloadable Accompaniment MP3
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Erik Whitehill
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The Sky's the Limit - Download
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Heritage Music Press - Digital
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SheetMusicPlus
Digital Download SKU: LX.99-4851H Composed by Erik Whitehill. Educational. Accompaniment MP3. Heritage Music Press - Digital #e99/4851H. Published by Her...
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Digital Download SKU: LX.99-4851H Composed by Erik Whitehill. Educational. Accompaniment MP3. Heritage Music Press - Digital #e99/4851H. Published by Heritage Music Press - Digital (LX.99-4851H).
$19.95
Sky Song
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Melanie Mitrano
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Ivy Cottage Press
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Sky Song
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Ivy Cottage Press
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SheetMusicPlus
Small Ensemble B-Flat Clarinet,Piano,Voice - Level 2 - Digital Download SKU: A0.980889 Composed by Melanie Mitrano. Arranged by Ivy Cottage Press. Contem...
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Small Ensemble B-Flat Clarinet,Piano,Voice - Level 2 - Digital Download SKU: A0.980889 Composed by Melanie Mitrano. Arranged by Ivy Cottage Press. Contemporary,Folk,Standards,World. Score and parts. 13 pages. Ivy Cottage Press #3622831. Published by Ivy Cottage Press (A0.980889). SKY SONG is based on the traditional Scottish folksong Skye Boat Song, arranged by Melanie Mitrano for voice, Bb clarinet or oboe, and piano. The score, including cover and parts, is 13 pages long, published by Ivy Cottage Press (ASCAP). Two accompanying recordings are also available here for download: one with all three parts to assist in learning the piece (Sky Song Study Recording), and one without the vocal line for class and individual practice (Sky Song Practice Track). This piece is part of the Primary Studies in Vocal Chamber Music collection, the goal of which is to provide an entree into the world of collaborative music-making for the solo singer that is accessible to all levels and voice types. The arrangements are suitable for use in either a private vocal studio or group voice class. The vocal range (medium voice) is practical for all, deliberately within comfortable limits for any voice type, male or female. The piano part is specifically designed to be feasible for student or teacher accompanists, and includes chord symbols for those less adept pianists who wish to improvise or alter the accompaniment as needed. While the instrumental part is more elaborate, it is still suitable for either music students or professionals. All scores are printed in concert key for the instructor’s ease. Questions or comments may be directed to www.melaniemitrano.com.
$7.99
Evelyn's Scottish Harp Sampler
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Evelyn Castiglioni
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3
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Evelyn's Scottish Harp Sampler
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Afghan Press Music for the Harp
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SheetMusicPlus
Small Ensemble Cello,Flute,Harp,Mandolin,Voice - Level 3 - Digital Download SKU: A0.797362 Arranged by Evelyn Castiglioni. Celtic,Folk,Holiday. Score and...
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Small Ensemble Cello,Flute,Harp,Mandolin,Voice - Level 3 - Digital Download SKU: A0.797362 Arranged by Evelyn Castiglioni. Celtic,Folk,Holiday. Score and parts. 90 pages. Afghan Press Music for the Harp #4824283. Published by Afghan Press Music for the Harp (A0.797362). There are 14 tunes in this book in various arrangements for harp and ensembles. Interesting and full arrangements, worthy of performance on stage as well as jam sessions and dancing. The combination of instruments is almost limitless because of all the excellent harmony parts written. The vocal harmonies are exquisite! There are extensive historical notes on each tune which provide you with an informed introduction for these pieces at concerts. 1. Balcomie House – Jig for Harp and Treble2. Balcomie House – Jig for Three Harps and Treble Instrument 3. Braes of Tullimet – Strathspey for Solo Harp4. Cradle Song – Air for Harp and Treble Instrument 5. Craigellachie Lasses – Jig for Harp and Treble Instruments 6. Highland Boat Song and Arran Boat Song – Airs for Harp and Treble Instruments Score for Mandolins 1, 2, and 3 and Harp7. Jamie, Come Try Me – Air for Cello and Harp 8. Land of the Leal – Song for Voice and Harp9. Mà iri Bhà n Òg – Air for Solo Harp10. Lady Elizabeth Cole’s Reel – Jig for Solo Harp11. Marchioness of Huntly’s Favorite – Jig for Harp and Treble Instruments 12. Skye Boat Song – Song for Three Voices and Harp13. Petronella – Reel for Harp and Treble Instruments 14. There Will Never Be Peace Until Jamie Comes Hame – Air for Harp and Treble Instruments & Harp15. Will Ye No Come Back Again? – Song for Three Voices and Harp.
$22.00
Gregory Sullivan Isaacs: The Death of Pyramus for bass buffo or baritone voice and piano
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: The D
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble - Level 4 - Digital Download SKU: A0.534549 Composed by Gregory Sullivan Isaacs. Concert,Contemporary,Standards. Score and parts. 10 pages...
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Small Ensemble - Level 4 - Digital Download SKU: A0.534549 Composed by Gregory Sullivan Isaacs. Concert,Contemporary,Standards. Score and parts. 10 pages. Musik Fabrik Music Publishing #3627069. Published by Musik Fabrik Music Publishing (A0.534549). Text by William Shakespeare (A Midsummer Night's Dream Act V, Scene I)The ultimate overblown death scene for an actor of limited abilitiesIn the play, Nick Bottom thinks that he is the greatest actor alive. However, he is appallingly dreadful - he shamelessly overplays every line, mugs incessantly and makes word errors. He thinks that he is fabulous when, in fact, he is ridiculous. His suicide scene is one of the great moments for comic actors and it can take as long as the actor wishes - even up to 5 minutes. This aria is set in the same manner and many buffo singers immediately come to mind as models for such satire. This selection cannot be overplayed. It can be sung by any male voiceTEXT: Sweet Moon, I thank thee for thy sunny beams.I thank thee, Moon, for shining now so bright.For by thy gracious, golden, glittering gleams,I trust to take of truest Thisbe sight.—But stay, O spite!But mark, poor knight,What dreadful dole is here!Eyes, do you see?How can it be?O dainty duck! O dear!Thy mantle good,What, stained with blood?Approach, ye Furies fell!O Fates, come, come,Cut thread and thrum.Quail, crush, conclude, and quell!O wherefore, Nature, didst thou lions frame?Since lion vile hath here deflowered my dear,Which is—no, no—which was the fairest dameThat lived, that loved, that liked, that looked with cheer.Come, tears, confound!Out, sword, and wound!The pap of Pyramus— Ay, that left papWhere heart doth hop. (stabs himself)Thus die I, thus, thus, thus.Now am I dead.Now am I fled.My soul is in the sky.Tongue, lose thy light.Moon, take thy flight.Now die, die, die, die, die.(dies)
$11.95
If Not Now, When?
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Contemporary
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Chris Gordon
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If Not Now, When?
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Cool Wind Music Digital
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SheetMusicPlus
Large Ensemble Cello,Clarinet,Flute,Piano,Piccolo,Viola,Violin - Level 3 - Digital Download SKU: A0.841258 Composed by Chris Gordon. 20th Century. Score ...
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Large Ensemble Cello,Clarinet,Flute,Piano,Piccolo,Viola,Violin - Level 3 - Digital Download SKU: A0.841258 Composed by Chris Gordon. 20th Century. Score and parts. 39 pages. Cool Wind Music Digital #3056419. Published by Cool Wind Music Digital (A0.841258). Full set of parts: Please contact Chris Gordon at the email address on the first page of music for details.IF NOT NOW, WHEN? If Not Now, When? gets its title from the novel by Primo Levi, the Italian author who both survived life in Auschwitz and fought the continued German military presence in Italy with the Resistance after the Italian surrender to the Allies in September 1943. Levi meant that revolution and the overthrow of tyranny should never be 'put off until tomorrow'. If you believe you are on the side of right, then 'seize the day'- tomorrow may be too late. The inspiration for INNW? grew from research I was doing into an early song by Alban Berg called An Leukon which Berg wrote in 1907 while a student of Arnold Schoenberg. In delving into the kind of world which Berg inhabited in the Vienna of 100 years ago, I was fascinated by the café culture* which played a pivotal role in the lives of most artists: not only composers, but also writers, painters, architects and journalists. They swirled around the fashionable 'watering holes' sucking up current thoughts and ideas, high on Viennese coffee, cigar smoke and idealism! I envisaged a play which tried to encapsulate all this and wrote a few scenes with characters such as Schoenberg, Berg, Webern, Steuermann, Pisk, Kraus, Gropius and Altenberg heatedly discussing music, art and poetry over large cups of milky coffee. This grew into the framework for INNW? which, to paraphrase Pirandello's play about characters seeking an author, is a 'play without words in several scenes'. The piece is organised into 8 short movements or 'scenes' showing the 'Schoenberg cirle' sharing their radical and daring ideas and the shock or delight (or both simultaneously) with which those ideas are greeted. The first, which happens to be the longest, is rooted in conventional tonality. It begins with a fanfare in D flat major ('aux armes, citoyens!'), then seeks a 'freer' tonality by means of the 'emancipation of the semitone' only to capitulate in the central section and, finally, to 'fall back to earth' by winding down in G sharp minor. These 'scenes' are not meant to represent particular composers. They are, however, meant to represent the kinds of directions in which music could progress, given the 'breakdown' or 'stretching to its limits' of traditional harmony which had occurred in the previous 10 to 20 years. So many ways forward were promulgated, with one after another extraordinary, and often unexpected, futuristic musical panoramas glimpsed momentarily. My aim is to demonstrate which directions they decided they could head in having cleared the 'overgrown' path before them. * I even discovered that, around this time, in the Café Central, a certain Leon (Lev) Bronstein, otherwise known as Leon Trotsky, banished by the Okhrana (Imperial secrect police) from his native Russia, would spend all day in a back room playing chess. How delicious, I thought, if Schoenberg had ever brushed passed Trotsky or, indeed, had ever spoken to him: the one planning political and the other musical revolution!
$25.00
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