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You've selected:
Tim James
Sheetmusic to print
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We Have All The Time In The World
Guitar Ensemble Guitar - Level 2 - Digital Download SKU: A0.797780 Composed by John…
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Guitar Ensemble Guitar - Level 2 - Digital Download SKU: A0.797780 Composed by John Barry. Arranged by Derek Hasted. Contemporary,Film/TV. Score and parts. 15 pages. Derek Hasted #5776545. Published by Derek Hasted (A0.797780). WE HAVE ALL THE TIME IN THE WORLD - 3 GUITARS (see also quartet version)For Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This is one of two arrangements I made of this piece during the 2020 Coronavirus Lockdown when we all had rather a lot of time on our hands. The other version is a more complex arrangement for 4 guitars - find it on my website belowBoth are set in the key that Louis Armstrong sang it in as part of the James Bond Film On Her Majesty’s Secret Service.The other arrangement (for 4 guitars) is less straightforward - it has a more complex rhythm and an additional guitar part based on the string motifs and acoustic guitar parts in the original soundtrack. But this version holds its head up high - it is still faithful to the original and will appeal to a less-experienced adult or school ensemble.There are two Guitar One parts in this edition - one that sits above the other instruments in pitch, and in a quartet will carry well. The other is at the pitch Louis Armstrong sang. Because of the depth and timbre of the line, the low version will struggle to cut through the accompaniment unless the other parts are played in a subdued voice. In a large ensemble, one can put a few more players on this line, or indeed play both versions - they are completely compatible. Both lines feature the Flugelhorn solo in the original.I hope you enjoy playing this piece!
$4.99
4.67 €
#
John Barry
#
We Have All The Time In The World
#
Derek Hasted
#
SheetMusicPlus
We Have All The Time In The World
Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.797781 Composed by John…
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Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.797781 Composed by John Barry. Arranged by Derek Hasted. Contemporary,Film/TV. Score and parts. 19 pages. Derek Hasted #5776547. Published by Derek Hasted (A0.797781). WE HAVE ALL THE TIME IN THE WORLD - 4 GUITARS (see also trio version)For Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This is one of two arrangements I made of this piece during the 2020 Coronavirus Lockdown when we all had rather a lot of time on our hands. The other version is an easier arrangement for 3 guitars - find it on my website belowBoth are set in the key that Louis Armstrong sang it in as part of the James Bond Film On Her Majesty’s Secret Service.The other arrangement (for 3 guitars) has a more straightforward rhythm - this intermediate version captures some of Armstrong’s amazing Rubato. The additional guitar part in this version is based on the string motifs and acoustic guitar parts in the original soundtrack, and in a mixed-ability ensemble would suit the most confident player so that the entire piece sounds as relaxed as the original.There are two Guitar One parts in this edition - one that sits above the other instruments in pitch, and in a quartet will carry well. The other is at the pitch Louis Armstrong sang. Because of the depth and timbre of the line, the low version will struggle to cut through the accompaniment unless the other parts are played in a subdued voice. In a large ensemble, one can put a few more players on this line, or indeed play both versions - they are completely compatible. Both lines feature the Flugelhorn solo in the original.I hope you enjoy playing this piece!
$4.99
4.67 €
#
John Barry
#
We Have All The Time In The World
#
Derek Hasted
#
SheetMusicPlus
St James' Infirmary. for Solo Horn in F and Piano. Backing Track.
Horn,Piano - Digital Download SKU: A0.1065876 Composed by Traditional. Arranged by …
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Horn,Piano - Digital Download SKU: A0.1065876 Composed by Traditional. Arranged by Tim Curd. Blues,Contemporary,Jazz. Accompaniment. Duration 186. Tim Curd #4802621. Published by Tim Curd (A0.1065876). This is the mp3 piano backing track for:St James' Infirmary. For Solo Horn in F and Piano.The Sheet Music is available here:https://www.sheetmusicplus.com/title/st-james-infirmary-for-solo-horn-in-f-and-piano-digital-sheet-m...
$1.99
1.86 €
#
Traditional
#
St James' Infirmary. for Solo Horn in F and Piano. Backing Track.
#
Tim Curd
#
SheetMusicPlus
St James' Infirmary. for Solo Horn in Eb and Piano. Backing Track.
Horn,Piano - Digital Download SKU: A0.1065880 Composed by Traditional. Arranged by …
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Horn,Piano - Digital Download SKU: A0.1065880 Composed by Traditional. Arranged by Tim Curd. Blues,Jazz,Spiritual. Accompaniment. Duration 186. Tim Curd #4802617. Published by Tim Curd (A0.1065880). This is the mp3 piano backing track for:St James' Infirmary. For Solo Horn in Eb and Piano.The Sheet Music is available here:https://www.sheetmusicplus.com/title/st-james-infirmary-for-solo-horn-in-eb-and-piano-digital-sheet-...
$1.99
1.86 €
#
Traditional
#
St James' Infirmary. for Solo Horn in Eb and Piano. Backing Track.
#
Tim Curd
#
SheetMusicPlus
St James' Infirmary. for Trombone or Euphonium ( bass clef in C ) and Piano. Backing Track
Euphonium,Piano,Trombone - Digital Download SKU: A0.1065882 Composed by Traditional…
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Euphonium,Piano,Trombone - Digital Download SKU: A0.1065882 Composed by Traditional. Arranged by Tim Curd. Blues,Jazz. Accompaniment. Duration 186. Tim Curd #4802631. Published by Tim Curd (A0.1065882). This is the mp3 piano backing track for:St James' Infirmary. For Trombone (bass clef in C) and Piano.The Sheet Music is available here:https://www.sheetmusicplus.com/title/st-james-infirmary-for-trombone-or-euphonium-bass-clef-in-c-and...
$1.99
1.86 €
#
Traditional
#
St James' Infirmary. for Trombone or Euphonium
#
Tim Curd
#
SheetMusicPlus
St James' Infirmary. for Trombone or Euphonium ( treble clef in Bb) and Piano.
B-Flat trombone,Piano,Tenor Trombone - Level 3 - Digital Download SKU: A0.716592 Co…
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B-Flat trombone,Piano,Tenor Trombone - Level 3 - Digital Download SKU: A0.716592 Composed by Traditional. Arranged by Tim Curd. Blues,Contemporary,Jazz. Score and part. 4 pages. Tim Curd #3475371. Published by Tim Curd (A0.716592). St James’ Infirmary.
$3.99
3.73 €
#
Traditional
#
St James' Infirmary. for Trombone or Euphonium
#
Tim Curd
#
SheetMusicPlus
St James' Infirmary. Trumpet Trio
Brass Ensemble Trumpet - Level 3 - Digital Download SKU: A0.716609 Composed by Trad…
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Brass Ensemble Trumpet - Level 3 - Digital Download SKU: A0.716609 Composed by Traditional. Arranged by Tim Curd. Contemporary,Jazz. Score and parts. 10 pages. Tim Curd #3504333. Published by Tim Curd (A0.716609). Trio for Trumpet.An original arrangement of the trad jazz classic St James' Infirmary.This new orleans style funeral march becomes more jazzy and upbeat as it progresses.Score and parts included-Part 1 - Trumpet in BbPart 2 - Trumpet in BbPart 3 - Trumpet in Bb
$4.99
4.67 €
#
Traditional
#
St James' Infirmary. Trumpet Trio
#
Tim Curd
#
SheetMusicPlus
St James' Infirmary. Trio for Trumpet, Horn in F/Eb and Trombone in C/Bb
Brass Ensemble Euphonium,Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.716…
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.716608 Composed by Traditional. Arranged by Tim Curd. Contemporary,Jazz. Score and parts. 14 pages. Tim Curd #3504329. Published by Tim Curd (A0.716608). Trio for Trumpet, Horn F or Eb and Trombone C or BbAn original arrangement of the trad jazz classic St James' Infirmary.This new orleans style funeral march becomes more jazzy and upbeat as it progresses.Score and parts included-Part 1 - Trumpet in BbPart 2 - Horn in FPart 2 - Horn in EbPart 3 - Trombone in CPart 3 - Trombone in Bb.
$4.99
4.67 €
#
Traditional
#
St James' Infirmary. Trio for Trumpet, Horn in F/Eb and Trombone in C/Bb
#
Tim Curd
#
SheetMusicPlus
St James' Infirmary. Duet for Trumpet and French-Horn
Instrumental Duet Horn,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.7…
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Instrumental Duet Horn,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.716641 Composed by Traditional. Arranged by Tim Curd. Contemporary,Jazz. Score and parts. 7 pages. Tim Curd #3511343. Published by Tim Curd (A0.716641). Duet for Trumpet and French-HornAn original arrangement of the trad jazz classic St James' Infirmary.This new orleans style funeral march becomes more jazzy and upbeat as it progresses.Score and parts included-Part 1 - Trumpet in BbPart 2 - French-Horn in F.
$4.99
4.67 €
#
Traditional
#
St James' Infirmary. Duet for Trumpet and French-Horn
#
Tim Curd
#
SheetMusicPlus
St James' Infirmary. Duet for French-Horn and Trombone
Instrumental Duet Horn,Instrumental Duet,Trombone - Level 3 - Digital Download SKU: A0.…
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Instrumental Duet Horn,Instrumental Duet,Trombone - Level 3 - Digital Download SKU: A0.716637 Composed by Traditional. Arranged by Tim Curd. Contemporary,Jazz. Score and parts. 7 pages. Tim Curd #3511335. Published by Tim Curd (A0.716637). Duet for French Horn and TromboneAn original arrangement of the trad jazz classic St James' Infirmary.This new orleans style funeral march becomes more jazzy and upbeat as it progresses.Score and parts included-Part 1 - French-Horn in FPart 2 - Trombone in C.
$4.99
4.67 €
#
Traditional
#
St James' Infirmary. Duet for French-Horn and Trombone
#
Tim Curd
#
SheetMusicPlus
St James' Infirmary. Duet for Cornet and Tenor Horn.
Instrumental Duet,Piano Cornet,Instrumental Duet,Piano,Tenor Horn - Level 3 - Digital Down…
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Instrumental Duet,Piano Cornet,Instrumental Duet,Piano,Tenor Horn - Level 3 - Digital Download SKU: A0.716635 Composed by Traditional. Arranged by Tim Curd. Contemporary,Jazz. 7 pages. Tim Curd #3511321. Published by Tim Curd (A0.716635). Duet for Cornet and Tenor-HornAn original arrangement of the trad jazz classic St James' Infirmary.This new orleans style funeral march becomes more jazzy and upbeat as it progresses.Score and parts included-Part 1 - Cornet in BbPart 2 - Tenor-Horn in Eb.
$3.99
3.73 €
#
Traditional
#
St James' Infirmary. Duet for Cornet and Tenor Horn.
#
Tim Curd
#
SheetMusicPlus
St James' Infirmary. Duet for Horn in Eb and Euphonium
Instrumental Duet Euphonium,Instrumental Duet - Level 3 - Digital Download SKU: A0.7168…
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Instrumental Duet Euphonium,Instrumental Duet - Level 3 - Digital Download SKU: A0.716858 Composed by Traditional. Arranged by Tim Curd. Blues,Contemporary,Jazz. Score and parts. 7 pages. Tim Curd #4635317. Published by Tim Curd (A0.716858). Duet for Horn in Eb and Euphonium in Bb.An original arrangement of the trad jazz classic St James' Infirmary.This new orleans style funeral march becomes more jazzy and upbeat as it progresses.Score and parts included-Part 1 - Tenor Horn / Horn in EbPart 2 - Euphonium in Bb.
$4.99
4.67 €
#
Traditional
#
St James' Infirmary. Duet for Horn in Eb and Euphonium
#
Tim Curd
#
SheetMusicPlus
St James' Infirmary for Flexible 4 Part Ensemble
Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Clarinet,Euphonium,Flute,Horn,Obo…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Clarinet,Euphonium,Flute,Horn,Oboe,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.719850 Composed by Traditional. Arranged by Tim Curd. Blues,Jazz. Score and parts. 19 pages. Tim Curd #6735703. Published by Tim Curd (A0.719850). St James’ Infirmary.
$9.99
9.35 €
#
Traditional
#
St James' Infirmary for Flexible 4 Part Ensemble
#
Tim Curd
#
SheetMusicPlus
Once In A Lifetime
Small Ensemble,Strings Rhythm Instrument - Level 5 - Digital Download SKU: A0.748328
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Small Ensemble,Strings Rhythm Instrument - Level 5 - Digital Download SKU: A0.748328 By Chicago. By James Pankow. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 100 pages. Patrick Sheehan #6456713. Published by Patrick Sheehan (A0.748328). Transcribed as recorded by CHICAGO on their album CHICAGO 17 in 1984. INSTRUMENTATION: Lead Vocal I, Lead Vocal II, Background Vocal I, Background Vocal II, Background Vocal III, Background Vocal IV, Background Vocal V, Tenor Saxophone (Bb), Trumpet (Bb), Horn (F), Trombone, Trombone (overdub), Keyboard I, Keyboard II, Keyboard III, Keyboard IV, Violin I, Violin II, Viola, Cello, Contrabass, Electric Guitar I, Electric Guitar II, Bass, Tambourine, Woodblocks, Cowbells, Timbales, Hi-Hat (rhythm loop), Drumset. **SCORE is 8.5x14 (legal-sized paper), parts are 8.5x11 (letter-sized) paper.**ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$50.00
46.79 €
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Chicago
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Once In A Lifetime
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Patrick Sheehan
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SheetMusicPlus
Ragtime Sentimental
String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.840292
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String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.840292 Composed by James Scott. Arranged by Glen D. Lienhart. Folk,Ragtime. Score and parts. 22 pages. Glen D. Lienhart #3627317. Published by Glen D. Lienhart (A0.840292). Grade IV string trio with string orchestra. Includes trio parts for 3 violins, 2 violns and viola, or violin, viola, and cello.
$15.00
14.04 €
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James Scott
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Ragtime Sentimental
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Glen D. Lienhart
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SheetMusicPlus
St James' Infirmary. for Solo Horn in Eb and Piano
E-Flat Cornet,Horn in E-Flat,Instrumental Solo,Piano,Tenor Horn - Level 3 - Digital Downlo…
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E-Flat Cornet,Horn in E-Flat,Instrumental Solo,Piano,Tenor Horn - Level 3 - Digital Download SKU: A0.716589 Composed by Traditional. Arranged by Curd. Blues,Contemporary,Jazz. Score and individual part. 4 pages. Tim Curd #3475361. Published by Tim Curd (A0.716589). St James’ Infirmary.
$4.99
4.67 €
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Traditional
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St James' Infirmary. for Solo Horn in Eb and Piano
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Tim Curd
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Double Brass Choir
Bass Trombone,Trumpet - Level 3 - Digital Download SKU: A0.549202 Composed by Giova…
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Bass Trombone,Trumpet - Level 3 - Digital Download SKU: A0.549202 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Renaissance,Standards. 47 pages. Jmsgu3 #3460779. Published by jmsgu3 (A0.549202). An antiphonal masterwork from the Sacrae Symphoniae, Venice,1597. Minimum instrumentation: 2 Trumpets, 2 French Horns, 2 Tenor Trombones, 2 Bass Trombones. Suggested instrumentation: multiples of the minimum instrumentation, e.g., 4 or 8 on each part. Place the choirs left and right - separated by enough space to accentuate the antiphonal nature of the music entirely. It is best performed in an ample reverberant space. Euphoniums might replace some of the trombones to good effect. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. It seems like Gabrieli may have invented dynamics – or was rather the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a response from the group on the other. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation here. Also, only parts marked Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moved to a much more homophonic style. He writes sections purely for instruments – which is called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.87 €
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Giovanni Gabrieli
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Gabrieli: Canzon Septimi Toni Ch 172 for Double Brass Choir
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jmsgu3
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Double Reed Choir
Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.…
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Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.549205 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3462151. Published by jmsgu3 (A0.549205). Minimum instrumentation: 8 double reeds (or multiples) arranged in 2 antiphonal choirs. 4 oboes, 2 English horns, 1 bassoon, 1 contrabassoon (or 2 bassoons). Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.87 €
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Gabrieli
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Gabrieli: Canzon Septimi Toni Ch 172 for Double Reed Choir
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jmsgu3
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Double Saxophone Choir
Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Do…
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Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549207 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 44 pages. Jmsgu3 #3462167. Published by jmsgu3 (A0.549207). Instrumentation: Double Sax Quartet (SSAATTBB) arranged antiphonally (SATB - SATB). Full Score: 28 pg. Study Score: 14 pg. Instrumental parts: 2 pg. ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.87 €
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Gabrieli
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Gabrieli: Canzon Septimi Toni Ch 172 for Double Saxophone Choir
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jmsgu3
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Double String Quartet
Strings - Level 3 - Digital Download SKU: A0.549209 Composed by Gabrieli. Arranged …
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Strings - Level 3 - Digital Download SKU: A0.549209 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3462323. Published by jmsgu3 (A0.549209). Instrumentation: Two string quartets arranged antiphonally. Full Score: 28 pgs. Study Score: 14 pgs. Instrumental parts: 2 pg. ea. Duration: ca. 3:00. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. www.jamesguthrie.com.
$47.95
44.87 €
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Gabrieli
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Gabrieli: Canzon Septimi Toni Ch 172 for Double String Quartet
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jmsgu3
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SheetMusicPlus
We Have All The Time In The World
Large Ensemble,Strings Alto Saxophone,Baritone Saxophone,Cello,Clarinet,Drum Set,Piano,Ten…
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Large Ensemble,Strings Alto Saxophone,Baritone Saxophone,Cello,Clarinet,Drum Set,Piano,Tenor Saxophone,Trombone,Trumpet,Viola,Violin,Voice - Digital Download SKU: A0.500381 Composed by Hal David and John Barry. Arranged by Musiscorz. Film/TV,Jazz,Pop. Score and parts. 68 pages. Published by Musiscorz (A0.500381). My arrangement of the beautiful song by John Barry and Hal David and performed by the legendary Vocalist and Trumpeter, Louis Armstrong for the James Bond film, On her Majesty's Secret Service in 1969. It is also featured in the most recent James Bond film. This is arranged in the original key with other keys available and although written out with a large ensemble in mind to achieve a rich sound this arrangement will work with a combination of instruments. There is a String section which is doubled in the clarinets at times and they are also reduced into a keyboard such as a NORD. This score: Solo Vocal, Alto Saxophones 1 & 2, Tenor Saxophone 1 & 2, Baritone Saxophone, Clarinets 1 - 4, Trumpets 1 - 4, Trombones 1 - 4, Piano, Guitar solo, Electric Bass, Drums, String Quartet, Reduced Keyboard Strings.
$50.00
46.79 €
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Hal David and John Barry
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We Have All The Time In The World
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Musiscorz
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SheetMusicPlus
Valse Sentimentale
Small Ensemble - Level 3 - Digital Download SKU: A0.971991 Composed by Howard Heitm…
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Small Ensemble - Level 3 - Digital Download SKU: A0.971991 Composed by Howard Heitmeyer. Arranged by James Bachman. Jazz,Pop. Score and parts. 3 pages. Bachmangtr@gmail.com #6075879. Published by Bachmangtr@gmail.com (A0.971991).
$4.99
4.67 €
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Howard Heitmeyer
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Valse Sentimentale
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Bachmangtr@gmail.com
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SheetMusicPlus
No Time To Die
Percussion Ensemble Bass Marimba,Drum Set,Glockenspiel,Suspended Cymbal,Tambourine,Timpani…
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Percussion Ensemble Bass Marimba,Drum Set,Glockenspiel,Suspended Cymbal,Tambourine,Timpani,Vibraphone - Level 4 - Digital Download SKU: A0.1371572 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Iona Crosby. 21st Century,Film/TV,Pop,Singer/Songwriter. 24 pages. Iona Crosby #955807. Published by Iona Crosby (A0.1371572). This percussion ensemble arrangement of Billie Eilish's hauntingly beautiful song No Time To Die is designed to be performed by intermediate - advanced percussion players.No Time To Die was composed by Billie Eilish, her brother Finneas O'connell and features orchestration by Hans Zimmer. The song was composed for the James Bond film 'No Time To Die' and released in 2020. The glockenspiel takes the main lead as Billie's 'vocals', and the vibraphones add subtle and textural chords throughout. This slow but beautiful arrangement is sure to bring atmosphere to your performance program and captivate your audience!
$39.99
37.42 €
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Billie Eilish
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No Time To Die
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Iona Crosby
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SheetMusicPlus
It's Been A Long, Long Time
Alto Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.592534 Comp…
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Alto Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.592534 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and individual part. 6 pages. David McKeown #6366337. Published by David McKeown (A0.592534). It’s Been a Long Long Time is arranged as a solo for one Alto Flute with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.61 €
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Jule Styne
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
It's Been A Long, Long Time
E-Flat Tenor Horn,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.592537
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E-Flat Tenor Horn,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.592537 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and individual part. 6 pages. David McKeown #6366345. Published by David McKeown (A0.592537). It’s Been a Long Long Time is arranged as a solo for one Tenor Horn in E Flat with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.61 €
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Jule Styne
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
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