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You've selected:
Somewhere In Time
Sheetmusic to print
20 sheet music found
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1
Somewhere In Time
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1109370 By Ann Horstick. By B.A. Robertson and John Barry. Arranged by Colin G Dance. 20th Century,Classical,Film/TV. Brass Band. 30 pages. Dance is With Music #711843. Published by Dance is With Music (A0.1109370). Here's an arrangement for brass band that I did several years ago. I've just revisited it along with several others, and thought it was worth sharing with you all. It's the main theme from the film 'Somewhere in Time' by John Barry. I remember Christopher Reeves in this film looking so absolutely devastated at the end of it. Brilliant acting.
$40.00
35.97 €
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Ann Horstick
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Somewhere In Time
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Dance is With Music
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SheetMusicPlus
Somewhere in Time - arranjo para Violino ou Flauta e Piano
Instrumental Duet,Piano Fiddle,Flute,Instrumental Duet,Piano - Level 2 - Digital Download …
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Instrumental Duet,Piano Fiddle,Flute,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.1494014 By John Barry. By John Barry. Arranged by Maurílio Soares. Classical,Contest,Festival,Wedding. 3 pages. Maurílio Soares #1070625. Published by Maurílio Soares (A0.1494014). Arranjo da música Somewhere in Time para Violino ou Flauta e Piano.
$5.00
4.5 €
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John Barry
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Somewhere in Time - arranjo para Violino ou Flauta e Piano
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Maurílio Soares
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SheetMusicPlus
Somewhere in Time
Level 3-4 - Digital Download SKU: HX.319526 By John Barry. Arranged by John Moss. T…
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Level 3-4 - Digital Download SKU: HX.319526 By John Barry. Arranged by John Moss. This edition: scorch. Love,Standards. 1 pages. Duration 195. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.319526).
$50.00
44.97 €
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John Barry
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Somewhere in Time
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Hal Leonard - Digital
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SheetMusicPlus
Somewhere In Time
Instrumental Duet,Piano Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.64…
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Instrumental Duet,Piano Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.641110 Composed by B.A. Robertson and John Barry. Arranged by Kaiserin Rebecca. Contemporary. Score and parts. 4 pages. Kaiserin Rebecca #5019269. Published by Kaiserin Rebecca (A0.641110). For violin duet and piano accompaniment with chords.Suitable for recital, Valentine's Day and any romantic occasions.
$8.99
8.09 €
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B
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Somewhere In Time
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Kaiserin Rebecca
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SheetMusicPlus
Somewhere In Time
Small Ensemble,Strings Flute,Hand Percussion,Piano Accompaniment,Timpani - Level 1 - Digit…
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Small Ensemble,Strings Flute,Hand Percussion,Piano Accompaniment,Timpani - Level 1 - Digital Download SKU: A0.979391 By Studio Musicians. By B.A. Robertson and John Barry. Arranged by Sueudo Fernandes. Contemporary. Score and parts. 17 pages. Sueudo Fernandes #4633867. Published by Sueudo Fernandes (A0.979391). This is an arrangement of the movie theme for strung quartet or small orchestra, piano, percussion (1 percussionist) and flute. Perfect for a wedding cerimony.
$12.99
11.68 €
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Studio Musicians
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Somewhere In Time
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Sueudo Fernandes
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SheetMusicPlus
Somewhere In Time
Duet Dulcimer, Guitar, Instrumental Duet - Level 5 - Digital Download By Various Arti…
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Duet Dulcimer, Guitar, Instrumental Duet - Level 5 - Digital Download By Various Artists. By B.A. Robertson and John Barry. Arranged by Peggy Carter. Contemporary. Score and parts. 4 pages. Peggy Carter #5887273. Published by Peggy Carter
$4.99
4.49 €
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Various Artists
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Somewhere In Time
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Peggy Carter
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SheetMusicPlus
The Only Living Boy In New York
Instrumental Duet B-Flat Clarinet,Guitar,Instrumental Duet - Level 3 - Digital Download
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Instrumental Duet B-Flat Clarinet,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.1077424 By Simon And Garfunkel. By Paul Simon. Arranged by Derek Hasted. Pop. Score and parts. 16 pages. Derek Hasted #681611. Published by Derek Hasted (A0.1077424). THE ONLY LIVING BOY IN NEW YORK (Paul Simon) - Bb CLARINET + GUITAR (Score + tab)For Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This poignant song, penned by Paul Simon and performed by Simon and Garfunkel. was written when Paul Simon was alone in New York, writing for their final album “Bridge Over Troubled Waterâ€. My arrangement for Bb clarinet and guitar sits somewhere between Easy Intermediate and Intermediate, and includes the subtle differences between the various verses in the original. I’ve chosen a key which hits the sweet spot of both clarinet and guitar, both in terms of sound and playability. The Guitar part is accessible in the lower positions to provide a depth of accompaniment to underpin the light and sustained melody. There is a “score only†version and a “score and tab†version, to suit both classical and acoustic players. I hope you enjoy this gentle piece; I am sure your audiences will too!
$4.99
4.49 €
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Simon And Garfunkel
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The Only Living Boy In New York
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Derek Hasted
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SheetMusicPlus
Kindred Hearts
Small Ensemble,Strings Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1027864
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Small Ensemble,Strings Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1027864 Composed by Antonio Gervasoni. Broadway,Classical,Contemporary,Musical/Show. Score. 51 pages. Antonio Gervasoni #3042345. Published by Antonio Gervasoni (A0.1027864). Four songs for male voice and piano. In 2011, deeply impressed by the work of Bryan Borland, I asked him if he would agree to write a few poems that I could set to music. In his website, he had published several poems, most of them centered around gay life and his personal experiences as a gay man. I was highly interested in writing a work about this topic and Bryan accepted right away. I wrote the first movement, Emancipation, between December 2011 and January 2012 but it was not until 2015 that I found the time and inspiration to complete the whole set. From the beginning, I decided I wanted a very intimate sound and thought that the technique of popular singing was the best way to properly convey my concept of the piece. This decision influenced the style of the music, which lies somewhere in between classical and popular, and even jazz. The first version of Kindred Hearts called for piano and string quintet (with double bass) but aware of the difficulty in securing such instrumentation in the context of art song recitals, I decided to change the instrumentation to solo piano. Copyright Notice: Antonio Gervasoni has been fully authorized by Bryan Borland to publish these songs, which is hereby done without detriment to Mr. Borland's lawful rights over the lyrics.
$9.99
8.98 €
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Antonio Gervasoni
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Kindred Hearts
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Antonio Gervasoni
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SheetMusicPlus
Brejeiro
String Ensemble Cello - Level 3 - Digital Download SKU: A0.1468400 Composed by NAZA…
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String Ensemble Cello - Level 3 - Digital Download SKU: A0.1468400 Composed by NAZARETH, Ernesto. Arranged by Lopez-Benitez, Vincent. 20th Century,Chamber,Classical,Latin. 16 pages. La Sologne Publications #1046714. Published by La Sologne Publications (A0.1468400). Brejeiro is one of the most famous of Ernesto Nazareth’s tangos: it is joyous, engaging music, full of sunshine, fitting in somewhere between ragtime and the Brazilian choro. This tango, arranged for four cellos by Vincent Lopez-Benitez, will certainly give your listeners the desire to get up and dance!
$17.75
15.96 €
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NAZARETH, Ernesto
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Brejeiro
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La Sologne Publications
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SheetMusicPlus
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
17.99 €
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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CURVE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
Vignettes (Three Scenes for Bassoon and String Quartet)
Bassoon,Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1260983 Composed by…
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Bassoon,Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1260983 Composed by Kari Cruver Medina. Arranged by Kari Cruver Medina. 21st Century,Chamber,Classical,Contemporary,Contest,Festival. 71 pages. Kari Medina Music #854070. Published by Kari Medina Music (A0.1260983). Wonderful newly written chamber music (2021) by a female composer, Vignettes is a delightful work for Bassoon and String Quartet. Refreshing and evocative, Vignettes creates three distinct moods as it explores solo bassoon in relationship to the texture and color of the strings. The first movement, “Hopespun†is joyous and accessible, celebrating a dotted note pattern both dancelike and carefree. The second movement, “Somewhere, Tears†is lyrical and reflective, characterized by a poignant descending melody that moves throughout the ensemble.  “Infinite Imagines,†the third movement, is playful and imaginative, with a curious pizzicato theme that weaves its way through a series of short whole-tone scale patterns that are interrupted by comedic melodic bursts from the bassoon. Vignettes is a marvelous concert or competition piece, sure to please both performers and audience alike. Vignettes (Three Scenes for Bassoon and String Quartet)I. HopespunII. Somewhere, TearsIII. Infinite ImaginesInstumentation: Bassoon, Violin I, Violin II, Viola, CelloParts and Full Score included(each movement between 3-4 min) approx 12-13 Min. total time
$19.99
17.98 €
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Kari Cruver Medina
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Vignettes
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Kari Medina Music
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SheetMusicPlus
Let It Be
Choral Alto Voice,Bass Voice,Double Bass,Piano and Keyboard,Soprano voice,Tenor Voice,Viol…
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Choral Alto Voice,Bass Voice,Double Bass,Piano and Keyboard,Soprano voice,Tenor Voice,Viola,Violin - Level 3 - Interactive Download SKU: A0.481914 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeremy Nafziger. This edition: Interactive Download. Christmas. Octavo. Duration 286. Jeremy Nafziger #6Re335EyhndYxZ7ALSuj10. Published by Jeremy Nafziger (A0.481914). Key: C major.The Beatles classic with the Advent hymn, In Dulci Jubilo. Both texts come from dreams, and this winds up a meaningful combination. In Dulci was written in the 14th century by German monk and teacher Heinrich Suso (or Seuse), who writes in his third-person autobiography about a dream he had: Now this same angel came up to the Servant [Suso] brightly, and said that God had sent him down to him, to bring him heavenly joys amid his sufferings; adding that he must cast off all his sorrows from his mind and bear them company, and that he must also dance with them in heavenly fashion. Then they drew the Servant by the hand into the dance, and the youth began a joyous song about the infant Jesus, which runs thus: In dulci jubilo... About 650 years later, in 1968, Paul McCartney was staying out late, drinking too much, and thinking that the Beatles were probably going to break up soon. Then one night, somewhere between deep sleep and insomnia, I had the most comforting dream about my mother, who died when I was only 14. She had been a nurse, my mum, and very hardworking, because she wanted the best for us.... At night when she came home, she would cook, so we didn’t have a lot of time with each other. But she was just a very comforting presence in my life. And when she died, one of the difficulties I had, as the years went by, was that I couldn’t recall her face so easily.... So in this dream twelve years later, my mother appeared, and there was her face, completely clear, particularly her eyes, and she said to me very gently, very reassuringly: “Let it be.†It was lovely. I woke up with a great feeling. It was really like she had visited me at this very difficult point in my life and gave me this message: Be gentle, don’t fight things, just try and go with the flow and it will all work out. His mother's name was Mary, or course. He wrote the song in the next few days, and it was released on the album on the same name in 1970, a month after the Beatles split up. As for the actual texts, they're very different. In Dulci is macaronic (alternating between two languages, in this case Latin and a translation from Medieval German) and ecstatic; Let It Be is English and more subdued. In this version, we alternate between the two but keep the Let It Be structure, except for a diversion in the middle where the well-known Bach setting is adopted as kind of an interlude. The two texts and melodies are sung together in the last verse (the fourth In Dulci verse and the third Let It Be verse), where both are talking about music.
$3.99
3.59 €
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The Beatles
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Let It Be
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Jeremy Nafziger
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SheetMusicPlus
Playing with Scales
Guitar - Level 2 - Digital Download SKU: A0.1314698 Composed by Richard Hirsch. Ins…
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Guitar - Level 2 - Digital Download SKU: A0.1314698 Composed by Richard Hirsch. Instructional. Educational Exercises. 8 pages. Richard Hirsch #903442. Published by Richard Hirsch (A0.1314698). Many amateur guitarists and beginning students of guitar are ‘stuck in the first position’. The rest of the fretboard is ‘terra incognita’. They don’t know where the notes are and they don’t know how to get to them and use them in playing melodies. To help remedy this situation, I offer a collection of scales and exercises I have developed over the years that have helped me master the fretboard of the guitar and that I have used to warm up my left and right hands before practicing or playing proper pieces. Guitarists afraid to move up the fretboard miss out on all the tonal nuances that the guitar has to offer. They also often have undeveloped left hand technique with a little finger that flies around helplessly and uselessly. These scales and exercises will, if played regularly, put the little finger to good use and guide the left hand to orient to the fretboard properly, staying close to the fretboard with fingers that move as little and as efficiently as possible. They are also relaxing and fun to play around with. I read somewhere a while back that medical science had found that pianists were less likely to develop brain diseases. The scientists attributed this to the many hours pianists spend playing scales, as this is like a gentle brain massage. So scales are not only good warm up exercises for the fingers but also good warm-ups for the brain.The scale exercises written here in the keys of G and C should be played in different keys in higher positions on the fretboard. Students can try to see just how far up the neck they can go to reach the highest notes. After a while, what seemed challenging and strange will start to feel comfortable and familiar. Don’t hesitate to develop new variants of the scales when you grow tired of playing them as I propose here. Have fun playing and playing with the scales!The exercises often start in one position and move toward other higher or lower positions on the fretboard. When moving from one position to another, follow the suggested fingerings to utilise what is called a lead finger to move the hand to the next position. This will make the movement smooth and not interrupt the flow of the scale. In the end all movement should look and feel seamless and effortless.I have chosen scales in major keys I think are particularly good to play on the guitar. To practice a scale in a minor key, start the exercise in the related major key from the fundamental of the minor key, for example, to play an E minor scale start the G major exercise on an E and play from there. This is one way of creating new variants of these scales. Another way to vary the exercises is to play the scales in different time signatures or rhythms.I believe these exercises are particularly helpful for amateur guitarists who play in ensembles of different kinds, duos, trios, quartets, where the guitarist often only has one melodic line to play. Such melodies often sound much better played in higher positions where the guitar can be made to sing, rather than in the first position where the same tones, especially on open strings, often sound rather dull. From my own experience, I find that when I play a melody in a higher position using all the fingers of the left hand, the melody not only sounds better, the fingers remember the melody better.Â
$4.99
4.49 €
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Richard Hirsch
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Playing with Scales
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Richard Hirsch
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SheetMusicPlus
Luces peregrinas (Pilgrim Lights), Celtic Song by Gustavo Fuentes
Small Ensemble Cello,Flute,Soprano Recorder,Violin - Level 3 - Digital Download SKU: A0…
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Small Ensemble Cello,Flute,Soprano Recorder,Violin - Level 3 - Digital Download SKU: A0.900402 Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. Score and parts. 5 pages. Gustavo Fuentes #3637495. Published by Gustavo Fuentes (A0.900402). Pilgrim Lights. Celtic music song composed by Gustavo Fuentes, arranged for two voices. One melody instrument, such as tin-whistle, flute, recorder, low whistle, violin or piano and low voice like cello or bass, with chords for piano or guitar. The audio is from to the Gustavo Fuentes CD Almas en vuelo that you can listen to on Spotify. One of the few things that we know for certain in this life is that one day we will begin our journey to eternity. Some of our loved ones will begin their journey before us, and we will be left with memories of them and a sense of loss and absence.But some of our loved ones do not travel to eternity, they only wander away until we can meet again, and in the meantime all we can do is feel them from a distance.The old Druids believed distance was not measured in miles but in affection. That is why even when someone has left us and begun their pilgrimage to somewhere far away or to eternity, we can feel them and their light close to us.May those pilgrim lights shine bright and guide our journey. Canción de música celta compuesta por Gustavo Fuentes, arreglada para dos voces. Una aguda como tin-whistle, low whistle, flauta traversa, flauta dulce, violÃn o piano y un instrumento grave como cello o bajo, con cifrado de acordes para piano o guitarra. El audio pertenece al CD de Gustavo Fuentes Almas en vuelo, que se puede escuchar completo en Spotify. Nuestro viaje a la eternidad es una de las pocas certezas que tenemos en este plano de la vida. Y durante esta vida, muchos de nuestros afectos parten a su viaje antes que nosotros, dejándonos con su recuerdo, con su pérdida, con su falta.Algunos de nuestros seres queridos no viajan a la eternidad, tan sólo se alejan para tal vez reencontrarnos más tarde, y mientras tanto sólo nos queda sentirlos en la distancia.Según los antiguos druidas, la distancia no es un hecho geográfico sino afectivo. Por eso podemos sentir cerca a alguien que está lejos, a uno de esos seres luminosos que han iluminado nuestra vida para comenzar su peregrinaje, asà sea a un lugar lejano o a su morada eterna.Que esas luces peregrinas nos guÃen en nuestro camino, dándonos señales con su brillo.
$4.99
4.49 €
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Gustavo Fuentes
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Luces peregrinas
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Gustavo Fuentes
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SheetMusicPlus
Nothing Else Matters
Guitar - Level 4 - Digital Download SKU: A0.1434489 By Metallica. By James Hetfield…
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Guitar - Level 4 - Digital Download SKU: A0.1434489 By Metallica. By James Hetfield and Lars Ulrich. Arranged by Derek Hasted. Pop,Rock. 21 pages. Derek Hasted #1014651. Published by Derek Hasted (A0.1434489). NOTHING ELSE MATTERS (Metallica) - 3 GUITARS or LARGE ENSEMBLEFor Classical Guitar primarily - also suits Acoustic Guitar or Electric GuitarDerek Hasted writes This is an astonishing piece - hypnotically repetitive, yet full of contrasts, big builds and a reflecting ending. And well-known to so, so many people.My arrangement for 3 guitars is somewhere between intermediate (for Guitars 1 & 3) and advanced intermediate (Guitar 2), and will also suit a large ensemble.Guitar 1 is the tune, and Guitar 3 provides the countermelodies. Both are 3 pages long, and a bit of sticky tape to the joins will ensure they fit a normal music stand with no page turns.Guitar 2 (the electric guitar part) is 4 pages, but I have placed open strings and then a bar’s rest at the foot of the page to allow plenty of time for page turns. On a classical guitar we can’t bend the top string by a semitone, so my arrangement uses slurs to make a very acceptable alternative (and a couple of bars have yet more alternatives in the score).The full 6 minutes of the original is here, in the same key, using a variety of textures that help to capture the build-up and decay of the original.I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$6.99
6.29 €
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Metallica
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Nothing Else Matters
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Derek Hasted
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SheetMusicPlus
Elizabethan Serenade
Guitar Ensemble Guitar - Level 2 - Digital Download SKU: A0.1112883 By Ronald Binge…
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Guitar Ensemble Guitar - Level 2 - Digital Download SKU: A0.1112883 By Ronald Binge. By Ronald Binge. Arranged by Derek Hasted. 20th Century. Score and parts. 33 pages. Derek Hasted #714839. Published by Derek Hasted (A0.1112883). ELIZABETHAN SERENADE - 6 Guitars or 5+BassFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes Ronald Binge was a fantastic composer, but few people know of his works. He worked as an arranger for Mantovani, and was, they say, responsible for “The Mantovani Sound†- that cascade of overlapping waterfalls of strings. His Elizabethan Serenade is nothing less that utterly charming. My arrangement is modelled on the version I wrote for the Hampshire Guitar Orchestra (which played 4 different sizes of guitar). This arrangement is one tone higher, and fits nicely onto 6 classical or acoustic guitars (or a large ensemble). Guitar 6 is in treble and bass clefs, so one can substitute a double bass or electric bass, or thicken up the existing part with a deeper sound. My arrangement is mixed ability, almost all the music is early intermediate, but the top line is perhaps intermediate. There are plenty of dynamics which make the music come alive, but there is no fingering - almost all of it can be played in First Position, and a gentle mellow sound will create the most amazing accompaniment which the audience will be convinced has a hidden echo somewhere. When my guitar orchestra played this in concert, you could hear a pin drop - it is a wonderful piece and deserves to be played far more often. I hope YOU enjoy playing this piece!
$4.99
4.49 €
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Ronald Binge
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Elizabethan Serenade
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Derek Hasted
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SheetMusicPlus
Better Than a Hallelujah
Choir Sacred Instrumental Ensemble - Digital Download SKU: JX.00-36995 Composed by …
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Choir Sacred Instrumental Ensemble - Digital Download SKU: JX.00-36995 Composed by Chapin Hartford and Sarah Hart. Arranged by Nate Gustafson. This edition: InstruPax. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred SingPraise Series. Sacred. Part(s). 36 pages. Jubilate Music Group - Digital #00-36995. Published by Jubilate Music Group - Digital (JX.00-36995). English.Amy Grant has been known to blur the lines between sacred and secular. In this choral arrangement of a moving song from her album Somewhere Down The Road, she sings about how God, in His infinite wisdom and mercy, ignores the man-made lines altogether. Heart-felt honesty is better than hallelujah sometimes. True repentance peals louder than church bells. Alternate lyrics help make this anthem appropriate for ensembles or high school/college age groups. Related Scripture: Psalm 39:12; John 7:53-8:11; Luke 15:11-32.
$40.00
35.97 €
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Chapin Hartford and Sarah Hart
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Choral Octavo
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Better Than a Hallelujah
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Jubilate Music Group - Digital
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SheetMusicPlus
Jeopardy Theme
Small Ensemble Bass Voice,Drum Set,Flugelhorn,Piano - Level 3 - Digital Download SKU: A…
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Small Ensemble Bass Voice,Drum Set,Flugelhorn,Piano - Level 3 - Digital Download SKU: A0.734477 Composed by Merv Griffin. Arranged by Dennis Ruello. Contemporary. Score and parts. 7 pages. Chicory Music #5803427. Published by Chicory Music (A0.734477). Jeopardy!'s memorable theme song Think! was originally composed by show creator Merv Griffin as a lullaby for his son Tony; in 2005 Griffin told the New York Times that he had tossed the tune together in less than a minute. It might have been the most lucrative minute on record, though. In the same interview, Griffin estimated that the royalties from the theme had put somewhere between $70 and $80 million in his pockets.This combo arrangement has parts for:Flugelhorn (Horn in F Sub. Part), Piano, Bass, and Drum Set plus Full Score.
$12.99
11.68 €
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Merv Griffin
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Jeopardy Theme
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Chicory Music
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SheetMusicPlus
Jeopardy Theme
Small Ensemble Bass Voice,Clarinet,Drum Set,Flute,Piano - Level 3 - Digital Download SK…
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Small Ensemble Bass Voice,Clarinet,Drum Set,Flute,Piano - Level 3 - Digital Download SKU: A0.734475 Composed by Merv Griffin. Arranged by Dennis Ruello. Contemporary. Score and parts. 7 pages. Chicory Music #5800059. Published by Chicory Music (A0.734475). Jeopardy!'s memorable theme song Think! was originally composed by show creator Merv Griffin as a lullaby for his son Tony; in 2005 Griffin told the New York Times that he had tossed the tune together in less than a minute. It might have been the most lucrative minute on record, though. In the same interview, Griffin estimated that the royalties from the theme had put somewhere between $70 and $80 million in his pockets.This combo arrangement has parts for: Flute (Clarinet Sub. Part), Piano, Bass, and Drum Set plus Full Score.
$12.99
11.68 €
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Merv Griffin
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in 2005 Griffin told the
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Jeopardy Theme
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Chicory Music
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SheetMusicPlus
Strangers from the East (2016/2024- revised)
Instrumental Duet - Level 2 - Digital Download SKU: A0.1385550 By Stephen Sullivan.…
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Instrumental Duet - Level 2 - Digital Download SKU: A0.1385550 By Stephen Sullivan. By Stephen Sullivan. Arranged by Original Score. 21st Century,Contemporary,Folk. 9 pages. Stephen Sullivan Arts #969487. Published by Stephen Sullivan Arts (A0.1385550). This is music about when I was a freshman in college at Butler University in Indianapolis. I met this girl from somewhere on the East Coast, and we talked during lunch a few times, but that was all. Eventually I lost interest in her. But she was from the East Coast and was complaining about boarding school. Glad I never went.Stephen Sullivan, composer/arranger/lyricist, 02/20/2024.
$3.99
3.59 €
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Stephen Sullivan
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Strangers from the East
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Stephen Sullivan Arts
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SheetMusicPlus
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