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Start a Fire - Drums
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You've selected:
Start a Fire - Drums
Sheetmusic to print
16 sheet music found
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1
I Don't Want To Set The World On Fire
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Anthony Newley
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Dave Gingras and John E
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I Don't Want To Set The World
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DAVID LEE GINGRAS
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1508967 By Anthony Newley. By Bennie Benjamin, Eddie Durham, Eddie Seiler, and Sol Marcus. Arrange...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1508967 By Anthony Newley. By Bennie Benjamin, Eddie Durham, Eddie Seiler, and Sol Marcus. Arranged by Dave Gingras and John E. Dosher. Jazz,Pop,Rock. Score. 3 pages. DAVID LEE GINGRAS #1084217. Published by DAVID LEE GINGRAS (A0.1508967). I Don't Want to Set the World on Fire is a pop song written by Bennie Benjamin, Eddie Durham, Sol Marcus and Eddie Seiler. It was written in 1938, but was first recorded three years later by Harlan Leonard and His Rockets. It was covered by several musicians and groups, most successfully by Horace Heidt on Columbia Records, whose version reached number one on the US pop chart; and by The Ink Spots on Decca in 1941, whose version reached number four on the same listing. The song, with its open line I don't want to set the world on fire / I just want to start a flame in your heart... became especially popular after the attack on Pearl Harbor in December 1941. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added some pretty cool left-hand fills for your listening (playing?) pleasure - we hope you like what we've done to make this arrangement unique!
$5.99
We Didn't Start The Fire
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Billy Joel
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Rob Bullen
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We Didn't Start The Fire
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Rob Bullen
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SheetMusicPlus
Guitar,Instrumental Duet,Voice - Level 2 - Digital Download SKU: A0.1514911 By Billy Joel. By Billy Joel. Arranged by Rob Bullen. 20th Century,Pop. 7 pag...
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Guitar,Instrumental Duet,Voice - Level 2 - Digital Download SKU: A0.1514911 By Billy Joel. By Billy Joel. Arranged by Rob Bullen. 20th Century,Pop. 7 pages. Rob Bullen #1089405. Published by Rob Bullen (A0.1514911). Simple lead sheet with two-part voice and guitar chords. Includes separate lyrics. Perfect for a community choir or singing group.
$4.99
Start a Fire
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Pop music
#
John Legend
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Mac Huff
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Start a Fire
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Hal Leonard - Digital
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SheetMusicPlus
(Full Performance) - Digital Download SKU: HX.390119 By John Legend. Arranged by Mac Huff. Pop. Choral. Duration 194. Published by Hal Leonard - Digital ...
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(Full Performance) - Digital Download SKU: HX.390119 By John Legend. Arranged by Mac Huff. Pop. Choral. Duration 194. Published by Hal Leonard - Digital (HX.390119).
$1.99
Start a Fire
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Pop music
#
John Legend
#
Mac Huff
#
Start a Fire
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Hal Leonard - Digital
#
SheetMusicPlus
(Accompaniment Only) - Digital Download SKU: HX.390120 By John Legend. Arranged by Mac Huff. Pop. Choral. Duration 194. Published by Hal Leonard - Digita...
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(Accompaniment Only) - Digital Download SKU: HX.390120 By John Legend. Arranged by Mac Huff. Pop. Choral. Duration 194. Published by Hal Leonard - Digital (HX.390120).
$24.99
Firefly (Orchestra)
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Joseph Pugh
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Firefly
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Joseph Pugh
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SheetMusicPlus
Large Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Harp,Horn,Oboe,Timpani,Trombone,Trumpet,Tuba,Viola,Violin - Level 3 - Digital Download SKU: A0.855115...
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Large Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Harp,Horn,Oboe,Timpani,Trombone,Trumpet,Tuba,Viola,Violin - Level 3 - Digital Download SKU: A0.855115 Composed by Joseph Pugh. 20th Century,Concert,New Age,Pop,Standards. Score and parts. 30 pages. Joseph Pugh #6208437. Published by Joseph Pugh (A0.855115). Here's an original tune ,by Joseph Pugh, arranged for Symphony Orchestra.Download it today at a reduced rate for your group and start practicing for your next concert.
$35.00
Ring of Fire
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Fred Sturm
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Ring of Fire
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Heritage Music Press
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SheetMusicPlus
Jazz Band - Grade 4 - Digital Download SKU: LX.60-1034H Composed by Fred Sturm. Jazz Band. 88 pages. Heritage Music Press #e60/1034H. Published by Herita...
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Jazz Band - Grade 4 - Digital Download SKU: LX.60-1034H Composed by Fred Sturm. Jazz Band. 88 pages. Heritage Music Press #e60/1034H. Published by Heritage Music Press (LX.60-1034H). UPC: 000308055061.This dynamic concert work from the creative genius of Fred Strum is one of the most interesting compositions for high school jazz groups ever. Mixed-meter, startling dynamic effects, an innovative approach to orchestration, cutting edge harmony... It all adds up to a piece that you and your student will remember long after the concert.
$50.00
Veillée à Crostand (Campfire in Crostand)
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Ralph Coleman
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Veillée à Crostand
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Ralph Coleman
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SheetMusicPlus
Large Ensemble B-Flat Clarinet,B-Flat Trumpet,B-Flat Tuba,Bass Clarinet,Bass Trombone,Bass Voice,Bassoon,Drum Set,E-Flat Alto Saxophone,E-Flat Baritone Saxophon...
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Large Ensemble B-Flat Clarinet,B-Flat Trumpet,B-Flat Tuba,Bass Clarinet,Bass Trombone,Bass Voice,Bassoon,Drum Set,E-Flat Alto Saxophone,E-Flat Baritone Saxophone,E-Flat Clarinet,Euphonium,Flute,Glockenspiel,Horn,Maracas,Oboe,Piccolo,Tenor Saxophone,Timpani,Wind Chimes - Level 3 - Digital Download SKU: A0.1127760 Composed by Ralph Coleman. Contest,Festival,Folk,Traditional. Score and parts. 64 pages. Ralph Coleman #728367. Published by Ralph Coleman (A0.1127760). Veillée à Crostand (Campfire in Crostand) is a lively piece for wind ensemble, with a difficulty grade which makes it perfectly accessible to collegiate wind ensembles. Its inspiration is taken from a typical day at a scout camp, starting with hoisting the flag and a calm moment in early morning, before the real adventures begin. After walking in the nature and enjoying its beauty, the adventures continue and rise up to the finale with songs and rejoicing around the campfire.
$70.00
The Eve of Battle, or, England Invaded, a New Song
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Z
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The Eve of Battle, or, England
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Harpsichord and voice - Digital Download SKU: LV.13979 Composed by Z. Wyvill. Warfare--England, Campaigns & battles. Lester S. Levy Collection. 4 pages. ...
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Harpsichord and voice - Digital Download SKU: LV.13979 Composed by Z. Wyvill. Warfare--England, Campaigns & battles. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.13979). The Eve of Battle, or, England Invaded, a New Song. Set to Music by Z. Wyvill, Teacher of the Harpsichord & Singing. Published [n.d.] by Goulding, Phipps & D'Almaine, 45 Pall Mall & 76 Thames St. in London. Composition of sectional, consisting of solo and choral sections, including a choral trio with harpsichord and voice instrumentation. Subject headings for this piece include Warfare--England, Campaigns & battles. First line reads The hour of Battle now draws nigh First line of trio Shades of Heroes gone inspire us, Children Wives and Country fire us.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Vichnaya Pamyat
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Various
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Rob Bushnell
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Vichnaya Pamyat
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RBMusic
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SheetMusicPlus
Brass Ensemble Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.752457 By Various. By Hildur Gudnadottir...
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Brass Ensemble Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.752457 By Various. By Hildur Gudnadottir. Arranged by Rob Bushnell. Contemporary,Film/TV,Folk,Sacred,Traditional. Score and parts. 17 pages. RBMusic #6504099. Published by RBMusic (A0.752457). In 1982, the Vladimir Ilyich Lenin Nuclear Power Plant started a series of tests to simulate an electrical power outage to help create procedures for maintaining the circulation of the reactor coolant for the 60-75 seconds needed until the back-up generators got to full power. This was key to ensure that the coolant pumps did not stop working; otherwise, it could lead to the core overheating or, worse, the core melting down. The first test was unsuccessful, and, after some modifications, the test was repeated in 1984 and 1985. On 25 April 1986, a fourth test was scheduled to take place at 1415hrs during a controlled power-down of one of the reactors. However, at 1400hrs, another regional power station went offline, causing the test to be delayed by 10-hours. With the well-prepared day and evening crews’ shifts over, the test was left to the unprepared night crew. Unbeknownst to them, safety systems and protocols had been disabled or ignored earlier in the day, power-output issues had left the reactor in an unstable condition and there were basic design flaws with the reactor when it was constructed. All of this led to an uncontrolled chain reaction and, at some point around 01:23:45 in the morning of 26 April 1986, explosions and a fire destroyed a reactor building of reactor number 4 at Chernobyl. Radioactive contamination was released into the surrounding areas, 100,000s of people were evacuated, a 30-kilometre exclusion zone was put in place and whilst, officially, only 31 people died from this disaster, it has been estimated that between 4,000 and 16,000 fatalities are related to the events of that day. The area is likely to be unsafe for the next 20,000 years. The soundtrack to the TV mini-series Chernobyl is by the Icelandic composer, Hildur Guðnadóttir. The music is made, almost entirely, from sounds that she recorded at a decommissioned Nuclear power plant in Lithuania, giving it a very raw quality. She says the show itself portrays the disaster with respect and realism, and I was adamant the score reflects this. I wanted to show the viewer how it would feel to be there, and to tell this story of fear, loss and, ultimately, human error. Vichnaya Pamyat translated to Memory Eternal in Ukrainian, but a better English equivalent would be Rest in Peace. It is a hymn used during Ukrainian Orthodox Christian church funerals and memorial services. Guðnadóttir’s arrangement is heard at the end of the final episode of the series. This arrangement is in the original key. A transposed version, making it easier to play, is available, item number H0.1100563-SC004126925. The arrangement also includes alternative parts for tenor horn, treble-clef trombone/euphonium and tuba. A recording of the music from the original soundtrack can be found on YouTube: https://www.youtube.com/watch?v=4Poc3MF8GFk.
$13.99
Vichnaya Pamyat
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Various
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Rob Bushnell
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Vichnaya Pamyat
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RBMusic
#
SheetMusicPlus
Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.752458 By Various. By Hildur Gudnadottir. Arranged by R...
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Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.752458 By Various. By Hildur Gudnadottir. Arranged by Rob Bushnell. Contemporary,Film/TV,Folk,Religious,Sacred. 17 pages. RBMusic #6506025. Published by RBMusic (A0.752458). In 1982, the Vladimir Ilyich Lenin Nuclear Power Plant started a series of tests to simulate an electrical power outage to help create procedures for maintaining the circulation of the reactor coolant for the 60-75 seconds needed until the back-up generators got to full power. This was key to ensure that the coolant pumps did not stop working; otherwise, it could lead to the core overheating or, worse, the core melting down. The first test was unsuccessful, and, after some modifications, the test was repeated in 1984 and 1985. On 25 April 1986, a fourth test was scheduled to take place at 1415hrs during a controlled power-down of one of the reactors. However, at 1400hrs, another regional power station went offline, causing the test to be delayed by 10-hours. With the well-prepared day and evening crews’ shifts over, the test was left to the unprepared night crew. Unbeknownst to them, safety systems and protocols had been disabled or ignored earlier in the day, power-output issues had left the reactor in an unstable condition and there were basic design flaws with the reactor when it was constructed. All of this led to an uncontrolled chain reaction and, at some point around 01:23:45 in the morning of 26 April 1986, explosions and a fire destroyed a reactor building of reactor number 4 at Chernobyl. Radioactive contamination was released into the surrounding areas, 100,000s of people were evacuated, a 30-kilometre exclusion zone was put in place and whilst, officially, only 31 people died from this disaster, it has been estimated that between 4,000 and 16,000 fatalities are related to the events of that day. The area is likely to be unsafe for the next 20,000 years. The soundtrack to the TV mini-series Chernobyl is by the Icelandic composer, Hildur Guðnadóttir. The music is made, almost entirely, from sounds that she recorded at a decommissioned Nuclear power plant in Lithuania, giving it a very raw quality. She says the show itself portrays the disaster with respect and realism, and I was adamant the score reflects this. I wanted to show the viewer how it would feel to be there, and to tell this story of fear, loss and, ultimately, human error. Vichnaya Pamyat translated to Memory Eternal in Ukrainian, but a better English equivalent would be Rest in Peace. It is a hymn used during Ukrainian Orthodox Christian church funerals and memorial services. Guðnadóttir’s arrangement is heard at the end of the final episode of the series. This arrangement is not in the original key and has been transposed to make it easier to play. A version in the original key is available, item number H0.1099667-SC004126925. The arrangement also includes alternative parts for tenor horn, treble-clef trombone/euphonium and tuba. A recording of the music from the original soundtrack can be found on YouTube: https://www.youtube.com/watch?v=4Poc3MF8GFk.
$13.99
On That Cross (Piano part ONLY)
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Sacred music
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
#
SheetMusicPlus
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Chri...
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Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 1 pages. Stuart Brown Music #782621. Published by Stuart Brown Music (A0.1182872). The accompanying score and a choral bundle are also available from this website.The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$1.99
On That Cross (choir pack + piano part + licence)
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Sacred music
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Chri...
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Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 14 pages. Stuart Brown Music #782619. Published by Stuart Brown Music (A0.1182870). The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$16.00
Never Gonna Give You Up
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Pop music
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Rick Astley
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Ellen Harle
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Never Gonna Give You Up
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Fireworks Music
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SheetMusicPlus
String Ensemble,String Quintet Cello,Double Bass,Viola,Violin - Level 2 - Digital Download SKU: A0.802879 By Rick Astley. By Matthew Aitken, Mike Stock, ...
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String Ensemble,String Quintet Cello,Double Bass,Viola,Violin - Level 2 - Digital Download SKU: A0.802879 By Rick Astley. By Matthew Aitken, Mike Stock, and Peter Waterman. Arranged by Ellen Harle. Pop. Score and parts. 21 pages. Fireworks Music #409853. Published by Fireworks Music (A0.802879). Made popular in the past decade, the rickroll is a classic bait and switch prank, whereby someone is tricked into listening to Rick Astley's Never Gonna Give You Up when expecting something different. Your students will love to Rickroll their audience! This arrangement starts with a snippet of Pachelbel's timeless Canon in D, to lull the audience into a false sense of seriousness - the bass plays the usual cello part here, with the cello leading the canon. After a few bars, we pause on a dominant chord, before launching into the upbeat strains of this classic 80's pop anthem. To leave out the prank, just omit the first two lines, and commence from rehearsal mark A. Arranged into D major for ease of playing. Cello, bass and viola parts include limited position work. The melody is passed between parts with the exception of the double bass, who opens the Pachelbel's Canon in D snippet. Included in purchase is the score and all parts, including Violin 3 (Viola part in treble clef). A great piece for school age students.
$12.99
Piano Quartet (2019) for violin, viola, cello and piano
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Thomas Oboe Lee
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Piano Quartet
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Thomas Oboe Lee
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SheetMusicPlus
String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.869600 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Rom...
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String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.869600 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 34 pages. Thomas Oboe Lee #4639473. Published by Thomas Oboe Lee (A0.869600). Sally Pinkas and I go way back!!! She has performed my music on many occasions, both as soloist and in chamber music settings. She and her husband Evan Hirsch recorded my Visconti-Sforza Tarot Cards, opus 66 (1996) on the Arsis label. I wrote Twenty-nine Fireflies Book V ... Four Pieces [xxvi-xxix] (2002) for them.Last year Sally as a member of the Schumann Ensemble asked me to write a trio for oboe, viola and piano. I gave them Parodia Schumanniana (2016) which they have performed quite a few times and then recorded it for my bandcamp page. This year Sally asked me to write a piano quartet for her and the Adaskin Trio. So I started it on April 11 and competed it on May 28th, 2019.Piano Quartet (2019) is in five movements. 1. Moderato2. Vivace3. Adagio4. Allegro vivace5. LargoAudio link: https://thomasoboelee.bandcamp.com/album/piano-quartet-2019YouTube link: https://youtu.be/3Uw7rJUj_rA
$9.99
Handel: Largo from Xerxes for Oboe d'Amore & Piano
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Classical
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549387 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP....
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549387 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and individual part. 9 pages. Jmsgu3 #3492327. Published by jmsgu3 (A0.549387). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
FOREST TALES (pieces for classical guitar in unequal time signatures)
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Vasil Belezhkov
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Vasil Belezhkov
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FOREST TALES
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Vasil Belezhkov
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SheetMusicPlus
Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1399445 By Vasil Belezhkov. By Vasil Belezhkov. Arranged by Vasil Belezhkov. 21st ...
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Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1399445 By Vasil Belezhkov. By Vasil Belezhkov. Arranged by Vasil Belezhkov. 21st Century,Children,Classical,Folk. Individual part. 26 pages. Vasil Belezhkov #982729. Published by Vasil Belezhkov (A0.1399445). FOREST TALES is a collection of 10 pieces that aim to acquaint classical guitar students with the unequal time signatures most commonly used in Bulgarian folk music  (starting with 5/8, all the way  to 15/8). Each of the pieces is aimed at mastering a certain technical element: the ‘Little Spider’ stretches the threads of its cobweb through a descending legato to an open string, ‘Dr. Woodpecker’ takes care of the bark of the trees through various percussion techniques, the ‘Fireflies’ glitter with the sound of natural harmonics, and so on.All musicians all over the world are familiar with dance forms like alemande and sarabande, menuette and waltz, tango and rumba, but how many of them are familiar with the different Bulgarian types of 'horo' (ring-dances)? Each piece in my 'Forest Tales' collection is predecesed by a text explaining which dances from which Bulgarian folk regions are typical for this or that time signature and how we are supposed to count the beats in it.I wish you a pleasant and fruitful time with this book!Vasil BelezhkovP.S. Some of the pieces also have piano transcriptions made by me.
$3.00
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