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The Saddest Noise
Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1171219
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Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1171219 Composed by Christopher Tin and Emily Dickinson. Arranged by Lisa Ochoco. Contemporary,Film/TV. 21 pages. Lisa L Ochoco #771557. Published by Lisa L Ochoco (A0.1171219). Christopher Tin is a contemporary composer who is best known for his choral piece called Baba Yetu.  With an impressive educational background in music composition, English literature, and art history, his compositions come to life with like nothing that I've experienced before. It is simply some of the most beautiful and expressive music I have ever heard.  The Lost Birds is a musical memorial to bird species driven to extinction by humans.  Tin’s soundtrack is a fantastic work of art, with its soaring musical phrases that make you feel like you’re flying. The Saddest Noise is a choral piece, with its lyrics taken from Emily Dickinson’s poem, “The Saddest Noise, the Sweetest Noise,†which talks of the relationship between beauty and grief. The saddest noise, the sweetest noise, The maddest noise that grows, The birds, they make it in the spring, At night’s delicious close.   Between the March and April line That magical frontier Beyond which summer hesitates, Almost too heavenly near.   It makes us think of all the dead That sauntered with us here, By separation’s sorcery Made cruelly more dear.   It makes us think of what we had, And what we now deplore. We almost wish those siren throats Would go and sing no more.   An ear can break a human heart As quickly as a spear, We wish the ear had not a heart So dangerously near.   The Lost Birds soundtrack was sung by the choral group, Voces8, who made the music and poetry come to life in a way that not many other groups could.  It is simply beautiful. This arrangement is scored for flute choir – 4 C, alto, bass, and contrabass.  There is an optional cello part that doubles the contrabass.  This is not a strict transcription - I added moving parts and changed/added notes to make it of more interest as an instrumental piece.  I hope you like it. Duration: 3.5 minutes.
$16.00
14.66 €
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separation’s sorceryÂ
Made cruelly more dear
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Christopher Tin and Emily Dickinson
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The Saddest Noise
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Lisa L Ochoco
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SheetMusicPlus
The Saddest Noise
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.11…
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Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1171245 Composed by Christopher Tin and Emily Dickinson. Arranged by Lisa Ochoco. Contemporary,Film/TV. 21 pages. Lisa L Ochoco #771583. Published by Lisa L Ochoco (A0.1171245). Christopher Tin is a contemporary composer who is best known for his choral piece called Baba Yetu.  With an impressive educational background in music composition, English literature, and art history, his compositions come to life with like nothing that I've experienced before. It is simply some of the most beautiful and expressive music I have ever heard.  The Lost Birds is a musical memorial to bird species driven to extinction by humans.  Tin’s soundtrack is a fantastic work of art, with its soaring musical phrases that make you feel like you’re flying. The Saddest Noise is a choral piece, with its lyrics taken from Emily Dickinson’s poem, “The Saddest Noise, the Sweetest Noise,†which talks of the relationship between beauty and grief.   The saddest noise, the sweetest noise, The maddest noise that grows, The birds, they make it in the spring, At night’s delicious close.   Between the March and April line That magical frontier Beyond which summer hesitates, Almost too heavenly near.   It makes us think of all the dead That sauntered with us here, By separation’s sorcery Made cruelly more dear.   It makes us think of what we had, And what we now deplore. We almost wish those siren throats Would go and sing no more.   An ear can break a human heart As quickly as a spear, We wish the ear had not a heart So dangerously near.   The Lost Birds soundtrack was sung by the choral group, Voces8, who made the music and poetry come to life in a way that not many other groups could.  It is simply beautiful.This arrangement is scored for clarinet choir – 4 Bb, alto, bass, and contrabass.  There is an optional Eb part to play in addition to, or in lieu of, the 1st Bb part.  This is not a strict transcription - I added moving parts and changed/added notes to make it of more interest as an instrumental piece.  I hope you like it. Duration: 3.5 minutes.
$16.00
14.66 €
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separation’s sorceryÂ
Made cruelly more dear
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Christopher Tin and Emily Dickinson
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The Saddest Noise
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Lisa L Ochoco
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SheetMusicPlus
Sadjoy
African Percussion,Bass Voice,Congas,Doumbek,Flute,Piano and Keyboard,Saxophone - Level 3 …
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African Percussion,Bass Voice,Congas,Doumbek,Flute,Piano and Keyboard,Saxophone - Level 3 - Digital Download SKU: A0.1158149 By Steve Lockwood. By Steve Lockwood. Contemporary,Folk,Jazz,Multicultural,World. Full Performance. Duration 423. Stephen Lockwood #758454. Published by Stephen Lockwood (A0.1158149). This recording is with Soprano Sax, but doesn't have to be, as flute would do fine. In the pdf, I didn't include a Bb transposition, so you'd either have to transpose as you play, or write out the part for Bb instrument, or just play flute.
$2.00
1.83 €
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Steve Lockwood
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Sadjoy
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Stephen Lockwood
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SheetMusicPlus
You Have Turned My Sadness Into Joy
Small Ensemble Flute,High Voice,Low Voice,Piano - Digital Download SKU: A0.852560 C…
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Small Ensemble Flute,High Voice,Low Voice,Piano - Digital Download SKU: A0.852560 Composed by Pat Holmberg. 20th Century,Christian,Sacred. Score and parts. 8 pages. Patricia Tanttila Holmberg #54741. Published by Patricia Tanttila Holmberg (A0.852560). This has a Biblical text, and was written for a friend who had lost her daughter at age 18 months in an accident. A year or so later, she was approached by a family whose teenage daughter was pregnant about the possibility of adopting the child. Both families were in our church at the time, and the adoptive mother and the birth grandfather both sang in the choir. It was an open adoption....the baby girl is now off to college, and the two families have been close for all these years. This was first performed in our church by the birth mother and the adoptive mother. Many people knew the story, and it was a poignant moment. This song was performed first in 1997.
$3.99
3.66 €
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Pat Holmberg
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You Have Turned My Sadness Into Joy
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Patricia Tanttila Holmberg
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SheetMusicPlus
Across the Sea. Ballad
Piano and voice; violin - Digital Download SKU: LV.11670 Composed by Virginia Gabri…
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Piano and voice; violin - Digital Download SKU: LV.11670 Composed by Virginia Gabriel. Arranged by G. Koppitz. Absences, Love, Sadness, Sailors. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.11670). Across the Sea. Ballad. Virginia Gabriel. Violin part Arr. by G. Koppitz. Published 1873 by M. Gray, 623 & 625 Clay St. in San Francisco. Composition of strophic with piano and voice; violin instrumentation. Subject headings for this piece include Absences, Love, Sadness, Sailors. First line reads I walk'd in the lonesome evening, and who so sad as I.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.49 €
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Virginia Gabriel
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Across the Sea. Ballad
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Sad Songs (Say So Much)
Digital Download SKU: HX.326340 By Elton John. Pop,Rock. ChordBuddy. 2 pages. Publi…
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Digital Download SKU: HX.326340 By Elton John. Pop,Rock. ChordBuddy. 2 pages. Published by Hal Leonard - Digital (HX.326340).
$2.99
2.74 €
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Elton John
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Sad Songs
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Hal Leonard - Digital
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SheetMusicPlus
Sad Songs (Say So Much)
ChordBuddy Ukulele - Digital Download SKU: HX.500465 By Elton John. This edition: s…
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ChordBuddy Ukulele - Digital Download SKU: HX.500465 By Elton John. This edition: scorch. Pop,Rock,Standards. Score. 3 pages. Published by Hal Leonard - Digital (HX.500465).
$2.99
2.74 €
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Elton John
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Sad Songs
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Hal Leonard - Digital
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SheetMusicPlus
Flowers of Edinburgh, Celtic Song Arranged by Gustavo Fuentes
Woodwind Ensemble - Digital Download SKU: A0.900410 Composed by Traditional. Arrang…
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Woodwind Ensemble - Digital Download SKU: A0.900410 Composed by Traditional. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. 3 pages. Gustavo Fuentes #3637565. Published by Gustavo Fuentes (A0.900410). Flowers of Edinburgh. Scotish music song, arranged for three voices. Two melody instruments, such as tin whistle, low whistle, flute, recorder, harmonic or violin, and low voice like cello or bass, with chords for piano or guitar. The audio is from to the Gustavo Fuentes CD Almas en vuelo that you can listen to on Spotify. The hornpipe is a traditional dance in Ireland and Scotland. The legend says that sailors used to dance the hornpipe before setting sail. It makes sense that they would dance atop bar tables until their legs gave out: after all, on each journey they put their lives at risk. Dancing is a way to face one’s fears and find the happiness that lies within. It is a way to find hope amidst uncertainty.We should dance when we are happy, so we can be happier. We should dance when we are sad, so our sadness can be soothed. We should dance like our sailor ancestors once did, so that we can know that even though the journey might be dangerous, if we are tired from dancing, nothing can go wrong. Canción tradicional escocesa, arreglada para tres voces. Dos agudas como tin-whistle, low whistle, flauta traversa, flauta dulce, armónica o violÃn, y un instrumento grave como cello o bajo, con cifrado de acordes para piano o guitarra. El audio pertenece al CD de Gustavo Fuentes Almas en vuelo, que se puede escuchar completo en Spotify. El hornpipe es una danza muy tradicional en Irlanda y Escocia. Cuenta la leyenda que lo bailaban los marineros antes de embarcar. Y suena lógico que zapatearan hasta el cansancio sobre las mesas de los bares porque en cada viaje ellos arriesgaban sus vidas. Bailar es una forma de ponerle el cuerpo al miedo, de ahuyentar los fantasmas, de conectarnos con nuestra alegrÃa más profunda. Bailar es un modo de encontrar esperanza cuando el porvenir nos llena de incertidumbre.Bailemos cuando estemos felices, porque aumentará nuestra felicidad. Bailemos cuando estemos tristes, porque atenuará nuestra tristeza. Bailemos como lo hacÃan nuestros ancestros marineros, para tomar conciencia de que aunque el viaje puede ser peligroso, si nuestro cuerpo está cansado de felicidad, nada saldrá mal.
$4.99
4.57 €
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Traditional
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Flowers of Edinburgh, Celtic Song Arranged by Gustavo Fuentes
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Gustavo Fuentes
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SheetMusicPlus
Mosadi O Mopila So
(Full Performance) - Digital Download SKU: HX.424652 Arranged by Ngqibeko Peter Nca…
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(Full Performance) - Digital Download SKU: HX.424652 Arranged by Ngqibeko Peter Ncanywa. African,Concert. Choral. Duration 165. Published by Hal Leonard - Digital (HX.424652).
$1.99
1.82 €
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Mosadi O Mopila So
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Hal Leonard - Digital
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SheetMusicPlus
Alfonso XII / Alfonso Doce (Duet, Accompanied)
Voice Duet Voice - Level 1 - Digital Download SKU: A0.1516664 Composed by Latin Ame…
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Voice Duet Voice - Level 1 - Digital Download SKU: A0.1516664 Composed by Latin American Folk Song. Arranged by Sarah Martinez. Children,Folk,Instructional,Multicultural,Traditional,World. 4 pages. Sarah Martinez #1090837. Published by Sarah Martinez (A0.1516664). This arrangement of Alfonso XII has been adapted as a duet and set to a piano accompaniment. This song tells a story about Alfonso XII, King of Spain from December 1874 until his death in November 1885. It is a song tale known in many Latin American countries. As is typical of folk songs, there are many popular variations and additional verses. English translation: Where are you going, Alfonso XII? Where are you going so sadly? I am looking for Mercedes because I lost her yesterday. Mercedes is already dead, and it's true because I saw her. Four dukes carried her through the streets of Madrid. The lanterns of the castle no longer want to light, Because Mercedes has died, and they are in mourning. Poor little Mercedes, she died like a flower. Similar arrangements for SATB, SAB, TB, 2-part, and unison choirs are also available. You may also find this song under the alternate title ¿Dónde vas, Alfonso Doce?.
$5.99
5.49 €
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Latin American Folk Song
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Alfonso XII / Alfonso Doce
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Sarah Martinez
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SheetMusicPlus
Si la noche hace oscura for alto and guitar (mp3)
Alto Voice,Guitar - Digital Download SKU: A0.1059572 Composed by Diego Pisador. Arr…
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Alto Voice,Guitar - Digital Download SKU: A0.1059572 Composed by Diego Pisador. Arranged by David Warin Solomons. Renaissance. Full Performance. Duration 145. David Warin Solomons #3475339. Published by David Warin Solomons (A0.1059572). This sad Spanish song from Renaissance times, about a friend (or lover) who does not come although the night is dark and the road is so short, has been arranged here for alto and guitar. The sound sample is a performance by the arranger.
$2.50
2.29 €
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Diego Pisador
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Si la noche hace oscura for alto and guitar
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David Warin Solomons
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SheetMusicPlus
Lament
B-Flat Bass Clarinet,Instrumental Duet,Marimba - Level 4 - Digital Download SKU: A0.140…
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B-Flat Bass Clarinet,Instrumental Duet,Marimba - Level 4 - Digital Download SKU: A0.1404871 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 16 pages. Max Frank Music #987900. Published by Max Frank Music (A0.1404871). The is ethereal 7-minute duet for bass clarient is a perfect showacse for these less-used instruments.PROGRAM NOTESDeep grief. Profound sadness. Feelings so immense that words do them no justice. It is at such junctures that artists often turn to abstract creative endeavors to facilitate process- ing the pain. There is frequently no option. As with the navigation of grief, this music has hopeful and even joyous moments. But despair is never far from the surface.Throughout the Lament the bass clarinet takes on the role of the mourner. The melodic lines are at times sad, confused, hopeful, prayerful, or even playful. There is a continuous sense of searching, for answers, for reasons, for a resolution that can never be. The marimba offers solace, empathy, compassion, and distraction to the dolorous melody.A tone of sorrow is established by the marimba with its evocative minor key introduction. The aria begins as the bass clarinet presents a plaintive expression of the main melody. Soon, a rhythmic mood settles in, the bass clarinet yearning and searching for answers, as the marimba offers support with jazz inspired harmonies. There are hints of melancholia, of nostalgia, even a very brief waltz, as the feelings spin freely.The tale ends as it begins, with a return to the opening sound world. A return to plainly stated sorrow, unadorned, pure, simple. After a final tender plea, bringing the bass clarinet quietly to its highest range, it descends to the depths, where it hoovers, pondering.PERFORMANCE NOTESTempi and phrasing are subject to the performersâ?? musical conception. Interpret this as one would Brahms: molto espressivo, and highly romantic.
$9.99
9.15 €
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Terry Vosbein
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Lament
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Max Frank Music
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SheetMusicPlus
I've Lost You (So Why Should I Care)
Composed by Richard Howard. Arranged by C.R. Bird. Celebrities, Portraits, Dwellings, Farm…
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Composed by Richard Howard. Arranged by C.R. Bird. Celebrities, Portraits, Dwellings, Farms, Unrequited love, Sadness, Depression. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.9083). - - - Johns Hopkins University Sheridan Libraries
$5.99
5.49 €
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Richard Howard
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I've Lost You
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Extinction Events - Clarinet Quartet - Mvt 2 - Cuckoos
Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.581935 Compose…
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Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.581935 Composed by John Gibson. Contemporary. 11 pages. JB Linear #3456847. Published by JB Linear (A0.581935). Extinction Events (2nd movement - It Isn't Easy Being a Cuckoo by John Gibson was written as a submission to the International Clarinet Association's 2018 Composition Competition. Written for 3 Bb clarinets and 1 bass clarinet, it is a four movement work for very advanced players, although the 2nd movement is easier. This is the second movement only...the others may be purchased separately: Buzzy Delights, Walrus Jump, and Yaguarete Surprise (Argentine Jaguar). The entire set of 4 movements may also be purchased. Simply type extinction events Gibson in the search bar at the top.Each movement imagines a different animal or insect living in its habitat as it gradually deteriorates. One might think this would be sad, violent music, but each earthly creature is shown in its musical habitat where it happily does what it does best....bees buzzing around flowers, cuckoos gently calling in the forest, Walruses jumping not so gracefully onto sea ice, Jaguars quietly stalking their prey. The habitat changes are depicted by gradual use of unstable scales, and the sometimes hidden ancient tune of the Dies Irae, the Day of Wrath.The point I wish to make is how humans must be watchful of wildlife habitats because we are all in this limited world together. Where wild creatures go, so do we. It was best said by Jane Goodall: Only if we understand can we care. Only if we care will we help. Only if we help shall they be saved. Cuckoos are quiet reminders of spring when they first appear at the Marsden, United Kingdom area where they have a Cuckoo fair every year. Their habitat is shrinking at an alarming rate as their numbers slowly decrease. In the music, the cuckoos in the 3rd clarinet part get progressively sad sounding and simply disappear. Special fingerings are provided for the 3rd clarinet player.You may watch a video on YouTube: https://youtu.be/MOCTanOBIyk
$14.00
12.83 €
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John Gibson
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Extinction Events - Clarinet Quartet - Mvt 2 - Cuckoos
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JB Linear
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SheetMusicPlus
Diamante del tiempo (Diamond in the Rough), Celtic Song by Gustavo Fuentes
Small Ensemble Cello,Flute,Soprano Recorder,Violin - Level 3 - Digital Download SKU: A0…
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Small Ensemble Cello,Flute,Soprano Recorder,Violin - Level 3 - Digital Download SKU: A0.900405 Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. Score and parts. 3 pages. Gustavo Fuentes #3637525. Published by Gustavo Fuentes (A0.900405). Diamond in the Rough. Celtic music song composed by Gustavo Fuentes, arranged for two voices. Two melody instruments, such as tin whistle, low whistle, flute, recorder, piano or violin, with chords for piano or guitar. The audio is from to the Gustavo Fuentes CD Almas en vuelo that you can listen to on Spotify. The most important symbol of Celtic art is the triskelion. It is made up of three curved legs representing the past, the present and the future. It can also symbolize the balance between mind, body and spirit; the beginning and the end; or constant learning versus eternal evolution.Life is a timeline. Memories from the past can sometimes evoke pleasant images and beautiful experiences in our minds, but they can also fill us with sadness and nostalgia. Thinking of the future can give us hope, but it can also awaken anxiety. The only time when we can truly be, make decisions, and effect change is the present. Today is a gift, a diamond in the rough that we can cut and polish to our liking. Quoting the wise words of Irish author Oscar Wilde in The Picture of Dorian Grey: Life is a moment. There is no hereafter. So make it burn always with the hardest flame. Canción de música celta compuesta por Gustavo Fuentes, arreglada para dos voces agudas como tin-whistle, low whistle, flauta traversa, flauta dulce, piano o violÃn, con cifrado de acordes para piano o guitarra. El audio pertenece al CD de Gustavo Fuentes Almas en vuelo, que se puede escuchar completo en Spotify. El sÃmbolo más importante del arte celta es el trisquel. Formado por tres brazos en espiral representan el pasado, el presente y el futuro, y simboliza el equilibrio entre cuerpo, mente y espÃritu, el principio y el fin, el aprendizaje perpetuo y la eterna evolución.Nuestra vida está construida en el tiempo. A veces el pasado nos trae recuerdos gratos y experiencias hermosas; en otros momentos, nos llena de melancolÃa y añoranza. El futuro puede generarnos esperanza, pero también ansiedad. El único momento donde podemos ser, donde podemos elegir, donde podemos cambiar, es el presente. DeberÃamos considerar el ahora como una verdadera joya, como un diamante que podemos tallar y lustrar para que tenga la forma y el brillo que merecemos. Y estarÃa bien recordar las palabras que el escritor irlandés Oscar Wilde nos dejó en El retrato de Dorian Grey: La vida es el presente, el futuro no existe. Haz que la vida arda siempre con la llama más intensa.
$4.99
4.57 €
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Gustavo Fuentes
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the beginning and the end
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Diamante del tiempo
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Gustavo Fuentes
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SheetMusicPlus
Remember for voice and string quartet
Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.1500060 Composed by Ian Calve…
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Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.1500060 Composed by Ian Calvert. 21st Century,Chamber,Classical,Contemporary. 13 pages. Ian Calvert #1076135. Published by Ian Calvert (A0.1500060). Christina Rosetti wrote the poem in 1849 at the age of 19; it may seem sad to be contemplating one’s own demise so early in life but in Victorian Britain death at that age was not so unusual. The poem expresses two things: there is the firm wish that her loved one should remember her, permanently – but not to an excessive degree; he should not feel guilty if he forgets her - ‘for a while’. The poem is not strictly gender-specific and could be sung, an octave lower, by a baritone. But bearing in mind the author and the feel of it, it is set here for mezzo-soprano. The attached sample sound track, in order to include the start of the voice, begins at Bar10 of the string quartet’s introduction. This song is also available set for voice and keyboard.
$9.00
8.25 €
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Ian Calvert
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Remember for voice and string quartet
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Ian Calvert
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SheetMusicPlus
Buffalo Dusk: Song for Soprano, Mezzo-Soprano, or Tenor and Piano on a Poem by Carl Sandburg
Soprano voice, mezzo-soprano voice, or tenor voice and piano - Medium - Digital Download
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Soprano voice, mezzo-soprano voice, or tenor voice and piano - Medium - Digital Download SKU: MQ.9229-E Composed by Juliana Hall. 7 pages. E. C. Schirmer Music Company - Digital #9229-E. Published by E. C. Schirmer Music Company - Digital (MQ.9229-E). English.Written for Jun Mo Yang, a young tenor studying in the graduate Vocal Arts Program at the Bard Conservatory of Bard College. He and his fellow students were working on a special project studying contemporary composers whose work engages with climate change, environmentalism, and the natural environment. The students had been asked to read a chapter from David Haskell’s Sounds Wild and Broken and had further been given the following direction to guide them: “we are assigning each of you to a project in which you will seek out song repertoire from a living composer whose work responds to climate change or the natural environment, heightening our connection to and awareness of the natural world. This topic has arisen from a call to Bard faculty to #MakeClimateAClass: Bard faculty are urged to use our collective power as educators to engage with the climate change crisis.â€Jun wrote to me that he was drawn to my music and asked whether any of my songs might fit within this subject area. At the time I had plenty of songs that spoke of the natural world, but none I could categorize as specifically dealing with the class’ more narrow focus, so I offered to write this song on a poem by one of my favorite poets, Carl Sandburg, who even by the early twentieth century was noting the degradation of the natural environment and its impact on life of all kinds trying to adjust to changed circumstances brought on in one way or another by man. I quickly found the poem Buffalo Dusk, seeing how strongly it speaks of the extinction of species and the loss that represents. Jun and his teachers remarked what a “beautiful and sad poem†it was, so in short order I was pleased to present this song to Jun, who gave Buffalo Dusk its first performance in April of 2023 at the Bard Conservatory.
$9.95
9.12 €
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Juliana Hall
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Buffalo Dusk: Song for Soprano, Mezzo-Soprano, or Tenor and Piano on a Poem by Carl Sandburg
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
COME FARFALLA - Like butterfly - for Soprano (or Tenor) and mixed quintet
Small Ensemble Cello,High Voice,Horn,Oboe,Violin - Digital Download SKU: A0.724831 …
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Small Ensemble Cello,High Voice,Horn,Oboe,Violin - Digital Download SKU: A0.724831 Composed by Renato Tagliabue. Contemporary. Score and parts. 4 pages. Renato Tagliabue #6442851. Published by Renato Tagliabue (A0.724831). COME FARFALLA - Lirycs by Evelina FerrariCi sei, ma ancora nessuno può vederele belle tue ali coi loro colori;nascosta tra le foglie spuntate sul ramo,aspetti il tuo momento per volare in libertà .Sì, ti aprirai e ti mostrerai,tu così bella e come un soffio, leggerissimacerchi la luce lassù nel cielo che è sempre più blu.Il tuo mondo finir dovrà ,ma nuovo e più bello, tu sai , comincia già .Chiusa la mente, non trova la via;il cuore è triste e pace non ha,ma Il bruco sa che poi lui rinascerà e,come una farfalla, finalmente volar potrà .Sì, ti aprirai e ti mostreraitu, così bella e come un soffio, leggerissimacerchi la luce lassù nel cielo che è sempre più blu.Tutto cambia ed anche per tequalcosa di nuovo e più bello comincia già .-----------------------------Like ButterflyYou are there, but still no one can seeyour beautiful wings with their colors;hidden among the leaves sprouted on the branch,wait for your moment to fly freely.Yes, you will open up and show yourself,you so beautiful and like a breath, very lightlook for the light up there in the sky which is always bluer.Your world will have to end,but new and more beautiful, you know, it already begins.Closed the mind, it does not find the way;the heart is sad and has no peace,but the caterpillar knows that then he will be reborn and,like a butterfly, it will finally fly.Yes, you will open up and show yourselfyou, so beautiful and like a breath, very lightlook for the light up there in the sky which is always bluer.Everything changes and for you toosomething new and more beautiful is already beginning.
$12.90
11.82 €
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Renato Tagliabue
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COME FARFALLA - Like butterfly - for Soprano
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Renato Tagliabue
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SheetMusicPlus
Folk Songs For Classical Guitar - Volume 28 (Songs 730-756)
Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1163719 Comp…
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Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1163719 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 45 pages. Socrates Arvanitakis #764065. Published by Socrates Arvanitakis (A0.1163719). This is the twenty-eighth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all  volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view.Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 28 (Songs 730-756)Red River Valley (the)Rejoice and be MerryReynard The FoxRiddlesRiding Down to PortsmouthRio GrandeRise up ShepherdRise up, Shepherd, an’ FollerRoad to the IslesRobbie Tamson’s SmiddieRobin HoodRobin-a-ThrushRock-a-bye BabyRoll! Roll, AlabamaRolling Deep (the)RorateRosebud in JuneRosemary LaneRosetta and her Gay PloughboyRout it is come for the Blues (the)Roving JackRoy’s Wife of AldivallochRoyal ProclamationRun Run, BoysSacramentoSad Song (the)Sailor’s Life (A).
$25.00
22.9 €
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Traditional/Anonymous
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Folk Songs For Classical Guitar - Volume 28
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Socrates Arvanitakis
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SheetMusicPlus
Five French Masters
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1475437 Composed by Chris North. Contest,Festival,Historic,Multicultural,World. Brass Band. 189 pages. Danetre Music #1052989. Published by Danetre Music (A0.1475437). A Suite for British Style Brass Band. Each movement is based on a famous French Impressionist painting as follows:1. Boulevard Montmarte (Pissarro – 1897) The Boulevard Montmartre is one of the four grand boulevards of Paris. This painting gave me the idea of writing a piece to portray a journey in a pony and trap through this busy street scene, starting out serenely in the suburbs, travelling through all the hustle and bustle, before trailing off into the distance. An all pervasive Poulenc mouvement perpetual accompaniment style is present throughout this movement. 2. Lac d'Annecy (Cézanne - 1896) Although marked Waltz triste (sad waltz), the mood of the music is rather reflective in nature. This movement is the longest of the five and I would not recommend it being played too slow. Stylistically, it is a characteristic accordion piece, so touches of rubato here and there wouldn’t be out of keeping. 3. La Cathédrale de Rouen (Monet - 1894) This is the most difficult movement to play in respect of intonation, with lots of unisons, octaves and parallel intervals. The opening should be a true piano in order to allow the piece grow. The plainsong statements should be played smoothly and with plenty of air. 4. Les Parapluies (Renoir - 1884) A jaunty, playful theme leading in to a little fugue. A little low in places for the euphoniums and baritones. The music should skip along comfortably without rushing to allow the finer detail to come through. 5. Au Moulin Rouge (Toulouse-Lautrec - 1895) A lively tempo, always chasing forward without slackening. As in the previous movement, good dynamic contrast, swells and tight precise articulation. Lots of work for everyone, especially the baritones and euphoniums. Take care that the mf dynamic of the 'bass solo' is not overdone. If needs must, the siren whistle could be substituted with a referee's whistle, but I would like my duck call! The champagne cork 'pops' are really more visual than audible, however, it would be advisable for more of the band to join in, as required. A super work to add to your repertoire as a concert or contest item. This title has already been played by a number of bands in various competitions, and was chosen as the 4th Section Test Piece for the Butlins Mineworkers Brass Band Championships 2015 in Skegness, UK.
$59.99
54.96 €
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Chris North
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Five French Masters
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Danetre Music
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SheetMusicPlus
Toccata, Adagio and Fugue in C, BWV 564 for Violin & Viola
Instrumental Duet - Level 5 - Digital Download SKU: A0.1475965 Composed by Johann S…
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Instrumental Duet - Level 5 - Digital Download SKU: A0.1475965 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 23 pages. ACORDO Sheet Music #1053543. Published by ACORDO Sheet Music (A0.1475965). Toccata, Adagio and Fugue in C, BWV 564 is one of Johann Sebastian Bach's most famous organ works.Toccata: This part starts with an introduction that sounds like improvisation. It has fast, single-note passages like a concerto's cadenza. At measure 32, it changes to a bright, full sound like an orchestra.Adagio: This part is slow and very beautiful, with a sad feeling in a minor key.Fugue: In 6/8 time, this part is lively and bright, like a dance such as a Gigue or Passepied, even though it is not labeled as a dance.In my previous publication, Toccata & Fugue, BWV 565 for Violin and Viola, I showcased the unique beauty of string instruments. Similarly, in this piece, the beautiful melody of the Adagio fits perfectly with the Violin and Viola, as if it were originally composed for them. The dance-like energy of the Fugue is also easier to express with string instruments.When two people perform this piece, it creates an interesting dialogue, almost like a conversation. The introduction of the Toccata reflects this, inspired by my students who would chat enthusiastically before starting their practice. Their conversation in the music lasts for 31 measures without any chords together. The short unison phrase in measure 13 symbolizes their agreement to start playing together. After that, their conversation continues, with triplets and important motifs of this movement appearing, increasing the expectation for the ensemble to begin. From measure 32, the real ensemble playing begins. Although we don't know what Bach imagined when he wrote this introduction, I now hear it as a conversation, even when listening to the original organ version.In the Adagio viola part, the continuo notes are marked in black, and the notes that create harmony are marked in blue. Players who can control the volume balance of double stops should balance it so that the continuo flows naturally. Players who are not skilled in playing double stops, it might be better to omit the blue notes in difficult sections. If omitted, the section might feel empty, but with careful playing before and after, it could still sound natural.
$14.20
13.01 €
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Johann Sebastian Bach
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Toccata, Adagio and Fugue in C, BWV 564 for Violin & Viola
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ACORDO Sheet Music
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SheetMusicPlus
Five French Masters
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1467794 Composed by Chris North. Contemporary,Contest,Festival,Historic,Multicultural,World. Brass Band. 189 pages. Danetre Music #1046092. Published by Danetre Music (A0.1467794). A Suite for British Style Brass Band which was chosen as the 4th Section Test Piece for the Butlins Mineworkers Brass Band Championships 2015 in Skegness, UK. Each movement is based on a famous French Impressionist painting as follows:1. Boulevard Montmarte (Pissarro – 1897) The Boulevard Montmartre is one of the four grand boulevards of Paris. This painting gave me the idea of writing a piece to portray a journey in a pony and trap through this busy street scene, starting out serenely in the suburbs, travelling through all the hustle and bustle, before trailing off into the distance. An all pervasive Poulenc mouvement perpetual accompaniment style is present throughout this movement. 2. Lac d'Annecy (Cézanne - 1896) Although marked Waltz triste (sad waltz), the mood of the music is rather reflective in nature. This movement is the longest of the five and I would not recommend it being played too slow. Stylistically, it is a characteristic accordion piece, so touches of rubato here and there wouldn’t be out of keeping. 3. La Cathédrale de Rouen (Monet - 1894) This is the most difficult movement to play in respect of intonation, with lots of unisons, octaves and parallel intervals. The opening should be a true piano in order to allow the piece grow. The plainsong statements should be played smoothly and with plenty of air. 4. Les Parapluies (Renoir - 1884) A jaunty, playful theme leading in to a little fugue. A little low in places for the euphoniums and baritones. The music should skip along comfortably without rushing to allow the finer detail to come through. 5. Au Moulin Rouge (Toulouse-Lautrec - 1895) A lively tempo, always chasing forward without slackening. As in the previous movement, good dynamic contrast, swells and tight precise articulation. Lots of work for everyone, especially the baritones and euphoniums. Take care that the mf dynamic of the 'bass solo' is not overdone. If needs must, the siren whistle could be substituted with a referee's whistle, but I would like my duck call! The champagne cork 'pops' are really more visual than audible, however, it would be advisable for more of the band to join in, as required.
$59.99
54.96 €
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Chris North
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Five French Masters
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Danetre Music
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SheetMusicPlus
I Can Still Sing, vocal solo
Medium Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1077330 Composed by Ke…
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Medium Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1077330 Composed by Kevin G. Pace (ASCAP), Sherri D. Johnson. 20th Century,Contemporary,New Age. 8 pages. Kevin G. Pace #681507. Published by Kevin G. Pace (A0.1077330). A beautiful vocal solo with music by Kevin G. Pace and text by Sherri D. Johnson. Text: When I think of my childhood and all it did bring, (5, p.u. , 6-9) what I remember most is that you always would sing. (9-12) Through the good and the bad, the happy and sad, (13-14) no matter what happened you always did sing. (14-20) There were times I know it was hard for you. (21 pu, 22- There were many things that you had to go through. (23 pu, 24-25 I’m sure there were times when your strength was all gone, (25 pu, 26 and you felt it impossible for you to go on. (27 pu, to 29) Yet somehow within you there was always a song (30 pu, 31- ) that renewed your faith and helped you be strong. (to 37) I learned that no matter what life might bring, (38- it would all be okay if we could still sing. (to 45) I think of the journey you have valiantly fought ( and all of the lessons that to me you taught. You taught me to have faith in my Savior above; you have shown me how to truly love. (to 54) Chorus: You have blessed so many lives; you have touched our hearts. Many tears will be shed when from us you depart. Now your journey soon must come to an end, oh how I will miss you, my dear mother, and friend. (to 66) Yet my life will go on, more challenges to bring, but I’ll be okay, because you taught me to sing. Oh what joy you will feel as you look on his face, and kneel at his feet in that glorious place. (to 79) As you bask in his light he will say to thee, (82-85) “My Daughter, your life has been pleasing to me. (86-89) You kept the faith, you fought a good fight, now take my hand and enter into the light. (to 98) Then joining his angels your voice will ring, as to him your praises you bring. For in that great place, throughout eternity, with Heavenly choirs you will still sing.
$3.99
3.66 €
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Kevin G
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I Can Still Sing, vocal solo
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Kevin G. Pace
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SheetMusicPlus
Una Danza per Paola
Chamber Music & Piano Accompaniment Flute, Piano - Grade 2 - Digital Download SKU: FX.F…
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Chamber Music & Piano Accompaniment Flute, Piano - Grade 2 - Digital Download SKU: FX.FX073688 Composed by Cecilia Royer-Cardona. Original Composition. Classical, Educational. Score and Set of Parts. 4 pages. Duration 1 minute, 15 seconds. FLEX Editions - Digital Sheet Music #FX073688. Published by FLEX Editions - Digital Sheet Music (FX.FX073688). Here is a little dance for Paola who finds the pianist a little too adventurous, so there is a conflict ! Paola, a little sad because of this this quarrel, sings the melody of reconciliation to her pianist and dance can resume! But who will have the last word? - Cecilia Royer-Cardona ; A piece to be played for exams from 2 years of instrument practice ; Instruments: 1 Flute 1 Piano.
$5.95
5.45 €
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Cecilia Royer-Cardona
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Una Danza per Paola
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
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