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The Thrush
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Folk Songs For Classical Guitar - Volume 28 (Songs 730-756)
Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1163719 Comp…
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Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1163719 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 45 pages. Socrates Arvanitakis #764065. Published by Socrates Arvanitakis (A0.1163719). This is the twenty-eighth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all  volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view.Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 28 (Songs 730-756)Red River Valley (the)Rejoice and be MerryReynard The FoxRiddlesRiding Down to PortsmouthRio GrandeRise up ShepherdRise up, Shepherd, an’ FollerRoad to the IslesRobbie Tamson’s SmiddieRobin HoodRobin-a-ThrushRock-a-bye BabyRoll! Roll, AlabamaRolling Deep (the)RorateRosebud in JuneRosemary LaneRosetta and her Gay PloughboyRout it is come for the Blues (the)Roving JackRoy’s Wife of AldivallochRoyal ProclamationRun Run, BoysSacramentoSad Song (the)Sailor’s Life (A).
$25.00
22.64 €
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Traditional/Anonymous
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Folk Songs For Classical Guitar - Volume 28
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Socrates Arvanitakis
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SheetMusicPlus
Reveille, for instruments in six parts - Score and Parts
Level 4 - Digital Download SKU: A0.1426124 Composed by Paul Burnell. 21st Century,C…
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Level 4 - Digital Download SKU: A0.1426124 Composed by Paul Burnell. 21st Century,Classical,Contemporary. 41 pages. Paul Burnell #1006920. Published by Paul Burnell (A0.1426124). Reveille by Paul Burnell.Composed 2002, with minor revisions to the score in 2023.For instruments in six parts, reading treble clef.Optional: percussion (2 low drums, agogo bells, marimba or piano), six voices, drone on EDuration 7:00 approx.Score in CThe instrumental parts may be played with multiple performers on each part 1-6. Octave transpositions are allowed optionally at any point, in addition to those bars marked with ‘opt. 8’. If there are multiple performers on each part then have solo performers from rehearsal letter E to the end. The technique instructions in brackets (pizz., arco, con sord.) are not meant to indicate specific instruments, they are applicable only to those appropriate instruments who may be performing.Optional - Percussion instruments. Two low drums, agogo bells, marimba or piano.Optional - Voices. In the opening section, each voice in turn speaks the name of the subsequent instrumental performer at the beginning of the indicated bar (or any person if there are multiple players within the part). The subsequent rhythms are a guide and can be interpreted freely.The voices may characterise their delivery so that each person is distinguished from the other. For example - angry, loving, curious, frightened, strict, cynical.Optional - Drone on low E. The drone may be played on any instruments, taking breath or rests as necessary. The drone ends in the bar before rehearsal letter E. The drone may be doubled one or two octaves higher and/or an octave lower than written. If multiple instruments are playing the drone, the players may fade in and out of the drone texture ad lib.Any of the following also optional: Voices enter, three with folded bed sheets who unfold and shake them open; others recite list of night birds. Hang sheets to make a screen. Instrumentalists enter. Bird flying silhouettes or bird hand-shapes projected. Intermittent recorded sounds of flapping wings. At end voices fold sheets, exit with instrumentalists, flapping wings sound fades. Other instruments sustain low e from beginning to letter E.Bird names: barn owl, stone curlew, nightjar, long-eared owl, whip-poor-will, Japanese night heron, tawny owl, northern mockingbird, hermit thrush, black crowned night heron, great horned owl, shearwater, woodcock, common nighthawk, chuck-will’s-widow, Jerdon’s courser, corncrake.
$3.99
3.61 €
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Paul Burnell
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Reveille, for instruments in six parts - Score and Parts
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Paul Burnell
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SheetMusicPlus
Nevermore for alto and classical guitar (mp3)
Alto Voice,Guitar - Level 3 - Digital Download SKU: A0.1387471 By András Csák…
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Alto Voice,Guitar - Level 3 - Digital Download SKU: A0.1387471 By András Csáki (guitar) and Bernadett Nagy (alto). By David Warin Solomons. Contemporary. Full Performance. Duration 167. David Warin Solomons #971325. Published by David Warin Solomons (A0.1387471). This setting of Paul Verlaine's poem Nevermore plays on an ambiguity of major and minor modes, swaying back and forth between the tonal centres of G minor and E flat majorThe poem and English translation are as follows:Nevermore  Souvenir, souvenir, que me veux-tu? L'automneFaisait voler la grive à travers l'air atone,Et le soleil dardait un rayon monotoneSur le bois jaunissant où la bise détone.Nous étions seul à seule et marchions en rêvant,Elle et moi, les cheveux et la pensée au vent.Soudain, tournant vers moi son regard émouvant :Quel fut ton plus beau jour? fit sa voix d'or vivant,Sa voix douce et sonore, au frais timbre angélique.Un sourire discret lui donna la réplique,Et je baisai sa main blanche, dévotement.-- Ah! les premières fleurs, qu'elles sont parfumées !Et qu'il bruit avec un murmure charmantLe premier oui qui sort de lèvres bien-aimées !English translation by S N Solomons:Memory, what would you have of me? AutumnDrove the thrush up through the atonic airAnd the pale sun pierced in monotoneThe chill and windy woods and the leaf flare.Together but alone we went our ways,Hair blown awry and monad thoughts unfurled.Sudden she turned to me her tender gaze:What was your finest day? - a voice of gold,Dulcet and low, ineffable and fresh.And I said nothing, offered her a smile,Seized her pale hand and pressed a kiss.Ah those first flowers of spring how sweet they were,And that first whispered Yes, how it beguiled,Won from those lovely lips with gentle murmur.(c) S N Solomons.
$6.00
5.43 €
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András Csáki
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Nevermore for alto and classical guitar
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David Warin Solomons
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SheetMusicPlus
Brass Magnolia Suite
Small Ensemble Drum Set,Horn,Trombone,Trumpet,Vibraphone - Level 5 - Digital Download S…
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Small Ensemble Drum Set,Horn,Trombone,Trumpet,Vibraphone - Level 5 - Digital Download SKU: A0.881262 Composed by Gary Powell Nash. Contemporary. Score and parts. 133 pages. Gary Powell Nash #6137361. Published by Gary Powell Nash (A0.881262). Brass Magnolia Suite (1999) for trumpet, horn, bass trombone and percussion was largely inspired by Gary Powell Nash’s residency in Mississippi, the Magnolia State from 1996-2003. Being that Mississippi, particularly the northwest part of the state known to most as the Mississippi Delta, is very rich in musical traditions, Nash chose to use some of these same traditions as the basis and major premise for his composition. For the most part, Brass Magnolia Suite is based on Mississippi Delta blues tunes and bird songs of those indigenous to the region. Such birds include the mockingbird, wood thrush, common crackle and the meadowlark. For Nash’s utilizations of these bird songs, as well as blues tunes, he took rhythms and melodic contours of each and manufactured melodies and motives of his own. While Brass Magnolia Suite is not meant to be programmatic, the five movements, which are arranged in a traditional fast-slow-fast-slow-fast format, all depict either a particular experience for Nash or a natural occurrence in Mississippi. The first movement, Fanfare, is based on the mockingbird’s song. The second movement, Homage to the Armadillos, incorporates the song of the wood thrush. The third movement, Catfishery, is supported by the tune Catfish Blues and the common grackle’s song. The fourth movement, Song of the Meadowlark, is exactly what it suggests and the fifth movement, The Gospel, is based on the gospel blues tune John, the Revelator.
$25.00
22.64 €
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Gary Powell Nash
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Brass Magnolia Suite
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Gary Powell Nash
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SheetMusicPlus
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