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26
"Calisthenics for Treble/Alto Recorder" 15 Etudes, Gallops, Polkas, Variations
Small Ensemble Alto Recorder,Baritone Recorder,Flute - Level 3 - Digital Download SKU: …
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Small Ensemble Alto Recorder,Baritone Recorder,Flute - Level 3 - Digital Download SKU: A0.842538 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290011. Published by bl_music (A0.842538). Calisthenics for Treble/Alto Recorder 15 Solo-Etudes, Gallops, Polkas, Variations (notation: treble clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
14.59 €
#
Various
#
"Calisthenics for Treble/Alto Recorder" 15 Etudes, Gallops, Polkas, Variations
#
bl_music
#
SheetMusicPlus
"Calisthenics for Great Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
Small Ensemble Baritone Recorder,Bassoon - Level 3 - Digital Download SKU: A0.842539
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Small Ensemble Baritone Recorder,Bassoon - Level 3 - Digital Download SKU: A0.842539 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290017. Published by bl_music (A0.842539). Calisthenics for Great Bass Recorder 15 Solo-Etudes, Gallops, Polkas, Variations (notation: bass clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
14.59 €
#
Various
#
"Calisthenics for Great Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
#
bl_music
#
SheetMusicPlus
"Calisthenics for Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
Small Ensemble Baritone Recorder,Bassoon,Cello - Level 3 - Digital Download SKU: A0.842…
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Small Ensemble Baritone Recorder,Bassoon,Cello - Level 3 - Digital Download SKU: A0.842536 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290001. Published by bl_music (A0.842536). Calisthenics for Bass Recorder 15 Solo-Etudes, Gallops, Polkas, Variations (notation: bass clef)15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores.What are Calisthenics?You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo)We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication CalisthenicsThe music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication.The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure.In the words of the old Victorians:The highest refinement of that beauty is unattainable without splendour of activity and delicate strength.Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing.Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied.Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs.A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
14.59 €
#
Various
#
"Calisthenics for Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
#
bl_music
#
SheetMusicPlus
"Calisthenics for Recorders in C" 15 Fun Studies,Gallops,Polkas,Variations
Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Oboe,Soprano Recorder,Sopr…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Oboe,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone - Level 3 - Digital Download SKU: A0.842537 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290007. Published by bl_music (A0.842537). Calisthenics for Recorders in C 15 Solo-Etudes, Gallops, Polkas, Variations (notation: treble clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
14.59 €
#
Various
#
"Calisthenics for Recorders in C" 15 Fun Studies,Gallops,Polkas,Variations
#
bl_music
#
SheetMusicPlus
Walter the Weary Werewolf, Halloween Duet for Trumpet and Tenor Horn
Instrumental Duet Instrumental Duet,Trumpet - Level 4 - Digital Download SKU: A0.592397…
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Instrumental Duet Instrumental Duet,Trumpet - Level 4 - Digital Download SKU: A0.592397 Composed by David McKeown. Concert,Contemporary,Halloween,Standards. Score and parts. 4 pages. David McKeown #6358911. Published by David McKeown (A0.592397). Walter the Weary Werewolf is a spooky and original duet written by David McKeown for one Trumpet and one Tenor Horn in E Flat. Walter the Weary Werewolf is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Trumpet and Tenor Horn.Walter has a young family and a responsible job as a vet, so he needs a good night’s sleep. When there’s a full moon he sprouts fangs, claws and body hair like all the other werewolves, but rather than howling, he scratches the back of his neck with his leg and goes back to sleep with a whimper. His wife was surprised the first time, but she’s used to it now.Walter the Weary Werewolf is suitable for players at an advanced intermediate level and above. The main melody has many accidentals and challenging timing, while the faster middle section features irregular metre. The range is accessible for both players. With a playing-time of just under four minutes, Walter the Weary Werewolf is a perfect spooky addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.64 €
#
David McKeown
#
Walter the Weary Werewolf, Halloween Duet for Trumpet and Tenor Horn
#
David McKeown
#
SheetMusicPlus
Walter the Weary Werewolf, Halloween Duet for Oboe and Cor Anglais (or English Horn)
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 4 - Digital Download SKU:…
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Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 4 - Digital Download SKU: A0.592386 Composed by David McKeown. Concert,Contemporary,Halloween,Standards. Score and parts. 4 pages. David McKeown #6358889. Published by David McKeown (A0.592386). Walter the Weary Werewolf is a spooky and original duet written by David McKeown for one Oboe and one Cor Anglais (or English Horn). Walter the Weary Werewolf is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Oboe and Cor Anglais (or English Horn).Walter has a young family and a responsible job as a vet, so he needs a good night’s sleep. When there’s a full moon he sprouts fangs, claws and body hair like all the other werewolves, but rather than howling, he scratches the back of his neck with his leg and goes back to sleep with a whimper. His wife was surprised the first time, but she’s used to it now.Walter the Weary Werewolf is suitable for players at an advanced intermediate level and above. The main melody has many accidentals and challenging timing, while the faster middle section features irregular metre. The range is accessible for both players. With a playing-time of just under four minutes, Walter the Weary Werewolf is a perfect spooky addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.64 €
#
David McKeown
#
Walter the Weary Werewolf, Halloween Duet for Oboe and Cor Anglais
#
David McKeown
#
SheetMusicPlus
Walter the Weary Werewolf, Halloween Duet for Oboe and Violin
Instrumental Duet Instrumental Duet,Oboe,Violin - Level 4 - Digital Download SKU: A0.59…
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Instrumental Duet Instrumental Duet,Oboe,Violin - Level 4 - Digital Download SKU: A0.592387 Composed by David McKeown. Concert,Contemporary,Halloween,Standards. Score and parts. 4 pages. David McKeown #6358891. Published by David McKeown (A0.592387). Walter the Weary Werewolf is a spooky and original duet written by David McKeown for one Oboe and one Violin. Walter the Weary Werewolf is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Oboe and Violin.Walter has a young family and a responsible job as a vet, so he needs a good night’s sleep. When there’s a full moon he sprouts fangs, claws and body hair like all the other werewolves, but rather than howling, he scratches the back of his neck with his leg and goes back to sleep with a whimper. His wife was surprised the first time, but she’s used to it now.Walter the Weary Werewolf is suitable for players at an advanced intermediate level and above. The main melody has many accidentals and challenging timing, while the faster middle section features irregular metre. The range is accessible for both players. With a playing-time of just under four minutes, Walter the Weary Werewolf is a perfect spooky addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.64 €
#
David McKeown
#
Walter the Weary Werewolf, Halloween Duet for Oboe and Violin
#
David McKeown
#
SheetMusicPlus
On the Ice, for oboes, piano, drone - Score
Instrumental Duet,Piano Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.14…
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Instrumental Duet,Piano Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.1491937 By Paul Burnell. By Paul Burnell. 21st Century,Classical,Contemporary. 6 pages. Paul Burnell #1068617. Published by Paul Burnell (A0.1491937). On the Ice by Paul Burnell1 oboe version composed 19932 oboe version composed 2002This score edition created 2024First performed 31 July 1997, Paul Burnell (oboe), Patsy Moore (piano), Bretton Hall,Wakefield.Duration 3.301 or 2 Oboes, or other suitable instrumentsPianoDrone instrument - organ, synthesiser etc.If performed with one oboe, play the Oboe 2 part.Note: When first performed the drone was provided by the female members of the rear half of the audience humming f above middle c.Dynamics may be devised by the performers ad lib.The quotation from ‘Frankenstein’ given in the programme note below may be incorporated into the performance.Programme note'Frankenstein', by Mary Shelley, begins with a series of letters from a Mister R Walton to his sister in London, written whilst on board a ship travelling north from Archangel in Russia. The fourth letter begins:“So strange an accident has happened to us, that I cannot forbear recording it...Last Monday, we were nearly surrounded by ice, which closed in the ship on all sides, scarcely leaving her the sea-room in which she floated. Our situation was somewhat dangerous, especially as we were compassed round by a very thick fog. We accordingly lay to, hoping that some change would take place in the atmosphere and weather.About two o'clock the mist cleared, and we beheld, stretched out in every direction, vast and irregular plains of ice, which seemed to have no end.”.
$4.99
4.55 €
#
Paul Burnell
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On the Ice, for oboes, piano, drone - Score
#
Paul Burnell
#
SheetMusicPlus
The Blind Prophet
Instrumental Duet,Trombone,Tuba - Level 3 - Interactive Download SKU: A0.1457075 Co…
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Instrumental Duet,Trombone,Tuba - Level 3 - Interactive Download SKU: A0.1457075 Composed by Tyler James Cook (ASCAP). This edition: Interactive Download. Classical. 3 pages. Duration 48. Tyler James Cook #5nXWxgc9zSmzuzGYsBPXF0. Published by Tyler James Cook (A0.1457075). Key: D minor.The Blind Prophet is a companion piece with Black Mage, Blue Mage, Red Mage, and White Mage. A duet for trombone and tuba, Blind Prophet depicts the irregular scrying and soothsaying of the prophet--and his own staggering through his blindness. The poem Anticlea by Stacey C. Johnson provided partial inspiration for this piece: https://stacey-c-johnson.com/2024/02/03/anticlea/.
$2.99
2.73 €
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Tyler James Cook
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The Blind Prophet
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Tyler James Cook
#
SheetMusicPlus
On the Seashore of Endless Worlds (Orchestral score and parts)
Choral Choir (4-Part) - Level 4 - Digital Download SKU: A0.522061 Composed by Colin…
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Choral Choir (4-Part) - Level 4 - Digital Download SKU: A0.522061 Composed by Colin Kirkpatrick. Holiday,Patriotic. Octavo. 171 pages. Colin Kirkpatrick Publications #6028589. Published by Colin Kirkpatrick Publications (A0.522061). This choral work is sure to add excitement to your concert and it was given splendid reviews when it was first performed at London’s Royal Albert Hall. It was later performed at Croydon’s Fairfield Halls just outside London where it received a rapturous reception from the large audience. The work is ideal for music festivals (for which it was originally written) or any important event which needs a celebratory piece for choir and orchestra. The piece celebrates the endless joy of life and light, as children play on the seashore. The choral parts are not difficult and parts of the soprano could also be sung by children’s chorus if necessary. The words of the soprano solo part have a reflective, maternal quality as she watches the children playing on the shore. Singers are sure to enjoy the catchy melodies, the expressive soprano solo and the dramatic middle section of this work. Parts of the piece use several irregular time signatures. Don’t let them put you off! They are good deal easier than they look and the score contains indicates how they break down into simple groups of two and three beats.The orchestration is standard and requires: 2 flutes and piccolo, 2 oboes, 2 clarinets in B flat, 2 bassoons; 4 horns in F, 3 trumpets, 3 trombones, 1 tuba, timpani, percussion (4 players), violin 1, violin 2, viola, cello, double bass. The full score and all the orchestral parts are contained in a single PDF file. A high-quality audio file containing the orchestral accompaniment is also available separately. The choral score with piano reduction is available separately too, from SMP.
$69.95
63.84 €
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Colin Kirkpatrick
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On the Seashore of Endless Worlds
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Colin Kirkpatrick Publications
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SheetMusicPlus
The Majesty and Glory of Your Name
Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Interactive Download SKU: A0.1042…
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Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Interactive Download SKU: A0.1042292 By ... Arranged by J. Randolph Hall. This edition: Interactive Download. Pop,Praise & Worship. Score and parts. 17 pages. Duration 153. J. Randolph Hall #3ARKiN4bU4dl9F3D9Gk7uP. Published by J. Randolph Hall (A0.1042292). Key: Bb major.Fettke is an American composer of church music. The tune was taken from an irregular call Soli Deo Gloria. After the introduction, section A exposes the theme. It then segues into a new key with the use of an augmented sixth chord (French 6th). Section B has a descant added by yours truly.
$4.00
3.65 €
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The Majesty and Glory of Your Name
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J. Randolph Hall
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SheetMusicPlus
Adam and the Mother
Digital Download SKU: OX.9780193701823 Composed by Kerry Andrew. Score. 8 pages. Ox…
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Digital Download SKU: OX.9780193701823 Composed by Kerry Andrew. Score. 8 pages. Oxford University Press Digital #9780193701823. Published by Oxford University Press Digital (OX.9780193701823). ISBN 9780193701823.For unaccompanied SSATB choir (with optional soprano solo). Combining a number of early lullaby texts in one setting, Adam and the Mother is a haunting carol recalling the fall of Adam. It combines irregular melodic lines with lilting ostinato passages and will appeal to experienced choirs.
$3.25
2.97 €
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Kerry Andrew
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Adam and the Mother
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Oxford University Press Digital
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SheetMusicPlus
The Closest Thing To Crazy
Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.797731 Composed by Mike…
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Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.797731 Composed by Mike Batt. Arranged by Derek Hasted. Contemporary,Pop. Score and parts. 18 pages. Derek Hasted #4301861. Published by Derek Hasted (A0.797731). CLOSEST THING TO CRAZY - 4 GUITARS/LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This is a beautiful piece by Mike Batt, most famously sung by Katie Melua, and it's written in irregular time. That, coupled with a haunting melody, makes for a piece that audiences will be stunned by. This arrangement is for 4 guitars (or a large ensemble), and all the lines are suitable for intermediate players. With a large ensemble, two of the lines can be split into two (single-voice) parts that would suit less experienced players. It's set in the same key as the Katie Melua recording, and the slow pace means that there's plenty of opportunities to add vibrato and show just how sweet a sound guitars can make.This piece has been played in concert by Hampshire Guitar Orchestra, and a version of it appears on YouTube, recorded live.
$4.99
4.55 €
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Mike Batt
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The Closest Thing To Crazy
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Derek Hasted
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SheetMusicPlus
Irregular Regulars (Rhythm Changes)
Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1016210 Composed by John Ole…
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Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1016210 Composed by John Olearchick. Instructional,Jazz. 3 pages. John Olearchick #5353977. Published by John Olearchick (A0.1016210). For the jazz enthusiast, Irregular Regulars is an original melody over a variation of the chords to George Gershwin's I Got Rhythm. Built from Bebop language and augmented scale patterns, this tune employs a countermelody that allows the composition to be performed on piano, two or more instruments, or with any combination of musicians. Enjoy this offshoot of an American Songbook classic!
$2.99
2.73 €
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John Olearchick
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Irregular Regulars
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John Olearchick
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SheetMusicPlus
Desert Miniatures: Insects
Bassoon trio - Digital Download SKU: IZ.BCMW162 Composed by Robert McClure. BCMCC (…
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Bassoon trio - Digital Download SKU: IZ.BCMW162 Composed by Robert McClure. BCMCC (Bassoon Chamber Music Composition Competition). Score and Parts. 44 pages. Imagine Music - Digital #BCMW162. Published by Imagine Music - Digital (IZ.BCMW162). 9 x 12 in inches.Desert Miniatures: Insects was commissioned by Trio Sonora: Robert BeDont, Travis Jones, and Martin VonKlompenberg. The piece reflects on my time living in Tucson, AZ and all of the different types of insects that thrive in the Sonoran Desert. Each miniature selects a particular behavior or quality each insect possesses and explores it musically. Separate from the musical depiction of the insects was the central concept quasi-unison and the hyper-instrument. Instead of treating the three parts as individual important and mutually exclusive, the parts work together to form an imaginary instrument capable of polyphonic sound production. Through micro-polyphony and rhythmic irregularity, this hyper-instrument performs quasiunison gestures that resemble columns of sound rather than melodic lines.I. Many Hued GrasshopperI encountered many of these grasshoppers while hiking in the late summer and early fall months. They are brightly colored with purple and red accents against green wings and powerful light-green legs. As I would walk through tall grasses in the mountains, the path would explode with many grasshoppers leaping all around me. These bursts as well as the grasshopper's signature buzzing sound are the focal point of the miniature.II. Cactus BeeThese bees are solitary and live underground. They collect the nectar of cactus flowers. The bassoons combine to create a flurry of activity representing a particular bee going about her daily business of collecting nectar and returning to her subterranean nest.III.Arizona Red Spotted PurpleThese butterflies employ an ingenious evolutionary tactic for survival: mimicry. They look very similar to the Pipevine Swallowtail, a blueish-black butterfly that is noxious for birds to eat. Even more, the caterpillar of the Arizona Red Spotted Purple employs mimicry through resembling bird droppings or other objectionable material. Mimicry is the primary musical device employed in this miniature.IV. Fire AntAnyone who has ever accidentally stepped on a Fire Ant hill knows how painful the stings are. This unfortunately happened to me on my first day as anArizona resident. While each ant is an individual, the workers carry out simple and direct tasks. It was this quasi-unison behavior plus the martial and driving force of survival that informed the musical treatment of this miniature.
$18.00
16.43 €
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Robert McClure
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Desert Miniatures: Insects
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Imagine Music - Digital
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SheetMusicPlus
Petition & Rain Dance
Bassoon duo & percussion - Digital Download SKU: IZ.CMS151 Composed by Chris Milmer…
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Bassoon duo & percussion - Digital Download SKU: IZ.CMS151 Composed by Chris Milmerstadt. Score and Parts. 26 pages. Imagine Music - Digital #CMS151. Published by Imagine Music - Digital (IZ.CMS151). 9 x 12 in inches.The composition Petition and Rain Dance is a two-part composition played without a break. The first half,'Petition', starts with a plaintive melody that repeats in the other bassoon at various overlapping points creating anirregular cannon. Eventually a second melody emerges; the first melody now takes on a supportive role. A newmood created by these merged melodies is underscored by percussion. The simultaneous juxtaposition of these twomelodies, as well as the patterns emphasized by the percussion, foreshadows the main theme for the secondcomposition: 'Rain Dance'.'Rain Dance' is introduced with an irregular rhythmic motif, stated in unison by the bassoons, over a steadyrepeating pattern by the percussion. The percussion evolves and complements (and contrasts) the rhythmic partcreated by the two independent voices of the bassoon duo. A second theme, optimistic in temperament, is thenintroduced and is a rhythmic elaboration of the first theme. This second theme is an exact reiteration of the mergedmelodies from 'Petition' (however in this faster incarnation it is hardly recognizable). This is repeated in variousguises and the mood eventually becomes somewhat less certain.These two pieces represent two ideas; the plea for a reprieve from a dire situation - a drought and a petition to the'powers that be' for intercession, and the subsequent effort to bring about the desired change by taking matters intoone's own hands - a ritualistic dance to bring forth the needed deluge.
$16.00
14.6 €
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Chris Milmerstadt
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Petition & Rain Dance
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Imagine Music - Digital
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SheetMusicPlus
Alevi Dedeler rakı masasında
Flute, oboe, clarinet, horn and bassoon - Digital Download SKU: S9.Q20070 (Alevi…
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Flute, oboe, clarinet, horn and bassoon - Digital Download SKU: S9.Q20070 (Alevi Fathers at the Raki Table). Composed by Fazil Say. This edition: score and parts. Downloadable, score and parts. Op. 35. Duration 14 minutes. Schott Music - Digital #Q20070. Published by Schott Music - Digital (S9.Q20070). In four short movements following each other 'attacca', the Turkish composer and pianist Fazıl Say humorously describes an everyday scene in an Anatolian village: Alevi fathers drinking raki at a well-laid table. An andantino ritornello in irregular metres returning in all movements provides the thematic context of an eventful action.
$55.99
51.1 €
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Fazil Say
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Alevi Dedeler rakı masasında
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Schott Music - Digital
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SheetMusicPlus
AN ECHO OF GREEK FOLK MUSIC, for chamber ens. Version 1
Level 3 - Digital Download SKU: A0.1319277 Composed by Marilena Zlatanou. 21st Cent…
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Level 3 - Digital Download SKU: A0.1319277 Composed by Marilena Zlatanou. 21st Century. 36 pages. Marilena Zlatanou #907914. Published by Marilena Zlatanou (A0.1319277). Version 1: For Flute, B Clarinet, viola, violoncello, harp and hand drum. As the title indicates, none of the musical material used in this composition is actual folk-music, but it is throughout its entirety inspired by it: The choice of Byzantine music modes, the irregular time signatures, the choice of instruments to be as closely related to those used in folk-music, the frequent use of ison (long-held note), heterophony, parallel thirds, simple ostinati and restrained harmony, as well as the permeating melancholic mood and the attempted intensity of expression, are all intended to be suggestive of Greek Folk-music. Version 2: For Flute, B Clarinet, violin, violoncello, piano and hand drum is also listed on SMP. For more information on the composer, please visit www.zlatanou.net (member of TONO, the Norwegian copyright org.)
$25.00
22.82 €
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Marilena Zlatanou
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AN ECHO OF GREEK FOLK MUSIC, for chamber ens. Version 1
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Marilena Zlatanou
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SheetMusicPlus
AN ECHO OG GREEK FOLK MUSIC, for chamber ens. Version 2
Level 4 - Digital Download SKU: A0.1319811 Composed by Marilena Zlatanou. 21st Cent…
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Level 4 - Digital Download SKU: A0.1319811 Composed by Marilena Zlatanou. 21st Century. 33 pages. Marilena Zlatanou #908368. Published by Marilena Zlatanou (A0.1319811). Version 2: For Flute, B Clarinet, violin, violoncello, piano and hand drumAs the title indicates, none of the musical material used in this composition is actual folk-music, but it is throughout its entirety inspired by it: The choice of Byzantine music modes, the irregular time signatures, the choice of instruments to be as closely related to those used in folk-music, the frequent use of ison (long-held note), heterophony, parallel thirds, simple ostinati and restrained harmony, as well as the permeating melancholic mood and the attempted intensity of expression, are all intended to be suggestive of Greek Folk-music.Version 1: For Flute, B Clarinet, viola, violoncello, harp and hand drum is also listed on SMP. For more information on the composer, please visit www.zlatanou.net (member of TONO, the Norwegian copyright org.)
$25.00
22.82 €
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Marilena Zlatanou
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AN ECHO OG GREEK FOLK MUSIC, for chamber ens. Version 2
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Marilena Zlatanou
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SheetMusicPlus
Music for Clapping
Percussion Duet - Level 3 - Digital Download SKU: A0.998827 Composed by Robert A. H…
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Percussion Duet - Level 3 - Digital Download SKU: A0.998827 Composed by Robert A. Howard. 20th Century,Chamber,Classical,Contest,Festival,Instructional. Score. 5 pages. Robert A. Howard #6115519. Published by Robert A. Howard (A0.998827). This work was inspired by, and provided as an alternative to, Steve Reich's 'Clapping Music'. Music for Clapping is for two players, in an ABAB structure, and explores various irregular and changing time signatures. There is much interplay between the two clapping parts; sometimes they are quite independent (where one part leads and the other accompanies). In other instances the parts are in canon, solo, or even in unison. The piece is highly accessible and is appropriate for most standards of percussionist, including students and more advanced players.
$3.49
3.19 €
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Robert A
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Music for Clapping
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Robert A. Howard
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SheetMusicPlus
Mirage Sextet - Score Only
Level 4 - Digital Download SKU: A0.1471113 Composed by Robert A. Howard. 20th Centu…
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Level 4 - Digital Download SKU: A0.1471113 Composed by Robert A. Howard. 20th Century,Chamber,Contemporary,Folk,Instructional. 25 pages. Robert A. Howard #1048757. Published by Robert A. Howard (A0.1471113). Mirage Sextet is a single movement work, and is scored for a mixed chamber ensemble of clarinet (in A), bassoon, piano, violin, viola and cello. The work focuses on an exploration of the octatonic scale on C, in the semitone-tone variant. The piece has a loose ternary feel, as the outer sections present primary material and main themes that recur. Meanwhile, a middle section offers some contrast in a succession of mini cadenza-style solos for most of the instruments. The work develops 20th century folk-influenced idioms, such as those of Bartok, Kodaly, early Lutoslawski and Ligeti, as well as Stravinsky, Shostakovich and perhaps even Messiaen. The main compositional interests are: changing, as well as irregular, time signatures; the aforementioned octatonic scale to create folk-like motifs and melodies, added-note harmonies (with the importance of the augmented fourth interval); and percussive doublings of instruments in their lower (gritty/folky) registers, in octaves, as well as liberal actual doubling by the piano. The work is generally accessible to performers and audience. The attached document is the score only, with audio for reference.Duration: 8 minutes.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$8.99
8.2 €
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Robert A
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Mirage Sextet - Score Only
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Robert A. Howard
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SheetMusicPlus
Carson Cooman - Viola Quintet (Unquiet Parables) (2009) for two violins, two violas and cello
String Ensemble,String Quintet - Level 5 - Digital Download SKU: A0.775995 Composed…
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String Ensemble,String Quintet - Level 5 - Digital Download SKU: A0.775995 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 73 pages. Musik Fabrik Music Publishing #2035285. Published by Musik Fabrik Music Publishing (A0.775995). Viola Quintet (Unquiet Parables) (2009) was commissioned by the Vienna Soloists and is dedicated to Jack Melby and Jane Thompson. The work is in three movements, each sharing the same basic musical material. The starting point for the music is dissonant cadential figuration centered on Ab (taken from the voice leading of American colonial-era music). Spinning out from this idea, the material extends to incorporate a sonority formed from perfect 5ths one semitone apart. Irregular phrase lengths and cadences are used as the basis of the work’s large-scale structures. The first movement, Recitatives and Chorales, consists of free, recitative-like material for the instruments in solo. These recitatives often erupt into fast spirals. This texture is interrupted periodically by chorale-like ideas presented by the full quintet. The second movement, Serenata, is a song-like with each instrument taking the melody in turn. Some of the recitative-ideas of the first movement re-emerge, as well as a re-articulation of the cadential figuration. The third movement, Ductia, is energetic and driving. A ductia is a Medieval stamping dance resembling the estampie. The driving (yet sometimes off-kilter) character of the dance is interrupted by a recollection of the first movement’s material. The final resolution of the extended cadential figurations occurs at the end, and the work ends exuberantly with a flourish in Ab major.
$32.45
29.62 €
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Carson Cooman
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Carson Cooman - Viola Quintet
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Musik Fabrik Music Publishing
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SheetMusicPlus
Fantasia on God Rest You Merry - Brass Quartet 2
Brass Ensemble Trombone,Trumpet - Level 4 - Digital Download SKU: A0.845233 Compose…
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Brass Ensemble Trombone,Trumpet - Level 4 - Digital Download SKU: A0.845233 Composed by Anon. Arranged by Phil Beaman. Christmas,Concert,Contemporary,Jazz,Sacred. Score and parts. 35 pages. Phil Beaman #6459727. Published by Phil Beaman (A0.845233). For this Christmas here is a dramatic Fantasia for Instrumental Quartet based on the old English carol God Rest You Merry Gentlemen. It is an eclectic fusion of Classical music and 1950's Free Jazz and West Indian/Caribbean rhythms with exuberance and pulse. It is in verse-refrain form, but is very freely treated and each of the four verses is wholly unique. Every single note is written to express, and sometimes expand upon, the word of the text at that point in time. There is an irregular meter which changes every few bars using 2/4, 3/4, 4/4, 5/4, 6/4, and 7/4 but always maintaining a strong pulse. It contains abrupt changes in dynamics and a rubato tempo with many markings of articulation. This is a challenging work with dynamic results.19 page score, 4 pages each part; 35 pages total4:45 minutes
$16.50
15.06 €
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Anon
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Fantasia on God Rest You Merry - Brass Quartet 2
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Phil Beaman
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SheetMusicPlus
Fantasia on God Rest You Merry - Mixed Quartet 1
Small Ensemble Clarinet,Trombone - Level 4 - Digital Download SKU: A0.845234 Compos…
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Small Ensemble Clarinet,Trombone - Level 4 - Digital Download SKU: A0.845234 Composed by Anon. Arranged by Phil Beaman. Christmas,Contemporary,Jazz,Sacred. Score and parts. 35 pages. Phil Beaman #6459743. Published by Phil Beaman (A0.845234). For this Christmas here is a dramatic Fantasia for Instrumental Quartet based on the old English carol God Rest You Merry Gentlemen. It is an eclectic fusion of Classical music and 1950's Free Jazz and West Indian/Caribbean rhythms with exuberance and pulse. It is in verse-refrain form, but is very freely treated and each of the four verses is wholly unique. Every single note is written to express, and sometimes expand upon, the word of the text at that point in time. There is an irregular meter which changes every few bars using 2/4, 3/4, 4/4, 5/4, 6/4, and 7/4 but always maintaining a strong pulse. It contains abrupt changes in dynamics and a rubato tempo with many markings of articulation. This is a challenging work with dynamic results.19 page score, 4 pages each part; 35 pages total4:45 minutes
$16.50
15.06 €
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Anon
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Fantasia on God Rest You Merry - Mixed Quartet 1
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Phil Beaman
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SheetMusicPlus
Fantasia on God Rest You Merry - Mixed Quartet 2
Small Ensemble B-Flat Clarinet,B-Flat Trumpet,Bass Clarinet,Trombone - Level 4 - Digital D…
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Small Ensemble B-Flat Clarinet,B-Flat Trumpet,Bass Clarinet,Trombone - Level 4 - Digital Download SKU: A0.845235 Composed by Anon. Arranged by Phil Beaman. Christmas,Concert,Contemporary,Jazz,Sacred. Score and parts. 35 pages. Phil Beaman #6461579. Published by Phil Beaman (A0.845235). For this Christmas here is a dramatic Fantasia for Instrumental Quartet based on the old English carol God Rest You Merry Gentlemen. It is an eclectic fusion of Classical music and 1950's Free Jazz and West Indian/Caribbean rhythms with exuberance and pulse. It is in verse-refrain form, but is very freely treated and each of the four verses is wholly unique. Every single note is written to express, and sometimes expand upon, the word of the text at that point in time. There is an irregular meter which changes every few bars using 2/4, 3/4, 4/4, 5/4, 6/4, and 7/4 but always maintaining a strong pulse. It contains abrupt changes in dynamics and a rubato tempo with many markings of articulation. This is a challenging work with dynamic results.19 page score, 4 pages each part; 35 pages total4:45 minutes
$16.50
15.06 €
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Anon
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Fantasia on God Rest You Merry - Mixed Quartet 2
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Phil Beaman
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SheetMusicPlus
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