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The Cure
Sheetmusic to print
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"Calisthenics for Treble/Alto Recorder" 15 Etudes, Gallops, Polkas, Variations
Small Ensemble Alto Recorder,Baritone Recorder,Flute - Level 3 - Digital Download SKU: …
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Small Ensemble Alto Recorder,Baritone Recorder,Flute - Level 3 - Digital Download SKU: A0.842538 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290011. Published by bl_music (A0.842538). Calisthenics for Treble/Alto Recorder 15 Solo-Etudes, Gallops, Polkas, Variations (notation: treble clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
14.68 €
#
Various
#
"Calisthenics for Treble/Alto Recorder" 15 Etudes, Gallops, Polkas, Variations
#
bl_music
#
SheetMusicPlus
"Calisthenics for Great Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
Small Ensemble Baritone Recorder,Bassoon - Level 3 - Digital Download SKU: A0.842539
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Small Ensemble Baritone Recorder,Bassoon - Level 3 - Digital Download SKU: A0.842539 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290017. Published by bl_music (A0.842539). Calisthenics for Great Bass Recorder 15 Solo-Etudes, Gallops, Polkas, Variations (notation: bass clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
14.68 €
#
Various
#
"Calisthenics for Great Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
#
bl_music
#
SheetMusicPlus
"Calisthenics for Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
Small Ensemble Baritone Recorder,Bassoon,Cello - Level 3 - Digital Download SKU: A0.842…
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Small Ensemble Baritone Recorder,Bassoon,Cello - Level 3 - Digital Download SKU: A0.842536 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290001. Published by bl_music (A0.842536). Calisthenics for Bass Recorder 15 Solo-Etudes, Gallops, Polkas, Variations (notation: bass clef)15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores.What are Calisthenics?You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo)We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication CalisthenicsThe music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication.The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure.In the words of the old Victorians:The highest refinement of that beauty is unattainable without splendour of activity and delicate strength.Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing.Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied.Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs.A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
14.68 €
#
Various
#
"Calisthenics for Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
#
bl_music
#
SheetMusicPlus
"Calisthenics for Recorders in C" 15 Fun Studies,Gallops,Polkas,Variations
Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Oboe,Soprano Recorder,Sopr…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Oboe,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone - Level 3 - Digital Download SKU: A0.842537 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290007. Published by bl_music (A0.842537). Calisthenics for Recorders in C 15 Solo-Etudes, Gallops, Polkas, Variations (notation: treble clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
14.68 €
#
Various
#
"Calisthenics for Recorders in C" 15 Fun Studies,Gallops,Polkas,Variations
#
bl_music
#
SheetMusicPlus
Rhythm is The Cure
Percussion - Intermediate - Digital Download SKU: M0.21463MEB Southern Italian T…
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Percussion - Intermediate - Digital Download SKU: M0.21463MEB Southern Italian Tambourine. Composed by Alessandra Belloni. Percussion: Hand Percussion and Bodhran. European. E-book and online video. Mel Bay Publications - Digital Sheet Music #21463MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.21463MEB). ISBN 9781619115170. 8.75x11.75 inches.This book with online video will introduce the reader to the tambourine and folk dance tradition of Southern Italy, the Tarantella. Students will learn the techniques of Tarantella tambourine playing as well as the history of this ancient tradition. This book reflects 25 years of field research and performance by the author, Alessandra Belloni.
$22.99
21.11 €
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Alessandra Belloni
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Rhythm is The Cure
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
The 'Rectile Dysfunctioning Blues
Digital Download SKU: A0.1072010 Composed by Jim Ivy. Arranged by Jim Ivy. Contempo…
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Digital Download SKU: A0.1072010 Composed by Jim Ivy. Arranged by Jim Ivy. Contemporary,Country. Full Performance. Duration 97. Jim Ivy #5214027. Published by Jim Ivy (A0.1072010). You've heard the Men's Clinic ads on the radio. This one is just for fun!A fellow named EdWas havin’ trouble in the bedTill he turned on his radio.The announcer saidAre you having trouble in bed?There is a place you can go!Oh, the doctor’s thereSpecialize in men’s care,They’ve got the cure you can use!Just go on inYou’ll leave with a grinAnd a stiffer… constitution!---------------------------------------If the women in your lifeAre giving you strifeYou just can’t keep it up no more.Say you’re out on a date andShe says, Oh, please stay late!Do you just hang your head at the door?Now you can walk right in,You’ll leave with a grin‘Cause of your new stiffer… constitution!So if your problems halfwayBetween your head and your toesYou got the ‘rectile Dysfunctioning Blues’.
$1.99
1.83 €
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Jim Ivy
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The 'Rectile Dysfunctioning Blues
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Jim Ivy
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SheetMusicPlus
The Cure
Small Ensemble High Voice,Low Voice,Medium Voice - Digital Download SKU: A0.929557 …
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Small Ensemble High Voice,Low Voice,Medium Voice - Digital Download SKU: A0.929557 By Lady Gaga. By Lukas Nelson, Mark Nilan, Nick Monson, Paul Blair, and Stefani Germanotta. Arranged by Lee Stovall. A Cappella,Pop. Score and parts. 10 pages. Lee Stovall #3531409. Published by Lee Stovall (A0.929557). A cappella arrangement of The Cure by Lady Gaga for treble voices.
$12.99
11.93 €
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Lady Gaga
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The Cure
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Lee Stovall
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SheetMusicPlus
What do they matter? (for medium-high voice and harp)
Small Ensemble Harp,Voice - Level 5 - Digital Download SKU: A0.799604 Composed by N…
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Small Ensemble Harp,Voice - Level 5 - Digital Download SKU: A0.799604 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary. Score and parts. 4 pages. Nicole Elyse DiPaolo #3417119. Published by Nicole Elyse DiPaolo (A0.799604). This short song was composed in 2012 during my doctoral coursework at Indiana University's Jacobs School of Music. It was written for tenor, but given its accessible range (Db4 to G5 in the original key), it would work well for lighter voices in many fachs, including light lyric sopranos, baritones, and mezzos. The text, translated from a poem by Takuboku Ishikawa (1886-1912), is gender-neutral. This would be a great introduction to new music for an undergraduate singer with strong aural skills and a still-light voice (since young dramatics might overpower the harp).If you'd like to talk about commissioning a transposed score, please get in touch! Transposition options will be a bit more limited with the harp than with the piano, but I'm sure we could make something work.Poem text (in English translation, as it appears in the score)Setting sun, Drifting clouds, New moon, Evening twilight, What do they matter to me?Composer biography:Nicole Elyse DiPaolo is a versatile composer, teacher, collaborative pianist, and music theorist currently based in Bloomington, Indiana. Currently a PhD candidate in music theory at Indiana University, she recently completed a doctoral minor in composition, having studied with Claude Baker, Don Freund, P. Q. Phan, and David Schneider. She also holds a B.Mus. from the University of Michigan, where she studied composition with Bright Sheng and piano with Louis Nagel. Nicole's music has been heard across the world: along with numerous performances in the Midwest, her commissioned song settings of Muscogee poet laureate Alexander Posey's texts have been performed at Shorter College (GA) and Lincoln University (PA), and the Smithsonian Institution procured copies of two of these (Nature's Blessings and A Vision) to archive at the National Museum of the American Indian. Additionally, Nicole's viola duo Three Episodes was featured at Ball State University's 40th Annual New Music Festival in February 2010. Her early compositions have been garnering interest as well: music students in Kenya performed several of Nicole's such pieces in May 2013 through a pedagogical project spearheaded by IU faculty member Kimberly Carballo. Nicole's music also received its Mexican premiere in October 2013 with a performance of her Divertimento, written for the International String Quartet of Yucatán. In 2014, Nicole published a set of twenty short pedagogical pieces in uncommon keys, entitled Venturing Beyond, available on SheetMusicPlus. Also a sought-after teacher and adjudicator, Nicole frequently judges regional and divisional MTNA composition competitions at all levels, ranging from elementary to college-level Young Artists, and she also served as the composition department chair at Blue Lake Fine Arts Camp in 2014. For more on Nicole DiPaolo and her varied musical pursuits, visit her website at http://ndipaolo.musicaneo.com !
$5.99
5.5 €
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Nicole Elyse DiPaolo
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What do they matter?
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Nicole Elyse DiPaolo
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SheetMusicPlus
Cure For Me
Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.1116568 Compos…
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Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.1116568 Composed by Aurora Aksnes and Magnus Skylstad. Arranged by Jose Welligton Sousa de Castro. Multicultural,Pop,Wedding,World. 13 pages. Jose Welligton Sousa de Castro #718223. Published by Jose Welligton Sousa de Castro (A0.1116568). Looking to add a trendy and exciting song to your Clarinet Quartet's repertoire? Look no further than our exclusive arrangement of Cure For Me by Aurora Aksnes, popularized on TikTok and loved by fans worldwide. Arrangement by Welligton Sousa is written for Clarinet Bb I, II, III and Bass Clarinet, and features all the essential parts needed to perform this infectious and lively tune. The arrangement is written in the key of E minor and stays true to the energetic and upbeat character of the original song. Whether you're a seasoned clarinet quartet player or just starting out, this arrangement is perfect for any level of expertise. Don't miss out on the chance to add this hit song to your quartet's repertoire and impress your audience with the catchy melodies and infectious rhythms of Cure For Me. Order your sheet music today and get ready to play this TikTok sensation like a pro.
$12.99
11.93 €
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Aurora Aksnes and Magnus Skylstad
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Cure For Me
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Jose Welligton Sousa de Castro
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SheetMusicPlus
Am secured in thee
Level 2 - Digital Download SKU: A0.1029730 Composed by Focus Solomon. Arranged by F…
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Level 2 - Digital Download SKU: A0.1029730 Composed by Focus Solomon. Arranged by Focus Solomon. Praise & Worship,Sacred,Spiritual. 2 pages. Focus Solomon #5361227. Published by Focus Solomon (A0.1029730). The song is mainly for those who knows and understand that their future, tomorrow and all that they will ever be is in the hands of God. how do you then know how to, or how secured your future is? That you will discover in the song. The song is composed under the auspices of Focus on Music Concept which is a subsidiary of Focus Universal Concept. May God keep you secured.
$5.99
5.5 €
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Focus Solomon
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Am secured in thee
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Focus Solomon
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SheetMusicPlus
The Counter of The Point
Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.943859
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Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.943859 Composed by Jonah Koppitz. 20th Century,Contemporary. Score and parts. 1 pages. Jonah Koppitz #5748861. Published by Jonah Koppitz (A0.943859). The first thing that you should know about this piece is that it breaks nearly every rule of counterpoint that it can. To me, this composition represents the antithesis of how classical composers thought to compose. By directly contradicting the rules they follow and still creating music, it shows that stiff rule formats and limits on what makes good music are not necessary and oftentimes restrict creative composing. My only hope is that, if Johann Joseph Fux were alive today, he’d see my work as an abomination of all the rules he holds so dear.My Ruleset:1. In sixth species counterpoint (countercounterpoint/anticounterpoint), you may write as many notes as desired in your new melody for each note in the cantus firmus.2. The first note and the last note must not form either an octave, unison, or a fifth with the cantus firmus.3. The penultimate note of your melody should not be an even scale degree.4. Augmented Fourths must resolve down and Diminished Fifths must resolve up.5. You may use parallel motion very recklessly because it obscures the independence of the voices.6. The harmonic interval formed between the voices on the downbeat of every measure may not be a perfect/major consonance-unison, third, fifth, sixth or octave. Diminished, Augmented, and Minor are fine.7. The interval formed between the voices on the second beat of every measure may not be a major third or major sixth.8. The overall shape of your melody should have a single high-point, preferably as far from the middle as is reasonable.9. Except for on the first beat of a measure, Consonant intervals are only allowed if preceded by a dissonant interval on a strong beat.10. Every Chord is fair game.11. The interval between the first beat of each measure should alternate between even numbers and odd numbers.12. Leaps must prepare, leap, and resolve in the same direction and may be greater than a fifth.13. Functional Harmony is for cowards who let chords tell them what to do.
$1.99
1.83 €
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directly contradicting the rules they follow and still creating music, it shows that stiff rule formats and limits on what makes good music are not necessary and oftentimes restrict creative composing
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Jonah Koppitz
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The Counter of The Point
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Jonah Koppitz
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SheetMusicPlus
Tarantella Ragno Lupo (The Wolf Spider Tarantella)
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1321555 Composed by Chris Gorman. Arranged by Chris Gorman. Classical,Historic. Brass Band. 61 pages. Chris Gorman #910024. Published by Chris Gorman (A0.1321555). The Tarantella is a rapid dance in 6/8 time, originating in Italy. In the Italian province of Taranto, Apulia, the bite of a locally common type of wolf spider, named tarantula after the region, was popularly believed to be highly venomous and to lead to a hysterical condition known as tarantism. In this theme, the listener can imagine that someone has been bitten by a Tarantula and that person must dance very vigorously to cure the bite. At one point (8 measures before Rehearsal Mark I, the delirious dancer almost comes to a sleepy halt, but manages to summon the strength to finish the dance to become cured.
$40.00
36.73 €
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Chris Gorman
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Tarantella Ragno Lupo
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Chris Gorman
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SheetMusicPlus
My Father's Love, a Father's Day Tribute
Choral Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.824259 Composed by Ke…
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Choral Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.824259 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Score. 8 pages. Kevin G. Pace #431091. Published by Kevin G. Pace (A0.824259). A beautiful vocal solo paying tribute to all fathers. Music by Kevin G. Pace. Text by Mary Ann W. Snowball. Text: My father’s love was manifest when in his arms I laid. His strength would ever hold me tight, a bond securely made. My father’s love was shown to me each day when I’d confide. My father’s love still radiates. To him I’m ever tied. We’ve been together through the years; he gave me wings to fly. He taught me how to live my life and gave me reasons why. He often said to be my best, keep promises I heard, to show great kindness when I spoke, and of our God to learn. My father’s love extends beyond to all posterity, to ev’ry single grandchild now, plus new births yet to be. He wants each one to feel his love and know he deeply cares. My father’s love still multiplies and is so very rare. My father’s love is manifest up to this very day. His strength still holds me carefully in his respectful way. His special love is shown to me each time I hear his voice. My father’s love still radiates; he’ll always be my choice.
$3.99
3.66 €
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Kevin G
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he gave me wings to fly
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My Father's Love, a Father's Day Tribute
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Kevin G. Pace
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SheetMusicPlus
"The Girl That No One Knows" Track 7. Next: The Musical (A Sidekick Story)
Alto Voice,Piano,Soprano voice - Digital Download SKU: A0.1068588 Composed by Angel…
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Alto Voice,Piano,Soprano voice - Digital Download SKU: A0.1068588 Composed by Angela Fox. Broadway,Children,Contemporary,Musical/Show. Full Performance. Duration 133. Angela Fox #3895871. Published by Angela Fox (A0.1068588). Original Cast Recording of Next: The Musical (A Sidekick Story). Winner of two Fringe Festival Awards! Next- Zoey and Ensemble Me and My Shelf- Zoey and Ensemble I'm So Cold- Zoey and Abby Nervous- Zoey Spelling Bee- Abby and Ensemble Shadowbox- Zoey and Narrator The Girl That No One Knows- Abby, Zoey, and Ensemble Next Reprise- Zoey, Abby, Narrator, and EnsembleDo you ever feel like the sidekick in your friendship? Has your name tag ever been printed Jamie's friend? Is your Instagram full of pictures of your friends and.. your elbow. You may be suffering from sidekick-itis. But there is a cure! Sing along with the original cast of Next: The Musical (A Sidekick Story), a kid's musical from the sidekick's point of view. Great for all ages!Next is a heartfelt and honest musical comedy about issues we all face in our lives. It follows the friendship between Zoey, a shy girl who often feels unnoticed, and her best friend Abby, the girl that everyone knows and loves.Original Cast: Zoey: Honora Smith Abby: RoRo Germ Narrator: Angela Fox Hilary: Ellen Orzoff Janelle: Abbey Bortel Nicole: Zoey Corsaro Vernon: Jacob McKinney Written by Tim Wick, Jason Kruger and Angela Fox Music and lyrics by Angela Foxhttp://www.angelafoxmusic.com/theater-and-film.html
$1.99
1.83 €
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Angela Fox
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"The Girl That No One Knows" Track 7. Next: The Musical
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Angela Fox
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SheetMusicPlus
"Next: Reprise" Track 8. Next: The Musical (A Sidekick Story)
Alto Voice,Piano,Soprano voice,Tenor Voice - Digital Download SKU: A0.1068592 Compo…
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Alto Voice,Piano,Soprano voice,Tenor Voice - Digital Download SKU: A0.1068592 Composed by Angela Fox. Broadway,Children,Contemporary,Musical/Show. Full Performance. Duration 70. Angela Fox #3895873. Published by Angela Fox (A0.1068592). Original Cast Recording of Next: The Musical (A Sidekick Story). Winner of two Fringe Festival Awards!Next- Zoey and EnsembleMe and My Shelf- Zoey and EnsembleI'm So Cold- Zoey and AbbyNervous- ZoeySpelling Bee- Abby and EnsembleShadowbox- Zoey and NarratorThe Girl That No One Knows- Abby, Zoey, and EnsembleNext Reprise- Zoey, Abby, Narrator, and EnsembleDo you ever feel like the sidekick in your friendship? Has your name tag ever been printed Jamie's friend? Is your Instagram full of pictures of your friends and.. your elbow. You may be suffering from sidekick-itis. But there is a cure! Sing along with the original cast of Next: The Musical (A Sidekick Story), a kid's musical from the sidekick's point of view. Great for all ages!Next is a heartfelt and honest musical comedy about issues we all face in our lives. It follows the friendship between Zoey, a shy girl who often feels unnoticed, and her best friend Abby, the girl that everyone knows and loves.Original Cast: Zoey: Honora Smith Abby: RoRo Germ Narrator: Angela Fox Hilary: Ellen Orzoff Janelle: Abbey Bortel Nicole: Zoey Corsaro Vernon: Jacob McKinney Written by Tim Wick, Jason Kruger and Angela Fox Music and lyrics by Angela Foxhttp://www.angelafoxmusic.com/theater-and-film.html
$1.99
1.83 €
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Angela Fox
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"Next: Reprise" Track 8. Next: The Musical
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Angela Fox
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SheetMusicPlus
"Next" Track 1. Next: The Musical (A Sidekick Story)
Alto Voice,Piano,Soprano voice,Tenor Voice - Digital Download SKU: A0.1068584 Compo…
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Alto Voice,Piano,Soprano voice,Tenor Voice - Digital Download SKU: A0.1068584 Composed by Angela Fox. Broadway,Children,Contemporary,Musical/Show. Full Performance. Duration 209. Angela Fox #3895859. Published by Angela Fox (A0.1068584). Original Cast Recording of Next: The Musical (A Sidekick Story). Winner of two Fringe Festival Awards! Next- Zoey and Ensemble Me and My Shelf- Zoey and Ensemble I'm So Cold- Zoey and Abby Nervous- Zoey Spelling Bee- Abby and Ensemble Shadowbox- Zoey and Narrator The Girl That No One Knows- Abby, Zoey, and Ensemble Next Reprise- Zoey, Abby, Narrator, and EnsembleDo you ever feel like the sidekick in your friendship? Has your name tag ever been printed Jamie's friend? Is your Instagram full of pictures of your friends and.. your elbow. You may be suffering from sidekick-itis. But there is a cure! Sing along with the original cast of Next: The Musical (A Sidekick Story), a kid's musical from the sidekick's point of view. Great for all ages!Next is a heartfelt and honest musical comedy about issues we all face in our lives. It follows the friendship between Zoey, a shy girl who often feels unnoticed, and her best friend Abby, the girl that everyone knows and loves.Original Cast: Zoey: Honora Smith Abby: RoRo Germ Narrator: Angela Fox Hilary: Ellen Orzoff Janelle: Abbey Bortel Nicole: Zoey Corsaro Vernon: Jacob McKinney Written by Tim Wick, Jason Kruger and Angela Fox Music and lyrics by Angela Foxhttp://www.angelafoxmusic.com/theater-and-film.html
$1.99
1.83 €
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Angela Fox
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"Next" Track 1. Next: The Musical
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Angela Fox
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SheetMusicPlus
Spelling Bee" Track 5. Next: The Musical (A Sidekick Story)
Alto Voice,Piano,Soprano voice,Tenor Voice - Digital Download SKU: A0.1068589 Compo…
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Alto Voice,Piano,Soprano voice,Tenor Voice - Digital Download SKU: A0.1068589 Composed by Angela Fox. Broadway,Children,Contemporary,Musical/Show. Full Performance. Duration 257. Angela Fox #3895867. Published by Angela Fox (A0.1068589). Original Cast Recording of Next: The Musical (A Sidekick Story). Winner of two Fringe Festival Awards! Next- Zoey and Ensemble Me and My Shelf- Zoey and Ensemble I'm So Cold- Zoey and Abby Nervous- Zoey Spelling Bee- Abby and Ensemble Shadowbox- Zoey and Narrator The Girl That No One Knows- Abby, Zoey, and Ensemble Next Reprise- Zoey, Abby, Narrator, and EnsembleDo you ever feel like the sidekick in your friendship? Has your name tag ever been printed Jamie's friend? Is your Instagram full of pictures of your friends and.. your elbow. You may be suffering from sidekick-itis. But there is a cure! Sing along with the original cast of Next: The Musical (A Sidekick Story), a kid's musical from the sidekick's point of view. Great for all ages!Next is a heartfelt and honest musical comedy about issues we all face in our lives. It follows the friendship between Zoey, a shy girl who often feels unnoticed, and her best friend Abby, the girl that everyone knows and loves.Original Cast: Zoey: Honora Smith Abby: RoRo Germ Narrator: Angela Fox Hilary: Ellen Orzoff Janelle: Abbey Bortel Nicole: Zoey Corsaro Vernon: Jacob McKinneyVoice Over: Dawn Krosnowski Written by Tim Wick, Jason Kruger and Angela Fox Music and lyrics by Angela Foxhttp://www.angelafoxmusic.com/theater-and-film.html
$1.99
1.83 €
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Angela Fox
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Spelling Bee" Track 5. Next: The Musical
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Angela Fox
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SheetMusicPlus
"Me and My Shelf" Track 2. Next: The Musical (A Sidekick Story)
Alto Voice,Piano,Soprano voice,Tenor Voice - Digital Download SKU: A0.1068585 Compo…
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Alto Voice,Piano,Soprano voice,Tenor Voice - Digital Download SKU: A0.1068585 Composed by Angela Fox. Broadway,Children,Contemporary,Musical/Show. Full Performance. Duration 229. Angela Fox #3895861. Published by Angela Fox (A0.1068585). Original Cast Recording of Next: The Musical (A Sidekick Story). Winner of two Fringe Festival Awards! Next- Zoey and Ensemble Me and My Shelf- Zoey and Ensemble I'm So Cold- Zoey and Abby Nervous- Zoey Spelling Bee- Abby and Ensemble Shadowbox- Zoey and Narrator The Girl That No One Knows- Abby, Zoey, and Ensemble Next Reprise- Zoey, Abby, Narrator, and EnsembleDo you ever feel like the sidekick in your friendship? Has your name tag ever been printed Jamie's friend? Is your Instagram full of pictures of your friends and.. your elbow. You may be suffering from sidekick-itis. But there is a cure! Sing along with the original cast of Next: The Musical (A Sidekick Story), a kid's musical from the sidekick's point of view. Great for all ages!Next is a heartfelt and honest musical comedy about issues we all face in our lives. It follows the friendship between Zoey, a shy girl who often feels unnoticed, and her best friend Abby, the girl that everyone knows and loves.Original Cast: Zoey: Honora Smith Abby: RoRo Germ Narrator: Angela Fox Hilary: Ellen Orzoff Janelle: Abbey Bortel Nicole: Zoey Corsaro Vernon: Jacob McKinney Written by Tim Wick, Jason Kruger and Angela Fox Music and lyrics by Angela Foxhttp://www.angelafoxmusic.com/theater-and-film.html
$1.99
1.83 €
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Angela Fox
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"Me and My Shelf" Track 2. Next: The Musical
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Angela Fox
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SheetMusicPlus
"Shadowbox" Track 6. Next: The Musical (A Sidekick Story)
Alto Voice,Piano,Soprano voice - Digital Download SKU: A0.1068590 Composed by Angel…
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Alto Voice,Piano,Soprano voice - Digital Download SKU: A0.1068590 Composed by Angela Fox. Broadway,Children,Contemporary,Musical/Show. Full Performance. Duration 198. Angela Fox #3895869. Published by Angela Fox (A0.1068590). Original Cast Recording of Next: The Musical (A Sidekick Story). Winner of two Fringe Festival Awards! Next- Zoey and Ensemble Me and My Shelf- Zoey and Ensemble I'm So Cold- Zoey and Abby Nervous- Zoey Spelling Bee- Abby and Ensemble Shadowbox- Zoey and Narrator The Girl That No One Knows- Abby, Zoey, and Ensemble Next Reprise- Zoey, Abby, Narrator, and EnsembleDo you ever feel like the sidekick in your friendship? Has your name tag ever been printed Jamie's friend? Is your Instagram full of pictures of your friends and.. your elbow. You may be suffering from sidekick-itis. But there is a cure! Sing along with the original cast of Next: The Musical (A Sidekick Story), a kid's musical from the sidekick's point of view. Great for all ages!Next is a heartfelt and honest musical comedy about issues we all face in our lives. It follows the friendship between Zoey, a shy girl who often feels unnoticed, and her best friend Abby, the girl that everyone knows and loves.Original Cast: Zoey: Honora Smith Abby: RoRo Germ Narrator: Angela Fox Hilary: Ellen Orzoff Janelle: Abbey Bortel Nicole: Zoey Corsaro Vernon: Jacob McKinneyVoice Over: Dawn Krosnowski Written by Tim Wick, Jason Kruger and Angela Fox Music and lyrics by Angela Foxhttp://www.angelafoxmusic.com/theater-and-film.html
$1.99
1.83 €
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Angela Fox
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"Shadowbox" Track 6. Next: The Musical
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Angela Fox
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SheetMusicPlus
"I'm So Cold" Track 3. Next: The Musical (A Sidekick Story)
Alto Voice,Piano,Soprano voice - Digital Download SKU: A0.1068587 Composed by Angel…
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Alto Voice,Piano,Soprano voice - Digital Download SKU: A0.1068587 Composed by Angela Fox. Broadway,Children,Contemporary,Musical/Show. Full Performance. Duration 157. Angela Fox #3895863. Published by Angela Fox (A0.1068587). Original Cast Recording of Next: The Musical (A Sidekick Story). Winner of two Fringe Festival Awards! Next- Zoey and Ensemble Me and My Shelf- Zoey and Ensemble I'm So Cold- Zoey and Abby Nervous- Zoey Spelling Bee- Abby and Ensemble Shadowbox- Zoey and Narrator The Girl That No One Knows- Abby, Zoey, and Ensemble Next Reprise- Zoey, Abby, Narrator, and EnsembleDo you ever feel like the sidekick in your friendship? Has your name tag ever been printed Jamie's friend? Is your Instagram full of pictures of your friends and.. your elbow. You may be suffering from sidekick-itis. But there is a cure! Sing along with the original cast of Next: The Musical (A Sidekick Story), a kid's musical from the sidekick's point of view. Great for all ages!Next is a heartfelt and honest musical comedy about issues we all face in our lives. It follows the friendship between Zoey, a shy girl who often feels unnoticed, and her best friend Abby, the girl that everyone knows and loves.Original Cast: Zoey: Honora Smith Abby: RoRo Germ Narrator: Angela Fox Hilary: Ellen Orzoff Janelle: Abbey Bortel Nicole: Zoey Corsaro Vernon: Jacob McKinney Written by Tim Wick, Jason Kruger and Angela Fox Music and lyrics by Angela Foxhttp://www.angelafoxmusic.com/theater-and-film.html
$1.99
1.83 €
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Angela Fox
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"I'm So Cold" Track 3. Next: The Musical
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Angela Fox
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SheetMusicPlus
"Nervous" Track 4. Next: The Musical (A Sidekick Story)
Alto Voice,Piano,Soprano voice - Digital Download SKU: A0.1068586 Composed by Angel…
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Alto Voice,Piano,Soprano voice - Digital Download SKU: A0.1068586 Composed by Angela Fox. Broadway,Children,Contemporary,Musical/Show. Full Performance. Duration 123. Angela Fox #3895865. Published by Angela Fox (A0.1068586). Original Cast Recording of Next: The Musical (A Sidekick Story). Winner of two Fringe Festival Awards! Next- Zoey and Ensemble Me and My Shelf- Zoey and Ensemble I'm So Cold- Zoey and Abby Nervous- Zoey Spelling Bee- Abby and Ensemble Shadowbox- Zoey and Narrator The Girl That No One Knows- Abby, Zoey, and Ensemble Next Reprise- Zoey, Abby, Narrator, and EnsembleDo you ever feel like the sidekick in your friendship? Has your name tag ever been printed Jamie's friend? Is your Instagram full of pictures of your friends and.. your elbow. You may be suffering from sidekick-itis. But there is a cure! Sing along with the original cast of Next: The Musical (A Sidekick Story), a kid's musical from the sidekick's point of view. Great for all ages!Next is a heartfelt and honest musical comedy about issues we all face in our lives. It follows the friendship between Zoey, a shy girl who often feels unnoticed, and her best friend Abby, the girl that everyone knows and loves.Original Cast: Zoey: Honora Smith Abby: RoRo Germ Narrator: Angela Fox Hilary: Ellen Orzoff Janelle: Abbey Bortel Nicole: Zoey Corsaro Vernon: Jacob McKinney Written by Tim Wick, Jason Kruger and Angela Fox Music and lyrics by Angela Foxhttp://www.angelafoxmusic.com/theater-and-film.html
$1.99
1.83 €
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Angela Fox
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"Nervous" Track 4. Next: The Musical
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Angela Fox
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SheetMusicPlus
J A de Logy-Partita in A minor for Classical Guitar
Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1177767 Comp…
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Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1177767 Composed by Jan Antonin (comte de) Logy. Arranged by Socrates Arvanitakis. Baroque. Individual part. 11 pages. Socrates Arvanitakis #777729. Published by Socrates Arvanitakis (A0.1177767). Jan Antonin de Logy, count of Rosinthal (1650-1721) was an aristocrat of Bohemia and official ofthe Austrian empire. As a musician he was a lute player of professional level and seems to havebeen a refined and prolific composer of single pieces and suites in the French style for hisinstrument. His compositions are becoming known to us today through important academicresearch but a lot more work has to be made in this field. The present partita, (transcribed in A minor for guitar), was discovered early in this research and it is well known and loved amongstguitarist and lute players of today because of its ease in performance, but at the same timemaintaining a high compositional standard in terms of well-constructed movements incontrapuntal two-part writing.In these editions I prefer not to add any fingerings because I consider that they obscure the opticalresult rather than clarifying any particular way of playing the music. Instrumentalists have tomake their own fingering and choice of position decisions and in most cases they prefer it. My general suggestion for this partita is that open strings should be preferred whenever it is possible, as for example in the second half of the last movement where notes B and E are always sustainedas open strings in the upper part (indicated by the ties) and the required technique and sound result is that of an arpeggio rather than a scalic passage.Although here we have only a five movement partita and it is very easy to navigate from page to page, my usual procedure, followed for larger collections, is to give a thematic index in the beginning of the volume, with the first few bars of every piece given as photographs. If an electronic pad rather than printed music is used to play the music from these PDF archives, these photographs are clickable active links leading strait to the piece concerned, and the header of the page of any piece is another active link leading back to the index. External links to internet sources for further information on the pieces, live performances, etc may be added if considered of particular interest.
$6.00
5.51 €
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Jan Antonin
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J A de Logy-Partita in A minor for Classical Guitar
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Socrates Arvanitakis
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SheetMusicPlus
The Flying Dutchman
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2
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Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2 Ventil-Trp. · 3 Pos. · Basstb. - P. - Str. Auf der Bühne: 3 Picc. (womöglich mehrfach besetzt) - 6 Hr. - Tamtam - Windschleuder - Digital Download SKU: S9.Q25915 Romantic Opera in 3 Acts. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 135' 0. Schott Music - Digital #Q25915. Published by Schott Music - Digital (S9.Q25915). German • English.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (Original version) With this edition, the original version of Wagner’s opera Der fliegende Holländer [The flying Dutchman] WWV 63 is made available to the public for the first time in piano score form. The score on which the edition is based was published in the Richard Wagner-Complete Edition 1983: Richard Wagner. Collected works Vol. 4, I-II, The Flying Dutchman. Romantic opera in three acts (original version 1841), edited by Isolde Vetter (Schott Music International, Mainz, RWA 104-10/RWA 104-20).†(Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenesâ€. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopskiâ€, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).Les opéras de Richard Wagner paraissent pour la première fois sous forme de piano-chant chez Schott en version originale. Sont déjà publiés dans la série : L’Or du Rhin, Lohengrin, Parsifal et Le Vaisseau fantôme (première version de 1841 et version 1842-1880). Les autres opéras de Wagner représentés à Bayreuth paraîtront d'ici 2013, année anniversaire de la naissance du compositeur.
$42.99
39.48 €
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Richard Wagner
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The Flying Dutchman
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Schott Music - Digital
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SheetMusicPlus
The Chief defect of Henry King for voice and guitar
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 2 - Digital Download SKU: A0.5…
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 2 - Digital Download SKU: A0.575810 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 8 pages. David Warin Solomons #2028373. Published by David Warin Solomons (A0.575810). Setting of the poem by Hilaire Belloc about a little boy who kept chewing string and eventually died as a result. It is black humour the main point being near the end of the song where the doctors take their fees but say there is no cure for this disease! The setting uses an original tune with guitar chord names. The pdf file contains versions in various keys (C, D, F and G) so as to fit any vocal range. The sound sample is performed live by the composer. The music also appears as an instrumental duet for flute and guitar or clarinet and guitar under the title The story of Henry King.
$7.00
6.43 €
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David Warin Solomons
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The Chief defect of Henry King for voice and guitar
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David Warin Solomons
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SheetMusicPlus
Theme From "bewitched"
Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - Digital Download SKU: A0.736296…
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Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - Digital Download SKU: A0.736296 Composed by Howard Greenfield and Jack Keller. Arranged by Phyllis Avidan Louke, ASCAP. Contemporary,Film/TV,Halloween. 15 pages. Louke Publishing #4794613. Published by Louke Publishing (A0.736296). Flute Choir Theme from BewitchedProgram Notes Theme from Bewitched is from a television situation comedy originally broadcast from 1964 to 1972 about a witch who marries an ordinary mortal man and vows not to use her magical powers. It enjoyed great popularity, staying in the top ten for its first three seasons, and is rated one of the top 50 greatest television shows of all time. Even though the theme was performed as an instrumental with flutes playing a prominent part, it was written with the following lyrics: Bewitched, Bewitched, You've got me in your spell. Bewitched, Bewitched, You know your craft so well. Before I knew what I was doing I looked in your eyes That brand of woo you've been brewin’ Took me by surprise. You witch, you witch, One thing is for sure. That stuff you pitch Just hasn’t got a cure. My heart was under lock and key, But somehow it got unhitched.I never thought my heart could be had But now I’m caught and I’m kinda glad To be bewitched. TVTelevisionTelevision Theme SongsHalloweenScarySpookyWitch1960s SitcomSitcom This flute choir arrangement can be performed with as few as 6 players or a full flute choir with multiple players on a part. It is scored for piccolo, 3 flutes, alto flute (alternate c-flute part included), and bass flute. Phyllis Avidan Louke is a flutist and award-winning composer and arranger with more than 70 published pieces to her credit. www.phyllislouke.com Â
$14.50
13.31 €
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Howard Greenfield and Jack Keller
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Theme From "bewitched"
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Louke Publishing
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SheetMusicPlus
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