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The Phone Call
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Paul Wehage: To You for baritone, tenor saxophone and piano
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Paul Wehage
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Paul Wehage: To You for barito
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary...
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
People Need The Lord
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Gospel/Spiritual
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Sacred music
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Steve Green
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Peet du Toit
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People Need The Lord
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Peet du Toit
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802608 By Steve Green. By Greg Nelson and Phill McHugh. Arranged by Peet ...
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Brass Ensemble Euphonium,Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802608 By Steve Green. By Greg Nelson and Phill McHugh. Arranged by Peet du Toit. Christian,Gospel. Score and parts. 11 pages. Peet du Toit #5983089. Published by Peet du Toit (A0.802608). Steve Green is the son of missionaries. It therefore seemed natural that this song written by Greg Nelson and Phil McHugh which pictures hungry, hurting people who are unaware of the Christian message, would resonate with him. However, Green had a life-changing experience when he realized he'd been living a fake and phoney life, where he'd been doing the right things but with the wrong motives. He'd therefore understood his desperate need for a Saviour and ran to Jesus for what He alone can provide. As a consequence, when this song was pitched to him, Green had just come through a pretty significant life turn-around. The singer recalled to CCM Magazine presents 100 Greatest Songs In Christian Music: It resonated for two reasons - first, because my parents had given their lives to evangelize, and their love for the people they were serving around the world was motivated by Christ's love for them; so that was definitely one of the reasons why I gravitated to the song. The other reason was that for the for the first time, I suppose, I was realizing that it isn't just those who never heard about the Lord who needed him. I knew that I was surrounded by people just like me who were living kind of an external, performance-based Christianity, but they had no light. I started thinking of us as the 'elder brothers' - those who never ran away from home but were just as lost as the prodigal.Watch Steve Green singing this heartfelt song on YouTube at https://www.youtube.com/watch?v=Nbxvc6eeXso .I found this music and lyrics so inspiring and beautiful, I just had to translate it to brass instruments. Enjoy!
$18.00
"Calisthenics for Recorders in C" 15 Fun Studies,Gallops,Polkas,Variations
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Various
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B
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"Calisthenics for Recorders in
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bl_music
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Oboe,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone - Level 3 - Digital Downl...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Oboe,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone - Level 3 - Digital Download SKU: A0.842537 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290007. Published by bl_music (A0.842537). Calisthenics for Recorders in C 15 Solo-Etudes, Gallops, Polkas, Variations (notation: treble clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
Gabrieli: Canzon Septimi Toni Ch 172 for Double Saxophone Choir
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549207 Composed by Gabrieli. Arranged by James M...
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Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549207 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 44 pages. Jmsgu3 #3462167. Published by jmsgu3 (A0.549207). Instrumentation: Double Sax Quartet (SSAATTBB) arranged antiphonally (SATB - SATB). Full Score: 28 pg. Study Score: 14 pg. Instrumental parts: 2 pg. ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Saxophone Choir
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Giovanni Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble - Level 3 - Digital Download SKU: A0.549214 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. ...
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Woodwind Ensemble - Level 3 - Digital Download SKU: A0.549214 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3 #3465026. Published by jmsgu3 (A0.549214). A musical monument: the first known composition in history to employ dynamics. Minimum Instrumentation: 2 sopranos, 5 altos, 3 tenors, and 1 baritone sax. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
One last bar then Joe can sing
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Gavin Bryars
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One last bar then Joe can sing
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Schott Music - Digital
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SheetMusicPlus
Percussion-Quintett - Digital Download SKU: S9.Q50078 A Homage to Deagan for percussion ensemble. Composed by Gavin Bryars. This edition: score an...
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Percussion-Quintett - Digital Download SKU: S9.Q50078 A Homage to Deagan for percussion ensemble. Composed by Gavin Bryars. This edition: score and parts. Downloadable, score and parts. Duration 20 minutes. Schott Music - Digital #Q50078. Published by Schott Music - Digital (S9.Q50078). One Last Bar Then Joe Can Sing (1994) was commissioned by the Arts Council of Great Britain for the percussion quintet Nexus, and is a reflection on aspects of percussion history, both personal and musical. The members of Nexus are my friends (I played in the Steve Reich Ensemble along with Russ Hartenberger in 1972, the year after Nexus was formed). The piece aimed to demonstrate how a fine percussion ensmeble can be as musically expressive and subtle as, say, a string quartet. The piece starts from the last bar at the end of the second act of my opera Medea, a very short coda for a quintet of untuned percussion instruments during which the curtain falls. In this piece, however, this one apparently innocuous measure is progressively fragmented until it is taken over, little by little, by the addition of tuned percussion instruments. Eventually two metallophones (crotales and songbells) play aria-like material with bows, occasionally joined by the xylophone, and accompanied by marimba and xylophone ostinati. The piece ends with a coda in which phrases are passed from bowed vibraphone to bowed crotales, then to bowed songbells, supported by tremolos on the marimbas. The rare 3-octave songbells that Nexus owns is one of the American instrument maker J. C. Deagan's particularly fine instruments. The piece is effectively a kind of homage to Deagan, the Stradivarius of the tuned percussion world, who collaborated closely with Percy Grainger in the development of tuned percussion music between the wars. The allusions in the title are obvious: the one last bar is the last measure of music from my opera; the song is that of Deagan's songbells. In the case of Joe I wanted to link my father, Joe Bryars (who was a good amateur baritone singer) with Joseph Deagan and his songbells. However, some time after I had written the piece, Nexus's Bob Becker took me to one side and told me (gently) that the initial J in Deagan's name, in fact, stood for JohnGavin BryarsPercussion 1: Crotales (with bow), Chocolo, Mark Tree; Percussion 2I: Song Bells (with bow), Chinese Cymbal, 3 Wood Blocks; Percussion 3: 2 Cymbals, 2 Triangles, Xylophone, Marimba (shared with Marimba II), Vibraphone (with bow); Percussion 4: 2 Cymbals, 2 Gongs, Marimba I (with low F), Maracas; Percussion 5: 2 low Tom-Toms, Marimba II (to low A).
$45.99
Praise to the Lord, the Almighty (Lobe den Herren)
Flute|English Horn|Viola|Guitar|Oboe|B-Flat Clarinet|Alto Saxophone|Violin|B-Flat Trumpet|Organ
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Sacred music
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Charles E
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Praise to the Lord, the Almigh
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
By Charles E. Callahan, Jr. (1951-). For Organ, Guitar, Flute, Violin, Oboe, Clarinet in B-flat, Trumpet in B-flat, Viola, Horn in F, English Horn, Alto Saxopho...
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By Charles E. Callahan, Jr. (1951-). For Organ, Guitar, Flute, Violin, Oboe, Clarinet in B-flat, Trumpet in B-flat, Viola, Horn in F, English Horn, Alto Saxophone in E-flat. Sacred. Medium. Published by MorningStar Music Publishers - Digital Sheet Music
$6.00
Juneteenth Call for Flute and Harp
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George Edward Brandon
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George Edward Brandon
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Juneteenth Call for Flute and
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Blue Unity Music
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SheetMusicPlus
Instrumental Duet - Level 4 - Digital Download SKU: A0.1244850 By George Edward Brandon. By George Edward Brandon. Arranged by George Edward Brandon. 21s...
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Instrumental Duet - Level 4 - Digital Download SKU: A0.1244850 By George Edward Brandon. By George Edward Brandon. Arranged by George Edward Brandon. 21st Century,Holiday. 3 pages. Blue Unity Music #839773. Published by Blue Unity Music (A0.1244850). This piece is a short and sprightly celebration of the anniversary of the date on which the last enslaved African Americans learned that the War between the States had concluded, slavery had been abolished and they had become free people. This was in Galveston, Texas on June 17, 1865. Another version of this piece, called Juneteenth Call for GR, exists for flute and clarinet, and there is also a third but slightly different version of it for saxophone quartet. A video of the flute and harp version was recorded by Castle of Our Skin and appears on their youtube channel as the Black Composer Challenge #2.
$4.50
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
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Thomas Oboe Lee
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Focus on Grace ... A concerto
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble - Level 4 - Digital Download SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and p...
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Small Ensemble - Level 4 - Digital Download SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #2019061. Published by Thomas Oboe Lee (A0.869266). Instrumentation: Alto sax solo and orchestra, 2222-4231-perc-drum set-strings Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
Still Waters (Duet for Eb Alto Saxophone and F Horn)
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Adam Lenhart
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Still Waters
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Adam Lenhart
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SheetMusicPlus
Alto Saxophone,Horn,Instrumental Duet - Level 2 - Digital Download SKU: A0.949368 Composed by Adam Lenhart. Contemporary,Instructional,Standards. 3 pages...
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Alto Saxophone,Horn,Instrumental Duet - Level 2 - Digital Download SKU: A0.949368 Composed by Adam Lenhart. Contemporary,Instructional,Standards. 3 pages. Adam Lenhart #5196769. Published by Adam Lenhart (A0.949368). Still Waters is just as the title describes: simple and beautiful. This flowing duet features call-and-response phrases, as well as contrasting dynamics to give the song a push-and-pull feeling. A great early-intermediate piece to display the player's ability to use dynamics in a beautiful and emotional way.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$4.99
Still Waters (Duet for Bb Clarinet and Eb Alto Saxophone)
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Adam Lenhart
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Still Waters
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Adam Lenhart
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SheetMusicPlus
Alto Saxophone,Clarinet,Instrumental Duet - Level 2 - Digital Download SKU: A0.949391 Composed by Adam Lenhart. Contemporary,Instructional,Standards. 3 p...
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Alto Saxophone,Clarinet,Instrumental Duet - Level 2 - Digital Download SKU: A0.949391 Composed by Adam Lenhart. Contemporary,Instructional,Standards. 3 pages. Adam Lenhart #6704855. Published by Adam Lenhart (A0.949391). Still Waters is just as the title describes: simple and beautiful. This flowing duet features call-and-response phrases, as well as contrasting dynamics to give the song a push-and-pull feeling. A great early-intermediate piece to display the player's ability to use dynamics in a beautiful and emotional way.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition, and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$4.99
'Changing Landscapes' suite for Eb or Bb saxophone & Piano by Emma Arandjelovi
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the end of the movement howeve
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Emma Arandjelović
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'Changing Landscapes' suite fo
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Masquerade Music
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SheetMusicPlus
Instrumental Solo,Piano,Saxophone - Level 4 - Digital Download SKU: A0.761542 Composed by Emma Arandjelović. 20th Century,Contemporary,Film/TV,Multic...
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Instrumental Solo,Piano,Saxophone - Level 4 - Digital Download SKU: A0.761542 Composed by Emma Arandjelović. 20th Century,Contemporary,Film/TV,Multicultural,World. Score and individual part. 39 pages. Masquerade Music #6120357. Published by Masquerade Music (A0.761542). Changing Landscapes for saxophone and piano was written by Scottish composer Emma Arandjelović and consists of three beautifully musically descriptive parts of a journey... It is aimed at saxophonists of around grade 4-6 level and is a refreshing addition to anyone's sheet music library.Two of the three pieces were recently chosen to be included on ABRSM's (The Associated Board of the Royal School of Music) Eb and Bb exam syllabus (from 2022 onwards). 'Leaving' as chosen for grade 7, and 'Changing Landscapes' for grade 6.Please view the YouTube video for the full suite. This PDF book comes with; Universal saxophone part (so playable on ANY saxophone), two piano accompaniment parts (one for Eb sax, the other for Bb sax) and full demonstration and accompaniment backing tracks (for both Eb, and Bb saxophones) which are available free of charge on request (see details on your sheet music after printing out). Leaving starts us on our travels, and you can feel the slightly optimistic viewpoint initially as the saxophone and piano playfully sing. A little later however it's as though doubts and anxieties have crept in... (included on Grade 7 ABRSM exams from 2022 onwards).Changing Landscapes (movement 2) propels us forward through twists and turns, almost as if the thoughts are in equal turmoil as the scenery that rushes by. By the end of the movement however, it's very much like these have been resolved, and a peace and newly found optimism is evident in the final movement. (included on Grade 6 ABRSM exams from 2022 onwards).Turning Point (movement 3) is both playful (with its 5/4 time signature) and full of hope as the future comes into view with fresh new beginnings.....
$12.50
Air on the G String by Bach for Baritone Sax and Strings
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Classical
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Johann Sebastian Bach
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Ander
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Air on the G String by Bach fo
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Woods Only, Arrangements
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SheetMusicPlus
Baritone Saxophone,Cello,Viola,Violin - Level 1 - Digital Download SKU: A0.1079043 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christma...
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Baritone Saxophone,Cello,Viola,Violin - Level 1 - Digital Download SKU: A0.1079043 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred,Wedding. 8 pages. Woods Only, Arrangements #683242. Published by Woods Only, Arrangements (A0.1079043). This easy arrangement for baritone sax and string quartet was written to be uncomplicated to perform and understand the structure of the piece. It can be freely played by beginning students, because of the ease imposed on the piece; however, this does not prevent it from being played by professionals and music teachers. It is also ideal for academic recitals, student method and ceremonies that are arranged in the same way as the piece contains. The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument.
$6.99
Air on the G String by Bach for Alto Sax and Strings
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Classical
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Johann Sebastian Bach
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Ander
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Air on the G String by Bach fo
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Woods Only, Arrangements
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SheetMusicPlus
Alto Saxophone,Cello,Viola,Violin - Level 1 - Digital Download SKU: A0.1079038 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Ea...
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Alto Saxophone,Cello,Viola,Violin - Level 1 - Digital Download SKU: A0.1079038 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred,Wedding. 8 pages. Woods Only, Arrangements #683239. Published by Woods Only, Arrangements (A0.1079038). This easy arrangement for alto sax and string quartet was written to be uncomplicated to perform and understand the structure of the piece. It can be freely played by beginning students, because of the ease imposed on the piece; however, this does not prevent it from being played by professionals and music teachers. It is also ideal for academic recitals, student method and ceremonies that are arranged in the same way as the piece contains. The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument.
$6.99
Air on the G String by Bach for Baritone Sax Trio
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Classical
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Johann Sebastian Bach
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Ander
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Air on the G String by Bach fo
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Baritone Saxophone - Level 1 - Digital Download SKU: A0.989176 Composed by Johann Sebastian Bach. Arranged by Ander. Baro...
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Woodwind Ensemble,Woodwind Trio Baritone Saxophone - Level 1 - Digital Download SKU: A0.989176 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Wedding. 6 pages. Woods Only, Arrangements #594604. Published by Woods Only, Arrangements (A0.989176). This easy arrangement for baritone sax trio was written to be uncomplicated to perform and understand the structure of the piece. It can be freely played by beginning students, because of the ease imposed on the piece; however, this does not prevent it from being played by professionals and music teachers. It is also ideal for academic recitals, student method and ceremonies that are arranged in the same way as the piece contains. The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument.
$5.99
Air on the G String by Bach for Tenor Sax and Strings
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Classical
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Johann Sebastian Bach
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Ander
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Air on the G String by Bach fo
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Woods Only, Arrangements
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SheetMusicPlus
Cello,Tenor Saxophone,Viola,Violin - Level 1 - Digital Download SKU: A0.1079041 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,E...
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Cello,Tenor Saxophone,Viola,Violin - Level 1 - Digital Download SKU: A0.1079041 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred,Wedding. 8 pages. Woods Only, Arrangements #683240. Published by Woods Only, Arrangements (A0.1079041). This easy arrangement for tenor sax and string quartet was written to be uncomplicated to perform and understand the structure of the piece. It can be freely played by beginning students, because of the ease imposed on the piece; however, this does not prevent it from being played by professionals and music teachers. It is also ideal for academic recitals, student method and ceremonies that are arranged in the same way as the piece contains. The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument.
$6.99
I've Got The World On A String
Small Ensemble
Intermediate level
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Jazz
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Dick Hyman
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Joseph Hasper
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I've Got The World On A String
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Joseph Hasper
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SheetMusicPlus
Small Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Drums,Piano,Tenor Saxophone,Trombone,Trumpet,Voice - Level 3 - Digital Download SKU: A0.734833
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Small Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Drums,Piano,Tenor Saxophone,Trombone,Trumpet,Voice - Level 3 - Digital Download SKU: A0.734833 By Dick Hyman. By Harold Arlen. Arranged by Joseph Hasper. Jazz. Score and parts. 36 pages. Joseph Hasper #3563033. Published by Joseph Hasper (A0.734833). The beloved anthem popularized by Frank Sinatra, Louis Armstrong, Michael Buble, Sarah Vaughan and others arranged for vocal solo and small jazz ensemble. Ensemble includes three saxes (alto sax, tenor sax, baritone sax), two trumpets, one trombone, and rhythm section (piano, bass, and drums).Key of G. 89 measures. Includes a full score, vocal part, and complete set of instrument parts.I've Got The World on a String was composed by Harold Arlen in 1932. It was written for the twenty-first edition of the Cotton Club series which opened on October 23, 1932.The song was introduced and recorded by Cab Calloway. Bing Crosby recorded the song in 1933 with the Dorsey Brothers and their Orchestra The song was one of the first recorded by Frank Sinatra when he transferred to Capitol Records in 1953. His recording (with orchestra conducted by Nelson Riddle) reached #14 on Billboard's most played list that year.
$18.99
A Call from Afar
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Contemporary
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Graham Hickey
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A Call from Afar
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Graham Hickey
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SheetMusicPlus
Large Ensemble Alto Saxophone,Clarinet,Cornet,Flute,Horn,Oboe,Piano Accompaniment,Tenor Saxophone,Trumpet - Level 2 - Digital Download SKU: A0.998307 Com...
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Large Ensemble Alto Saxophone,Clarinet,Cornet,Flute,Horn,Oboe,Piano Accompaniment,Tenor Saxophone,Trumpet - Level 2 - Digital Download SKU: A0.998307 Composed by Graham Hickey. Classical,Contemporary. Score and parts. 36 pages. Graham Hickey #6273521. Published by Graham Hickey (A0.998307). A three movement solo for Bb trumpet/cornet or other suitable instrument with piano accompaniment - mixed ensemble available on request. A fairly easy solo but with much movement for expression. (about Grade 5 standard). Suitable for Concerts and Reflective worship.1: Elegy for the lost, 2: Hope for a future 3: A place for all.This solo came about as I reflected on the past year as a muscian thinking about all the friends that I have missed seeing and performing with, but also the joy that we will all have when we once again perform together. My faith gives me hope that there is a place for all and so everyone we have lost this year and in past years we will see once more and every tear shall be wiped away. (rev 21:4)The solo was improvised and recorded first and then later the accompaniment was added.
$11.99
The Pipes are Calling for tenor sax, strings and timpani - Karaoke (music minus one) version (mp3)
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David Warin Solomons
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The Pipes are Calling for teno
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David Warin Solomons
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SheetMusicPlus
Cello,Double Bass,Flute,Tenor Saxophone,Timpani,Viola,Violin - Digital Download SKU: A0.1059364 Composed by David Warin Solomons. 20th Century,Celtic,Con...
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Cello,Double Bass,Flute,Tenor Saxophone,Timpani,Viola,Violin - Digital Download SKU: A0.1059364 Composed by David Warin Solomons. 20th Century,Celtic,Contemporary,World. Accompaniment. Duration 240. David Warin Solomons #2873697. Published by David Warin Solomons (A0.1059364). Performance of my composition The Pipes are calling by Budapest Scoring Orchestrawithout the saxophone part, so other saxophonists can play along with itThe score can be found athttp://www.sheetmusicplus.com/title/20324142?aff_id=175705
$2.50
Nibiru for violoncello and baritone saxophone
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Contemporary
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Eugene Astapov
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Nibiru for violoncello and bar
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EAMUSIC
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SheetMusicPlus
Small Ensemble Baritone Saxophone,Cello - Level 5 - Digital Download SKU: A0.930385 Composed by Eugene Astapov. Contemporary. Score and parts. 8 pages. E...
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Small Ensemble Baritone Saxophone,Cello - Level 5 - Digital Download SKU: A0.930385 Composed by Eugene Astapov. Contemporary. Score and parts. 8 pages. EAMUSIC #5361. Published by EAMUSIC (A0.930385). Scored for baritone saxophone and violoncello, this piece was inspired by the fictional theory of the Galactic Alignment on December 21, 2012, which by some was considered to be the day of the end of the world and the switch into another dimension. According to this story, all planets of the solar system would align into one axis and that would signal the beginning to a new era. A new planet that was invisible before called Nibiru would emerge bringing new life.Certainly these ideas are fictional science, but it was fun imagining them and composing a sound track for the planet Nibiru.
$9.99
“When the Roll Is Called Up Yonder” for 13-note Bells and Boomwhackers® (with Color Coded Notes)
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Sharon Wilson
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Sharon Wilson Music
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“When the Roll Is Called Up
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Sharon Wilson
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SheetMusicPlus
Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Xylophone - Level 2 - Digital Download SKU: A0.565975 By Sharon Wilson....
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Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Xylophone - Level 2 - Digital Download SKU: A0.565975 By Sharon Wilson. By James M. Black. Arranged by Sharon Wilson Music. Children,Praise & Worship,Romantic Period,Sacred,Traditional. Score and parts. 38 pages. Sharon Wilson #6612669. Published by Sharon Wilson (A0.565975). NOTE: This song has many eighth notes and may take beginners longer to learn and master. Those with a little music experience will probably have an easier time learning this arrangement and have a lot of fun with the quick tempo. For beginning musicians or for introducing new players to Handbells and Boomwhackers®, I recommend starting with an easy song which uses only quarter notes and rests in the score such as God Is So Good for 8-note Bells and Boomwhackers®. This sheet music is notated for 13-note (one octave, C to C chromatic scale) instruments with Handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord reference chart is also provided. To aid in the learning and teaching of this song or for use with other instruments (such as a Ukulele), chord names are included on the Boomwhackers® staff and score. Lyrics are provided on the grand staff for sing along enjoyment or when using this arrangement as the accompaniment for a unison choir. In addition, a complete set of scores for 4 ringers and 4 whackers is provided. Though there are multiple combinations for the number of ringers and whackers needed for any given performance, this extra set of scores is specifically designed for 8 performers with 1 to 3 notes assigned to each player. For each ringer and whacker, the 1-staff score shows only the notes they are assigned. This alternate score format may be easier to sight-read since the only notes on the staff are the assigned notes allowing the player to focus on rhythm. This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. Only filled noteheads are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. All sharps and flats are displayed as well (shown in the key of C); a helpful reminder for beginning musicians. Note assignment suggestions are provided. Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers® * form a choir using multiple sets of bells and/or Boomwhackers® * use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groupsPermission is granted to make as many copies as needed for one family, church, school, or other performing group. Please purchase additional copies for multiple groups or organizations. Boomwhackers® is a registered trademark of Rhythm Band Instruments LLC. Used by permission.Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$10.00
Air on the G String from Bach BWV 1068
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Classical
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Johann Sebastian Bach
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Henk Bloemers
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Air on the G String from Bach
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Abeba Music
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SheetMusicPlus
Small Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Clarinet,Flute,Oboe,Soprano Saxophone,Tenor Saxophone,Trumpet,Violin - Level 4 - Digital Download SK...
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Small Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Clarinet,Flute,Oboe,Soprano Saxophone,Tenor Saxophone,Trumpet,Violin - Level 4 - Digital Download SKU: A0.985158 Composed by Johann Sebastian Bach. Arranged by Henk Bloemers. Baroque,Pop,Standards. Score and parts. 5 pages. Abeba Music #5029029. Published by Abeba Music (A0.985158). In the autumn of 2016 flute player Tersite Ayele and pianist/accordionist Henk Bloemers completed their project called ‘Bach After Midnight’: a special approach to the music of the great Johann Sebastian Bach.
$3.95
The house of the rising sun - Folk Song - Band Wind Quintet
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Folkloric/Traditional
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Trad
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Thomas Graf
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The house of the rising sun -
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Tenor Saxophone - Level 3 - Digital Download SKU: A0.569558 Composed ...
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Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Tenor Saxophone - Level 3 - Digital Download SKU: A0.569558 Composed by Trad. Arranged by Thomas Graf. Folk. 17 pages. Thomas Graf - the-hit-factory.com #6409713. Published by Thomas Graf - the-hit-factory.com (A0.569558). The famous American folk song became a hit in 1964 in the version of the British band The Animals. In this arrangement, every player is either imitating a part of the guitar pattern or is faking the vocals – it’s big fun to play - even on a campfire!  Instrumentation: Part I (Flute) Part II (Clarinet) Part III (Alto) Part IV (Tenor) Part V (Baritone Sax)      Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much!                Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic      Â
$15.99
Of The Woods
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Contemporary
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Bill Taylor
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Of The Woods
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William R Taylor
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SheetMusicPlus
Small Ensemble Oboe,Piano Accompaniment,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1022083 Composed by Bill Taylor. 20th Century,Contemporary...
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Small Ensemble Oboe,Piano Accompaniment,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1022083 Composed by Bill Taylor. 20th Century,Contemporary. Score and parts. 7 pages. William R Taylor #6475269. Published by William R Taylor (A0.1022083). Of The Woods. ©1983. The piano part of this piece came out one month, a few measures each day. It felt channeled rather than written – more like birth than development of some initial idea. The name is based on the translation of the last name of a friend; we shared a deep love for the forests. The northwestern US forests are a cathedral, and Paul McCandless’s oboe takes flight within it. To get involved, contact a local organization and/or visit forestcouncil.org, call Save America’s Forests 202-544-9219 The wind part can be played by any wind or string (violin or with some octave register changes viola or cello).
$3.99
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